Michelle Yeoh Makes History & “Everything Everywhere All At Once” Wins Big
In what was one of the smoothest, most genuinely pleasant Oscars telecasts in recent memory, Michelle Yeoh made history, Everything Everywhere All At Once won just about everything everywhere, and the 95th Academy Awards rolled into the history books with nary a bump in the road and backed by a gentle breeze.
Yeoh became the first Asian person to win an Academy Award in the lead actress or actor category, taking home her first Oscar for Best Actress for her astonishing performance in Everything Everywhere All At Once.
“Champions” Star Kaitlin Olson on Doing Improv With Woody, Her Bond With Her On-Screen Brother & More
Releasing in theaters March 10th, the heartwarming and acerbic dramedy Champions, directed by Bobby Farrelly, comes just in time to cheer those sick of winter and in the need for a little spring in their step. Based on the 2018 Spanish film Campeones, which won top awards and was the biggest hit of the year in that country, Champions stars Woody Harrelson and Kaitlin Olson and features an ensemble cast that includes ten performers with developmental disabilities.
“Sharper” Star Briana Middleton on Finding Her Edge in Apple TV’s New Thriller
Filled with plot twists, double-crosses and characters who never seem to be who they are, Sharper is designed to keep you guessing right to the end. But one thing is for certain; with a razor-sharp cast that includes Julianne Moore, Briana Middleton, Sebastian Stan, Justice Smith and John Lithgow, the Apple TV+ original film delivers its many satisfactions with a cast more than equal to the job.
“It’s so fun,” says Middleton during a recent interview.
Harpo Films Director of Development & Production Lauren Tuck Wants Her Creators to Flourish
Harpo Films and OWN: Oprah Winfrey Network has been leading the pack in Hollywood in terms of diversity and inclusion for years. From the very beginning of OWN’s drama series Queen Sugar, creator Ava DuVernay envisioned using all female directors for the series, and both OWN and Harpo Films were 100% behind that. DuVernay’s show proved a hit, and her commitment to hiring diverse female directors resulted in greater success for the 42 helmers that took part.
Director Haifaa Al-Mansour on Casting a Spell in “Anne Rice’s Mayfair Witches”
Though Haifaa Al-Mansour is known as the first female filmmaker in Saudi Arabia by virtue of her award-winning 2012 feature Wadjda, she has since become a go-to director inside and outside Hollywood through both features and projects on the small screen. The writer/director’s releases Mary Shelley and The Perfect Candidate were lauded by critics and audiences, and her artistic contributions to shows like The Good Lord Bird,
“Harlem” Costume Designer Deirdra Elizabeth Govan on Season Two’s Evolving Looks
Costume designer Deirdra Elizabeth Govan has been working in the film industry for decades but really made a name for herself with Boots Riley’s brilliant 2018 film Sorry to Bother You. Since then, she’s worked on high profile films, including 2019’s The Sun is Also A Star and last year’s Devotion, and projects on the small screen like The L Word: Generation Q and First Wives Club.
“Fight the Power” Producer Helen Bart on Exploring Hip Hop’s Explosive Power With Chuck D
Nearly fifty years ago in the Bronx, on August 11, 1973, Jamaican American DJ Kool Herc used two turntables to spin funky drum breaks at his sister’s back-to-school party. The event turned out to be hip hop’s big bang moment. In the decades that followed, the music became a politically charged platform empowering Black America to share its culture through rhymes brimming with wit, ferocity and pathos. Fight the Power: How Hip Hop Changed the World,
“Descendant” Co-Writer & Producer Dr. Kern Jackson on Uncovering Living History in Mobile, Alabama
The documentary Descendant is about many things, but mostly it’s about storytelling — how oral histories, passed down from generation to generation, inform identity and community and connect the living to their ancestors. History can’t be erased or denied as long as stories are still being told.
Descendant, which won the US Documentary Special Jury Award for Creative Vision at the 2022 Sundance Film Festival and is now on Netflix,
Documentarian Sam Pollard on Courting an Icon in “Bill Russell: Legend”
This week, LeBron James broke Kareem Abdul-Jabbar’s all-time NBA scoring record, but one superstar stat seems unlikely to be eclipsed any time soon: the late Bill Russell’s collection of 11 NBA Championship rings. One of the league’s first Black players, Russell led the Boston Celtics from 1957 through the sixties. The team’s reign culminated in 1969 after Russell became the league’s first Black player-coach and led the Celtics to a come-from-behind victory over arch-rivals the Los Angeles Lakers.
“Everything Everywhere All at Once” Producer Jonathan Wang on Making an Oscar Juggernaut
It might seem as if Everything Everywhere All at Once came out of nowhere to dominate this year’s Oscar voting with 11 nominations, including Best Picture, Best Actress, Best Supporting Actor, and two Best Supporting Actress nods for Michelle Yeoh, Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis respectively. But in fact, producer Jonathan Wang has been working with writer-directors Dan Kwan and Daniel Scheinert since 2011.
Sundance 2023: Filmmaker Razelle Benally on Her Showtime Doc Series “Murder in Big Horn”
The Sundance staff and execs have always believed it essential to honor Indigenous people as part of their film festival and institute, as exampled by their Native Lab and Indigenous Program. This year, there is an even greater focus on Native cultures, both inside and outside the cinemas, with 11 Indigenous films as part of the program. 2023 also marked the inaugural year for The Indigenous House, which provided a gathering space for community members and allies,
Writer/Director Elegance Bratton on His Breakout Film “The Inspection”
Writer/director Elegance Bratton’s autobiographical The Inspection is one of the year’s breakout films. Bratton stuck with the project for years because it most reflected who he is: a gay Black man who was homeless as a teenager, a Marine Corps veteran, and a Columbia University and NYU-educated filmmaker.
Bratton’s struggles began practically at birth with that unusual, magnificent name. “My mother named me Elegance but had a problem with me being gay,” Bratton said over the phone from his home in Baltimore.
“Emancipation” Hair Department Head Andrea Bowman on Her Oscar-Shortlisted Work
Andrea Mona Bowman knew that Emancipation was going to be special.
Based on a true story, Emancipation stars Will Smith as Peter, a Southern slave who breaks free from his Confederate captors and escapes into the Louisiana swaps. Chased for days, Peter makes his way to Baton Rouge, where he joins the Union army to fight for his freedom. There, he is introduced to new technology — photography. Peter agrees to have his bare back — covered from waist to neck with deep scars from repeated whippings — captured on film.
“I Wanna Dance with Somebody” Composer Chanda Dancy on Scoring Whitney Houston’s Complex Life
When the shortlist for the 2023 Oscars was announced, composer Chanda Dancy was included for her work on the film Devotion. If she is nominated, she’ll make history as the first Black female composer to be nominated for an Academy Award. Dancy brings that winning streak into 2023 with her score for the new film Whitney Houston: I Wanna Dance with Somebody, directed by Kasi Lemmons and starring Naomi Ackie as Houston.
Best of 2022: “Black Panther: Wakanda Forever” Hair Department Head Camille Friend on The Sequel’s Stunning Looks
Both 2018’s Black Panther and this year’s Wakanda Forever have hugely impacted popular culture, not least by expanding the acceptance and expression of Afro-Futurism in everything from fashion and hairstyles to architecture. Both production designer Hannah Beachler and costume designer Ruth E. Carter won Oscars for their work on the first film and are in the running for a return to the podium with Wakanda Forever.
Best of 2022: “The Woman King” Director Gina Prince-Bythewood on Her Singular, Sweeping Historical Epic
It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list.
When director Gina Prince-Bythewood’s most recent film, The Old Guard, premiered on Netflix in July of 2020, the critically acclaimed action drama became one of the top 10 original launches in the platform’s history. Prince-Bythewood is following that with one of the most anticipated films of 2022,
Best of 2022: “Winning Time” Writer Rodney Barnes on Scripting HBO’s Fast-Breaking Lakers Series
It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list.
It’s pretty much a slam dunk that Winning Time: The Rise of the Lakers Dynasty will appeal to basketball fans. After all, it tells the story of one of the most pivotal moments in NBA history and features some of the game’s most notable figures — Magic Johnson,
Best of 2022: MPA Creator Award Recipient Writer/Director Nikyatu Jusu on her Stunning Debut Feature “Nanny”
It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list.
Deploying West African folklore to interrogate the myth of the American dream, writer/director Nikyatu Jusu‘s debut feature Nanny is a remarkably assured genre-melding experience. Nanny also gives viewers something that’s sadly still quite rare—it evocatively places us inside the head, heart, and aching soul of Aisha (Anna Diop),
“Kindred” Costume Designer Jaclyn Banner on Dressing the First Octavia E. Butler Adaptation
Although Hugo and Nebula-winning novelist Octavia E. Butler was the first science fiction writer to ever receive a MacArthur Fellowship and the first Black woman to gain popularity and critical acclaim as a major science fiction writer, many are unaware of her genius and influence on the genre. That is about to change because now, finally, a number of her works are being adapted for the screen. The first is an FX series based on her 1979 novel Kindred created by showrunner Branden Jacobs-Jenkins,
“Devotion” Score Mixer Alvin Wee on Letting the Music & Emotion Take Flight
Growing up in Malaysia, Alvin Wee was drawn to “big action movies” such as the Harry Potter series and Transformers. “I liked sensory overload, the loud, visual spectacle. My favorite movie was Superman with Christopher Reeve. It’s also my favorite score, by John Williams,” says Wee, the Score Mixer on Sony’s Devotion, now in theaters. Wee was also the score mixer for Disney’s Encanto,