Screenwriter Kemp Powers on Finding Truth & Beauty in “One Night In Miami”
After nearly two decades as a news reporter, Kemp Powers knew a good story when he found one. Discovering that four cultural icons — heavyweight champ Cassius Clay, soon to take the name Muhammad Ali; activist Malcolm X; crooner Sam Cooke; and NFL superstar Jim Brown — had hung out together in Miami in 1964 inspired him to recreate that night.
Powers’ play, “One Night in Miami,” enjoyed a string of regional productions before it was staged at the prestigious Donmar Warehouse in London in 2016,
Documentarian Sam Pollard on his Must-See New Film “MLK/FBI”
A couple of days after Martin Luther King Jr. delivered his era-defining “I have a dream” speech at the Lincoln Memorial, J. Edgar Hoover’s second in command at the FBI penned a memo describing him as “The most dangerous Negro in America.” As documented in Sam Pollard‘s new film MLK/FBI (On Demand and in select theaters), that 1963 memo launched the Bureau’s obsession with discrediting America’s foremost civil rights leader by tapping his phones and bugging the hotel rooms he stayed in.
Costume Designer Trish Summerville on Diving Into Hollywood’s Past in “Mank”
David Fincher’s black and white epic, Mank, revisits the storied Hollywood era of the late 1930s when Orson Welles was writing what would go down in history as one of the best films of all time, Citizen Kane. But did he write it alone or with the help of Herman Mankiewicz, a once sought after screenwriter fallen prey to twin drinking and gambling problems? In Fincher’s version of events,
Film & Fashion Historian Kimberly Truhler on her Book “Film Noir Style: The Killer 1940s” – Part II
Kimberly Truhler‘s “Film Noir Style: The Killer 1940s” is filled with detail, background, and insightful commentary about the slinky gowns, killer suits, and dashing trench coats that are still fascinating and influence us today. There are chapters on classics like The Maltese Falcon, This Gun for Hire, Lady in the Lake, Out of the Past, and Sunset Boulevard.
Film & Fashion Historian Kimberly Truhler on her Book “Film Noir Style: The Killer 1940s” – Part I
“Film Noir Style: The Killer 1940s” is a new book from film and fashion historian Kimberly Truhler about the influential, iconic, and unforgettably gorgeous costumes that helped define a genre and an era. The book, which is packed with images from the films, explores the way the costumes defined the characters and the way costume design and fashion design influenced each other. “Hollywood costume designers developed American style and replaced European couture as the greatest influence on fashion,
Composer Emile Mosseri on Scoring for Family Dynamics in “Minari”
Dream-like piano notes accompany the Yee family as they gaze out the windows of their beat-up station wagon, on their way to a new home in rural Arkansas. Hoping to make it as a farmer, patriarch Jacob (Steven Yeun) is in the process of uprooting his wife, Monica (Yeri Han), and American-born children, Anne (Noel Cho) and David (Alan S. Kim), from California to this sparsely populated corner of the rural South.
Oscar-Winning Costume Designer Mark Bridges on His First Western “News of the World”
Over his long and varied career, costume designer Mark Bridges has tackled just about every wardrobe challenge imaginable. His efforts have led to Oscar wins for The Artist (2011) and Phantom Thread (2017), as well as nominations for Inherent Vice (2013) and Joker (2019). But surprisingly, he has never taken on a Western. That changed with News of the World.
Vanessa Kirby & Ellen Burstyn on Their Poignant New Film “Pieces of a Woman”
It is rare that a film as difficult to watch as Pieces of a Woman compels you to watch it multiple times. That’s the case with Netflix’s new aching drama, in which the acting and story are presented in such an authentic way that it offers new layers with each successive viewing.
The first English language film by director Kornél Mundruczó and his partner and screenwriter Kata Wéber,
Screenwriter Kata Wéber on Grief and Healing in “Pieces of a Woman”
Screenwriter and playwright Kata Wéber wrote Pieces of a Woman as a play before adapting it for the screen in partnership with director Kornél Mundruczó for their first English language film (premiering on January 7 on Netflix). Their last film was the award-winning White God, and the two have had both a long creative and personal history together. This story of Martha (Vanessa Kirby), a mother grieving the loss of her newborn child,
Translating the Untranslatable: The Impossible Art of Subtitling “Taco Chronicles”
Subtitle translation is a fascinating, complicated, and often overlooked part of the filmmaking process. It’s a delicate dance of literal translation and cultural interpretation, all the while practicing a serious economy of words. Most subtitles are capped at only forty-four characters (less than this sentence). Plus, the eye reads much slower than the ear hears.
My own up-close experience with the art form came with Netflix’s Taco Chronicles (Las Crónicas del Taco),
Producer Monica Levinson on “Borat 2” & “The Trial of the Chicago 7”
Producer Monica Levinson might have been able to call 2020 a banner year were not for the fact such a sentiment would be in poor taste considering how atrocious 2020 was. Yet two of her films factored into the larger conversations we were having in ways that would have been unthinkable at the start of the year.
One of those films was Aaron Sorkin’s The Trial of the Chicago 7,
Showrunner Benjamin Cavell on Remaking Stephen King’s Beloved Dark Fantasy “The Stand”
Stephen King’s The Stand, published in 1978, has eerily stood the test of time. The epic masterpiece follows the struggle between good and evil and is set against a backdrop of an apocalyptic plague called Captain Trips that has taken countless lives worldwide. The novel has been read by millions and was adapted for a four-part television series back in 1994.
Now, with showrunner, co-creator and executive producer Benjamin Cavell (Justified,
Art Director Daniel Lopez Muñoz on Finding Pixar’s “Soul”
Once again Pixar tackles the subjects of the meaning of life, fearlessness in the face of change, synchronicity, and inspiration in their new film Soul. It’s the first time, however, that they have centered the story on a Black man, that of middle school band teacher and jazz pianist Joe Gardner (voiced by Jamie Foxx). Daniel Lopez Muñoz has worked in such diverse roles for Pixar as a character designer for Up and Coco,
Best of 2020: “Lovecraft Country” DP Michael Watson on Lensing HBO’s Multi-Genre Hit Series
We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen, Lovecraft Country cinematographer Michael Watson on filming during a pandemic,
Best of 2020: The High Note Director Nisha Ganatra on the Importance of a Diverse Cast & Crew
We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen, Lovecraft Country cinematographer Michael Watson on filming during a pandemic,
Best of 2020: DP Greig Fraser on Harnessing Cutting-Edge Tech in “The Mandalorian”
We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen, Lovecraft Country cinematographer Michael Watson on filming during a pandemic,
Best of 2020: A Conversation With Laverne Cox
We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen, Lovecraft Country cinematographer Michael Watson on filming during a pandemic,
Best of 2020: Meet the Background Actors Who Populate HBO’s “Perry Mason” – Part I
We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen, Lovecraft Country cinematographer Michael Watson on filming during a pandemic,
Production Designer Jim Bissell Builds a New Kind of Spaceship in George Clooney’s “The Midnight Sky”
Production designer Jim Bissell landed ET: The Extraterrestrial fresh out of college. His latest, The Midnight Sky (now streaming on Netflix) marks a return to the realm of science fiction, but this time he’s forgoing adorable aliens to picture the end of the world as we know it. Director-star George Clooney plays astrophysicist Augustine Lofthouse, the last man on earth stranded in an Arctic observatory. Meanwhile, a crew of astronauts (including David Oyelowo and Felicity Jones) hurtles through the solar system in the Aether spaceship,
Showrunner Chris Van Dusen on Creating a Modern Regency Romance in “Bridgerton”
Buckle up for Christmas Day, when Bridgerton, a romance set in England’s 19th century Regency era, debuts on Netflix. Shonda Rhimes’ first executive-produced series for the streaming service, this bright, sexy show reimagines a casually multiracial society set in a horse-drawn world of candy-colored palaces, sybaritic balls, and aristocracy on display.
Bridgerton was shot on location at storied homes like Lancaster House, where Queen Elizabeth II still holds royal functions,
