Screenwriter Krysty Wilson-Cairns on Helping Sam Mendes Write his WWI Epic 1917
“The third time,” director Sam Mendes said to screenwriter Krysty Wilson-Cairns when asking her to co-write 1917 with him, “is the charm.” And in a film that shows how random luck is as much a factor in surviving war as anything else, he was right.
Wilson-Cairns had originally come to his attention through a combination of a well-regarded script on “the Black List” — that rundown of the best crop of unproduced spec scripts — with a project called Aether.
How Cinematographer Roger Deakins & Team Pulled off the One-Shot Masterpiece 1917
For Sam Mendes, the multi-hyphenate who produced, directed and co-wrote the script with Krysty Wilson-Cairns, 1917 was a personal story. It follows two British soldiers – Schofield (George MacKay) and Blake (Dean-Charles Chapman) – tasked with delivering a message across enemy lines in order to stop a battle that could save hundreds of soldiers’ lives. The idea came to Mendes after his grandfather shared with him World War I stories where he himself had been a runner.
How Watchmen Cinematographer Gregory Middleton Captured Hooded Justice’s Harrowing Origin
Vancouver-based DP Gregory Middleton has lensed his share of prestigious series before Watchmen, having scored Emmy and ASC nominations for his work on different Game of Thrones episodes, and finding himself behind the viewfinder for shows like The Killing, cult hit movies like James Gunn’s Slither and many more.
But it was working with director Nicole Kassell on episodes of The Killing—rather than his earlier toe-dip into the DC Universe,
Sandy Powell & Christopher Peterson on Dressing De Niro (and More) in The Irishman
In Martin Scorsese’s three and a half-hour Netflix gangster opus, The Irishman, Robert De Niro plays real-life Philadelphia mobster Frank Sheeran across five decades. The film’s VFX team had their work cut out for them during Frank’s early years, while hair and makeup were responsible for the much aged De Niro who directly addresses the camera from a nursing home at the beginning and close of the movie.
Actor, Writer, and Producer Reggie Lochard on his Passion Project
Actor, screenwriter, and producer Reggie Lochard has a lot going on. He’s currently filming his passion project, “A” for Alpha., which he wrote, produced, and stars in. Last week, Lochard sat down with the Motion Picture Association’s Vice President for Multicultural and External Affairs, John Gibson, at the third annual New York State Multicultural Creativity Summit. The Summit was co-hosted by the Empire State Development, Motion Picture Association, and Ghetto Film School,
How Robert De Niro’s Makeup Team Traversed 50-Years in The Irishman
In describing The Irishman, Martin Scorsese’s latest feature, one word that keeps popping up is “epic.” And deservedly so. A sweeping three-and-a-half-hour saga, The Irishman explores the true-life story of Frank Sheeran, an organized crime figure and close confidant of Jimmy Hoffa, who rose to the top of the International Brotherhood of Teamsters. Ultimately, he betrayed his boss, orchestrating Hoffa’s disappearance and demise. Robert De Niro plays Sheeran. Al Pacino costars as Hoffa.
How Jay-Z Connected the Oscar Hopefuls of Uncut Gems
The song “Marcy Me,” a poetically rhythmic Jay-Z track where the billionaire mogul reminisces about his time living in the Marcy Projects of Brooklyn raps, “Streets is my artery, the vein of my existence.” It’s an apt line to describe Howard Ranter (Adam Sandler), a fast-talking jewelry store owner in New York’s Diamond District who has to hustle the streets to crawl out of a life crashing around him.
But it’s more than lyrics that link Jay-Z to the movie Uncut Gems,
Editor Gordon Rempel on the Music of Editing
Gordon Rempel sees parallels between the approach he takes editing film and television and his love of making music. With more than two decades of experience in both fields, he would know.
“I actually have a musical background. I’ve been playing in bands continuously since I was a teenager. Music takes a lot of the same parts of your brain as editing does: it’s all rhythm, tempo, and pacing. And finding that accent point.
De-Aging the Iconic Actors of Martin Scorsese’s The Irishman
In 2015, visual effects supervisor Pablo Helman was working with Martin Scorsese on Silence, a stirring film about the Christian faith during 17th century Japan. The two ended up having a conversation that ignited a technological advancement within the visual effects industry—one that will likely become a new standard in how images can be captured and processed during filmmaking.
“We were talking about a project and I mentioned making one of the characters younger.
Unraveling Marriage Story with Editor Jennifer Lame
It was well past 9 pm on a Sunday night when the word “hello” drifted through the speaker of my phone. On the line was editor Jennifer Lame who pulled herself away from Christopher Nolan’s action-thriller Tenet.
“It’s nice speaking with you again,” she said in an even-tempered tone. A tone very unlike the characters in Marriage Story from writer/director Noah Baumbach that dissects the inevitable split between spouses Nicole (Scarlett Johansson) and Charlie (Adam Driver).
Heading Abroad With Charlie’s Angels Location Manager
After a sixteen-year hiatus, the sorority, camaraderie, and crime-fighting of Charlie’s Angels is back, newly helmed by Elizabeth Banks, who also wrote the script and plays one of the movie’s chief supporting roles. No longer reporting to a Los Angeles-based Charlie, the Angels are taking on lawlessness around the globe for the Townsend Agency, supported by a gaggle of Bosleys (played by Patrick Stewart, Djimon Hounsou, and Banks). At the heart of the caper is Elena (Naomi Scott),
Composer Christophe Beck on Returning for a Second Round of Ice & Earworms in Frozen II
In Jennifer Lee and Chris Buck’s Frozen II, sisters Elsa (Idina Menzel) and Anna (Kristen Bell) are back, older and wiser and reunited for good. Unfortunately, Elsa, now Queen of Arendelle, is still having trouble with her ice-making powers, a disturbance that arrives this time around via a mysterious siren call she can’t make anything of without following it to the Enchanted Forest, where it turns out an indigenous people,
Watchmen’s Costume Designer Meghan Kasperlik on This Extraordinary Series
Now that Watchmen has made its glorious debut on HBO and confounded just about every expectation, we can say with confidence that Damon Lindelof’s adaptation of Alan Moore and Dave Gibbons iconic graphic novel is a remarkable testament to the original and a bold, powerful piece of original storytelling itself. The reason is Lindelof and his incredible team of writers, directors, actors, and crew hasn’t adapted the graphic novel itself,
Writer/Director Noah Baumbach on his Devastating Marriage Story
Writer/director Noah Baumbach’s substantial body of work has often explored families in all their painful, darkly funny dysfunction, evolving from the perspective of an adolescent witness to the break-up of his parents in his 2005 second feature, the Oscar-nominated The Squid and the Whale, to the poignant, middle-aged observations of a son coming to terms with his estranged family and self-absorbed father in 2017’s The Meyerowitz Stories (New and Selected).
Frozen II Head of Special Effects Marlon West on the Sequel’s Epic Ambitions
Frozen II co-director and screenwriter Jennifer Lee says that if the Disney Oscar-winning blockbuster Frozen was about a happily ever after, then Frozen II is about the day after happily ever after. Elsa, Anna, Kristoff, Sven, and Olaf are back, and fans get to see this found family take on new challenges and learn more about themselves and each other. As part of this chapter in their story,
Waves Writer/Director Trey Edward Shults & Stars Kelvin Harrison & Taylor Russell on Their Powerful Drama
From the moment the new film Waves had its premiere at the Telluride Film Festival in August, it started getting awards mentions. Touted were the emotional intensity and authenticity of the script by writer/director Trey Edward Shults, and the powerhouse performances served up by an ensemble cast that included stars Kelvin Harrison, Taylor Russell, Lucas Hedges, and Sterling K. Brown. The story centers on the members of one South Floridian family, and how their personal challenges lead variously to trauma,
Production Designer Hannah Beachler Dives into Dark Waters
There are a number of reasons why Oscar-winning production designer Hannah Beachler wanted to be involved with Dark Waters, the latest film from director Todd Haynes. The first was the subject matter.
Based on a true story, Dark Waters follows lawyer Rob Bilott’s (Mark Ruffalo) 17-year quest for justice after he discovers that DuPont may be poisoning the small West Virginia town of Parkersburg by dumping toxic chemicals into its soil.
How The Dark Crystal: Age of Resistance’s Production Designer Helped Expand Thra
When director and executive producer Louis Leterrier got to work on The Dark Crystal: Age of Resistance, he knew he needed serious artists to help pull off his ambitious vision for this return trip to the mythical Thra. Leterrier’s update builds on the world first created by Jim Henson and Frank Oz’s classic 1982 film The Dark Crystal. Henson, a wizard of the practical effect and the brains behind The Muppets,
Costume Designer Mark Bridges Deconstructs Joker’s Bespoke, Lunatic Elegance
Joker last month became the highest-grossing R-rated motion picture in history, which means Joaquin Phoenix’s candy-colored three-piece suit created by costume designer Mark Bridges has imprinted itself on millions of eyeballs worldwide. Elegant, vivid and draped just so across the anti-hero’s frail frame, Joker’s outfit merits a permanent place in the movie villain hall of fame. A two-time Oscar winner for The Artist and Phantom Thread, Bridges teamed on Joker with director Todd Phillips after becoming the go-to costume designer for high-end auteurs like Paul Thomas Anderson,
Marriage Story’s Production Designer on Creating an Environment of Heartbreak
Production designer Jade Healy doesn’t seem to repeat herself much—particularly with the kinds of films she designs, and even the directors she works with. Though as the work remains eclectic, it grows steadily more renowned, and the latter, at least, is changing.
She’s the designer for Marriage Story, director Noah Baumbach’s story of a marriage’s implosion that is heartbreaking for its specificity and its refusal to take sides.