Director Sam Pollard on the Legacy of Black Art in his New HBO Documentary

HBO viewers likely know the names Kehinde Wiley and Amy Sherald, the artists who painted Barack and Michelle Obamas’ respective official portraits. The network’s latest documentary, Black Art: In the Absence of Light, an expansive, joyous 90-minute look at art history directed by Sam Pollard (MLK/FBI, Atlanta Missing and Murdered: The Lost Children) and executive produced by Henry Louis Gates, Jr.,

Sundance 2021: Composer Kathryn Bostic on Scoring Two Docs About Trailblazing Women

As we near the close of the first week of Black History Month, it’s important to recognize those who are making history now. Given the overall lack of working female composers of any race, as a Black female composer, Kathryn Bostic has been carving out a road few have traveled, and she’s been doing it for decades. She arrived at this year’s Sundance with not one but two films for which she has supplied the score,

“Miss Juneteenth” Writer/Director Channing Godfrey Peoples on Her Potent Feature Debut

Writer and director Channing Godfrey Peoples‘ feature debut Miss Juneteenth is a subtlety powerful lesson in compassionate observation. Born in Fort Worth, Texas, with a theater degree from Baylor University (just a 90-minute drive south from Forth Worth on the I-35), Peoples’ Miss Juneteenth is a moving portrait of her hometown, and, more to the point, the tight-knit community of mostly Black people she grew up with. After graduating from the School of Cinematic Arts at the University of Southern California (where she met her husband and creative partner,

Sundance 2021: Writer/Director Carey Williams on his Romeo & Juliet Adaptation “R#J”

In partnership with producer Timur Bekmambetov, who is known for the innovative film style Screenlife as exampled by Unfriended and Searching, co-writer and director Carey Williams offers his feature debut with a modern and of-the-moment adaptation of “Romeo and Juliet,” R#J, told entirely through social media and smartphone screens. Using an entirely Black and Brown cast, and blending text messages and Instagram posts with timeless Shakespearian language,

Screenwriter Kemp Powers on Finding Truth & Beauty in “One Night In Miami”

After nearly two decades as a news reporter, Kemp Powers knew a good story when he found one. Discovering that four cultural icons — heavyweight champ Cassius Clay, soon to take the name Muhammad Ali; activist Malcolm X; crooner Sam Cooke; and NFL superstar Jim Brown — had hung out together in Miami in 1964 inspired him to recreate that night.

Powers’ play, “One Night in Miami,” enjoyed a string of regional productions before it was staged at the prestigious Donmar Warehouse in London in 2016,

Documentarian Sam Pollard on his Must-See New Film “MLK/FBI”

A couple of days after Martin Luther King Jr. delivered his era-defining “I have a dream” speech at the Lincoln Memorial, J. Edgar Hoover’s second in command at the FBI penned a memo describing him as “The most dangerous Negro in America.” As documented in Sam Pollard‘s new film MLK/FBI (On Demand and in select theaters), that 1963 memo launched the Bureau’s obsession with discrediting America’s foremost civil rights leader by tapping his phones and bugging the hotel rooms he stayed in.

Translating the Untranslatable: The Impossible Art of Subtitling “Taco Chronicles”

Subtitle translation is a fascinating, complicated, and often overlooked part of the filmmaking process. It’s a delicate dance of literal translation and cultural interpretation, all the while practicing a serious economy of words. Most subtitles are capped at only forty-four characters (less than this sentence). Plus, the eye reads much slower than the ear hears.

My own up-close experience with the art form came with Netflix’s Taco Chronicles (Las Crónicas del Taco),

Best of 2020: “Lovecraft Country” DP Michael Watson on Lensing HBO’s Multi-Genre Hit Series

We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen,  Lovecraft Country cinematographer Michael Watson on filming during a pandemic,

Best of 2020: The High Note Director Nisha Ganatra on the Importance of a Diverse Cast & Crew

We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen,  Lovecraft Country cinematographer Michael Watson on filming during a pandemic,

Best of 2020: A Conversation With Laverne Cox

We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen,  Lovecraft Country cinematographer Michael Watson on filming during a pandemic,

Showrunner Chris Van Dusen on Creating a Modern Regency Romance in “Bridgerton”

Buckle up for Christmas Day, when Bridgerton, a romance set in England’s 19th century Regency era, debuts on Netflix. Shonda Rhimes’ first executive-produced series for the streaming service, this bright, sexy show reimagines a casually multiracial society set in a horse-drawn world of candy-colored palaces, sybaritic balls, and aristocracy on display.

Bridgerton was shot on location at storied homes like Lancaster House, where Queen Elizabeth II still holds royal functions,

Branford Marsalis Gets the Blues For “Ma Rainey’s Black Bottom”

“Uh one. Uh two. Uh you know what to do.” That’s how the band leader cues his musicians in Ma Rainey’s Black Bottom. In fact, the actors portraying sidemen to Viola Davis’ title character did not really know what to do, musically. But thanks to Branford Marsalis, the actors in director George C. Wolfe’s adaptation of the August Wilson play manage to mimic the moves of veteran blues musicians with persuasive panache.

Production Designer Mark Ricker on Creating the Sumptuous “Ma Rainey’s Black Bottom”

During the course of Ma Rainey’s Black Bottom, based on the 1982 play by August Wilson, blues star Ma Rainey (Viola Davis) reveals the lengths it takes to counter the racial economic exploitation of the 1920s, while down in the practice room, her band members recount the horrors of Jim Crow. The film, directed by George C. Wolfe (The Immortal Life of Henrietta Lacks), which debuted on Netflix on December 18th,

Jo Ellen Pellman & Ariana DeBose on Finding Love & Acceptance in Ryan Murphy’s “The Prom”

Helmed by Ryan Murphy, the ebullient musical dramedy The Prom is bringing some much-needed holiday cheer to our December. Meryl Streep, James Corden, Nicole Kidman, and Andrew Rannells play four fading Broadway performers who reach for relevance again by championing a newsworthy cause in small-town Indiana. Queer teen Emma (newcomer Jo Ellen Pellman) wants to take her girlfriend Alyssa Greene (Ariana DeBose) to the high school prom,

Elliot Page’s Powerful Open Letter About Coming Out as Transgender, Non-Binary

“I can’t begin to express how remarkable it feels to finally love who I am enough to pursue my authentic self,” Elliot Page wrote in a statement heard around the entertainment industry and the world on Tuesday. The Oscar-nominated actor and one of the stars of Netflix’s current hit series The Umbrella Academy announced he is transgender. Formerly known as Ellen Page, Elliot shared this news via a moving Instagram post.

Moses Ingram on her Debut role as Jolene in “The Queen’s Gambit”

Moses Ingram stepped off the stage at Yale and immediately onto the set of The Queen’s Gambit. The acting newcomer had only two weeks between graduating from the Yale School of Drama in May of last year and flying to Toronto to begin filming. 

“The first scene I filmed was a little snippet of the car pulling up and [me] stepping out of the car,” Ingram said. “I definitely overthought it though because I’m like driving in this old-school,

Welcome to Studio Babelsberg’s Rainbow Stage—A Tribute to Lana and Lilly Wachowski

“I’ll show these people what you don’t want them to see. A world without rules and controls, without borders or boundaries. A world where anything is possible.” Neo (Keanu Reeves), The Matrix, 1999

To honor the groundbreaking filmmakers Lana and Lilly Wachowski and simultaneously promote a message of tolerance, respect, and diversity, Germany’s Studio Babelsberg in Potsdam recently renamed its largest sound stage the Rainbow Stage (its previous title was number 20 of 21).

“Run” Cinematographer Hillary Spera on Creating Hulu’s Breathless Thriller

Co-writer and director Aneesh Chaganty’s Run moves like a thoroughbred thriller thanks to all its constituent parts working in perfect unison. The stellar cast, led by Sarah Paulson and newcomer Kiera Allen, Chagnaty’s lean script, co-written with Sev Ohanian, and Chagnaty and his crew’s exacting execution. The film is centered on the too-close-for-comfort relationship between a mother in daughter—Diane (Paulson) is a zealously devoted guardian of her daughter Chloe (Allen), who is paralyzed from the waist down and also deals with a variety of other ailments,

“His House” Writer/Director Remi Weekes on his Gut Punch Feature Debut

Back another lifetime ago, writer/director Remi Weekes‘ His House celebrated its premiere at the Sundance Film Festival this past January. Netflix quickly acquired it, and the future was looking bright for the talented filmmaker and his debut feature. You know what happened next.

Yet here we are, months later and living in our nightmarish world, with Weekes’ stunning horror film set to debut on October 30. “I’m excited,” Weekes said from London when I asked him what it felt like to finally see his film released into the wild,

“One Night In Miami” DP Tami Reiker on Regina King’s Stunning Directorial Debut

Tami Reiker has had a very busy year. She was the cinematographer on Gina Prince-Bythewood‘s The Old Guard, one of the most-viewed movies ever on Netflix, and just finished work on One Night in Miami, Regina King’s feature debut as a director. The fact-based story is about the night four friends, Malcolm X, Jim Brown, Cassius Clay, and Sam Cooke spent together on February 25th,