Writer/Director Ramin Bahrani on the Spooky Timeliness of his Fahrenheit 451 Adaptation for HBO
We’re living in times that are increasingly concerning. Okay, that’s a massive understatement. After the election of Donald Trump, dystopian novels became increasingly popular again with reissues of novels like George Orwell’s 1984 and Margaret Atwood’s The Handmaid’s Tale. The latter novel, which is now a bleak and hugely popular Hulu series, is a good example of the types of stories audiences have been looking to turn to in confusing and trying times.
Director Wim Wenders on his Unprecedented Access in Pope Francis: A Man of His Word
At 72, German-born auteur Wim Wenders defies categorization as a filmmaker. He is as much at home with Oscar-nominated documentaries that deal with the arts (1999’s music-filled Buena Vista Social Club; 2011’s Pina, about German choreographer Pina Bausch; and 2014’s The Salt of the Earth, about Brazilian photographer Sebastiao Salgado) as he is with visually striking features (1984’s road-trip Western Paris, Texas, 1987’s angelic fantasy Wings of Desire).
Book Club‘s Creators on How Fifty Shades of Grey Inspired Their Dream Project
Whatever you did to celebrate Mother’s Day probably wasn’t as great as Bill Holderman’s gift to his mom in 2012. The final book in the 50 Shades of Grey trilogy had just been published, and the Book Club director, co-producer, and co-screenwriter sent the entire set to his mother.
“As sons do, right?” Holderman joked.
Book Club co-producer and co-screenwriter Erin Simms worked with Holderman at a production company at the time and heard about the plan.
Howard Director Don Hahn on the Legendary Composer Howard Ashman
The name Howard Ashman — the subject of the new documentary, Howard, that premiered at the recent Tribeca Film Festival — might not immediately ring a bell. But you probably have hummed along to the timeless lyrics he wrote in collaboration with composer Alan Menken for the now-animated classics that led to Disney’s ‘toon revival in the late 80s and early ‘90s and continue to endure today.
The catchy words he penned for the Calypso ballad Kiss the Girl from 1989’s The Little Mermaid and the Oscar-winning title tune from 1991’s Beauty and the Beast just helped two American Idol contestants to advance to the next round of voting earlier this week.
RBG Co-Directors/Producers on Their Groundbreaking Subject – Part 2
In Part 2 of our two-part interview with Betsy West and Julie Cohen, the filmmaking team behind the Ruth Bader Ginsburg documentary RBG that opens May 4, the pair discusses what they learned while doing their research (the justice is a huge opera fan), her nearly 56-year fairy-tale marriage to her incredibly supportive college sweetheart Martin Ginsburg and how they got around not being able to film the Supreme Court in session.
RBG Co-Directors/Producers on Their Groundbreaking Subject – Part I
Ruth Bader Ginsburg – the Brooklyn-born, 85-year-old grandmother of four who became the second female to be appointed as a Supreme Court justice in 1993 – has been having a pop-cultural moment since 2015 or so. That’s when the liberal-leaning Harvard grad was cheekily dubbed The Notorious RBG (a play on the late rapper Biggie Smalls, a.k.a. The Notorious BIG) by a pair of young female writers who saluted this petite powerhouse’s stealthy sense of bad-assery in book form.
Dawn Porter on her Netflix Docuseries Bobby Kennedy for President
It’s been 50 years since the turbulence of 1968 changed this nation forever. From the escalating Vietnam War to the assassination of Martin Luther King Jr. to the riots outside the Democratic convention, that year was one of the most difficult our nation has ever faced, and that serves as measuring stick anytime a particular year in America feels especially fraught. Last year was one such year. So was 2016. The same could said of 2018.
Director Sebastian Lelio on Capturing Forbidden Love in his Urgent new Film Disobedience
Director Sebastian Lelio has had quite the exciting past few months. Lelio’s last film, A Fantastic Woman, about a transgender woman whose partner tragically dies, swept the awards circuit. It won 17 awards including the Academy Award for Best Foreign Film—which was the first Chilean film to do so. Right now, there’s no stopping Lelio and his work.
In theaters today, Lelio is tackling another story about women’s interior lives.
Cult or Cultural Utopia? The Directors of Wild Wild Country Let Viewers Decide
You would be forgiven for having difficulty placing the term ‘Rajneeshpuram.’ The violent clash between the followers of Indian guru Bhagwan Shree Rajneesh and the residents of Antelope Oregon in the mid-1980s seems like the makings of a famous event, but it has somehow faded from cultural memory. Directors Chapman and Maclain Way admitted the incident did not ring a bell to them either when they began their research for breakout Netflix documentary Wild Wild Country.
Director & Cinematographer Warwick Thornton on his Outback Western Sweet Country
Growing up in the Australian outback, director and cinematographer Warwick Thornton wasn’t exposed to many big screen movies.
“We had a drive-in on Friday and Saturday nights. I remember Star Wars four or five years after was released; that’s how long it took that print [to travel to the outback],” says Thornton, 48. “So that’s the Hollywood cinema I grew up on. I never watched westerns in cinemas because [the cinemas played] just big,
Kay Cannon on her Hilarious Directorial Debut Blockers
If you’ve ever been a Teen Movie fan, the last several years haven’t really been for you. While the late 90s and early aughts had more than their fair share of teen movies (many now classics), it’s been few and far between for a studio coming-of-age flick. But in the last month, we’ve been blessed with not one, but two studio teen films: Greg Berlanti’s Love, Simon and Kay Cannon’s Blockers—both that have made progressive new changes to the teen film formula.
Writer/Director Chloe Zhao on Her Tender Look at a Real American Indian Cowboy in The Rider
The Rider, a meditative half-fictional drama set on the Pine Ridge Lakota reservation in South Dakota, first premiered at Cannes last year, where it won the Art Cinema Award. The second feature film from the Chinese director Chloe Zhao, it opened in wide release this past Friday. Zhao, who attended undergraduate and film school in the U.S., was living in New York before she decamped to South Dakota, where she made Songs My Brother Taught Me,
Director Brad Silberling’s An Ordinary Man Takes on a Notorious Bosnian War Criminal
Filmmaker Brad Silberling first became fascinated with natural-born monsters in 2008 when he learned about Radovan Karadžić and Ratko Mladić. Known as “The Butcher of Bosnia,” General Mladić commanded the massacre of some 8,000 Muslims in Srebrenica during the Yugoslav civil wars. Following the atrocities, Maleic and politician Karadžić, aided by loyalists, hid from Hague-based International Criminal Court prosecutors for 14 years, shuffled about by loyalists through a succession of low-rent Belgrade safe houses. After reading testimony from Mladić‘s former body guards,
Ayşe Toprak on her Groundbreaking Documentary Mr. Gay Syria
The devastating Syrian civil war has made an impact on international film audiences largely thanks to two powerful documentaries: the Oscar-winning The White Helmets (2016) and the Oscar nominee Last Men in Aleppo (2017). Although director Ayşe Toprak’s new documentary Mr. Gay Syria tells its story against the backdrop of the civil war that’s killed 300,000 people since it began in 2011 and caused five million to flee and become refugees,
Master of Movement: Dance Loving Director Duane Adler on his new Film Heartbeats
Duane Adler is the man who brought us the original Step Up with Channing Tatum and Jenna Dewan Tatum dancing and falling in cinematic real-life love on screen. His films are affectionate updates of the classic dance movies like Top Hat and An American in Paris, with gorgeously staged musical numbers that allow the characters to communicate and move the story forward. His latest film is Heartbeats,
The Death of Stalin Writer/Director Armando Iannucci On Finding Humor in the Horror of Politics
For some, politics is a horrific affair, but that’s not the case with writer/director Armando Iannucci. Throughout his illustrious career, Iannucci has found humor and humanity in the political world.
The auteur created the hit HBO comedy Veep, which has been making viewers cringe, laugh and marvel (it has somehow anticipated, with bracing, unfortunate clarity, our current bonkers political moment) since 2012. Before that, he produced the 2005 British television comedy The Thick of It,
Writer/Director/Producer Rosemary Rodriguez Continues on Continuing her Scorching TV Career With NBC’s Rise
Rosemary Rodriguez, the award-winning writer/director of the feature films Acts of Worship and Silver Skies, has been directing on the small screen for over a decade. She has helmed episodes on some of the best TV shows currently or recently part of the cultural conversation, including The Good Wife, Rescue Me, Law & Order, Empire, The Walking Dead, and Jessica Jones.
Writer/Director Atsuko Hirayanagi on Synchronicity & Inspiration in her Feature Oh Lucy!
Originally, writer/director Atsuko Hirayanagi’s Oh, Lucy! was written and produced as a short, winning the Jury Prize for International Fiction at the 2015 Sundance Film Festival. Now she has expanded it into a full-length feature, and Oh, Lucy! has just been released across the country to universally positive reviews.
Shinobu Terajima, an A-list actress in her native Japan, was nominated for a Best Female Lead Independent Spirit Award for her role as Setkuko,
Marrowbone Director Sergio G. Sanchez on Finding the Light in the Darkness
After writing the scripts for two international successes, The Orphanage (2007) and The Impossible (2012), both directed by fellow Spanish filmmaker Juan Antonio Bayona, Sergio G. Sanchez knew he was ready to direct one of his scripts. Marrowbone marks his fitting directing debut; it will be familiar to fans of the gothic The Orphanage, yet it stretches the filmmaker by ambitiously working on the level of both ghost story and family drama.
Oscar-Nominee Aaron Sorkin on his Directorial Debut Molly’s Game
As part of our Oscars week coverage, we’re re-posting our conversations with some of this year’s Oscar-nominees, as well as publishing new interviews with those vying for Oscar gold this Sunday. Writer/director Aaron Sorkin is nominated for Writing (Adapted Screenplay) alongside James Ivory (Call Me By Your Name), Scott Neustadter & Michael Weber (The Disaster Artist), Scott Frank & James Mangold and Michael Green (Logan), and Virgil Williams and Dee Rees (Mudbound).
