“Drive My Car” Director Ryûsuke Hamaguchi on His Moving Portrait of Life’s Twists & Turns

One of the most intriguing cinematic journeys of 2021 emanates from Japan and is aptly named Drive My Car.

A mesmerizing sojourn that exactingly unfolds over a three-hour running time, the film follows acclaimed actor and theatre director Yûsuke Kafuku (Hidetoshi Nishijima), beginning with his unorthodox marriage to Oto (Reika Kirishima), before segueing to a stage production he is directing of Anton Chekhov’s Uncle Vanya. The latter brings him together with Misaki Watari (Tôko Miura),

Costume Designer Justine Seymour on Subtle Power on Display in “Women of the Movement”

After his 1955 murder, Emmett Till’s death became a galvanizing event for the burgeoning Civil Rights movement. The mutilated 14-year-old was given an open casket funeral at the behest of his mother, Mamie Till-Mobley, who wished the world to see what Roy Bryant and J.W. Milam had done to her son. Lynched while on holiday to visit family in Money, Mississippi, after being falsely accused of whistling at a white woman, Carolyn Bryant, (Emmett had a stutter,

How the “Scream” Team Created The Best Film in the Franchise Since The Original

How do you create the fifth film in a beloved slasher franchise that’s both a nod to everything that’s come before, a clever meta-commentary on horror films and toxic fandom, and something that’s entirely your own? This was one of the questions we put to Scream directors Tyler Gillett and Matt Bettinelli-Olpin and their producing partner and the third member of their Radio Silence triumvirate, Chad Villella. The trio has once again brought the same passion that imbued their last outing,

“West Side Story” Music Supervisor Matt Sullivan on The Cast, Spielberg, and Capturing Magic

When we interviewed West Side Story‘s music producer David Newman, he made clear not only how massive of an effort was required to pull off Steven Spielberg’s masterpiece musical, but how personal it all felt. “There were hundreds of us involved in it, and I loved it. It just was a completely pure feeling,” Newman told us. “We were all just doing it for the love of it. That is the feeling I get with this movie.

“Ray Donovan: The Movie” Writer/Director David Hollander Gets Inside the Anti-Hero’s Head One Last Time

When Ray Donovan debuted on Showtime in 2013, Liev Schreiber introduced the character as a brooding fixer who uses a baseball bat to make problems go away for shallow celebrities and sleazy Hollywood moguls. But over the course of seven seasons, the one thing Donovan could never fix was his own broken family, headed by the charming but awful con artist father Mickey (Jon Voight).

In February 2020, Showtime dumped the series without warning.

“Cowboy Bebop” Costume Designer Jane Holland on Creating a Jazzy Outlaw Look

How do you approach adapting the looks of a beloved Japanese anime series for a live-action Netflix series? This was the challenge for Cowboy Bebop costume designer Jane Holland, who managed to capture the glorious color of the original anime series about a crew of bounty hunters who will zealously pursue even the most dangerous criminals in the galaxy—if you’ve got the money—and do it all in the boldest of styles. Cowboy Bebop stars John Cho as the perenially sad bounty hunter Spike Spiegel,

“The Tragedy of Macbeth” Production Designer Stefan Dechant on Joel Coen’s Minimalist Masterpiece

Production designer Stefan Dechant has worked on detail-packed cinematic spectacles like Jurassic Park, Avatar, Pacific Rim: Uprising, and Kong: Skull Island. When he signed up for Joel Coen‘s black and white adaptation of The Tragedy of Macbeth, Dechant had to embrace a new aesthetic, stripping all decorative embellishments that might distract from the drama at hand.

“No Time To Die” Costume Designer Suttirat Anne Larlarb on Dressing Bond’s Allies & Adversaries

In part one of our conversation with No Time To Die costume designer Suttirat Anne Larlarb, we focused on the tall order of outfitting Daniel Craig for his fifth and final assignment as James Bond. In part two, we turn our attention to the allies and adversaries that populate Bond’s world, including two new agents, the love of his life, and a scarred sociopath who has designed a weapon that—spoiler alert—forces Bond to make the ultimate sacrifice. 

“No Time To Die” Costume Designer Suttirat Anne Larlarb on Building the Apex Tuxedo

“Before Daniel, the Bond style, which was always very definitive, was being worn by someone who was more of a superhero character,” says No Time To Die costume designer Suttirat Anne Larlarb about the tall order of outfitting Daniel Craig for his fifth and final assignment as James Bond. “We didn’t really get the emotional landscape. We got the look, we got the icon, but we didn’t delve that much deeper. Daniel is a consummate actor and I really felt this responsibly to be able to costume him in a way that would live up to that Bond stratosphere,

How “Nightmare Alley” Hair Designer Cliona Furey & Makeup Designer Jo-Ann MacNeil Made Magic

In Guillermo del Toro’s carnival noir Nightmare Alley, the visionary director eschews the supernatural for a period noir to fantastic effect. The film is set largely at a mid-20th-century second-rate carnival filled with schemers, dreamers, hustlers, weirdos, and femme Fatales, with del Toro acting as our carnival barker (that role in the movie actually belongs to Willem Dafoe), taking us on a tour of the lost souls plying their various trades in this shadowy world.

“The Tender Bar” Cinematographer Martin Ruhe on George Clooney’s Heartfelt Adaptation

Arriving during times that don’t feel particularly tender, The Tender Bar is George Clooney’s adaptation of J.R. Moehringer’s book about growing up in the 60’s and 70’s-era Long Island, without a father. Instead, he seeks out surrogate role models in the house of extended relatives where his mother retreats, and in the local bar where his uncle tends. And, Clooney, of course, stays behind the camera here, leaving the acting chores to Ben Affleck as Uncle Charlie,

“Station Eleven” Costume Designer Helen Huang on a Post-Pandemic World Filled with Art & Humanity

In times of fear, great loss, and regression in civilized society, creativity and culture will still blossom. This is not only the hopeful message of Station Eleven but also a truth about our world, proven by the fact that the show exists at all. The production team for HBO’s post-pandemic miniseries was a few episodes in when life began to imitate art, and art began springing up everywhere.

“You think about our pandemic,

“Spider-Man: No Way Home” Production Designer Darren Gilford on Re-Creating NYC

Spider-Man has always been a proud New Yorker, so naturally, filmmakers planned to shoot a lot of No Way Home in Manhattan. Then COVID hit and pandemic restrictions made it impossible to film on Peter Parker’s actual stomping grounds. Realizing that the Spidey show must go on, production designer Darren Gilford and his team came up with a Plan B for replicating New York locations at Pinewood Studios in Atlanta. “This group of filmmakers,

“The Matrix Resurrections” VFX Supervisor Dan Glass Takes The Red Pill

In The Matrix Resurrections, there is an action sequence where Neo and Trinity jump off a skyscraper together in order to evade agents closing in on them. They float in the air for a few seconds as the sun rises behind them and we’re left wondering if they’ll fly off together. While speaking with visual effects supervisor Dan Glass over the phone about the incredibly realistic world-building for the scene, Glass told The Credits that this particularly stunning moment was shot practically using no green screen or CG outside of cleaning up a few different elements.

Best of 2021: “Spider-Man: No Way Home” Co-Writers Talk Villains, Peter Parker & Changing the Script

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on December 20.

Reviewers raved, Twitter went berserk with anticipation and spoilers went (mostly) unleaked as Spider-Man: No Way Home hit theaters this past weekend, making box office history in the process. Third in the trilogy of Tom Holland-headlining Marvel films directed by Jon Watts,

Best of 2021: “Dune” Hair & Makeup Department Head Donald Mowat’s Delightful & Disturbing Designs

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on October 22.

With the highly anticipated release of Dune in theaters and on HBO Max here at a long last, fans will finally see director Denis Villeneuve’s vision of Frank Herbert’s epic sci-fi novel come to life. Dune is about the intergalactic power struggle between House Atreides,

Best of 2021: Director Barry Jenkins Mixes Beauty and Brutality in “The Underground Railroad”

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on May 12. 

The Underground Railroad has been a long time coming in Barry Jenkins‘ imagination. As a kid growing up in Miami’s rough Liberty City neighborhood, the writer-director pictured literal railroad tracks running beneath the earth. Fast forward to 2014, when Jenkins thrilled to Colson Whitehead’s Pulitzer Prize-winning novel and secured adaptation rights even before he’d finished promoting his Oscar-winning Moonlight movie.

Best of 2021: Emmy-Winner Hannah Waddingham on the Joy of Making “Ted Lasso”

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on July 29.

Before Ted Lasso became a phenomenon, setting a record for most Emmy nominations by a freshman comedy (20 total, including seven for its actors), its virtues were spread, among my friends, more like a whisper campaign. One buddy in particular kept needling me via text.

Best of 2021: “Passing” Writer/Director Rebecca Hall On Navigating the Complicated History of Racial Identity

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on November 30.

The complexity of bringing a thematically laced film like Passing to the screen isn’t a simple one. For Rebecca Hall, who makes her directorial debut, it was also a personal journey, “an extended catharsis” that allowed her “to get to the bottom of a lot of mysteries” in her family.

Best of 2021: “King Richard” Casting Director Rich Delia on Finding Venus & Serena

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on November 19.

The new film King Richard (Warner Bros.) halted shooting in March 2020 during the first COVID-19 lockdown. Although his work was done, Rich Delia, one of the project’s casting directors, was “sitting at home freaking out” over one thing:

“What if one of the girls goes through a growth spurt?”

The girls are,