Interview

Producer

“Raised By Wolves” Line Producer Cheryl Eatock on Building Ridley Scott’s First TV Series

As one of film’s most innovative directors, Ridley Scott is a master at transporting us to worlds unlike any we’ve seen before. So it comes as no surprise that Raised by Wolves, his first foray into directing episodic television, promises to be a unique, multilayered vision as ambitious in theme and scope as Alien, Blade Runner, and The Martian.

Unspooling in 10 installments on HBO Max,

By Chris Koseluk  |  September 3, 2020

Interview

Producer, Special/Visual Effects

“Brave New World” VFX Supervisor & Producer Thomas Horton on Peacock’s Ambitious New Series

For visual effects supervisor Thomas Horton, Peacock’s new series Brave New World, which premiered on July 15, presented a serious challenge. Horton was tasked with overseeing the streaming channel’s ambitious adaptation of Aldous Huxley’s legendary sci-fi novel, which despite being published in 1932 still contains so many unkillable themes and foundational science fiction tropes it remains fresh today. Huxley’s vision of a futuristic dystopia ordered by an intelligence-based hierarchy is equaled only by George Orwell’s Nineteen Eighty-Four in terms of cultural impact.

By Bryan Abrams  |  September 1, 2020

Interview

Stunt Coordinator/Stunt Person

Emmy-Nominated Stunt Coordinator Hiro Koda Talks “Stranger Things” Action

Stranger Things Season 3 continues to track the bizarre mysteries unfolding in Hawkins, Indiana circa 1985. Blending sci-fi, action, romance, and comedy the Netflix thriller, nominated for eight Emmys this year, embroils plucky kids, led by Eleven (Milly Bobby Brown) in their ongoing quest to bring down the mysterious “Mind Flayer” monster. Meanwhile, Sheriff Jim Hopper (David Harbour), in between flirtations with local mom Joyce (Wynona Ryder), dukes it out repeatedly with square-jawed Grigori (Soviet-born actor Andrey Ivchenko),

By Hugh Hart  |  September 1, 2020

Interview

Director

Director Dime Davis on Making Emmy History With “A Black Lady Sketch Show”

Last year, director Dime Davis visited California desert retreat Joshua Tree to take a break from her burgeoning career as director of Showtime drama The Chi and BET rom-com Boomerang. “I’d been trying to get my head together so I wasn’t getting back to people,” Davis recalls. But Robin Thede kept calling. The comedian had created a new sketch series for HBO and wanted Davis to direct the whole thing.

By Hugh Hart  |  August 31, 2020

Interview

Editor

How Emmy-Nominated Editor Katheryn Naranjo Cut “Stranger Things” Season 3 Finale

The third season of The Duffer Brothers’ Netflix hit Stranger Things culminated in an epic finale with two huge battle scenes and a rollercoaster of emotional highs and lows. For the uninitiated, Stranger Things is a sci-fi/horror series set in set in the 80s (with the soundtrack to match), which follows a group of young kids as they explore what’s behind a series of supernatural happenings in their town. Winona Ryder (Joyce Byers) leads the young cast—including Millie Bobby Brown (Eleven),

By Alice Wasley  |  August 28, 2020

Interview

Production Designer

Emmy-Nominated Production Designer Monica Sotto on “Drunk History”

Let’s get the sad part out of the way; Comedy Central’s beloved Drunk History was recently canceled, after 6 glorious, inebriated, compulsively watchable seasons. Shortly before that bad bit of news was revealed, we got a chance to chat with the show’s production designer Monica Sotto, whose work on the season 6 finale “Bad Blood,” which focused on the highly infectious Typhoid Mary (narrated by Jackie Johnson) and Cleopatra’s younger sister,

By Bryan Abrams  |  August 27, 2020

Interview

Cinematographer

Emmy-Nominated DP Greig Fraser on Harnessing Cutting-Edge Tech in “The Mandalorian”

The Emmys have spoken: The ballots are in, and among the most-nominated shows was Disney’s first live action Star Wars series, The Mandalorian.

One big reason for that was cinematographer Greig Fraser, a previous Oscar nominee for his work on Lion, and now sharing an Emmy nom with Barry “Baz” Idoine on the Disney+ series, in particular its gunslinging penultimate episode,

By Mark London Williams  |  August 26, 2020

Interview

Choreographer

How Emmy-Nominated Choreographer Jemel McWilliams Makes His Moves

When Emmy-nominated choreographer Jemel McWilliams was a first grader growing up in the D.C. area, most of his friends spent their time worshipping and talking about Michael Jordan. It was the Nineties, and Jordan and the Bulls were at peak fame level. But McWilliams had a few other idols in his sights: Sammy Davis, Jr. and Savion Glover. 

“I just loved that Sammy was an actor, a singer,

By Alison Prato  |  August 25, 2020

Interview

Production Designer

Emmy-Nominated Production Designer Jason Sherwood on Designing the Oscars

At 30 years old, Emmy-winning production designer Jason Sherwood became the youngest person to ever design the Oscars for this past year’s historic ceremony. Sherwood, already a talented theater designer, nabbed his first Emmy just last year for the design of Rent Live (which was also his first foray into major TV production).

For this year’s Oscars, Sherwood and his collaborator and fellow nominee, art director Alana Billingsley,

By Bryan Abrams  |  August 25, 2020

Interview

Production Designer

Production Designer John Paino Snags Dual Emmy Noms for “The Morning Show” and “Big Little Lies”

They might be rich and powerful, but that doesn’t mean the women of Big Little Lies and The Morning Show are content. Production designer John Paino made it his mission to create sleek environments that counterpoint the characters’ well-concealed inner turmoil.  His efforts for each series have nabbed him two Emmy nominations this year. “My contribution is mood and atmosphere and continuity,” says Paino. “A lot of design is about finding this sweet spot where something’s so realistic you don’t even bat an eye,

By Hugh Hart  |  August 21, 2020

Interview

Production Designer

Emmy-Nominated “Watchmen” Production Designer on The Show’s Eclectic Inspirations

Not only did Watchmen top all TV rivals by earning 26 Emmy nominations; the sprawling HBO series also tackled racism in America en route to becoming arguably the most topical drama of the year. Rooted in the horrific 1921 Tulsa Race Massacre of more than 300 Black citizens, Watchmen pits fictional superhero Sister Night (Regina King) against a secret society of white supremacists Hell-bent on taking over the world.

By Hugh Hart  |  August 17, 2020
Elizabeth Debicki Cast as Princess Diana for Last Two Seasons of “The Crown”

One of the most sought-after roles in all of TV has been filled.

Netflix’s lush period drama The Crown has two more seasons to go. This past season introduced the great Olivia Colman as Queen Elizabeth, stepping in to replace the also splendid Claire Foy as the Queen in middle age. Now, the role that fans have been waiting to see filled—that of the Queen’s most famous in-law of them all,

By The Credits  |  August 17, 2020

Interview

Editor

“Hanna” Editor Morten Højbjerg on Cutting Amazon’s High-Octane Thriller

Hanna editor Morten Højbjerg cut the first two episodes of season one of creator David Farr’s relentlessly action-packed Amazon series, which was adapted from Joe Wright’s 2011 film (which Farr wrote) that starred Saoirse Ronan in the title role. In the series, Esme Creed-Miles takes over for Ronan as the titular young girl with a certain set of extraordinary skills not usually found in youngsters. Instead of planning sleepovers, doing homework,

By Bryan Abrams  |  August 12, 2020

Interview

Casting Director

Allison Jones & Ben Harris On the Funny-Unfunny “Curb Your Enthusiasm” Casting Process

How do you cast a show where most household name actors play themselves and entire scenes are based on improv? Well, it’s complicated. To get on Larry David’s Curb Your Enthusiasm, now in its 10th season and booked to begin shooting Season 11 come fall, coronavirus permitting, you need to be funny, but you don’t have to be funny, and you definitely can’t seem to be trying to be funny. On actors who make it to an in-person audition,

By Susannah Edelbaum  |  August 12, 2020
“The Fresh Prince of Bel-Air” Getting Rebooted as a Drama

It’s time to start singing the Fresh Prince theme again (and really, why did we ever stop?). In a piece of fantastic news, The Hollywood Reporter has the scoop that Will Smith and Morgan Cooper, the creator of the viral YouTube trailer Bel-Air, are teaming up to adapt Cooper’s vision of a dramatic version of the iconic NBC comedy. THR writes that Bel-Air is being described as a dramatic riff on the comedy that turned Smith into a household name,

By Bryan Abrams  |  August 11, 2020
Hilary Swank Heads for Mars in New Trailer for “Away”

The pull of the Red Planet is such that it could qualify as its own Martian genre, which itself would encompass everything from horror to heartfelt, reality-based to rococo. From Ridley Scott’s The Martian to Andrew Stanton’s John Carter to Tim Burton’s Mars Attacks! to Simon Wells Disney animated Mars Needs Moms, we keep going back to our nearest planetary neighbor, with a staggeringly diverse set of results.

By The Credits  |  August 10, 2020
Charlie Kaufman’s New Netflix Film & Ridley Scott’s New HBO Max Series Drop Trailers

Hot trailers alert! The trailer for I’m Thinking of Ending Things, the long-awaited next film from writer/director Charlie Kaufman is here (it’s the first live-action film he’s directed in a decade). So, too, is the official trailer for Raised By Wolves, Ridley Scott’s new HBO Max sci-fi seriesLots to be excited about here folks.

Let’s begin with Scott’s series. We all know that Scott made his name with sci-fi,

By The Credits  |  August 6, 2020

Interview

Production Designer

Emmy-Nominated Production Designer Ruth Ammon on “The Alienist”

For Emmy-nominated production designer Ruth Ammon, life as a production designer started when she was waiting tables at the Jersey Shore—and a small, independent film blew into town. 

“I’d studied art and art history and I was a painter, and then this little after school special, Mystery at Fire Island, came to the island and I got on the crew, in the art department,” Ammon says. “I knew instantly that’s what I wanted to do.

By Alison Prato  |  August 5, 2020

Interview

Director, Screenwriter

How Justin Simien Schools Viewers in “Dear White People”

On one hand, Dear White People creator Justin Simien was thrilled to see a 600 percent increase in viewership for his Netflix series in the wake of George Floyd’s death. On the other hand, he says, “It’s also a little bit annoying because like, ‘Where were y’all when we started this conversation with this franchise six years ago when this [racism] was just as relevant then as it is now?'”

In tracking the trials and tribulations of wise-cracking Black students at an Ivy League-level fictional school called Winchester University,

By Hugh Hart  |  August 3, 2020
Join Our Latest Virtual Film School Friday Chat on The Future of Awards

This year’s awards season will be unlike any other. This is hardly surprising considering 2020 is a year unlike any other, and the entertainment industry has had to reshuffle, rethink, and restructure itself on the fly like so many other sectors of our society. Just recently, the Emmy’s announced they’d be producing the show remotely due to COVID-19, with host Jimmy Kimmel and all of the nominees coming together virtually to deliver the show.

By Bryan Abrams  |  July 31, 2020