“Father of the Bride” Director Gaz Alazraki on Re-Tooling the Story as Cuban-American Comedy
Spencer Tracy charmed moviegoers as the original Father of the Bride in 1950. Then Steve Martin reprised the wedding-overwhelmed dad in Nancy Meyer’s 1991 romantic comedy of the same name. Now, Andy García headlines a new reboot playing an old-fashioned Cuban-American patriarch hilariously bewildered by complications that arise when his very modern daughter announces she’s getting married.
Father of the Bride (opening Friday in theaters and on HBO Max),
“Succession” Director Mark Mylod on Season 3 & TV’s Most Irresistibly Twisted Family
Succession director Mark Mylod knows his way around family drama. Mylod’s been with the series since the first season, directing the second episode (the pilot was helmed by co-creator Adam McKay), and is now the most tenured Succession director of them all, with 12 episodes to his credit. He’s also something of an expert when it comes to palace intrigue, considering he’s a Game of Thrones alum, yet he admits that Succession‘s highly-anticipated and ultimately critically acclaimed third season presented some unique challenges.
“Ozark” Director Amanda Marsalis on Ruth, Wendy, and Bittersweet Goodbyes
When Ozark came to its bloody, sin-soaked end this year, you might have found yourself, Marty Byrd (Jason Bateman) style, sitting there quietly for a moment to do some accounting. The Byrd family had, against all odds, survived the chaos they’d been plunged into four seasons back when Marty’s business partner in Chicago made the mistake of cheating the wrong client. That put Marty in a life-or-death situation that would carry on for over a year—make matters right by laundering money for a powerful Mexican cartel,
Bill Hader on Bringing Up “Barry”
For eight seasons, Bill Hader gained a legion of fans with the hilarious characters he brought to life on Saturday Night Live. Since then, his popularity has only grown with his Emmy-winning portrayal of the manic hitman/aspiring actor in the HBO series Barry. But to hear Hader tell it, performing wasn’t his initial goal. For as long as he can remember, he wanted to direct.
“Since I was fairly young…I would say 10 or 11 was when I first started to notice the ‘directed-by’ name,” Hader says during a recent Zoom interview.
“Operation Mincemeat” Director John Madden Slices Up A Delicious Spy Thriller
Writer Ben Macintyre’s book “Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory” lives up to its subtitle. The bizarre plan in question would barely be credible as the plot of a movie, let alone an actual piece of espionage history that really and truly did fool the Nazis and make an Allied victory possible. A sketch of that plan—doctor up a corpse to make it look like a high ranking British officer,
“The Survivor” Director Barry Levinson on His Astonishing Gut-Punch of a Film
Barry Levinson’s The Survivor is the type of film you fear you won’t be watching as much as enduring, as it’s centered on an unflinchingly brutal true story of a Holocaust survivor. A riveting Ben Foster plays Harry Haft, a Polish Jew who gets sent to Auschwitz in 1943. This, of course, was a death sentence, yet Harry manages to survive by inadvertently presenting himself as an intriguing source of entertainment for a pseudo-intellectual Nazi guard.
“The Man Who Fell to Earth” Creator Jenny Lumet Turns an Iconic Alien Tale Into a Modern Epic
The new Showtime limited series The Man Who Fell to Earth is inspired by the 1963 novel and subsequent 1976 cult classic of the same name. Highly anticipated, it is created by award-winners Jenny Lumet and Alex Kurtzman, of Star Trek Discovery and Strange New Worlds. In this story, Chiwetel Ejiofor stars as an alien called Faraday on an urgent mission to save his homeworld. He tracks down genius scientist Justin Falls (Naomie Harris) who somehow holds part of the secret to saving both his world and ours.
Nicole Kassell on Producing & Directing HBO’s Devilish New Comedy/Horror “The Baby”
Shooting a television series under any circumstance is arduous at best. But when your title character is too young to even walk, it certainly increases the degree of difficulty. Producer/director Nicole Kassell discovered this fact quickly on her latest project, The Baby, a sly horror/comedy created by Siân Robins-Grace and Lucy Gaymer.
“Even with everything I’ve already done before, I think this might have been the hardest shoot I’ve ever done,” says Kassell during a recent Zoom interview.
“NITRAM” Director/Producer Justin Kurzel Casts a Lens on a Shocking Tragedy
In 1996, Australia was rocked by a mass shooting in the small, peaceful community of Port Arthur, Tasmania. The horrific incident took the lives of 35 innocent people and injured 23, and remains among the country’s greatest national tragedies.
Director-producer Justin Kurzel (True History of the Kelly Gang, The Snowtown Murders) reunites with screenwriter Shaun Grant to explore the events that led to the mass shooting in the IFC Films release,
“The Outfit” Director Graham Moore on His Meticulous, Mobbed-Up Debut
Graham Moore, who won both an Oscar and a Writers Guild of America award for his adaptation of The Imitation Game, has joined a growing list of scribes going behind the camera to helm a production. The Outfit, his feature film directorial debut, has arrived, which the longtime scribe co-wrote with Jonathan McClain.
The movie follows a highly skilled English tailor, played by Academy Award winner Mark Rylance (Bridge of Spies),
MPA Creator Award Recipient Writer/Director Nikyatu Jusu on her Stunning Debut Feature “Nanny”
Deploying West African folklore to interrogate the myth of the American dream, writer/director Nikyatu Jusu‘s debut feature Nanny is a remarkably assured genre-melding experience. Nanny also gives viewers something that’s sadly still quite rare—it evocatively places us inside the head, heart, and aching soul of Aisha (Anna Diop), an undocumented Senegalese immigrant trying to navigate the mystifying codes of the United States to create a stable place to bring her son,
Director Ben Proudfoot on his Oscar-Nominated Short “The Queen of Basketball”
Lusia “Lucy” Harris’s basketball resume includes leading Delta State University in Mississippi to three consecutive national titles and representing the US at the 1976 Summer Olympics in Montreal. She made history as the first woman to score a basket at the Olympics as she led the team to a silver medal and became one of the first two women inducted into the Naismith Memorial Basketball Hall of Fame. Her trailblazing feats in the 1970s so impressed NBA legend Shaquille O’Neal that he signed on as executive producer of The Queen of Basketball,
“Jockey” Director Clint Bentley on Finding the Right Narrative Track
Director Clint Bentley and his co-writer Greg Kwedar always wanted Jockey to sit in that sweet spot between gritty naturalism and emotional lyricism. Coming from a documentary background, the filmmakers worked hard to “get best of both worlds,” said Bentley. It began with the old-fashioned legwork of observing the rituals and characters at the track where they shot Jockey and earning the trust of the real-life trainers and riders whose stories and lives are the backbone of the film.
How “The Dress” Went from a Short College Film to an Oscar Nominee
Writer/director Tadeusz Lysiak didn’t plan on being nominated for a Best Short Film Live Action Academy Award when he started developing the script for The Dress while attending Warsaw Film School. The indie film is rife with emotion and puts an authentic lens on loneliness and sexuality through the eyes of Julka (Anna Dzieduszycka), a hotel maid short in stature with a very large desire to find love.
The story allegorically mixes isolation and intimacy through a protagonist normally not seen as a sexual object.
Writer/Director Jared Frieder’s Long Journey to Make “Three Months” Starring Troye Sivan
Imagine what you would do if, at one of the most pivotal moments in your life, you find out you’re at risk for a life-threatening disease? Jared Frieder turned the experience into a movie. That movie, Three Months, is out today on Paramount+.
Three Months, a funny and touching coming-of-age story, tells the story of Caleb (Troye Sivan), an unruly, gay high school senior who is days away from graduation and ready to pursue his dream of becoming a photographer.
“Uncharted” Director Ruben Fleischer on His Epic Adventure With Tom Holland
The first time we see treasure hunter Nathan Drake (Tom Holland) in his element he’s knocked unconscious. When he wakes, he realizes his foot is caught in the netting of loose airplane cargo that’s whipping in the air like a tail on a kite. The timely snag has saved his life. He murmurs one of his famous Drake-isms: “Oh, crap.”
Director Ruben Fleischer (Venom, Zombieland) is at the helm of Uncharted (in theaters February 18),
Director Sacha Jenkins on Confronting Racism in “everything’s gonna be all white”
Midway through Black History Month, Sacha Jenkins‘ documentary series everything’s gonna be all white debuted on Feb. 11 on Showtime. Introducing itself as “A tale of two Americas, one white, one not,” the three-part show offers a sprawling group portrait of Black, Native American, Korean-American, Puerto Rican, Afro-Peruvian, South Asian, and other citizens of color who go before the camera to offer their unvarnished views on racism in the United States,
“Marry Me” Director Kat Coiro on Refueling the Rom-Com With J. Lo
February is the month of Galantine’s and Valentine’s Day, and both are the perfect time for the new musical rom-com Marry Me, which stars Jennifer Lopez, Owen Wilson, and Maluma and hits theaters and Peacock on February 11. The story begins as pop superstar Kat Valdez (Lopez) and fiancé, Latin singing sensation Bastian (Maluma), are preparing to marry onstage. The fans and everybody else on the globe are invited, as it will be live-streamed during a concert.
“Who We Are: A Chronicle of Racism in America” Directors & Writer/Producer on Relearning American History
The documentary Who We Are: A Chronicle of Racism in America has won numerous awards at fests across the country, including the Audience Award at the 2021 SXSW Film Festival, and boasts a 98% score on Rotten Tomatoes. The film is based on criminal defense and civil rights lawyer Jeffery Robinson’s work relearning American history and sharing knowledge that includes events and episodes either erased from in history books or never included in the first place.
“Drive My Car” Director Ryûsuke Hamaguchi on His Moving Portrait of Life’s Twists & Turns
One of the most intriguing cinematic journeys of 2021 emanates from Japan and is aptly named Drive My Car.
A mesmerizing sojourn that exactingly unfolds over a three-hour running time, the film follows acclaimed actor and theatre director Yûsuke Kafuku (Hidetoshi Nishijima), beginning with his unorthodox marriage to Oto (Reika Kirishima), before segueing to a stage production he is directing of Anton Chekhov’s Uncle Vanya. The latter brings him together with Misaki Watari (Tôko Miura),
