“The Power of the Dog” Costume Designer Kirsty Cameron on Highlighting Harsh Beauty

There’s a Japanese film from director Hirokazu Koreeda titled Shoplifters about a family that goes to great lengths in order to survive. It sneaks up on you and pulls you in such a profound way that by the end you’re left craving for more. It’s an extraordinary film that is brought together, in part, by the creativity of those behind-the-scenes who shaped a deep, realistic environment that allows viewers to comfortably sink into the world.

“Being the Ricardos” Costume Designer Susan Lyall on Capturing Lucy & Desi’s Many Lives

Being the Ricardos takes us back to the days of I Love Lucy for an intimate, behind-the-scenes look at its stars, Lucille Ball and Desi Arnaz. Written and directed by Aaron Sorkin and starring Nicole Kidman and Javier Bardem as the iconic TV couple, the film delves into such sensitive subjects as Arnaz’s infidelity, Ball’s pregnancy, and the turmoil that ensues when columnist Walter Winchell alleges that Ball is a communist.

“Being the Ricardos” Cinematographer Jeff Cronenweth on Blending Period & Modern Techniques

Having photographed The Social Network, cinematographer Jeff Cronenweth knows the writing style of Aaron Sorkin all too well. So when the writer/director said, “You’d make my wish come true if you say yes to this’ during an initial meeting,” it was easy for Cronenweth to jump on board. “This script is classic Sorkin dialogue, packed from one end to the other,” says the Oscar-nominated cinematographer. “It’s extremely clever. It’s emotional.

“Spider-Man: No Way Home” Co-Writers Talk Villains, Peter Parker & Changing the Script

Reviewers raved, Twitter went berserk with anticipation and spoilers went (mostly) unleaked as Spider-Man: No Way Home hit theaters this past weekend, making box office history in the process. Third in the trilogy of Tom Holland-headlining Marvel films directed by Jon Watts, No Way Home picks up where Far From Home left off 18 months earlier, with Peter Parker trying to cope with the consequences of vengeful Mysterio (Jake Gyllenhaal) revealing his secret superhero identity to the world.

“Nightmare Alley” Cinematographer & VFX Supervisor on Creating Guillermo del Toro’s Carnival Noir

Most of the films coming out now – whether award contenders, tent poles, or any combination thereof – share similar stories apart from whatever genre the movie itself belongs to: namely, the story of the Covid delay, and how it affected production.

So it was for Guillermo del Toro’s version of Nightmare Alley, another rendering of the novel by the ill-fated William Lindsay Graham, whose work originally inspired Tyrone Power’s memorable,

“Nightmare Alley” Production Designer Tamara Deverell on Creating a Carnival of Creepy Delights

Director Guillermo del Toro pulls back the curtain of a 1930s traveling carnival in a love story that gets downright creepy in Nightmare Alley.

Bradley Cooper is Stanton Carlisle, a quiet drifter who finds himself working for a carnival to make ends meet. After falling for a fellow carny, Molly (Rooney Mara), who quite literally electrifies the crowd, he transforms himself into one of the greatest mind-readers,

“Red Rocket” Writer/Director Sean Baker & His Cast On Their Charmingly Offbeat Comedy

Sean Baker, indie writer/director of award winners Tangerine and The Florida Project, has been very successful in creating narratives that feel authentic. Determined to always film on location, never on a soundstage, and a champion of hiring locals and newcomers in featured roles, he has employed guerrilla filmmaking and made more than one career for his performers. You can never see a Sean Baker movie coming,

“Being The Ricardos” Hair Department Head Teressa Hill on Wigs Done Right

Being the Ricardos (in theaters now) faced a Russian Doll challenge when writer-director Aaron Sorkin decided to make a movie about the off-stage drama surrounding I Love Lucy. The fifties-era sitcom drew 60 million viewers every week and made Lucille Ball the most famous redhead in America. Portrayed by Nicole Kidman, Ball starred as daffy housewife Lucy Ricardo. She’s married in the show to bandleader Ricky Ricardo, played by her real-life husband Desi Arnaz,

Aaron Sorkin on Having a Ball Making “Being the Ricardos”

You might think the opportunity to write a film about the legendary Lucille Ball would have been irresistible for Aaron Sorkin, but he wasn’t immediately convinced. “It took me about 18 months to say yes, to commit to it,” Sorkin says of the project that would eventually become Being the Ricardos, his propulsive new film that takes us through a week of production on the set of I Love Lucy, 

“West Side Story” Music Producer David Newman on Arranging Steven Spielberg’s Musical Masterpiece

Steven Spielberg’s West Side Story is finally landing in theaters on December 10. His film is a new take on the original 1957 Broadway musical and the 1961 classic film, which both feature music by Leonard Bernstein and lyrics by Stephen Sondheim. The story is a musical version of Romeo and Juliet, but with the Montagues and the Capulets represented by two gangs, the Italian-American Jets and the Latinx Sharks,

How “The Killing of Two Lovers” Sound Team Created an Agonizingly Tense Soundscape

The Killing of Two Lovers, written, directed, and edited by Robert Machoian, is a tale of a marriage coming undone that’s as taut and tense as a guitar string. The film opens in the moment before we believe it will earn its title. Two lovers are asleep on a bed, Niki (Sepideh Moafi) and Derek (Chris Coy) dream in the cold morning light while, looming above them and brandishing a pistol, is Niki’s husband,

“C’mon C’mon” Writer/Director Mike Mills on Creating a Space For Intimacy

When it comes to family, we all have our own story. In C’mon C’mon, from writer/director Mike Mills, we connect with a tale not often told, one that drops us in the living room of a sister and brother who have been living their own adult lives on separate coasts and slowly drifting apart from each other. When her husband has an abrupt mental health issue, she asks her brother to step in to watch their child while she attempts to piece back their marriage.

“The Power of the Dog” Cinematographer Ari Wegner on Finding the Light in Jane Campion’s Mythic Western

Auteur writer/director Jane Campion is known for being one of the few female filmmakers to garner a Best Director Oscar nomination, for 1993’s The Piano, which won her an Oscar for Best Screenplay. Fans have been anxiously awaiting her first feature film release since 2009’s Bright Star, and she’ll do them proud with The Power of the Dog, an intense period drama starring Benedict Cumberbatch as bullying 1920s rancher Phil Burbank.

“Shang-Chi and the Legend of the Ten Rings” Breakout Star Meng’er Zhang on her Knockout Debut

From the second she enters the frame, Xialing radiates a younger sibling’s mixture of hurt and defiance at the brother who abandoned her. Yet Xialing is no longer a little girl, and as the daughter of the crime boss and formidable, superpowered martial arts master Wenwu, she’s become everything her older brother—Shang-Chi—was meant to be. Only unlike her brother, she wasn’t handpicked as Wenwu’s successor, and her training to become an unparalleled martial arts expert and assassin was done on the sly.

“Passing” Writer/Director Rebecca Hall On Navigating the Complicated History of Racial Identity

The complexity of bringing a thematically laced film like Passing to the screen isn’t a simple one. For Rebecca Hall, who makes her directorial debut, it was also a personal journey, “an extended catharsis” that allowed her “to get to the bottom of a lot of mysteries” in her family.

The story, which is adapted by Hall from the 1929 novel by Nella Larsen, follows two Black women, Irene (Tessa Thompson) and Clare (Ruth Negga),

How Vietnamese Filmmaker Bui Kim Quy Faced Death, Real & Imagined, in Her Film “Memoryland”

When her second film Memoryland held its world premiere at the Busan International Film Festival’s New Currents competition last month, Vietnamese director Bui Kim Quy had to give it a miss due to her health conditions.

“I was diagnosed with lung cancer after the shoot wrapped in late 2018. Since then I have been undergoing treatment (which also explains why we had a drawn-out post-production). This pre-existing medical condition prevented me from getting the vaccines.

How “The Harder They Fall” Hair Department Head Araxi Lindsey Put History to Work

There are plenty of recognizable names in The Harder They Fall. For his Western epic, director-writer Jeymes Samuel references historical figures like mail carrier Mary Fields, cowboy Nat Love, outlaw Rufus Buck, sharpshooter Bill Pickett, and lawman Bass Reeves. In Samuel’s modern update, however, the film’s characters align with their historical reference points’ careers (with the exception of Mary, now a saloon owner), but otherwise, the story is all new.

Upon learning that Rufus Buck (Idris Elba) is being transported from prison,

“Encanto” Writer/Director Charise Castro Smith On Breaking Boundaries

With the release of Disney’s Encanto, Charise Castro Smith (The Haunting of Hill House, Devious Maids) has broken through not one but two ceilings: as the first Latina to receive a directing credit on a Disney animated feature, and only the second woman ever to do so.

“I am glad this milestone has been reached. I wish it had been reached earlier and I wish this weren’t such a small club,” said Castro Smith,

“Hawkeye” Director & Executive Producer Rhys Thomas Hits His Mark

Let’s say you’re a director, and you’ve been called in for a “general meeting” at Marvel Studios. A general meeting is a chance for studio executives to get to know a particular filmmaker, see what they’re like and what they’re interested in, but they’re not pegged to a specific project. Not yet. Obviously, a general meeting with Marvel is a big deal, and the number of Marvel projects percolating at any given moment is massive,

Cinematographer Alice Brooks Makes “tick, tick…BOOM!” Sing With Personal Memories

tick, tick…Boom! may not have the name recognition of Jonathan Larson’s most famous production, Rent, but it is a theater kid’s dream for Broadway royalty to bring this story to the screen. The film interpretation of his unfinished work captures the heart and hustle of 1990s New York through Larson’s eyes. Although Larson passed away in 1996, the project was lovingly researched and reconstructed by director Lin-Manuel Miranda and screenwriter Steven Levenson.