“Marty Supreme” First Reactions: Josh Safdie Delivers an Overhand Smash With a Career Best From Timothée Chalamet
The synopsis for co-writer/director Josh Safdie’s Marty Supreme is sublimely simple: “Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.” In the film, Timothée Chalamet plays Marty, an up-and-coming ping pong prodigy whose ambition and pluck will drive him no matter how hard the world pushes back, and push back it will. Safdie’s film, his first solo directorial work since his 2008 debut,
Happy Accidents, Revolutionary Moments, & Killer Improv: Inside “One Battle After Another” With DP Michael Bauman
Spoilers below.
“That dude is unbelievable,” admits One Battle After Another cinematographer Michael Bauman to The Credits about Leonardo DiCaprio. “I mean, he’s a star and he brings people in [theaters] but his ability to expand the character is unreal.” Bauman has worked with Paul Thomas Anderson on five different features in one capacity or another, but it was the first time on set with DiCaprio on the acclaimed film,
How “The Smashing Machine” Makeup Designer Kazu Hiro Transformed Dwayne Johnson into MMA Legend Mark Kerr
Veteran prosthetic makeup designer Kazu Hiro has garnered two Oscars for his outstanding work: one for transforming actor Gary Oldman into Winston Churchill for Darkest Hour, and the other for transforming Charlize Theron into Megyn Kelly for Bombshell. More recently, he was nominated for sculpting Bradley Cooper’s visage as legendary composer Leonard Bernstein in Maestro.
But for writer/director Benny Safdie’s biographical drama about the beginnings of mixed martial arts (“MMA”) and what would eventually become the UFC,
From “Ice Age” to AI: Filmmakers at Busan Weigh Opportunities and Concerns for Creative Industries
Carlos Saldanha could well have been speaking for many of those gathered on the sidelines of this year’s 30th Busan International Film Festival (BIFF) when the filmmaker behind such cutting-edge animated hits as Ice Age: The Meltdown (2006), Rio (2011), and the Oscar-nominated Ferdinand (2017) turned his attention to the growing influence of Artificial Intelligence across the creative industries.
The Brazilian, among the generation of animators who were among the first to adapt CGI techniques to their creations,
Jacob Elordi’s Creature Unmasked in “Frankenstein” Official Trailer, + New Images of Guillermo del Toro’s Adaptation
The official trailer for Guillermo del Toro’s Frankenstein finally revealed the stunning transformation of Jacob Elordi into Frankenstein’s Monster. This is the longest look yet at Del Toro’s passion project, which is firmly told from the Monster’s perspective, as he openly wrestles with the torture of having the memories of multiple people in his head and the general confusion and horror at having been stitched together and electrocuted back into a fractured life.
The Heart of the Story: How Carlos Saldanha Went from Film Student to Animation Legend
Carlos Saldanha came to Busan with one chief piece of advice for the 24 emerging filmmakers gathered from across Asia for this year’s edition of the CHANEL X BIFF Asian Film Academy.
“Every minute counts on the journey towards your objective,” was the message, and the Brazilian filmmaker has crafted a remarkable career out of following that to the letter.
The driving force behind such global hits as Ice Age: The Meltdown (2006),
“Anemone”: A Surreal, Haunting Return to the Screen for Daniel Day-Lewis in Son Ronan Day-Lewis’s Directorial Debut
There is something electric in Anemone, the new film that marks the long‑awaited return of Daniel Day‑Lewis to acting after an eight-year absence in the first feature film directed by his son, Ronan Day‑Lewis. It feels like a threshold movie, one that straddles multiple worlds. Past and present, real and surreal, familial love and bitter legacy, memory and myth, all come to the forefront in this cinematic experience.
Ronan Day‑Lewis,
“The Conjuring: Last Rites” Production Designer John Frankish on Creating the Hellish Smurl House
Production designer John Frankish knew instantly that making the homes the dark heart of The Conjuring: Last Rites was the way to go. From there, everything else would fall into place.
Directed by Michael Chaves, the ninth installment in The Conjuring Universe finds Patrick Wilson and Vera Farmiga’s paranormal investigators, Ed and Lorraine Warren, taking on what could be their most insanely terrifying case yet—and that’s saying something.
From Tragedy to Art: How Director Olivier Sarbil’s War Injury Inspired the Deeply Personal “Viktor”
At first glance, Olivier Sarbil doesn’t look like someone who’s danced with death, but once you hear his story, you’ll wonder how he’s still here to tell it.
Born on the French island of Corsica, at 21, he joined the military as a paratrooper. Stationed in Rwanda, he witnessed the genocide of the Tutsi people, where more than 800,000 people lost their lives. The experience set Sarbil on a path documenting social conflicts,
Inside the Breakneck Cut of Paul Thomas Anderson’s “One Battle After Another” With Editor Andy Jurgensen
The best-reviewed movie of the season is also the most relentless. Paul Thomas Anderson‘s Oscar front-runner One Battle After Another races through its two-hour fifty-minute run time propelled by adrenalized performances from Leonardo DiCaprio, Sean Penn, Chase Infiniti, Teyana Taylor, Benicio Del Toro, and Regina Hall as revolutionaries in the French 75 (in the case of DiCaprio’s Bob, Teyanna Taylor’s Perfidia Beverly Hills, and Hall’s Deandra),
“One Battle After Another”: How a Single California Road Became The Year’s Most Hallucinatory Effect
Spoilers below.
Let’s try to ditch hyperbole for a second and get to the heart of the matter, to something we might even call objective: Paul Thomas Anderson’s One Battle After Another is a movie that meets its moment head-on. The visionary writer/director doesn’t make uninteresting movies—this, too, feels like an objective statement—yet he has rarely worked in the present day. For a 19-year period, between 2002 and 2021,
Inside “Weapons”: Zach Cregger on Atlanta Crews, Practical Effects, and That Haunting Opening
Weapons became one of the year’s most acclaimed box office hits, and while the film’s success was certainly by design, it still surprised writer/director Zach Cregger. Cregger knows how to craft a movie that gets under your skin—his last film, Barbarian, was one of 2022’s most unsettling and surprising films, not even he could have predicted that Weapons would become a pop culture phenomenon.
The story Cregger presents in his new film is deceptively simple;
Costume Designer Suttirat Anne Larlarb on Dressing Scorching, Corporate-Controlled Future in “Alien: Earth”
Alien: Earth (streaming on FX) pictures our future here on Earth as a wildly advanced, increasingly grim corporate kleptocracy—a scorching hot planet that doesn’t get any more welcoming after it’s populated with flesh-eating “Xenomorphs” (thanks to a crashed research vessel owned by one of thoes corporate overlords, Weyland-Yutani) that is then pursued by a private army owned by tech genius Boy Kavalier’s company Prodigy. While face-bursting and brain-controlling eyeballs roam the rainforest,
Stripped Bare: A Few of Paul Thomas Anderson’s Most Devastating Portraits of Human Nature
Warning: This article contains spoilers
From the furious ambition of oil magnates to the quiet desperation of lonely souls, Paul Thomas Anderson’s films plunge into the dissonant symphony of the human experience with unflinching intensity. Across his eclectic filmography, Anderson crafts narratives that orbit around deep emotional truths, both exhilarating and unsettling. The hunger for connection, the burden of legacy, and the corrosive pull of obsession — whether in the drug-fueled haze of Boogie Nights,
How “Nino” Producer Sandra da Fonseca Turned a First Time Director’s Story Into Global Festival Gold
As producer Sandra da Fonseca is telling The Credits about the theatrical release of her newest film, Nino, serendipity strikes. “Oh, I just saw a bus go by with the film’s poster on it,” she says. “That makes me happy — it’s the first one I’ve seen!”
The poster may have been on the bus side, but Nino is gaining acclaim at rocket speed.
Scarlett Johansson on Her Directorial Debut “Eleanor the Great”: “I Don’t Think I Could Have Done It 10 Years Ago”
Grief makes people do crazy things.
And sometimes that includes moving across the country after the death of your closest friend, befriending a 19-year-old college student, and lying about your identity.
Scarlett Johansson’s directorial debut, Eleanor the Great, stars June Squibb as Eleanor, a 95-year-old woman who moves to New York after the passing of her dear friend. The film explores how grief spans generations,
Final “Wicked: For Good” Trailer Brings Dorothy to Oz
When we spoke with Wicked and Wicked: For Good co-writer Dana Fox, they were just at the very end of the years-long process of bringing the colossal Broadway smash hit to its cinematic conclusion. Fox told us that she’d recently watched both the films, which were shot back-to-back, back-to-back herself, and had this to say, “By the end of the day, I was like a shell of a person who had to be swept off the floor – makeup all over,
“Alien: Earth” Cinematographer and Director Dana Gonzalez on Bringing Cinema’s Most Iconic Monster to TV
On Earth, everyone can hear you scream. No apologies for the dreadful play on the classic logline for Alien, which continues to reach new, strange heights in FX’s Alien: Earth, created by Fargo‘s Noah Hawley. Cinematographer and director Dana Gonzalez establishes the expressive vision in the pilot, titled “Neverland,” which introduces a young, terminally ill girl named Marcy Hermit (Florence Bensberg) to a future world in which she’ll survive,
Maggie Gyllenhaal’s “The Bride!” Rises: Christian Bale is Frankenstein’s Monster & Jessie Buckley is his Resurrected Companion
The first trailer for Maggie Gyllenhaal’s The Bride! has officially risen.
“Was I just the same before the accident?” asks Jessie Buckley’s The Bride in the opening seconds of the trailer for writer/director Maggie Gyllenhaal’s The Bride! The response comes from none other than Frankenstein’s Monster, played by Christian Bale. “There wasn’t any accident,” he says. “Everything we did, we did it on purpose.”
We see Buckley’s Bride murder,
Caged Dynamics: How DP Ula Pontikos Frames Willem Dafoe & Corey Hawkins in “The Man in My Basement”
The Man in My Basement marks Nadia Latif’s feature directing debut, and it’s a doozy. Latif adapted author Walter Mosely’s acclaimed 2004 novel of the same name, from a script she co-wrote with Mosely. The film is set in the quiet village of Sag Harbor, New York, where Charles Blakely (Corey Hawkins) is a man adrift until he gets a strange offer from an even stranger businessman, Anniston Bennet (Willem Dafoe), to rent out his basement.
Why Ron Howard’s “Eden” Isn’t the Movie You’d Expect – And That’s the Point
Two-time Oscar-winning filmmaker Ron Howard knows that Eden isn’t the kind of movie you’d expect him to make, which is one of the reasons he made it.
Based on real events, it tells the story of a group of outsiders who settle on a remote island in the Galapagos but quickly find out that the biggest danger they face isn’t the environment or the wildlife, but each other. Eden boasts an ensemble cast including Jude Law,
“One Battle After Another”: How a Single California Road Became The Year’s Most Hallucinatory Effect
Spoilers below.
Let’s try to ditch hyperbole for a second and get to the heart of the matter, to something we might even call objective: Paul Thomas Anderson’s One Battle After Another is a movie that meets its moment head-on. The visionary writer/director doesn’t make uninteresting movies—this, too, feels like an objective statement—yet he has rarely worked in the present day. For a 19-year period, between 2002 and 2021,
“One Battle After Another” Review Round Up: Paul Thomas Anderson Delivers a Stone-Cold Masterpiece
A recent re-watch of Paul Thomas Anderson’s There Will Be Blood reminded me—reconfirmed, really—that my experience in the theater watching his masterpiece, with an absolutely mesmerizing performance from Daniel Day-Lewis as the soused, ruthless oilman Daniel Plainview, had been exactly as transforming as I’d always remembered. It was and remains my favorite cinematic experience, and I’d waited years (decades, actually) to rewatch it. While finally sitting down and absorbing Anderson’s tale of carnivorous greed in America of the late 19th and early 20th Century on my couch wasn’t quite as transporting as being plastered to my seat in a New York City theater,
“The Naked Gun” Legacy: How a Canceled TV Show Spawned Cinematic Comedic Gold
As we eagerly await the theatrical release of the next installment in The Naked Gun franchise on August 1st, this time with Liam Neeson stepping into the role of Frank Drebin Jr., it’s the perfect moment to reflect on the legacy of the original film. An iconic example of slapstick comedy, The Naked Gun not only sparked a successful trilogy but also redefined the parody genre, impacting multiple generations of viewers and leaving an indelible mark on comedy for decades following its release.
Lindsay Lohan & Jamie Lee Curtis Return as “Freakier Friday” Expands the Body-Swap Chaos
This summer, Disney will release a sequel to 2003’s Freaky Friday, which starred Lindsay Lohan and Jamie Lee Curtis as a mother and daughter whose bodies get switched as a punishment until they learn to love one another selflessly. Much to the first movie’s Millennial fan base’s approval, Freakier Friday, directed by Nisha Ganatra, recast Lohan, Curtis, as well as the movie’s original heartthrob, Jake, played by Chad Michael Murray.
Christopher Nolan’s “The Odyssey” Breaks New Ground: 70MM IMAX Tickets Available Now for 2026 Release
In an unprecedented move, tickets for Christopher Nolan’s The Odyssey are already on sale—a year ahead of the movie’s release date.
Nolan’s upcoming adaptation of Homer’s epic isn’t due in theaters until July 17, 2026. Advanced tickets are already on sale for IMAX theaters capable of screening the film in Nolan’s preferred 70mm. This appears to be the first time in movie history that tickets for a film have been made available a year before its release.
Netflix Reveals Full Cast & First Image From “Pride and Prejudice” Limited Series
Earlier today, we took a look at new photos from Guillermo del Toro’s upcoming Netflix epic Frankenstein, with fresh images of Jacob Elordi as the iconic monster. Del Toro has been dreaming about tackling Mary Shelley’s deathless novel for years, and at long last, he’s done it (Frankenstein is headed to the Venice Film Festival, after which it’ll have its global premiere in November). Yet Netflix isn’t done with its big reveals,
“Eddington” Writer/Director Ari Aster on Bringing His Pandemic-Era Neo-Western Thriller Home to New Mexico
Writer/director Ari Aster broke new ground with Eddington in that it’s the first of his films to be shot where it was intended to be set. Both happen to be in his native state of New Mexico, where production created over 300 jobs.
Set in 2020 at the height of the COVID-19 pandemic, the neo-Western satirical black comedy reunites him with his Beau Is Afraid lead,
Marvel Boss Kevin Feige Talks “Fantastic Four,” Recasting a New Tony Stark, Rebooting the X-Men, & More
Marvel super producer Kevin Feige invited select journalists to a conference room at Marvel Studios and revealed more in a single sitting than you often get from someone with the keys to a kingdom as vast as Marvel over the course of a full year.
Sitting in the same room where so many big-time introductions and pitch meetings have occurred, Feige regaled his company with his thoughts on the state of the superhero movie industry,
Inside the Breakneck Cut of Paul Thomas Anderson’s “One Battle After Another” With Editor Andy Jurgensen
The best-reviewed movie of the season is also the most relentless. Paul Thomas Anderson‘s Oscar front-runner One Battle After Another races through its two-hour fifty-minute run time propelled by adrenalized performances from Leonardo DiCaprio, Sean Penn, Chase Infiniti, Teyana Taylor, Benicio Del Toro, and Regina Hall as revolutionaries in the French 75 (in the case of DiCaprio’s Bob, Teyanna Taylor’s Perfidia Beverly Hills, and Hall’s Deandra),
Guillermo del Toro’s “Frankenstein” Preparing for an Electric Fall
Guillermo del Toro’s Frankenstein is one of the most highly anticipated fall releases. The visionary director reteamed with some of his most trusted collaborators to bring to life the movie he had been dreaming of making for over two decades, including production designer Tamara Deverell, cinematographer Dan Laustsen, and composer Alexandre Desplat. Frankenstein has already electrified audiences, first at the Venice Film Festival,
How “The Naked Gun” Writers Dan Gregor & Doug Mand Got Liam Neeson & Pamela Anderson to Embrace Absurdity
Macho cop teams with gorgeous mystery woman to stop evil tech mogul from destroying the world: The plot’s perfectly functional for an action-thriller, but it’s the jokes, not the story, that have pushed The Naked Gun to the biggest action comedy opening of 2025. Writers Dan Gregor and Doug Mand (Crazy Ex-Girlfriend), working with director/co-writer Akiva Schaffer, furnished stars Liam Neeson and Pamela Anderson with a firehose of silliness encompassing sight gags,
Emmy Nominees Cathy Sandrich Gelfond & Erica Berger on Casting the Scrappy Young Doctors of “The Pitt”
When The Pitt started streaming on HBO Max in January, the influx of intense young actors just kept coming. ER star Noah Wyle anchors the medical drama as the cracked tower of strength, Doctor Michael “Robby” Rabinovitch; nearly all the other characters on his fractious emergency room team are portrayed by relatively unknown talents delivering performances that are, by turns, wrenching and highly technical.
The Pitt,
Bella & Edward Return: The “Twilight” Saga Rerelease Dates Revealed for Special Five-Day Run
The film franchise that turned Kristen Stewart and Robert Pattinson into global stars is returning to theaters, and now we know when.
Lionsgate has announced that all five Twilight films will return to theaters from October 29 to November 2. Twilight (2008) will kick off the series on October 29, followed by New Moon (2009) on October 30, Eclipse (2010) on October 31, Breaking Dawn –
“The Naked Gun”: A Refresher Course in the History of Frank Drebin’s Charmed Stupidity
On August 1st, Lt. Frank Drebin’s uniquely oblivious approach to detective work returns, with The Naked Gun reboot starring Liam Neeson as Drebin’s son, Frank Jr., and Pamela Anderson as Beth, his client and love interest. Following in the goofy footsteps of his father, played in the first three films by Leslie Nielsen, it looks like the biggest difference between the Drebin generations will be Neeson’s husky voice. But the mix-ups,
Guillermo del Toro’s Dream Project Comes to Life: New “Frankenstein” Images Showcase Jacob Elordi’s Monster
Frankenstein is ready for his close-up.
Netflix has released nearly a dozen new images from Guillermo del Toro’s upcoming Frankenstein, which is slated to have its world premiere at the Venice Film Festival, followed by a global release on Netflix in November.
The new images include a look, at long last, at Jacob Elordi as the iconic monster, along with Oscar Isaac’s mad scientist,
Cinematographer Matthew Libatique on Shooting Back-to-Back NYC Thrillers for Spike Lee & Darren Aronofsky
Cinematographer Matthew Libatique grew up in Queens. He knows New York City, which is a good thing because his knowing eye lends luster to a pair of urban thrillers hitting screens this month courtesy of directors Spike Lee and Darren Aronofsky. Libatique, Oscar-nominated for Black Swan, A Star Is Born, and Maestro, shot four previous movies for Lee before helping the iconic New Yorker in his latest,
The Willem Dafoe of Dinosaurs: How “Jurassic World: Rebirth” VFX Supervisor Charmaine Chan Created the Distortus Rex
Charmaine Chan began working at Industrial Light & Magic 18 years ago—it was her first gig out of college, starting off as an assistant technical director and contributing to Michael Bay’s Transformers. Chan stayed on at ILM and continued to work on some of the biggest franchises there are, becoming a digital compositor on Star Wars, Mission: Impossible, and films within the Marvel Cinematic Universe. As her talent sustained her and her capacities grew,
“The Naked Gun” Writer/Director Akiva Schaffer’s Dead Serious Mission to Resurrect the Spoof Comedy
The Naked Gun director Akiva Schaffer is on a quest to bring people back to the movie theaters to laugh—hysterically, if he’s done his job right—and, while he’s at it, to bring the filmmaking process back to Los Angeles as much as possible.
His franchise revival stars Liam Neeson as Detective Frank Drebin Jr., the son of Leslie Nielsen’s iconic Police Squad cop, tasked with solving a murder and saving his department from shutting down.
Jeffrey Wright Teases Jim Gordon’s Role in “The Batman Part II”
Things were quiet in Gotham when it came to news about Matt Reeves’ The Batman sequel for quite some time. Sure, we had the sensational spinoff series The Penguin to sink our beaks into, giving us a deep dive into Gotham’s criminal underworld via Colin Farrell’s Oz Cobb and his equally standout screen partner, Cristin Milioti, whose Sofia Falcone was as cunning and ruthless as Oz. But when it came to news about when Robert Pattinson would be donning the cape and cowl again in The Batman Part II,
“Marty Supreme” First Reactions: Josh Safdie Delivers an Overhand Smash With a Career Best From Timothée Chalamet
The synopsis for co-writer/director Josh Safdie’s Marty Supreme is sublimely simple: “Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.” In the film, Timothée Chalamet plays Marty, an up-and-coming ping pong prodigy whose ambition and pluck will drive him no matter how hard the world pushes back, and push back it will. Safdie’s film, his first solo directorial work since his 2008 debut,
Happy Accidents, Revolutionary Moments, & Killer Improv: Inside “One Battle After Another” With DP Michael Bauman
Spoilers below.
“That dude is unbelievable,” admits One Battle After Another cinematographer Michael Bauman to The Credits about Leonardo DiCaprio. “I mean, he’s a star and he brings people in [theaters] but his ability to expand the character is unreal.” Bauman has worked with Paul Thomas Anderson on five different features in one capacity or another, but it was the first time on set with DiCaprio on the acclaimed film,
How “The Smashing Machine” Makeup Designer Kazu Hiro Transformed Dwayne Johnson into MMA Legend Mark Kerr
Veteran prosthetic makeup designer Kazu Hiro has garnered two Oscars for his outstanding work: one for transforming actor Gary Oldman into Winston Churchill for Darkest Hour, and the other for transforming Charlize Theron into Megyn Kelly for Bombshell. More recently, he was nominated for sculpting Bradley Cooper’s visage as legendary composer Leonard Bernstein in Maestro.
But for writer/director Benny Safdie’s biographical drama about the beginnings of mixed martial arts (“MMA”) and what would eventually become the UFC,
From “Ice Age” to AI: Filmmakers at Busan Weigh Opportunities and Concerns for Creative Industries
Carlos Saldanha could well have been speaking for many of those gathered on the sidelines of this year’s 30th Busan International Film Festival (BIFF) when the filmmaker behind such cutting-edge animated hits as Ice Age: The Meltdown (2006), Rio (2011), and the Oscar-nominated Ferdinand (2017) turned his attention to the growing influence of Artificial Intelligence across the creative industries.
The Brazilian, among the generation of animators who were among the first to adapt CGI techniques to their creations,
Jacob Elordi’s Creature Unmasked in “Frankenstein” Official Trailer, + New Images of Guillermo del Toro’s Adaptation
The official trailer for Guillermo del Toro’s Frankenstein finally revealed the stunning transformation of Jacob Elordi into Frankenstein’s Monster. This is the longest look yet at Del Toro’s passion project, which is firmly told from the Monster’s perspective, as he openly wrestles with the torture of having the memories of multiple people in his head and the general confusion and horror at having been stitched together and electrocuted back into a fractured life.
The Heart of the Story: How Carlos Saldanha Went from Film Student to Animation Legend
Carlos Saldanha came to Busan with one chief piece of advice for the 24 emerging filmmakers gathered from across Asia for this year’s edition of the CHANEL X BIFF Asian Film Academy.
“Every minute counts on the journey towards your objective,” was the message, and the Brazilian filmmaker has crafted a remarkable career out of following that to the letter.
The driving force behind such global hits as Ice Age: The Meltdown (2006),
“Anemone”: A Surreal, Haunting Return to the Screen for Daniel Day-Lewis in Son Ronan Day-Lewis’s Directorial Debut
There is something electric in Anemone, the new film that marks the long‑awaited return of Daniel Day‑Lewis to acting after an eight-year absence in the first feature film directed by his son, Ronan Day‑Lewis. It feels like a threshold movie, one that straddles multiple worlds. Past and present, real and surreal, familial love and bitter legacy, memory and myth, all come to the forefront in this cinematic experience.
Ronan Day‑Lewis,
“The Conjuring: Last Rites” Production Designer John Frankish on Creating the Hellish Smurl House
Production designer John Frankish knew instantly that making the homes the dark heart of The Conjuring: Last Rites was the way to go. From there, everything else would fall into place.
Directed by Michael Chaves, the ninth installment in The Conjuring Universe finds Patrick Wilson and Vera Farmiga’s paranormal investigators, Ed and Lorraine Warren, taking on what could be their most insanely terrifying case yet—and that’s saying something.
From Tragedy to Art: How Director Olivier Sarbil’s War Injury Inspired the Deeply Personal “Viktor”
At first glance, Olivier Sarbil doesn’t look like someone who’s danced with death, but once you hear his story, you’ll wonder how he’s still here to tell it.
Born on the French island of Corsica, at 21, he joined the military as a paratrooper. Stationed in Rwanda, he witnessed the genocide of the Tutsi people, where more than 800,000 people lost their lives. The experience set Sarbil on a path documenting social conflicts,
Inside the Breakneck Cut of Paul Thomas Anderson’s “One Battle After Another” With Editor Andy Jurgensen
The best-reviewed movie of the season is also the most relentless. Paul Thomas Anderson‘s Oscar front-runner One Battle After Another races through its two-hour fifty-minute run time propelled by adrenalized performances from Leonardo DiCaprio, Sean Penn, Chase Infiniti, Teyana Taylor, Benicio Del Toro, and Regina Hall as revolutionaries in the French 75 (in the case of DiCaprio’s Bob, Teyanna Taylor’s Perfidia Beverly Hills, and Hall’s Deandra),
“One Battle After Another”: How a Single California Road Became The Year’s Most Hallucinatory Effect
Spoilers below.
Let’s try to ditch hyperbole for a second and get to the heart of the matter, to something we might even call objective: Paul Thomas Anderson’s One Battle After Another is a movie that meets its moment head-on. The visionary writer/director doesn’t make uninteresting movies—this, too, feels like an objective statement—yet he has rarely worked in the present day. For a 19-year period, between 2002 and 2021,
Inside “Weapons”: Zach Cregger on Atlanta Crews, Practical Effects, and That Haunting Opening
Weapons became one of the year’s most acclaimed box office hits, and while the film’s success was certainly by design, it still surprised writer/director Zach Cregger. Cregger knows how to craft a movie that gets under your skin—his last film, Barbarian, was one of 2022’s most unsettling and surprising films, not even he could have predicted that Weapons would become a pop culture phenomenon.
The story Cregger presents in his new film is deceptively simple;
Stripped Bare: A Few of Paul Thomas Anderson’s Most Devastating Portraits of Human Nature
Warning: This article contains spoilers
From the furious ambition of oil magnates to the quiet desperation of lonely souls, Paul Thomas Anderson’s films plunge into the dissonant symphony of the human experience with unflinching intensity. Across his eclectic filmography, Anderson crafts narratives that orbit around deep emotional truths, both exhilarating and unsettling. The hunger for connection, the burden of legacy, and the corrosive pull of obsession — whether in the drug-fueled haze of Boogie Nights,
How “Nino” Producer Sandra da Fonseca Turned a First Time Director’s Story Into Global Festival Gold
As producer Sandra da Fonseca is telling The Credits about the theatrical release of her newest film, Nino, serendipity strikes. “Oh, I just saw a bus go by with the film’s poster on it,” she says. “That makes me happy — it’s the first one I’ve seen!”
The poster may have been on the bus side, but Nino is gaining acclaim at rocket speed.
Scarlett Johansson on Her Directorial Debut “Eleanor the Great”: “I Don’t Think I Could Have Done It 10 Years Ago”
Grief makes people do crazy things.
And sometimes that includes moving across the country after the death of your closest friend, befriending a 19-year-old college student, and lying about your identity.
Scarlett Johansson’s directorial debut, Eleanor the Great, stars June Squibb as Eleanor, a 95-year-old woman who moves to New York after the passing of her dear friend. The film explores how grief spans generations,
Final “Wicked: For Good” Trailer Brings Dorothy to Oz
When we spoke with Wicked and Wicked: For Good co-writer Dana Fox, they were just at the very end of the years-long process of bringing the colossal Broadway smash hit to its cinematic conclusion. Fox told us that she’d recently watched both the films, which were shot back-to-back, back-to-back herself, and had this to say, “By the end of the day, I was like a shell of a person who had to be swept off the floor – makeup all over,
Maggie Gyllenhaal’s “The Bride!” Rises: Christian Bale is Frankenstein’s Monster & Jessie Buckley is his Resurrected Companion
The first trailer for Maggie Gyllenhaal’s The Bride! has officially risen.
“Was I just the same before the accident?” asks Jessie Buckley’s The Bride in the opening seconds of the trailer for writer/director Maggie Gyllenhaal’s The Bride! The response comes from none other than Frankenstein’s Monster, played by Christian Bale. “There wasn’t any accident,” he says. “Everything we did, we did it on purpose.”
We see Buckley’s Bride murder,
Caged Dynamics: How DP Ula Pontikos Frames Willem Dafoe & Corey Hawkins in “The Man in My Basement”
The Man in My Basement marks Nadia Latif’s feature directing debut, and it’s a doozy. Latif adapted author Walter Mosely’s acclaimed 2004 novel of the same name, from a script she co-wrote with Mosely. The film is set in the quiet village of Sag Harbor, New York, where Charles Blakely (Corey Hawkins) is a man adrift until he gets a strange offer from an even stranger businessman, Anniston Bennet (Willem Dafoe), to rent out his basement.
New “Mandalorian and Grogu” Images Reveal AT-ATs, Alien Creatures & Sigourney Weaver
We just got a look at the first trailer for director Jon Favreau’s Star Wars: The Mandalorian and Grogu, and now it’s time to parse a slew of new images from Favreau’s film. What we know about what Favreau, his co-writer Dave Filoni, and the rest of the stellar cast and crew have cooked up is scant, but the trailer is nonetheless revealing. There are creatures aplenty—mainly of the classic Star Wars type,
Baby Yoda Speaks in the First “The Mandalorian and Grogu” Trailer
The first trailer for director Jon Favreau’s Star Wars: The Mandalorian and Grogu opens on Din Djarin’s (Pedro Pascal) spaceship the Razor Crest curising over a coastline. The next thing we see is one of those images that has made the Disney+ series The Mandalorian such a hit—we’ve got Mando and Baby Yoda doing some recon in a desert landscape, with the little guy sporting a little single-lens pair of binoculars to aid him.
Costume Designer Suttirat Anne Larlarb on Dressing Scorching, Corporate-Controlled Future in “Alien: Earth”
Alien: Earth (streaming on FX) pictures our future here on Earth as a wildly advanced, increasingly grim corporate kleptocracy—a scorching hot planet that doesn’t get any more welcoming after it’s populated with flesh-eating “Xenomorphs” (thanks to a crashed research vessel owned by one of thoes corporate overlords, Weyland-Yutani) that is then pursued by a private army owned by tech genius Boy Kavalier’s company Prodigy. While face-bursting and brain-controlling eyeballs roam the rainforest,
“Alien: Earth” Cinematographer and Director Dana Gonzalez on Bringing Cinema’s Most Iconic Monster to TV
On Earth, everyone can hear you scream. No apologies for the dreadful play on the classic logline for Alien, which continues to reach new, strange heights in FX’s Alien: Earth, created by Fargo‘s Noah Hawley. Cinematographer and director Dana Gonzalez establishes the expressive vision in the pilot, titled “Neverland,” which introduces a young, terminally ill girl named Marcy Hermit (Florence Bensberg) to a future world in which she’ll survive,
From Abbey Road to “Alien: Earth”: Composer Jeff Russo on Bringing Xenomorphs Home Through Music
Alien: Earth doesn’t rehash the familiar, even if it beats with the acid-pumping heart of Ridley Scott’s original Alien. The series expands on the terrifying world Scott first unleashed on audiences on May 25, 1979 by focusing not only on the iconic Xenomorph, one of the most legendary movie monsters of all time, but by imagining what the world might look like decades later when the Xenomorph, and a slew of other captive galactic creatures,
From USC Benchwarmer to Cartel Smuggler: Inside “Cocaine Quarterback” With Director Jody McVeigh-Schultz
If the infamous trope “I know a guy who knows a guy” had a poster child, it should be Owen Hanson. Chronicled in a three-part docuseries, Cocaine Quarterback: Signal-Caller for the Cartel, from director Jody McVeigh-Schultz, the shocking events reveal how the former USC walk-on went from National Champion to convicted drug cartel smuggler.
McVeigh-Schultz, best known for helming the school spying scandal docuseries Spy High,
From “Barbie” to “Bridgerton”: Entertainment Partners is the Secret Sauce Behind Many of the Films & Shows You Love
For nearly five decades, Entertainment Partners (EP) has been the secret sauce behind the scenes of your favorite films, TV shows, and commercials, from Barbie to Bridgerton. Headquartered in Burbank, California, the company has revolutionized the way the entertainment industry manages payroll, accounting, and production finance, with a world-class team of experts specializing in a wide range of areas, including global tax incentives, labor compliance, residuals, and healthcare.
Their industry-standard digital platform featuring Movie Magic Budgeting and Scheduling,
“The Pitt,” “The Studio,” “Adolescence,” and “The Late Show With Stephen Colbert” Have Big Night at the Emmys
The 2025 Emmys Awards telecast crowned the year’s big winners on Sunday night, with The Pitt, The Studio, Adolescence, and The Late Show With Stephen Colbert winning big.
The Pitt nabbed three Emmys, including for Best Drama Series. Star Noah Wyle also took home the Best Actor in a Drama Series win, and his co-star, Katherine LaNasa, topped four White Lotus stars to pull in the Emmy for Best Supporting Actress in a Drama.
“Big Little Lies” Season 3 Officially in the Works
HBO is bringing back Big Little Lies for a third season.
Mr. and Mrs. Smith co-creator and showrunner Francesca Sloane is on board for season 3 and will write the first episode as well as executive produce alongside creator David E. Kelley, Nicole Kidman, and Reese Witherspoon, Variety reports. Kidman and Witherspoon will once again lead the cast.
Sloane’s hit Amazon Prime series,
Inside the Heist: Editor Jay Prychidny on Cutting the Monster Mayhem in “Wednesday”
“If These Woes Could Talk,” the fourth episode of Wednesday season two, is an hour of monster playtime from Tim Burton. The fourth episode wrapped up part one of the season and is built as a heist story with Wednesday Addams (Jenna Ortega) seeking family secrets while Uncle Fester (Fred Armisen), a zombie, and a Hyde (aka a mutant) run amok in an institution. It’s exuberant chaos in the hands of Burton’s frequent editor,
“SNL 50,” “The Pitt” and More Win Big at the Creative Arts Emmys
During the second night of the Creative Arts Emmys, SNL 50 garnered seven wins for its massive, decades-spanning celebration, including wins for directing (Liz Patrick), production design, makeup, and hairstyling.
Love on the Spectrum won for Outstanding Unstructured Reality Programming, while Queer Eye won for Structured Reality Programming. In a nice moment for a veteran director,
MPA Industry Champion Award Recipient Rep. Darrell Issa: From Digital Pirates to Real-Life Mavericks
Rep. Darrell Issa (R-CA) is the recipient of the 2025 Motion Pictures Association’s Industry Champion Award, recognized for his efforts to strengthen copyright protections, spur innovation, and preserve free expression. As chairman of the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet, Issa has been at the forefront of legislative efforts to combat digital piracy and address emerging challenges posed by artificial intelligence to the entertainment industry.
As a California resident and representative,
2025 MPA Industry Champion Award Senator Chris Coons on the Real Cost of Piracy
Senator Chris Coons (D-DE) is the 2025 MPA Industry Champion Award recipient for his efforts to strengthen copyright protections, spur innovation, and preserve free expression. As a member of the Senate Judiciary Subcommittee on Intellectual Property, Coons advocates for measures that support intellectual property laws and defend copyrighted works from piracy.
Online piracy is far from a victimless crime—in the U.S. alone, it costs the creative industry billions of dollars and thousands of jobs annually.
MPA Creative Protector Award Recipient Ivan J. Arvelo: The Federal Agent Protecting Your Favorite Movies From Piracy
Director Ivan J. Arvelo is being honored with the 2025 Motion Picture Association Creative Protector Award for playing a crucial role in advancing our core mission of protecting intellectual property and bringing the magic of cinema to life.
As Director of the National Intellectual Property Rights Coordination Center (IPR Center), Arvelo leads the federal government’s efforts to protect creativity and innovation by enforcing laws that combat intellectual property crimes.
In this conversation,
Le Lotus Blanc: “The White Lotus” Headed to France for Season 4
HBO’s hit series is trading Thailand’s beaches for France.
The White Lotus is reportedly headed to the European continent for its fourth season, Deadline reports. HBO has not yet confirmed the news, but if the reporting holds, one of the best bets for where season four would be shot is at the Four Seasons at the iconic Grand-Hôtel du Cap-Ferrat, located at the tip of the Cap-Ferrat peninsula on the French Riviera,
Emmy Nominees Cathy Sandrich Gelfond & Erica Berger on Casting the Scrappy Young Doctors of “The Pitt”
When The Pitt started streaming on HBO Max in January, the influx of intense young actors just kept coming. ER star Noah Wyle anchors the medical drama as the cracked tower of strength, Doctor Michael “Robby” Rabinovitch; nearly all the other characters on his fractious emergency room team are portrayed by relatively unknown talents delivering performances that are, by turns, wrenching and highly technical.
The Pitt,
The Studio Giant You’ve Never Heard Of: How MBS Group Powers James Cameron and Some of Hollywood’s Biggest Productions
You might not recognize the name The MBS Group right away, but if you ever wandered through legendary studio lots like Radford Studio Center, Culver Studios, Raleigh Studios, or Symmetry Park Studios London, you’ve stepped onto one of the nearly 50 studio campuses they operate globally. The company is the world’s largest studio operator, running top-tier campuses in iconic entertainment hubs like Los Angeles, New York, and London. But they’re not just renting out space — they’re the behind-the-scenes powerhouse designing studios,
Jessica Chastain Hunts Domestic Terrorists in Chilling “The Savant” Trailer
The first trailer for The Savant offers a chilling statistic—between 1994 and 2020, there were 893 extremist attacks in America. The people committed to doing their best to protect us from even more of them aren’t often the ones who might think of it. In fact, we mostly don’t know they exist. Jessica Chastain’s character in Savant is one such person—a suburban mom by day, a tireless hunter by night. Chastain,
Nicolas Cage Circling Starring Role in “True Detective” Season 5
It feels like a piece of casting that has to happen. Nicolas Cage is in talks to star in season 5 of HBO’s moody, character-driven crime drama True Detective, a series in which the lead detectives get plum, multifaceted roles that feel tailor-made for a performer who loves nothing more than to disappear into a role.
The last season of the anthology series, True Detective: Night Country,
Dr. Robby and The Staff Return for a Second Shift in “The Pitt” Season 2 Trailer
HBO Max has just dropped the first trailer for season two of The Pitt, and it manages, in just over a minute, to remind you what made the first season such a thrill ride. The 15-episode first run, nominated for 13 Emmys, covered one 15-hour shift at the Pittsburgh Trauma Medical Center (inspired by the Allegheny General Hospital, which was used in filming for the entrance, helipad, and rooftop). The shift, usually 12 hours,
Creating a Corporate Dystopia With “Severance” Season 2’s Set Decorator David Schlesinger
Leading this year’s Emmys pack with 27 nominations, the sophomore season of Severance goes deeper into the cult-like and twisted Lumon Industries, where a group of employees chose a surgical procedure that permanently bifurcates their work memories (“innies”) from their true selves (“outies”). Created by Dan Erickson, the slow-burn workplace thriller follows severed employee, Mark (Adam Scott), and his colleagues who work on the labyrinthine severed floor under the supervision of Mr.
From Stage to Screen for “SNL50”: How Production Designers & the Editing Team Shaped 5 Decades of Comedy
As the longest-running sketch comedy show in US television history, Saturday Night Live has not only shaped generations of comedians and cultural commentary, but it’s also become an institution for live performance. Some of its most iconic moments are when cast members can’t help but laugh themselves. But behind the humor is a bustling backdrop of production design, costumes, hair, makeup, lighting,
Happy Accidents, Revolutionary Moments, & Killer Improv: Inside “One Battle After Another” With DP Michael Bauman
Spoilers below.
“That dude is unbelievable,” admits One Battle After Another cinematographer Michael Bauman to The Credits about Leonardo DiCaprio. “I mean, he’s a star and he brings people in [theaters] but his ability to expand the character is unreal.” Bauman has worked with Paul Thomas Anderson on five different features in one capacity or another, but it was the first time on set with DiCaprio on the acclaimed film,
How “The Smashing Machine” Makeup Designer Kazu Hiro Transformed Dwayne Johnson into MMA Legend Mark Kerr
Veteran prosthetic makeup designer Kazu Hiro has garnered two Oscars for his outstanding work: one for transforming actor Gary Oldman into Winston Churchill for Darkest Hour, and the other for transforming Charlize Theron into Megyn Kelly for Bombshell. More recently, he was nominated for sculpting Bradley Cooper’s visage as legendary composer Leonard Bernstein in Maestro.
But for writer/director Benny Safdie’s biographical drama about the beginnings of mixed martial arts (“MMA”) and what would eventually become the UFC,
“The Conjuring: Last Rites” Production Designer John Frankish on Creating the Hellish Smurl House
Production designer John Frankish knew instantly that making the homes the dark heart of The Conjuring: Last Rites was the way to go. From there, everything else would fall into place.
Directed by Michael Chaves, the ninth installment in The Conjuring Universe finds Patrick Wilson and Vera Farmiga’s paranormal investigators, Ed and Lorraine Warren, taking on what could be their most insanely terrifying case yet—and that’s saying something.
From Tragedy to Art: How Director Olivier Sarbil’s War Injury Inspired the Deeply Personal “Viktor”
At first glance, Olivier Sarbil doesn’t look like someone who’s danced with death, but once you hear his story, you’ll wonder how he’s still here to tell it.
Born on the French island of Corsica, at 21, he joined the military as a paratrooper. Stationed in Rwanda, he witnessed the genocide of the Tutsi people, where more than 800,000 people lost their lives. The experience set Sarbil on a path documenting social conflicts,
Inside the Breakneck Cut of Paul Thomas Anderson’s “One Battle After Another” With Editor Andy Jurgensen
The best-reviewed movie of the season is also the most relentless. Paul Thomas Anderson‘s Oscar front-runner One Battle After Another races through its two-hour fifty-minute run time propelled by adrenalized performances from Leonardo DiCaprio, Sean Penn, Chase Infiniti, Teyana Taylor, Benicio Del Toro, and Regina Hall as revolutionaries in the French 75 (in the case of DiCaprio’s Bob, Teyanna Taylor’s Perfidia Beverly Hills, and Hall’s Deandra),
Inside “Weapons”: Zach Cregger on Atlanta Crews, Practical Effects, and That Haunting Opening
Weapons became one of the year’s most acclaimed box office hits, and while the film’s success was certainly by design, it still surprised writer/director Zach Cregger. Cregger knows how to craft a movie that gets under your skin—his last film, Barbarian, was one of 2022’s most unsettling and surprising films, not even he could have predicted that Weapons would become a pop culture phenomenon.
The story Cregger presents in his new film is deceptively simple;
Costume Designer Suttirat Anne Larlarb on Dressing Scorching, Corporate-Controlled Future in “Alien: Earth”
Alien: Earth (streaming on FX) pictures our future here on Earth as a wildly advanced, increasingly grim corporate kleptocracy—a scorching hot planet that doesn’t get any more welcoming after it’s populated with flesh-eating “Xenomorphs” (thanks to a crashed research vessel owned by one of thoes corporate overlords, Weyland-Yutani) that is then pursued by a private army owned by tech genius Boy Kavalier’s company Prodigy. While face-bursting and brain-controlling eyeballs roam the rainforest,
How “Nino” Producer Sandra da Fonseca Turned a First Time Director’s Story Into Global Festival Gold
As producer Sandra da Fonseca is telling The Credits about the theatrical release of her newest film, Nino, serendipity strikes. “Oh, I just saw a bus go by with the film’s poster on it,” she says. “That makes me happy — it’s the first one I’ve seen!”
The poster may have been on the bus side, but Nino is gaining acclaim at rocket speed.
Scarlett Johansson on Her Directorial Debut “Eleanor the Great”: “I Don’t Think I Could Have Done It 10 Years Ago”
Grief makes people do crazy things.
And sometimes that includes moving across the country after the death of your closest friend, befriending a 19-year-old college student, and lying about your identity.
Scarlett Johansson’s directorial debut, Eleanor the Great, stars June Squibb as Eleanor, a 95-year-old woman who moves to New York after the passing of her dear friend. The film explores how grief spans generations,
“Alien: Earth” Cinematographer and Director Dana Gonzalez on Bringing Cinema’s Most Iconic Monster to TV
On Earth, everyone can hear you scream. No apologies for the dreadful play on the classic logline for Alien, which continues to reach new, strange heights in FX’s Alien: Earth, created by Fargo‘s Noah Hawley. Cinematographer and director Dana Gonzalez establishes the expressive vision in the pilot, titled “Neverland,” which introduces a young, terminally ill girl named Marcy Hermit (Florence Bensberg) to a future world in which she’ll survive,
Caged Dynamics: How DP Ula Pontikos Frames Willem Dafoe & Corey Hawkins in “The Man in My Basement”
The Man in My Basement marks Nadia Latif’s feature directing debut, and it’s a doozy. Latif adapted author Walter Mosely’s acclaimed 2004 novel of the same name, from a script she co-wrote with Mosely. The film is set in the quiet village of Sag Harbor, New York, where Charles Blakely (Corey Hawkins) is a man adrift until he gets a strange offer from an even stranger businessman, Anniston Bennet (Willem Dafoe), to rent out his basement.
From Abbey Road to “Alien: Earth”: Composer Jeff Russo on Bringing Xenomorphs Home Through Music
Alien: Earth doesn’t rehash the familiar, even if it beats with the acid-pumping heart of Ridley Scott’s original Alien. The series expands on the terrifying world Scott first unleashed on audiences on May 25, 1979 by focusing not only on the iconic Xenomorph, one of the most legendary movie monsters of all time, but by imagining what the world might look like decades later when the Xenomorph, and a slew of other captive galactic creatures,
How Director Justin Tipping Mixed Art, Nike Ads & Multiple Genres in His Singular Sports Horror Film “Him”
Supernatural sports horror film Him not only blends two hugely popular film genres but also draws inspiration from the art of Jeff Koons and Edward Hopper, as well as Nike ads from the 1990s—a blend of disparate influences that cohere into a singular cinematic experience.
Produced by visionary filmmaker Jordan Peele, a man who had made his own sui generis horror films, from Get Out to Us to Nope,
From USC Benchwarmer to Cartel Smuggler: Inside “Cocaine Quarterback” With Director Jody McVeigh-Schultz
If the infamous trope “I know a guy who knows a guy” had a poster child, it should be Owen Hanson. Chronicled in a three-part docuseries, Cocaine Quarterback: Signal-Caller for the Cartel, from director Jody McVeigh-Schultz, the shocking events reveal how the former USC walk-on went from National Champion to convicted drug cartel smuggler.
McVeigh-Schultz, best known for helming the school spying scandal docuseries Spy High,
Novelist & Screenwriter Charlie Huston on Preserving the Raw Truth of “Caught Stealing” With Darren Aronofsky
In 2008, author Charlie Huston and filmmaker Darren Aronofsky had breakfast. The filmmaker was interested in adapting the author’s debut novel, “Caught Stealing,” the first entry in the Hank Thompson trilogy. The collaboration didn’t come to pass.
In 2022, Huston revisited the script they wrote for Caught Stealing, which tells the story of Hank (Austin Butler), a former baseball star and now an alcoholic bartender, caught in the crossfire of criminals chasing a bag of dirty money.
Director Oliver Hermanus and Actor Chris Cooper Wax Lyrical on “The History of Sound”
Director Oliver Hermanus calls his latest film, The History of Sound, “a love letter to the films of the ‘90s.”
The period drama stars Paul Mescal as Kentucky singer Lionel and Josh O’Connor as Boston composer David White, who have a brief but life-changing romance in 1920 while hiking through rural Maine to record local folk music on wax cylinders.
Hermanus grew up in South Africa,
600 Languages, One Vision: How Producer Reza Servia Bridges Indonesia’s Diversity for Netflix’s Global Audience
Born into a family steeped in Indonesian filmmaking, Reza Servia was perhaps destined to find his way into the business one way or another. Along the way, his journey took him through the suburbs of Chicago and Atlanta, via New Zealand and software engineering, with a side quest into competitive e-sports.
When Servia was five, his mother took him and his two siblings to the US after she separated from his father, accomplished producer and Indonesian film industry stalwart Chand Parwez Servia.
Inside the Heist: Editor Jay Prychidny on Cutting the Monster Mayhem in “Wednesday”
“If These Woes Could Talk,” the fourth episode of Wednesday season two, is an hour of monster playtime from Tim Burton. The fourth episode wrapped up part one of the season and is built as a heist story with Wednesday Addams (Jenna Ortega) seeking family secrets while Uncle Fester (Fred Armisen), a zombie, and a Hyde (aka a mutant) run amok in an institution. It’s exuberant chaos in the hands of Burton’s frequent editor,
“Wicked” and “Wicked: For Good” Screenwriter Dana Fox on Her Magical Musical Theater Homecoming
Screenwriter Dana Fox made a pact with director Jon M. Chu. After working with Chu on her Apple TV+ series, Home Before Dark, she told him she would sign up for a project with him, no matter what, with no questions asked. She was as serious as a witch, if you’ll pardon the pun.
“I told him at the end of that previous job that I will drop anything,
2025 MPA Industry Champion Award Senator Chris Coons on the Real Cost of Piracy
Senator Chris Coons (D-DE) is the 2025 MPA Industry Champion Award recipient for his efforts to strengthen copyright protections, spur innovation, and preserve free expression. As a member of the Senate Judiciary Subcommittee on Intellectual Property, Coons advocates for measures that support intellectual property laws and defend copyrighted works from piracy.
Online piracy is far from a victimless crime—in the U.S. alone, it costs the creative industry billions of dollars and thousands of jobs annually.
