How Sundance Award-Winning Feature I Carry You With Me Came Together

The film I Carry You With Me (Te Lloevo Conmigo) landed in the NEXT category at the 2020 Sundance Film Festival with buzz about its great potential, as it was the first narrative directed and co-written by documentarian and Academy-Award nominee Heidi Ewing. It found an audience and great success in Park City. By the end of the fest, it had a distribution deal through Sony Pictures Classics in partnership with Stage 6,

Writer/Director/Star Numa Perrier on Her Autobiographical Sex Work Film Jezebel

Though filmmaker Numa Perrier only spent four years of her life in Las Vegas, those formative years being surrounded by adult vocations served as the backbone for her autobiographical ’90s-set film, Jezebel (now available on Netflix). Not only did Perrier write, direct, and produce, but she also stars as her older sister (executive producer Livia Perrier), who used to work as a phone sex operator and with whom Perrier shared cramped living quarters.

Director Destin Daniel Cretton on Adapting Bryan’s Stevenson’s Just Mercy

Destin Daniel Cretton remembers the exact moment back in 2015 when he first came to learn of Bryan Stevenson, the founder of the Equal Justice Initiative. The day didn’t seem out of the ordinary for the filmmaker. But looking back, it turned out to be a career-defining moment for Cretton.

“I was sitting in a coffee shop in LA called the Bourgeois Pig when I opened up a book called Just Mercy by Bryan Stevenson,” says Cretton.

Director Kate Woods on Faith and Belief in her Netflix Drama Messiah

Early on in the new Netflix drama Messiah, CIA agent Eva (Michelle Monaghan), paradigmatically dogged in her duties, informs a failed prospective job candidate, “the truth may look gray, but I assure you, it is not.” It’s easy to guess that Eva’s next assignment will have her rethinking the office hiring policy. After she becomes aware of a long-locked, proselytizing enigma first spotted preaching mid-sandstorm to a band of followers in Damascus,

Sam Mendes & Screenwriter Krysty Wilson-Cairns on Their Epic WWI Drama 1917

1917 is the story of an urgent message and the two WWI soldiers who have to deliver it to prevent hundreds of their fellow British troops from walking into a trap. We accompany them on an arduous, dangerous journey in what appears to be one long, breathtaking shot. In an interview with The Credits, director Sam Mendes and his co-screenwriter Krysty Wilson-Cairns talked about the research they did for the film and how they crafted this meticulously constructed,

Best of 2019: Writer/Director Noah Baumbach on his Devastating Marriage Story

*We’re reposting some of our favorite interviews of 2019. Happy Holidays!

Writer/director Noah Baumbach’s substantial body of work has often explored families in all their painful, darkly funny dysfunction, evolving from the perspective of an adolescent witness to the break-up of his parents in his 2005 second feature, the Oscar-nominated The Squid and the Whale, to the poignant, middle-aged observations of a son coming to terms with his estranged family and self-absorbed father in 2017’s The Meyerowitz Stories (New and Selected).

Writer/Director Noah Baumbach on his Devastating Marriage Story

Writer/director Noah Baumbach’s substantial body of work has often explored families in all their painful, darkly funny dysfunction, evolving from the perspective of an adolescent witness to the break-up of his parents in his 2005 second feature, the Oscar-nominated The Squid and the Whale, to the poignant, middle-aged observations of a son coming to terms with his estranged family and self-absorbed father in 2017’s The Meyerowitz Stories (New and Selected).

Waves Writer/Director Trey Edward Shults & Stars Kelvin Harrison & Taylor Russell on Their Powerful Drama

From the moment the new film Waves had its premiere at the Telluride Film Festival in August, it started getting awards mentions. Touted were the emotional intensity and authenticity of the script by writer/director Trey Edward Shults, and the powerhouse performances served up by an ensemble cast that included stars Kelvin Harrison, Taylor Russell, Lucas Hedges, and Sterling K. Brown. The story centers on the members of one South Floridian family, and how their personal challenges lead variously to trauma,

Writer/Director Rian Johnson on Going From Star Wars to Knives Out

Director Rian Johnson wanted to do something “completely different” from Star Wars with his new movie, Knives Out (released Nov. 27).

“It’s not a heavy movie, it’s not like an incredibly dark movie or anything, it’s kind of going for just giving you a blast of fun,” he told The Credits at the Denver Film Festival screening. “So that was kind of refreshing honestly,

Edward Norton on Redefining Heroism in Motherless Brooklyn

Edward Norton brought Motherless Brooklyn, his long-gestating passion project, to the Motion Picture Association’s brand new theater last night for a special screening and Q&A moderated by professor Yanick Lamb, Director of Media Studies at Howard University. Norton’s film, which explores institutional racism built into the very foundations of New York City, was inspired as much by Robert Caro’s Pulitzer Prize-winning biography of “master builder” Robert Moses, “The Power Broker,”

Writer/Director Jill Culton on her Animated Feature Abominable

At the beginning of the new animated feature Abominable, tomboy Yi (Chloe Bennett) is grieving for her dad, who has passed away. When she finds a wounded Yeti hiding on the roof of her apartment building, she names him Everest, after where he’s from, and determines he needs help getting back to the famed mountain. She and her friends Peng (Albert Tsai) and Jin (Tenzing Norgay Trainor), travel all the way across China to get him back home.

Downton Abbey Director Michael Engler on Bringing the Crawleys to the Big Screen

Downton Abbey is a haven. In this starchy refuge, worry whether Tom Branson (Allen Leech) will be able to keep his long out of sight Irish Republicanism in check in front of two guests who have invited themselves to stay the night, King George V (Simon Jones) and Queen Mary (Geraldine James), represents the height of concern. Coming in just behind on the worry scale is the question whether Mary (Michelle Dockery) will act on her impetus to give up on Downton,

The Creators of Netflix’s Unbelievable on Their Urgent New Series

Buzz for the new true-crime drama Unbelievable, which is now streaming on Netflix, is getting pretty intense, and for good reason. Inspired by real events covered in a Pulitzer Prize-winning article from The Marshall Project and ProPublica called, “An Unbelievable Story of Rape” and a This American Life episode called “Anatomy of Doubt,” it tells the story of a teen named Marie (Kaitlyn Dever) who reports a sexual assault,

TIFF 2019: Getting Weird With Synchronic‘s Director Aaron Moorhead and Star Ally Ioannides

Anthony Mackie (Avengers: Endgame) and Jamie Dornan (Fifty Shades of Gray) are well known for playing superheroes and super seducers, respectively. For Aaron Moorhead and Justin Aaron Moorehead’s trippy, gripping new drama Synchronic, which had its world premiere at the Toronto International Film Festival, the two stars went a decidedly different direction. Mackie and Dornan play a pair of paramedics in New Orleans,

Chernobyl’s Emmy-Nominated Director on Capturing Catastrophe

Within the first few minutes of Chernobyl, director Johan Renck plunges the viewer into a riveting recreation of the infamous nuclear power plant meltdown and its aftermath. Since completing its run this summer, the HBO mini-series has earned 16 Emmy nominations for dramatizing the horrendous impact on victims of the accident while tracking the efforts of scientist Valery Legasov (Jared Harris) as he takes on the Soviet establishment to uncover the truth about why the reactor blew up.

TIFF 2019: Tammy’s Always Dying Director Amy Jo Johnson on her Bittersweet Mother/Daughter Drama

Director Amy Jo Johnson‘s second feature film manages to coax humor from situations that are not terribly funny. Terminal alcoholism, cancer, and feelings of loneliness, isolation, and insecurity are not usually the ingredients for laughs, but Johnson and her stellar cast turn these devastating pieces into a bittersweet whole. Johnson, a former actress (Felicity, Flashpoint), has a deft touch with her game ensemble, which stars Felicity Huffman in a bravura performance as the always dying Tammy,

Directors Rob Epstein & Jeffrey Friedman on Linda Ronstadt: The Sound of My Voice

There are few musicians as giving as Linda Ronstadt. Throughout her robust career, she gave new life to the songs she covered, from “Blue Bayou” to “Different Drum,” rendering them more heartbreaking and affecting than the previous versions. She gave her blessing to her old band, who went on to form The Eagles, and also their first, “Desperado.” She was happy to give the spotlight to her contemporaries, and collaborated with Dolly Parton and Emmylou Harris (for the iconic Trio albums),

Director Zach Lipovsky on Becoming and Believing in Canadian Filmmakers

Alejandro González Iñárritu’s epic The Revenant about fur trappers in the icy forests of South Dakota and Montana in 19th century was filmed largely in British Colombia and Alberta. Andy Muschietti’s It and It: Chapter Two, set in the fictional Derry, Maine, was filmed largely in Ontario. These films, and many, many other made-in-Canada productions, utilize Canada’s talented local film crews,

Director Nimisha Mukerji is one of Canada’s Many Rising Filmmakers

A rising tide lifts all boats, and the tide of productions in Canada has been rising fairly steadily for years. Many blockbuster productions and popular television series’ are utilizing Canada’s large film crew community, natural splendor, and tax incentives. From the forbidding icy forests of Alejandro González Iñárritu’s The Revenant (filmed largely in British Colombia and Alberta) to the postcard-perfect but deeply sinister setting of Derry for Andy Muschietti’s It and It: Chapter Two, 

Angel Has Fallen‘s Director & a Former Assistant Director of the Secret Service Talk Riveting Realism

The latest in Gerard Butler’s Fallen series about secret service agent Mike Banning (Gerard Butler) is out in theaters today. This time, in Angel has Fallen, it’s Banning himself who is in trouble when he’s framed in an assassination attempt on President Trumbull (Morgan Freeman). On the run, he hides out with the father who abandoned him, Clay, played by Nick Nolte. The Credits spoke to director Ric Roman Waugh and technical advisor Mickey Nelson,