“His House” Writer/Director Remi Weekes on his Gut Punch Feature Debut
Back another lifetime ago, writer/director Remi Weekes‘ His House celebrated its premiere at the Sundance Film Festival this past January. Netflix quickly acquired it, and the future was looking bright for the talented filmmaker and his debut feature. You know what happened next.
Yet here we are, months later and living in our nightmarish world, with Weekes’ stunning horror film set to debut on October 30. “I’m excited,” Weekes said from London when I asked him what it felt like to finally see his film released into the wild,
Screenwriter Madhuri Shekar on Adapting Her Own Audio Play for Blumhouse’s “Evil Eye”
This month, Blumhouse Productions has released a collection of unsettling thrillers in partnership with Amazon Prime, just in time for Halloween. One of these films is Evil Eye, in which a romance turns dark when a mother becomes convinced her daughter’s ‘perfect’ new boyfriend has supernatural connections to her own past. The story is centered in Indian and Indian-American culture, with a cast of actors that are of Indian descent,
Writer/Director Miranda July on Her Joyously Original Third Feature “Kajillionaire”
Miranda July wears many hats—writer, filmmaker, actress, performance artist, and more. Indeed, her name appears as bylines on magazine articles, as director, writer, and actor in feature-film credits, and as an author on book covers (she has penned an award-winning collection of short stories and published both fiction and nonfiction). Her artistic diversity is perhaps what makes her projects so unique and nuanced and wonderful to engage with.
July’s breakthrough on the big screen came with the 2005 release of Me and You and Everyone We Know,
Aaron Sorkin on Writing & Directing his Timely “The Trial of the Chicago 7”
When writer/director Aaron Sorkin started writing The Trial of the Chicago 7 over 12 years ago, he had no way of knowing how his script based on a real-life conspiracy trial for men accused of inciting riots during the 1968 Democratic Convention would parallel current events in 2020. Now, his film is set to premiere on October 16th on Netflix, only weeks before the most important election of our time.
How Justin Simien Schools Viewers in “Dear White People”
On one hand, Dear White People creator Justin Simien was thrilled to see a 600 percent increase in viewership for his Netflix series in the wake of George Floyd’s death. On the other hand, he says, “It’s also a little bit annoying because like, ‘Where were y’all when we started this conversation with this franchise six years ago when this [racism] was just as relevant then as it is now?'”
In tracking the trials and tribulations of wise-cracking Black students at an Ivy League-level fictional school called Winchester University,
Writer/Director JD Chua & Producer Juan Foo on Singapore’s First Creature Feature Circle Line
JD Chua had the distinction of being director Michael Mann’s only intern when he was in Hollywood, the man who made, in a seven-year period, three of the best films of the 1990s—The Last of the Mohicans (1992), Heat (1995), and The Insider (1999). As a child, one of Chua’s favorite films was Mann’s The Last of the Mohicans. “I remember immersing myself in the laserdisc,”
Think Like a Dog Writer/Director Gil Junger on his Family Friendly Canine Comedy
Think Like a Dog is a warm-hearted fantasy adventure about a boy who invents a contraption that enables him to read his dog’s mind. It is reminiscent of Disney live-action classics like The Absent-Minded Professor and The Shaggy Dog. In an interview, writer/director Gil Junger talked about the pleasures of ignoring the show business adage about never working with children or dogs and how the film is a love letter inspired by his own experience of re-connection to his family.
Oscar-Winning Writer Kevin Willmott on Re-Teaming With Spike Lee For Da 5 Bloods
What happens when four Black Vietnam vets re-unit in present-day Ho Chi Minh City to retrieve a CIA shipment of gold left behind in the jungle forty years earlier? As imagined by Spike Lee in his new Netflix film Da 5 Bloods, the old soldiers’ quest leads to carnage, flashbacks, greed, and nervous breakdowns. As with every Spike Lee film, Da 5 Bloods manages to be timely, too,
Judy & Punch Writer/Director Mirrah Foulkes Turns the Tables on Her Infamous Puppets
Judy & Punch kicks off with a male marionette thrashing a female doll-on-strings as a crowd of 17th-century tavern goers roars with delight. The camera soon shifts to witches, hangings, infanticide, beatings, magic brews, and lies as filmmaker Mirrah Foulkes bloodily re-imagines how the western world’s most famous pair of hand puppets got their start.
Set in and around an English village shortly after the Bubonic Plague, Judy & Punch (June 5,
With Her Amazon Directing Gig on Hold, Indian Filmmaker Tannishtha Chatterjee Embraces Other Creative Pursuits
It’s often two-thirty in the afternoon before actor, writer, and director Tannishtha Chatterjee finds time to turn her attention to creative pursuits. “Till lunchtime…I’m cooking, cutting vegetables, cleaning, dusting and bathing Radhika.”
Radhika is Chatterjee’s four-and-a-half-year-old daughter. For the last six weeks, it’s been just the two of them tucked away in her Mumbai apartment. “She’s actually become quite independent in the last one and a half months. She’s learned many new things.
Caitlin Moran on Adapting Her Own Novel How to Build a Girl
The girl in Caitlin Moran’s rowdy coming of age comedy How to Build a Girl, which the popular British author adapted from her 2014 semi-autobiographical debut novel, is so uniquely larger than life that finding the right actress proved problematic — at least for a while. The film is now available on-demand.
“We scoured Britain trying to find a British actress who could do it,” says Moran from her home in London where she’s “been in lockdown for weeks so just talking to another human being that isn’t someone I gave birth to or someone I married is a genuine thrill,” she says.
How Filipino Filmmaker Keith Sicat is Using Quarantine to Help Fellow Filmmakers (And Entertain Himself in the Process)
“The beautiful thing is, you have to keep occupied right?” So says Filipino writer/director Keith Sicat, speaking from the six-week-long lockdown in Manila.
With three projects primed to go into production at the beginning of the year, Sicat now spends in time between project development, teaching filmmaking, and keeping his creative juices flowing on mini-projects with his young sons. “We started animating his toys, doing stop motion stuff around the house. It was something really fun and it was creative.
Black Panther Co-Writer Joe Robert Cole on Writing & Directing His New Netflix Feature All Day and a Night
“Great stories have great characters, and the key to great characters is empathy,” says writer-director Joe Robert Cole, whose latest film, All Day and a Night, is now streaming on Netflix. “Every film, television show, or story that I work on, I approach from character first and let that lead the way.”
All Day and a Night is a young black man’s coming of age drama,
Writer/Director Eliza Hittman on her Bracing, Brilliant Film Never Rarely Sometimes Always
When Eliza Hittman, writer/director of Never Rarely Sometimes Always, took the stage after the premiere of her film at the Sundance Film Festival on January 24th of this year, she was greeted with rapturous applause. She and the stars of her film have gained critical acclaim for her intimate, powerful portrayal of one teenager’s perilous journey of the soul. Never Rarely Sometimes Always is about the challenges facing 17-year-old Autumn (Sidney Flanigan),
Writer/Director Rashaad Ernesto Green on his Bracing Love Story Premature
When Rashaad Ernesto Green and Zora Howard sat down to write a feature that Howard would star in and Green would direct, the pair already knew it would be a love story. No, Howard and Green are not a couple; they worked together on Green’s debut feature Gun Hill Road (2011) and on his 2008 short Premature. The two artists simply wanted to create “what we felt was missing in the current cinematic climate especially with relation to black stories,” says Green.
Portrait of a Lady on Fire Writer/Director Celine Sciamma on her Masterpiece
French writer-director Céline Sciamma, whose first three features, Water Lilies (2007), Tomboy (2011) and Girlhood (2014), established her unique voice with visually compelling depictions of coming of age, gender identity and the intimacy of girls’ relationships, has created a masterpiece with her fourth film, Portrait of a Lady on Fire. A sumptuous lesbian romance set in France in 1760, Portrait of a Lady on Fire won the best screenplay award and the Queer Palm at this year’s Cannes Film Festival and a host of year-end critics’ accolades.
Writer/Director Brenda Chapman on her Beguiling new Feature Come Away
Oscar-winning animation artist, writer, and director Brenda Chapman had never considered doing live-action before she read the script for Come Away, which came from first-time screenwriter Marissa Kate Goodhill. She was taken by the story, which is a “what if” tale, suggesting the origins for both Peter Pan and Alice in Wonderland come from Victorian brother and sister Peter and Alice (Jordan Nash and Keira Chansa) who use their imaginations,
The Photograph Writer/Director Stella Meghie on Making Movies About Black Love
Director Stella Meghie has been on an accelerated rise in just these past few years. After an impressive feature debut with her 2016 indie comedy-drama Jean of the Joneses, the filmmaker followed up the next year with a studio picture, the YA adaptation Everything, Everything. After a return to indie filmmaking with 2018’s The Weekend, Meghie is once again working in the studio sphere—The Photograph is a Universal release (it premieres on February 14,
How Sundance Award-Winning Feature I Carry You With Me Came Together
The film I Carry You With Me (Te Lloevo Conmigo) landed in the NEXT category at the 2020 Sundance Film Festival with buzz about its great potential, as it was the first narrative directed and co-written by documentarian and Academy-Award nominee Heidi Ewing. It found an audience and great success in Park City. By the end of the fest, it had a distribution deal through Sony Pictures Classics in partnership with Stage 6,
Writer/Director/Star Numa Perrier on Her Autobiographical Sex Work Film Jezebel
Though filmmaker Numa Perrier only spent four years of her life in Las Vegas, those formative years being surrounded by adult vocations served as the backbone for her autobiographical ’90s-set film, Jezebel (now available on Netflix). Not only did Perrier write, direct, and produce, but she also stars as her older sister (executive producer Livia Perrier), who used to work as a phone sex operator and with whom Perrier shared cramped living quarters.
