With Her Amazon Directing Gig on Hold, Indian Filmmaker Tannishtha Chatterjee Embraces Other Creative Pursuits

It’s often two-thirty in the afternoon before actor, writer, and director Tannishtha Chatterjee finds time to turn her attention to creative pursuits. “Till lunchtime…I’m cooking, cutting vegetables, cleaning, dusting and bathing Radhika.”

Radhika is Chatterjee’s four-and-a-half-year-old daughter. For the last six weeks, it’s been just the two of them tucked away in her Mumbai apartment. “She’s actually become quite independent in the last one and a half months. She’s learned many new things.

How Filipino Filmmaker Keith Sicat is Using Quarantine to Help Fellow Filmmakers (And Entertain Himself in the Process)

“The beautiful thing is, you have to keep occupied right?” So says Filipino writer/director Keith Sicat, speaking from the six-week-long lockdown in Manila.

With three projects primed to go into production at the beginning of the year, Sicat now spends in time between project development, teaching filmmaking, and keeping his creative juices flowing on mini-projects with his young sons. “We started animating his toys, doing stop motion stuff around the house. It was something really fun and it was creative.

Black Panther Co-Writer Joe Robert Cole on Writing & Directing His New Netflix Feature All Day and a Night

“Great stories have great characters, and the key to great characters is empathy,” says writer-director Joe Robert Cole, whose latest film, All Day and a Night, is now streaming on Netflix. “Every film, television show, or story that I work on, I approach from character first and let that lead the way.” 

All Day and a Night is a young black man’s coming of age drama,

Director Martha Stephens on Her Timeless Coming-of-Age Drama To the Stars

Yearning, acceptance, identity, and female friendship and empowerment: They are all integral themes of director Martha Stephens’ coming-of-age tale, To the Stars. The film, which premiered at the 2019 Sundance Film Festival in the U.S. Dramatic Competition, is available for digital download now.

Set in 1960s rural Oklahoma, To The Stars features Kara Hayward (Moonrise Kingdom) and Liana Liberato (If I Stay) as Iris and Maggie,

Stunt-Coordinator-Turned-Director Sam Hargrave on His Action-Packed Debut Extraction

If you’re searching for an edge-of-your-seat movie experience to escape the current COVID-19 reality for a couple of hours, look no further than Extraction, streaming on Netflix beginning April 24. The film stars Chris Hemsworth as Tyler Rake, a fearless mercenary who is called upon to rescue the kidnapped son of an incarcerated crime lord. The seemingly straightforward mission becomes complicated when Rake develops compassion for the kid and is intent on protecting him at all costs.

Never Have I Ever Director Kabir Akhtar on Filming Mindy Kaling’s New Netflix Series

When director Kabir Akhtar heard the news that producer/writer/star Mindy Kaling was, along with co-creator Lang Fisher, putting together a new series at Netflix that would focus on a first-generation Indian American teenage girl, he thought, I need to be a part of this.

“Just the idea that a show could be made about a first-generation South Asian American,” Akhtar says, a first-generation South Asian American himself, who grew up in suburban Philadelphia,

Writer/Director Eliza Hittman on her Bracing, Brilliant Film Never Rarely Sometimes Always

When Eliza Hittman, writer/director of Never Rarely Sometimes Always, took the stage after the premiere of her film at the Sundance Film Festival on January 24th of this year, she was greeted with rapturous applause. She and the stars of her film have gained critical acclaim for her intimate, powerful portrayal of one teenager’s perilous journey of the soul. Never Rarely Sometimes Always is about the challenges facing 17-year-old Autumn (Sidney Flanigan),

A Most Beautiful Thing Director Mary Mazzio Films a Miracle on the Water

Director Mary Mazzio was set to take her documentary A Most Beautiful Thing to SXSW this year. Then the spread of COVID-19 became such an undeniable reality in the United States that SXSW was canceled. The news of that cancellation came along with the shuttering of film and TV productions all across the globe. Once theaters started closing, world premieres were pushed back months, too.

“It’s a bummer,

Star Trek: Picard Director Hanelle Culpepper Makes History (And a Home in Space)

With news of rising numbers of COVID-19 infections and the economic fallout the disease destined to come with it, everyone is looking for watch lists for some quality home entertainment. Highly recommended by critics and viewers alike is CBS All Access’s Star Trek: Picard, which has been the most-watched original series to date for the streaming service. The first three episodes of the series were helmed by director Hanelle Culpepper,

The Walking Dead & Better Call Saul Director Bronwen Hughes Talks Drama, Real & Imagined

“For the two months leading up to this moment, I was writing. I was already leading an isolation style life,” says writer/director Bronwen Hughes. Her usually intense TV directing schedule had this lull so she could complete a screenplay for a feature (a spy thriller she’s sending off to a major studio, she’d say no more), and then the world changed.

“Well, every physical shoot I’ve had or have, booked or about to book,

An Easy Girl Director Rebecca Zlotowski on Her Version of French Feminism

Lush and sun-kissed, An Easy Girl, the latest feature from French filmmaker Rebecca Zlotowski, is a Cannes-set summer vacation coming-of-age centered on a teenager named Naïma (Mina Farid) and her visiting older cousin, Sofia (Zahia Dehar). A screen descendant of Sophia Loren and Brigitte Bardot, Dehar is enviably confident and sexy; however, many French audiences have struggled to separate Dehar’s character from her real-life persona, the one who was involved in an underage prostitution scandal in 2009.

Westworld Cinematographer & Director Paul Cameron on Season 3’s Big Time Ambitions

“As a DP,” says director of photography Paul Cameron, ASC, “you tend to walk into a location and visualize it and pitch it to a director.” But what happens if you are the director? Well, he allows, “I may have been a little stronger in pitching my ideas” back to the cinematographer.

Cameron had a chance to pitch in both directions, in quick succession, on HBO’s currently unfurling third season of Westworld.

Mythological Creatures Stand In for a Very Human Story in Pixar’s Onward

In Pixar’s newest feature, Monsters University director Dan Scanlon’s Onward, the studio created a fantasy tale set in present-day suburban sprawl. Magic used to reign, we learn, but it was also difficult, and this world of elves, fairies, and centaurs long ago adopted and then adapted to technological comforts. Now, unicorns snack from trash cans in a whimsical simulation of Los Angeles, and the fatherless teenaged elf brothers at the center of the story,

Director Brett Haley on His Compelling Adaptation of All the Bright Places

Although he has just a handful of feature-length films to his credit, Brett Haley has become a master in creating character-driven worlds that resonate with audiences. The stories he tells are simple on the surface, but ultimately layered — from the septuagenarian romance in I’ll See You in My Dreams, to the legacy of an aging actor in The Hero, to the father-daughter bond in Hearts Beat Loud.

Simon Frederick on the History of Black Cinema in his Doc They’ve Gotta Have Us

In They’ve Gotta Have Us now streaming on Netflix, British photographer-turned filmmaker Simon Frederick chronicles the history of Black Cinema by sitting down with some of the people who made that history. Produced by BBC Two and Ava DuVernay‘s ARRAY company, the three-part documentary series blends archival footage with dozens of interviews to survey eight decades of American filmmaking.

“I wanted to hear about the struggles and the successes,

Writer/Director Rashaad Ernesto Green on his Bracing Love Story Premature

When Rashaad Ernesto Green and Zora Howard sat down to write a feature that Howard would star in and Green would direct, the pair already knew it would be a love story. No, Howard and Green are not a couple; they worked together on Green’s debut feature Gun Hill Road (2011) and on his 2008 short Premature. The two artists simply wanted to create “what we felt was missing in the current cinematic climate especially with relation to black stories,” says Green.

Portrait of a Lady on Fire Writer/Director Celine Sciamma on her Masterpiece

French writer-director Céline Sciamma, whose first three features, Water Lilies (2007), Tomboy (2011) and Girlhood (2014), established her unique voice with visually compelling depictions of coming of age, gender identity and the intimacy of girls’ relationships, has created a masterpiece with her fourth film, Portrait of a Lady on Fire. A sumptuous lesbian romance set in France in 1760, Portrait of a Lady on Fire won the best screenplay award and the Queer Palm at this year’s Cannes Film Festival and a host of year-end critics’ accolades.

Writer/Director Brenda Chapman on her Beguiling new Feature Come Away

Oscar-winning animation artist, writer, and director Brenda Chapman had never considered doing live-action before she read the script for Come Away, which came from first-time screenwriter Marissa Kate Goodhill. She was taken by the story, which is a “what if” tale, suggesting the origins for both Peter Pan and Alice in Wonderland come from Victorian brother and sister Peter and Alice (Jordan Nash and Keira Chansa) who use their imaginations,

The Photograph Writer/Director Stella Meghie on Making Movies About Black Love

Director Stella Meghie has been on an accelerated rise in just these past few years. After an impressive feature debut with her 2016 indie comedy-drama Jean of the Joneses, the filmmaker followed up the next year with a studio picture, the YA adaptation Everything, Everything. After a return to indie filmmaking with 2018’s The Weekend, Meghie is once again working in the studio sphere—The Photograph is a Universal release (it premieres on February 14,

Directors Veronika Franz & Severin Fiala on Their Chilling New Film The Lodge

The Austrian aunt and nephew directorial duo Veronika Franz and Severin Fiala shocked even the most audacious horror buffs with their 2015 debut feature, Goodnight Mommy, which was chillingly austere before it ramped up to an unforgettably gruesome twist. Their follow-up, The Lodge (it premiered this past February 7), stays unsettling for its entire runtime; here, the two bring the European sensibility that marked their first film to a bigger American cast.