Interview

Screenwriter

Deadpool 2‘s Screenwriters on Living With Wade Wilson’s Voice in Their Heads

Armed with witty zingers from writing team Rhett Reese and Paul Wernick, Ryan Reynold’s deformed, foul-mouthed, self-healing superhero Wade Wilson powered through the profanity-laced Deadpool to such crowd-pleasing effect that Marvel Studios’ 2016 action comedy became the top-grossing R-rated movie of all time. Working on Deadpool 2, which topped the box office last weekend with a $301 million worldwide opening, Reese and Wernick tuned out the pressure and delivered another blockbuster.

By Hugh Hart  |  May 24, 2018

Interview

Director, Screenwriter

Writer/Director Paul Schrader on Seeing The Light in First Reformed

Perhaps best known for writing such Martin Scorsese films as Taxi Driver and The Last Temptation of Christ, Paul Schrader has also directed more than 20 movies. These include 1980’s American Gigolo, a commercial hit, although Schrader’s style and subject matters rarely attract a mainstream audience. His latest film, First Reformed, is a stark tale of personal despair and environmental crisis. Ethan Hawke plays Toller,

By Mark Jenkins  |  May 24, 2018

Interview

Director, Screenwriter

Writer/Director Ramin Bahrani on the Spooky Timeliness of his Fahrenheit 451 Adaptation for HBO

We’re living in times that are increasingly concerning. Okay, that’s a massive understatement. After the election of Donald Trump, dystopian novels became increasingly popular again with reissues of novels like George Orwell’s 1984 and Margaret Atwood’s The Handmaid’s Tale. The latter novel, which is now a bleak and hugely popular Hulu series, is a good example of the types of stories audiences have been looking to turn to in confusing and trying times.

By Kerensa Cadenas  |  May 22, 2018

Interview

Director, Producer, Screenwriter

Book Club‘s Creators on How Fifty Shades of Grey Inspired Their Dream Project

Whatever you did to celebrate Mother’s Day probably wasn’t as great as Bill Holderman’s gift to his mom in 2012. The final book in the 50 Shades of Grey trilogy had just been published, and the Book Club director, co-producer, and co-screenwriter sent the entire set to his mother.

“As sons do, right?” Holderman joked.

Book Club co-producer and co-screenwriter Erin Simms worked with Holderman at a production company at the time and heard about the plan.

By Kelle Long  |  May 15, 2018

Interview

Producer, Screenwriter

Sweetbitter Creator Stephanie Danler on Adapting her Award-Winning Novel for TV

Sweetbitter portrays a side of restaurants not often seen in mainstream media—delicate, sensual, feminine. The Starz TV show, based on Stephanie Danler’s award-winning novel of the same name, premiered Sunday, May 6.

As executive producer, Danler trades her lyrical sentences for powerful visuals. States of loneliness, intoxication and longing are portrayed in many ways, though most perceptively on star Ella Purnell’s face, best known for her role in Tim Burton’s Miss Peregrine’s Home For Peculiar Children.

By Kristin Butler  |  May 10, 2018

Interview

Director, Screenwriter

Writer/Director Chloe Zhao on Her Tender Look at a Real American Indian Cowboy in The Rider

The Rider, a meditative half-fictional drama set on the Pine Ridge Lakota reservation in South Dakota, first premiered at Cannes last year, where it won the Art Cinema Award. The second feature film from the Chinese director Chloe Zhao, it opened in wide release this past Friday. Zhao, who attended undergraduate and film school in the U.S., was living in New York before she decamped to South Dakota, where she made Songs My Brother Taught Me,

By Susannah Edelbaum  |  April 16, 2018

Interview

Screenwriter

Beirut Screenwriter Tony Gilroy on Writing, Waiting, and Rocky Receptions

Tony Gilroy might have made his screenwriting debut with the 1992 cult ice-rink romance The Cutting Edge, but for much of his long, illustrious run in the business, he has focused on thrills and action. As both as a writer (the first four chapters of the Bourne franchise, Rogue One: A Star Wars Story and The Great Wall) as well as directing (Michael Clayton,

By Susan Wloszczyna  |  March 26, 2018

Interview

Director, Screenwriter

The Death of Stalin Writer/Director Armando Iannucci On Finding Humor in the Horror of Politics

For some, politics is a horrific affair, but that’s not the case with writer/director Armando Iannucci. Throughout his illustrious career, Iannucci has found humor and humanity in the political world.

The auteur created the hit HBO comedy Veep, which has been making viewers cringe, laugh and marvel (it has somehow anticipated, with bracing, unfortunate clarity, our current bonkers political moment) since 2012. Before that, he produced the 2005 British television comedy The Thick of It,

By John Hanlon  |  March 16, 2018

Interview

Screenwriter

Chatting With Call Me By Your Name‘s Legendary Screenwriter James Ivory

As part of our Oscars week coverage, we’re re-posting our conversations with some of this year’s Oscar-nominees, as well as publishing brand new interviews with nominees. James Ivory is nominated for Writing (Adapted Screenplay), alongside The Disaster Artist’s Scott Neustadter & Michael H. Weber; Logan’s Scott Frank, James Mangold and Michael Green; Molly’s Game Aaron Sorkin; and Mudbound’s Virgil Williams and Dee Rees.

By  |  March 1, 2018

Interview

Director, Screenwriter

Oscar-Nominee Aaron Sorkin on his Directorial Debut Molly’s Game

As part of our Oscars week coverage, we’re re-posting our conversations with some of this year’s Oscar-nominees, as well as publishing new interviews with those vying for Oscar gold this Sunday. Writer/director Aaron Sorkin is nominated for Writing (Adapted Screenplay) alongside James Ivory (Call Me By Your Name), Scott Neustadter & Michael Weber (The Disaster Artist), Scott Frank & James Mangold and Michael Green (Logan), and Virgil Williams and Dee Rees (Mudbound). 

By  |  February 28, 2018

Interview

Director, Screenwriter

Oscar-Nominee Martin McDonagh on his Dark, Brilliant Three Billboards Outside Ebbing, Missouri

As part of our Oscars week coverage, we’re re-posting our conversations with some of this year’s Oscar-nominees, as well as publishing new interviews with those vying for Oscar gold this Sunday. Writer/director Martin McDonagh is nominated in the Best Picture and Writing (Original Sreenplay) category. The full list of the nominees can be found here.

By  |  February 28, 2018

Interview

Director, Screenwriter

Oscar-Nominee Greta Gerwig On Moving Behind the Camera for her Solo Directorial Debut Lady Bird

As part of our Oscars week coverage, we’re re-posting our conversations with some of this year’s Oscar-nominees, as well as publishing new interviews with those vying for Oscar gold this Sunday. Greta Gerwig is nominated in two categories; Directing and Writing (Original Screenplay) for her work on Lady Bird. She joins Christopher Nolan (Dunkirk), Jordan Peele (Get Out), Paul Thomas Anderson (Phantom Thread) and Guillermo del Toro (The Shape of Water) in the Directing category. 

By  |  February 27, 2018

Interview

Director, Screenwriter

How Writer-Director James Mangold Snagged Historic Oscar Nom for R-Rated Logan Script

Logan made Oscar history this year as the first comic book-based screenplay nominated for an Academy Award. The distinction’s due in no small part to director/co-writer James Mangold‘s extreme aversion to superhero clichés, which he wearily recites from his office on the 20th Century Fox lot in Los Angeles. “Some new alien arrives with a new power that somehow challenges our heroes; our heroes are fractured among each other so they have to learn how to band together or get over whatever romantic scars they have between them to focus on the fight ahead of them;

By  |  February 21, 2018

Interview

Director, Screenwriter

Writer/Director Ziad Doueiri on Earning Lebanon’s First Ever Oscar-Nomination With His Film The Insult

When writer/director Ziad Doueiri got word that his film The Insult earned an Oscar nomination in the foreign language category, the first time that a movie from Lebanon was recognized with that honor, he felt joy.

It is a beautiful present for a tiny country that’s never been to the Oscars. It’s like Jamaica winning the bobsled at the Olympics, remember?” says Doueiri, who is now an American citizen living in Paris.

By  |  February 16, 2018

Interview

Screenwriter

Oscar-Nominated Disaster Artist Screenwriters on the Art of Adaptation

Michael H. Weber and Scott Neustadter have a history of bringing character-driven stories to the big screen. They co-wrote the 2009 drama (500) Days of Summer together and they’ve successfully adapted several beloved books into screenplays.

In 2013, their cinematic adaptation of Tim Tharp’s novel The Spectacular Now arrived in theaters to rave reviews. A year later, their adaptation of John Green’s bestselling novel The Fault in Our Stars opened to critical and commercial success.

By  |  February 13, 2018

Interview

Director, Screenwriter

Damon Cardasis on Bringing Authenticity to His Coming-of-Age LGBTQ Musical Drama Saturday Church

From interning for a casting director in Los Angeles, to working with producer Scott Rudin back in his native New York, to serving as an on-set assistant and post supervisor for and later as a co-producer with producer/director/writer Rebecca Miller, Damon Cardasis has experienced the in and outs of the filmmaking business. He is perhaps best known for producing Maggie’s Plan, starring Greta Gerwig and Ethan Hawke, through the production company he formed and still operates with Miller called Round Films — until now that is.

By  |  February 9, 2018

Interview

Director, Screenwriter

Actress Daniela Vega & Writer/Director Sebastian Lelio on Their Oscar-Nominated Film A Fantastic Woman

Chile-bred, Berlin-based director Sebastian Lelio has become an international filmmaker who moves between styles and countries. He’s also exceptionally prolific, with not one but three movies awaiting release. First up is A Fantastic Woman, one of this year’s five foreign-film Oscar contenders, which will be released today, Feb. 2, in the U.S. It’s the tale of a transgender woman, played by Daniela Vega, who fights for her right to grieve her older lover after his sudden death.

By  |  February 2, 2018

Interview

Director, Screenwriter

Writers/Directors The Spierig Brothers on Their Deliciously Detailed Horror Winchester

What makes an enduring haunted house classic? Much can be said for dread-inducing camera work, eerie sound design or clever ghostly effects, but for the Spierig brothers, it’s the human story underneath that can transform a horror flick from simply scary to downright legendary. Enter Winchester, a dramatization of the curious true-life mystery of Sarah Winchester and her fascinating, illogical home known as the Winchester Mystery House. And while the details of the true story are sketchy at best,

By  |  February 1, 2018

Interview

Screenwriter

Screenwriter Michael Golamco on Please Stand By’s Heroine on the Spectrum

Wendy, the blonde heroine of Please Stand By, lives in northern California and writes Star Trek fan fiction. Played by Dakota Fanning, she’s hardly the only pretty, Trekkie protagonist in film history, but she is likely the first one dealing with autism and living in a group therapy home. Ben Lewin directs this Magnolia Pictures film, out tomorrow, which co-stars Toni Colette as Scottie, Wendy’s no-nonsense therapist, and Alice Eve as Audrey,

By  |  January 26, 2018

Interview

Screenwriter

Writer Ed Solomon Puts the Pieces Together for HBO Thriller Mosaic

As the guy who broke rules to mesh comedy and sci-fi with his now-classic Men in Black script, Ed Solomon knows how to pull off experiments in entertainment. Still, when he and Steven Soderbergh co-created Mosaic, Solomon had to wrap his head around a lot of unknown variables. The murder mystery debuted this past Monday on HBO for five consecutive nights in tandem with a free app that re-structures the same whodunit in interactive flow chart form for smart phones.

By  |  January 26, 2018