Director Chiaki Kon on Her Netflix Anime Feature “The Way Of The Househusband”

A new Japanese anime series The Way Of The Househusband will premiere on Netflix globally on April 8. The five-episode series follows Tatsu, once a legendary yakuza nicknamed The Immortal Dragon, who is determined to become a devoted stay-at-home husband, diligently handling all the daily chores for his wife Miku, a busy career woman. But his newfound domestic bliss is soon interrupted when friends and foes from the past come back into his lives.

“French Exit” Director Azazel Jacobs on Loving His Wicked, Witty Central Character

Director Azazel Jacobs‘ French Exit won’t, on first blush, seem like a feel-good movie. Its protagonist, Frances Price (Michelle Pfeiffer), is a ferociously acerbic fading socialite who more or less doesn’t want to live anymore. Based on Jacobs’ friend and collaborator Patrick DeWitt’s novel (and adapted by DeWitt himself), there seems no earthly reason why anyone, in the year 2021, would feel affectionate towards a privileged woman lamenting her third act turn towards insolvency by savaging everyone in her path.

Makeup Department Head Matiki Anoff on Capturing the 1920s Aesthetic in “Ma Rainey’s Black Bottom”

Makeup department head Matiki Anoff had her work cut out for her with Ma Rainey’s Black Bottom. Director George C. Wolfe’s adaptation of August Wilson’s play revolves around Viola Davis’s hard-charging blues singer Ma, and the tensions that boil over between her and her ambitious horn player Levee (the late Chadwick Boseman), as well as the white management running their recording session.

Like her colleagues, makeup artist Sergio Lopez-Rivera and hair department head Mia Neal,

“Concrete Cowboy” Director Ricky Staub Saddles Up in Feature Debut

Westerns have a long and prominent role in cinematic history. The genre tends to conjure images of white hat vigilantes wrangling wild stallions in wide-open plains, but Concrete Cowboy (premiering April 2 on Netflix) starring Idris Elba will challenge all of your preconceived notions. The real-life men who inspire the film ride horseback at the Fletcher Street Stables through the middle of inner-city Philadelphia.

Writer/director Ricky Staub took note of the unusual riders years ago.

Composer Keefus Ciancia Releases Two-Volume Soundtrack for HBO Max’s “Made For Love”

Composer Keefus Ciancia is no stranger to dark material. In 2019 Ciancia won a BAFTA for Best Television Soundtrack for his work on Phoebe Waller-Bridge‘s deliciously diabolical Killing Eve and was nominated for an Emmy for his work on season three of HBO’s True Detective. Now, Ciancia is the composer behind another twisty HBO Max series, Made For Love, based on Alissa Nutting’s novel (she executive produces and writes on the series). 

Oscar-Nominated Cinematographer Erik Messerschmidt on “Mank” – Part II

As mentioned in part I of our interview, director David Fincher and cinematographer Erik Messerschmidt didn’t want to spend the entirety of Mank trying to make it appear as if Citizen Kane DP Gregg Toland had shot it, “But there were things that we wanted to embrace holistically – like deep focus – where it made sense to do so,” the Messerschmidt explains. “It was never an ‘Oh, great,

Oscar-Nominated Cinematographer Erik Messerschmidt on “Mank” – Part I

Actors Gary Oldman and Amanda Seyfried go for their characters’ leisurely evening stroll outside San Marino’s Huntington Library, which is subbing in for William Randolph Hearst’s Hearst Castle at San Simeon.  The only thing is, it’s not night – and the actors are wearing custom-tinted contact lenses to help them avoid squinting, due to the additional bright lights director of photography Erik Messerschmidt has added to make his day-for-night photography appear correct in the final image.

Costume Designer Deborah Newhall on Dressing the Dastardly in “I Care A Lot”

Writer/director J. Blakeson’s I Care A Lot is a gleefully cynical uppercut against late-stage capitalism that is also, incredibly, a blast to watch. The con artist at its center, Rosamund Pike’s Marla Grayson, would be hard to root for if both her performance and the film itself weren’t so infectiously committed to its amorality. One of I Care A Lot‘s central themes is that the heart of capitalism isn’t healthy competition or ingenuity or hard work—it’s exploitation.

Cinematographer Fabian Wagner on “Zack Snyder’s Justice League”

A lot of people are professing surprise at the success of Zack Snyder’s Justice League on HBO Max, not only in terms of the critical praise it’s getting, being called “operatic” or as richly imagined as Lord of the Rings, but even in the calls to continue the film’s teased sequels, and pursue a #Snyderverse on HBO Max.

As this was being written, no less than the Washington Post’s opinion pages ran a column from its culture &

Director Shaka King Breaks Down the Magic Trick Behind “Judas and the Black Messiah”

Judas and the Black Messiah opened last month and quickly galvanized moviegoers with its fact-based story about Black Panther leader Fred Hampton, whose betrayal by an FBI informant led to his 1969 death by gunfire at age 21 while sleeping in his own Chicago apartment. The film racked up six Oscar nominations including Best Picture. Director Shaka King earned a nomination for co-writing the screenplay and steered co-stars Daniel Kaluuya and Lakeith Stanfield to their own Oscar nods in the Best Supporting Actor category.

Sound Designer Scott Hecker on Going Big in “Zack Snyder’s Justice League”

At four hours long, HBO Max’s Zack Snyder’s Justice League, a reworked version of the 2017 film started by director Snyder but finished by Joss Whedon, differs most obviously from its predecessor in length. Those two extra hours, however, do much more than simply pile up the story, even if the overall plot remains mostly the same. In revisiting what started as his film and now has definitively ended as such,

Oscar-Nominated Makeup Department Head Gigi Williams on “Mank”

David Fincher‘s Mank is the most Oscar-nominated film of the year, amassing ten, thanks to the beauty and brilliance of its black-and-white execution. One of those nominations belongs to makeup department head Gigi Williams, a veteran who picks her work based on her belief in the director. In Fincher, she was collaborating with one of the most precise filmmakers in the business, and in Mank, working off a script from his father Jack Fincher,

Oscar Nominees Mia Neal & Sergio Lopez-Rivera on the Hair & Makeup of “Ma Rainey’s Black Bottom”

I got a chance to speak to hair department head Mia Neal and makeup artist Sergio Lopez-Rivera about their work in George C. Wolfe’s Ma Rainey’s Black Bottom before the Oscar nominations were announced. Tasked with, among other challenges, turning Oscar-nominee Viola Davis into the real-life Ma was no easy feat, least of all because there wasn’t a ton of photographic evidence to work with. Add to that scorching temperatures during much of the shoot (they filmed in Pittsburgh in the summer of 2019) and the heavy makeup,

“The Mauritanian” Director Kevin Macdonald on Telling Mohamedou Slahi’s Story

The Mauritanian director Kevin Macdonald has plumbed the depths of state-sanctioned terror before, notably in his riveting 2006 film The Last King of Scotland, featuring a ferocious performance by Forest Whitaker playing Ugandan dictator Idi Amin. His work in The Mauritanian might seem, on first blush, to be another trip to the dark side. Yet Macdonald’s film, led by stellar performances from Jodie Foster, Benedict Cumberbatch, and, most crucially,

“Cherry” Composer Henry Jackman Lets Loose on the Russo Brother’s New Film

Composer Henry Jackman began composing his first symphony at the age of six. He has since risen to become one of film’s top composers, by leveraging both his classical training and his experience as a record industry producer. His diverse credits include working with Hans Zimmer on The Dark Knight, as well as many scores of his own, including Wreck-It Ralph, Kong: Skull Island, and Captain Phillips.

Tahar Rahim on Playing With Brutal Truths in “The Mauritanian”

The Mauritanian boasts performances from Jodie Foster, a legend who has earned the right to be picky about her roles, Benedict Cumberbatch, and Shailene Woodley. All are predictably excellent—Foster as the dogged defense attorney Nancy Hollander, Cumberbatch as the military prosecutor Stuart Couch, and Woodley as Hollander’s tenacious assistant Teri Duncan. Yet director Kevin Macdonald’s film hinges on the performance of its’ titular Mauritanian, the French-Algerian actor Tahar Rahim, who plays Mohamedou Ould Slahi,

Actress Taylour Paige Gets Into the “Boogie” Spirit in Eddie Huang’s Directorial Debut

Boogie, Eddie Huang’s directorial debut, proves to be a different kind of coming-of-age story. Best known for penning the autobiography that inspired the hit TV series Fresh Off the Boat, Huang draws upon two subjects near to his heart – his Chinese heritage and his love of basketball — to weave an offbeat tale of a Chinese basketball phenom nicknamed Boogie (Taylor Takahashi) who aspires to become an NBA superstar.

It was the unique nature of the script,

“Cherry” DP Newton Thomas Sigel on the Russo Brothers First Post-Avengers Film

Joe and Anthony Russo’s latest project is a far cry from Avengers. The hopes and dreams of the titular hero of Cherry (premiering on Apple TV+ on March 12), played by Tom Holland, are earth-bound, centered around getting high, getting money, or getting clean. In the film’s first chapter (there are six in total, each introduced by a blood-red title page), Cherry is at his worst—strung out,

Showrunner Suzan-Lori Parks Goes Deep on an American Icon in “Genius: Aretha”

She won a Tony for her spectacular singing in The Color Purple, then earned an Oscar nomination in her role as the titular underground railroad heroine in Harriet. Now Cynthia Erivo‘s harnessing her vocal and dramatic gifts to deliver a sensational portrayal of Aretha Franklin in Genius: Aretha (March 21 on NatGeo). Created by Pulitzer Prize-winning playwright-turned-showrunner Suzan-Lori Parks, the eight-episode biopic dramatizes Franklin’s journey from gospel singing child prodigy to her decades-long reign as pop music’s undisputed Queen of Soul.

International Women’s Day Profile: Director Tan Chui Mui

Pioneering Malaysian New Wave director Tan Chui Mui was on the final recce of her latest film, Barbarian Invasion, in a remote fishing village when the national lockdown news broke in mid-March last year following the World Health Organization’s declaration of the COVID-19 outbreak a pandemic. Her shoot was about to start in early April, which would be after the end of the supposedly two-week lockdown. But Tan was fully aware of the severity of the situation in China.