Best of Summer: “Ozark” Director Amanda Marsalis on Ruth, Wendy, and Bittersweet Goodbyes
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
When Ozark came to its bloody, sin-soaked end this year, you might have found yourself, Marty Byrd (Jason Bateman) style,
Best of Summer: “Stranger Things 4” Music Editor Lena Glikson on Cutting Kate Bush’s “Running Up That Hill”
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
From the get-go, Netflix hit Stranger Things has excelled in the art and craft of needle drops.
Marvel Studios Casting Director Sarah Finn on Finding the Heroes & Villains of the MCU
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
She’s arguably the most powerful casting director in Hollywood, working alongside Marvel Studios President Kevin Feige and his team along with numerous directors to populate 28 superhero movies that have so far earned more than $25 billion at the box office.
Best of Summer: Juliette Binoche on Driving a Tough Road in “Paradise Highway”
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
For writer/director Anna Gutto’s feature debut Paradise Highway, a trucker named Sally will do whatever it takes to keep her brother Dennis (played by Frank Grillo) alive long enough so that he can get out of prison and restart his life.
Best of Summer: Going to Flight School With “Top Gun: Maverick” Stars Glen Powell & Greg Tarzan Davis
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
Based on everything from the reviews to the overwhelmingly positive chatter online to the 5-minute standing ovation at Cannes,
Best of Summer: “Nope” VFX Supervisor Guillaume Rocheron on Creating That Spectacular Alien Creature
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
Jordan Peele’s extraterrestrial spectacle Nope has a secret you may not know about: the sky itself is a digital recreation.
Best of Summer: How the “Stranger Things” Sound Team Creeps You Out
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
When Millie Bobby Brown’s Eleven experiences a flashback a couple of hours into Stranger Things‘
Best of Summer: “Thor: Love and Thunder ” Costume Designer Mayes C. Rubeo on Dressing Gods & Goddesses
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
Thor: Love and Thunder has scored the biggest Thor opening yet, proving MCU fans are loving writer/director Taika Waititi’s romantic comedy space adventure.
Best of Summer: How the “Top Gun: Maverick” Sound Team Ingeniously Captured Raw Emotion Mid-Flight
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
Mark Weingarten is no stranger to navigating the challenges of a production sound mixer. Over his accomplished career,
How “Where the Crawdads Sing” VFX Team Elevated the Mystery and Wonder of the Marsh
Deep in the forgotten marsh of North Carolina, a magical world quietly flourishes for those who seek it. Where the Crawdads Sing has plenty of romance, but the true love story blooms between Kya (Daisy Edgar-Jones) and the wildlife that shares her home. The untouched nature of Kya’s world is rarer now than in 1965, but VFX Supervisor Kolby Kember and VFX Producer Sarah McCulley of Crafty Apes VFX were on hand to subtly restore the rich environment.
How “Bullet Train” Editor Elísabet Ronaldsdóttir Shaped a Thrill Ride
Bullet Train has already punched through $100 million worldwide at the box office and isn’t slowing down. The thrill ride from director David Leitch roars with laughter and delivers a bounty of ass-kicking action sequences that may have you consider taking classes at your local dojo.
The Brad Pitt vehicle has him playing Ladybug, a down-on-his-luck assassin struggling to retrieve a suitcase on a Kyoto-bound train while trying to avoid a gritty group of killers with their own motives.
“Thor: Love and Thunder” Casting Director Sarah Finn on Picking Stars for the Marvel Cinematic Universe
She’s arguably the most powerful casting director in Hollywood, working alongside Marvel Studios President Kevin Feige and his team along with numerous directors to populate 28 superhero movies that have so far earned more than $25 billion at the box office. Her name is Sarah Finn. She majored in Theater Studies at Yale, moved to Los Angeles and cast the Oscar-winning Crash. Then, in 2006, Finn got a call to meet with Feige about a little thing called Iron Man.
Emmy-Nominated “Dopesick” Cinematographer Checco Varese on Layering in Subliminal Clues
Cinematographer Checco Varese is no stranger when it comes to photographing pilots, having created alluring visual palettes for over twenty projects, including David Elliot’s Four Brothers, Guillermo del Toro’s The Strain, and HBO’s True Blood. He reconnected with Empire creator Danny Strong to shoot Hulu’s Dopesick, a poignant narrative about the opioid crisis starring Michael Keaton as a doctor in a small mining town affected by the addictive drug.
“Bridgerton” Emmy-Nominated Costume & Hairstyling Team on Season Two’s Sumptuous Styles
Netflix’s Regency-era romance Bridgerton became one of its most-streamed series thanks to creator Chris Van Dusen’s modern, Skittles-hued take on historic upper-crust British mores. His ethos going in — that this London Ton would be a “bonnet-free world” — held up for Season 2, in which the eldest Bridgerton heir, Anthony (Jonathan Bailey), finds true love, not with the season’s social diamond, Edwina (Charithra Chandran), but her romance-averse older sister, Kate (Simone Ashley).
“Westworld” Costume Designer Debra Beebe on Living in Charlotte Hale’s World
Westworld season four wrapped this past Sunday after a dizzyingly twisted 8-episode arc, burrowing ever deeper into the rabbit hole of a post-human world. As ever, Westworld remains one of the most ambitious shows on television, and season four has arguably been the series’ most devilishly complex yet. With the line between “real” and synthetic obliterated ever since the hosts slipped the confines of the original theme park and infiltrated the real world,
“Nope” Sound Designer Johnnie Burn Puts the Fear in What We Hear
Before the opening credits even clear the screen, Nope plunges us into an alarming soundscape: the canned laughter of a sitcom. Knowing that this is a Jordan Peele horror film, immediate tension strikes. Something is bound to shatter that wholesome sound, and, of course, this happens in a brutal way.
Our ears get the first warning sign moment after terrifying moment in Nope as we hear what we can’t yet,
“Nope” VFX Supervisor Guillaume Rocheron on Creating That Spectacular Alien Creature
Jordan Peele’s extraterrestrial spectacle Nope has a secret you may not know about: the sky itself is a digital recreation. And among the roughly 700 effects shots in the film, VFX supervisor Guillaume Rocheron (1917, Life of Pi) admits it’s one of the most rewarding as “most people don’t realize they’re looking at a giant visual effect.”
The Nope VFX team set out to make the blue ether a haunting character,
“Day Shift” Director J.J. Perry on His Lean, Mean Jamie Foxx-led Feature Debut
Director J.J. Perry is one the most seasoned action directors in the business, despite Day Shift (streaming August 12) representing his feature debut. Perry has directed some of the most thrilling sequences over the past two decades, working as a second unit director and stunt coordinator (sometimes both in the same film) on the first two John Wick films, Skyscraper and F9. With Day Shift, Perry marshaled his talent for practical stunts and effects,
“Nope” Composer Michael Abels on Scoring Jordan Peele’s Sci-Fi Epic
Composer Michael Abels has become the artist of choice for writer/director Jordan Peele. He has scored all three of his features, Get Out, Us, and now has put his talent and inspiration behind Peele’s latest, the genre-busting sci-fi horror thriller Nope.
Nope stars Daniel Kaluuya and Keke Palmer as siblings OJ and Em, the heirs of a struggling horse ranch and animal wrangling business for film and television in the Santa Clarita valley.
“Easter Sunday” Director Jay Chandrasekhar on Channeling the Comedy of Jo Koy
Easter Sunday marks the first starring movie role for popular stand-up comedian Jo Koy. And like his routines, the film mines laughs from his family foibles, Filipino heritage, and its unique traditions based around the title holiday. Director Jay Chandrasekhar, known for both acting in and directing the Super Trooper films, Club Dread and Beerfest, was tapped to direct. (He also appears as Koy’s agent.) In a recent conversation,
