Jurassic World: Fallen Kingdom’s Production Designer Takes on the Indoraptor

Jurassic World: Fallen Kingdom boasts more dinosaurs than any previous film in the Jurassic franchise—combined. While prehistoric mayhem set in the present is precisely what Jurassic fans expect, it’s a major challenge for the film crew. This was especially true for production designer Andy Nicholson, who was tasked with creating a literal house of horrors for director J.A. Bayona. With the action in Fallen Kingdom moving from Isla Nublar to the mainland,

Preacher Showrunner Sam Catlin on Grandma Driving Season 3’s Insane Misadventures

It had to happen eventually, according to showrunner Sam Catlin, so Preacher Season 3 begins this Sunday, June 24, at the creepy Angelville plantation ruled by the terrifying spell-caster known as “Grandma.” Fans of the comic book source material figured the matriarch would show up at some point, but they didn’t expect her to be portrayed by Betty Buckley, the Broadway musical icon. “Betty‘s got this great authority and her audition was incredible,”

Screenwriter Olivia Milch on Penning the Perfect Crime in Ocean’s 8

Ocean’s 8, Warner Bros.’ all-female crime caper headlined by Sandra Bullock, Cate Blanchett, Sarah Paulson, Anne Hathaway, Mindy Kaling, Helena Bonham Carter, Rihanna and Awkwafina, has arguably been one of the most anticipated films of summer 2018. What’s undeniable is the soaring success of the film’s co-writer Olivia Milch, touted by Variety as one of “10 Screenwriters to Watch” in 2016.

Milch collaborated with Ocean’s 8 director Gary Ross on the script,

Merritt Wever Transitions From Loopy Nurse to Frontier Toughie in Godless

Merritt Wever has no idea why she was picked to play a tough frontier woman in Netflix western Godless, but the New York actress wasn’t about to ask questions when writer-director-creator Scott Frank came calling. “I don’t go nosing around like that,” says Wever, who won a 2013 Emmy co-starring in Nurse Jackie as Edie Falco’s sly, exuberant sidekick Zoey Barkow.

Standing in extreme contrast to Zoey, Wever’s Emmy-buzzed portrayal of Mary Agnes McNue celebrates a gun-wielding bisexual badass who defends the frontier town of LaBelle in 1884 after all the menfolk get killed in a catastrophic mining accident.

Incredibles 2‘s Shading Art Director Reveals the Film’s Insane Level of Detail

Like production designer Ralph Eggleston, with whom we spoke about putting together the look of Incredibles 2, shading art director Bryn Imagire is a longtime Pixar collaborator. Since working as a computer graphics painter on 1998’s A Bug’s Life, Imagire has been a member of the visual effects or art departments of Coco, Ratatouille, UP,

Production Designer Ralph Eggleston on Creating the World of Incredibles 2 – Part 2

After a fourteen year interlude, director Brad Bird’s second installment starrring Pixar’s beloved animated superhero family, Incredibles 2, came out this week. As Mr. Incredible (Craig T. Nelson), Elastigirl (Holly Hunter), and their children Violet (Sarah Vowell), Dashiell (Huck Milner), and baby Jack-Jack attempt to navigate a comeback, a first love, math, and a wild array of newfound superpowers (respectively), the audience is treated to a seamless retro-futuristic setting for the endeavors.

Production Designer Ralph Eggleston on Creating the World of Incredibles 2 – Part I

Fourteen years after Pixar’s The Incredibles anticipated Hollywood’s wave of superhero titles with the charming, animated, crime-fighting Parr family, director Brad Bird revisits the Parrs right where he left them — undercover, in a 1950s-era strip motel. At the beginning of Incredibles 2, Mr. Incredible (Craig T. Nelson) and Elastigirl (Holly Hunter), Mom and Dad Parr, have messily and unsuccessfully taken on a bank villain, and their superhero program is getting the axe.

How Superflys’ Costume Designer Curated the Sensational Look

Costume designer Antoinette Messam got hired on December 18 to costume the suave hustlers of Superfly and on January 19, cameras rolled in Atlanta. “It was like the fastest production ever!,” says the Jamaican-born designer. Getting up to speed in a hurry, Messam went “power-shopping” over the holidays in Toronto, where she loaded up on Fresh Company clothing. She then scoured stores in New York, explored off-the-grid spots in Atlanta and scoured the web for online purchases.

Ocean’s 8 Production Designer on the Art of the Con Artist

Alex DiGerlando made his reputation as a production designer when he conjured the gritty swamp vibe for 2012’s Beasts of the Southern Wild. DiGerlando followed that stunning achievement with his spooky evocation of rural Louisiana subcultures in the first season of True Detective. Heist movie Ocean’s 8 represents a radical shift in milieu for the NYU-educated production designer. Working with director Gary Ross,

Cameron Britton Breaks Through Playing Real Life Serial Killer Ed Kemper in Mindhunter

Netflix true crime drama Mindhunter moves efficiently in tracking the origins of forensic science as experienced through FBI odd couple (Jonathan Groff and Holt McCallany) until midway through its second episode. Then, Cameron Britton makes his entrance. Playing real-life 70’s-era serial killer Ed Kemper, Britton strolls into an interrogation room and takes the show in utterly unnerving new direction through his embodiment of folksy evil incarnate.

A frontrunner in Emmy’s Outstanding Guest Actor in a Drama Series category,

Legendary Cartoonist & Screenwriter Jules Feiffer on the Mystifying Rituals of Male Friendship in Bernard and Huey

Bernard and Huey is a new film based on an old script. Jules Feiffer wrote the screenplay decades ago, but very little updating was needed for a beautifully performed (and partially Kickstarter-funded) movie that is almost a companion piece to Feiffer’s screenplay for Carnal Knowledge. Both films center on a long friendship between two men, one who has many short-term affairs with women and the other who, at least initially,

Costume Designer Jane Petrie on the Royals Step Into Modernity in Season 2 of The Crown

Lushly shot, exquisitely produced, expensive and popular, Netflix’s The Crown is praised not just for its (mostly) accurate rendering of major and minor events in the history of Britain’s royal family, but for its credible portrayal of their homes and haunts and the clothes they wore there. The period costumes, executed in attentive, realistic detail by Michele Clapton and Timothy Everest in the first season, and by Jane Petrie in season two,

Sound Editors Harness Horses, Wind & Gunshots for Netflix’s Western Godless

When it comes to designing sound for westerns, seven-time Oscar nominee Wylie Stateman keeps his ears attuned to wind, horses, gunshots and what he calls “the ride up and the ride out.” Speaking from his Twenty Four Seven Sound studio in Topanga Canyon near L.A., Stateman says, “You need to capture the sense of the countryside and traveling by horseback because that’s what makes a western what it is. It’s all about the big sky and the ride up and the ride out,

Making the Met Gala in Ocean’s 8 Sound as Cool as it Looks

There are few things more frustrating to a moviegoer than missing a line of dialogue. Scripts have been carefully crafted to tell a story in merely a few hours making nearly every word vital to the plot. If you can’t hear what is said, you could miss something important. Particularly in the dialogue heavy Ocean’s 8 where the heist of the century is discussed in detail by eight sharp, savvy, and hilarious women.

Atlanta‘s Brian Tyree Henry has Arrived

As Alfred “Paper Boi” Miles on FX’s critically acclaimed Atlanta which ended its second season in May (and was just picked up for a third season), Brian Tyree Henry can do more with one grimace than many can do with their whole body. He’s instilled Paper Boi with heart, humor and a lovability that makes him one of the best characters on television right now.

But he hasn’t stopped there,

Westworld’s Production Designer Breaks Down Season 2

Production designer Howard Cummings’s thirty year career has encompassed an incredible range of varied and stylized work: from the fantastical designs showcased in Percy Jackson & The Olympians: The Lightening Thief, to the grounded realism seen in such films as Francis Coppola’s The Rainmaker, to the expressive realism seen in his 20 year stint working with director Steven Soderbergh on movies like The Underneath,

Hereditary‘s Production Designer on Building the Scariest Movie of the Year

This is no exaggeration: Hereditary is the scariest movie in years and sure to become a horror classic. Writer/director Ari Aster brings a horrific tale of how we might just be unable to escape our familial bonds. He tells this through the Graham family—when Ellen, the mother of Annie Graham (an Oscar worthy Toni Collette) dies her private presence begins to haunt the whole family through her things, her secrets and perhaps even her spirit.

Andrea Riseborough on Bringing the Complex, Searching Nancy to Life

English Actress/Producer Andrea Riseborough might be the most successful performer you won’t recognize, and that’s exactly as she likes it. Highly in demand by both the UK and the US film industry, she is known for disappearing into her characters, and creating indelible performances that enhance every one of her projects. To see her in the terrifying Black Mirror episode “Crocodile” is to witness an actress at the very top of her game. 

Writer/Director Ari Aster on his Terrifying Debut Hereditary

When critics bend over backwards to keep a movie’s secrets under wraps, presume that the title in question is a step beyond the norm and well worth seeing. That is the case with Hereditary. Writer-director Ari Aster’s feature debut caused festival goers at Sundance and South by Southwest to squirm, shudder and gasp out loud at what transpires onscreen. Starting on June 8, the public will get to witness this grandly operatic yet exceedingly unsettling horror thriller about a grieving family seemingly beset by sinister forces – if they dare.

Actress-Turned-Composer Amelia Warner Helps Re-Imagine Frankenstein Origin Story in Mary Shelley

It was a dark and stormy night two centuries ago when 18-year old Mary Shelley, staying at Lord Byron’s estate in Geneva, Switzerland, responded to her host’s scary story contest by writing “Frankenstein.” Then came the hard part: persuading someone in London’s male-dominated book industry to publish the story under her own name. Starring Elle Fanning, Mary Shelley, which recently opened wide, tracks the heroine’s love affair with poet Percy Shelley and the crushing disappointments leading up to her creation of the now-classic horror tale.