Director Julie Taymor on The Many Perspectives of Her Gloria Steinem Biopic “The Glorias”

Director Julie Taymor’s latest feature, The Glorias, celebrates the life of a living icon of our time, Gloria Steinem, but she tells Gloria’s story in her utterly singular way. The director uses four different actresses to represent the famed women’s rights activist at different times in her life. There are imaginative, surreal sequences that express Gloria’s inner dialogue. There’s a sort of metaphysical bus, which carries Gloria through her journey, sometimes accompanied by her older or younger selves (played in the film by Ryan Kiera Armstrong,

“Lovecraft Country” Director Cheryl Dunye on Shapeshifting & More in Episode 5

HBO’s Lovecraft Country, created by Executive Producer Misha Green, is being celebrated by viewers and critics alike. The story of two families that come together in the Jim Crow South to battle monsters and white racists in power has horrors both real and imagined, but there are many elements in the storytelling and many challenges to the characters that speak to the state of American race relations today. The misadventures of Atticus Freeman (Jonathan Majors),

Director Antonio Campos Explores Fanaticism and Faith in “The Devil All The Time”

Complicated characters are director/writer/producer Antonio Campos’ forte. There was the desensitized, internet-addicted prep-school student in his feature-length debut, Afterschool; the shockingly tragic television reporter in Christine; and the inexplicably violent young mother in the first season of The Sinner (Campos directed the pilot and served as that season’s executive producer).

Now, in his latest project, The Devil All the Time — streaming on Netflix starting Sept.

Director Dime Davis on Making Emmy History With “A Black Lady Sketch Show”

Last year, director Dime Davis visited California desert retreat Joshua Tree to take a break from her burgeoning career as director of Showtime drama The Chi and BET rom-com Boomerang. “I’d been trying to get my head together so I wasn’t getting back to people,” Davis recalls. But Robin Thede kept calling. The comedian had created a new sketch series for HBO and wanted Davis to direct the whole thing.

“Boys State” Directors Amanda McBaine & Jesse Moss on Their Timely Doc

The documentary Boys State (now streaming on Apple TV+) follows four teenagers navigating a week-long annual program in which a thousand high school seniors in Texas create their own mock government. Winner of the Documentary Grand Jury Prize at the 2020 Sundance Film Festival, the film is like a riveting mix of a soap opera, Lord of the Flies, and Breaking Away. The Credits spoke to directors Amanda McBaine and Jesse Moss about the making of Boys State,

“An American Pickle” Director Brandon Trost Tackles Two Seth Rogens

In many ways, An American Pickle is unlike any comedy Seth Rogen has done before. And that’s one reason Brandon Trost, a cinematographer who has worked extensively with Rogen, including on such films as This is the End, Neighbors, The Interview and The Disaster Artist, chose it for his directorial debut.

For starters, the HBO Max original (premiering on August 6) offers one of the year’s more unusual plotlines.

How Justin Simien Schools Viewers in “Dear White People”

On one hand, Dear White People creator Justin Simien was thrilled to see a 600 percent increase in viewership for his Netflix series in the wake of George Floyd’s death. On the other hand, he says, “It’s also a little bit annoying because like, ‘Where were y’all when we started this conversation with this franchise six years ago when this [racism] was just as relevant then as it is now?'”

In tracking the trials and tribulations of wise-cracking Black students at an Ivy League-level fictional school called Winchester University,

Rethinking Old Age in Sergio Navarretta’s “The Cuban”

The Cuban, director Sergio Navarretta’s (Arctic Dogs) new feature out on streaming and in theaters on July 31st, melds two missives into one sweetly heartfelt film: a tribute to Afro-Cuban jazz and a reminder to cherish our elders. Opening in the cold light of a Canadian nursing home, brisk nurses attend to Luis Garcia (Oscar-winner Louis Gossett Jr.), the film’s titular star. Luis, a former jazz musician, is gripped by dementia and Alzheimer’s,

How Director Mimi Leder Shaped Apple TV+’s “The Morning Show”

Hollywood has become somewhat more diverse since the eighties when director Mimi Leder became the first woman to graduate from the American Film Institute. And yet, as her latest drama The Morning Show illustrates, some male entertainment moguls still give talented women a hard time. Originally inspired by Brian Stelter’s book “Top of the Morning: Inside the Cutthroat World of Morning TV,”  showrunner Kerry Ehrin (Friday Night Lights) re-tooled the Apple TV+ series as a #MeToo saga centered on the firing of popular infotainment anchor Mitch Kessler (Steve Carell) for sexual misconduct.

“Cursed” Director/Producer Zetna Fuentes on Remixing Arthurian Legend for Netflix

Cursed, which premieres today on Netflix, reframes the King Arthur legend to center on the mysterious Lady of the Lake and fae, Nimue, played by Katherine Langford. The show is created by Tom Wheeler and Frank Miller, based on their illustrated novel. The Credits spoke to Zetna Fuentes, who executive produced and directed the pilot and second episode of the series. This conversation has been edited for length and clarity.

The Directors of “Mucho Mucho Amor” Give Latino Legend Walter Mercado his Due

Described as equal parts Liberace, Norma Desmond, and Oprah, the wildly popular, gender-bending Puerto Rican TV astrologer Walter Mercado was so larger than life that only a documentary could do him justice. The filmmakers behind Netflix’s Mucho Mucho Amor: The Legend of Walter Mercado, like millions of Latinx viewers around the globe, grew up watching Mercado deliver daily horoscopes on TV. Wearing his trademark bejeweled capes, Mercado’s flamboyance coupled with upbeat astrological predictions helped make him a beloved cultural icon.

Director Gina Prince-Bythewood on her Netflix Epic The Old Guard

The Old Guard, premiering today on Netflix, is a completely engrossing female-fronted action film that just might blow the doors off your summer. Helmed by director Gina Prince-Bythewood, it also marks the milestone of the first major superhero film directed by a Black woman. Prince-Bythewood, who first made her name as writer/director of the classic Love & Basketball, has become one of the most thoroughly interesting directors working in Hollywood.

Director/Producer Dawn Porter on Capturing a Legend in “John Lewis: Good Trouble”

Director/producer Dawn Porter’s documentary John Lewis: Good Trouble is an inspirational look at the life and career of the legendary Georgia Democratic representative and civil rights activist John Lewis. Congressman Lewis, now 80 years old, has been instrumental in creating foundational change in the United States, from voting rights to equal rights for all Americans. To this day, he continues to be a voice for positive change.

The Credits spoke to Porter about the film,

“Unsettled” Looks at LGBTQ Refugees Seeking a Home in America

June celebrations, even virtual ones in this pandemic year, commemorate the birth of the modern LGBTQ liberation movement and the progress made over five decades since Stonewall, from marriage equality to the recent Supreme Court ruling protecting LGBTQ rights in the workplace.

But in many countries outside the U.S., LGBTQ rights mean only the right to survive.

San Francisco-based filmmaker Tom Shepard, whose many credits include the award-winning Scout’s Honor (2001) about the struggle to overturn the anti-gay policies of the Boy Scouts of America,

David France on the Terror Facing the LGBTQ+ Community in Welcome to Chechnya

Oscar-nominated filmmaker and former investigative journalist David France has a new documentary, Welcome To Chechnya, debuting on HBO June 30th, which has already won multiple awards on the film festival circuit. His film reveals the ongoing danger to LGBTQ Chechens targeted for persecution and death in a campaign to ‘cleanse’ the republic. France follows the activities of heroic activists, and profiles the people they hope to rescue out of harm’s way,

Director Ivy Meeropol on Her Deeply Personal HBO Documentary About Roy Cohn

After Ivy Meeropol directed her powerful and deeply personal HBO documentary Heir to an Execution (2004) about her grandparents Julius and Ethel Rosenberg who were executed for alleged espionage in 1953 with prosecutor Roy Cohn leading the charge, she felt she’d finally put the subject behind her.

“I thought for years that a film about Roy Cohn was in order, that it should be done and I couldn’t believe no one had done it.

Sam Feder Takes a Revealing Look at Transgender Depiction in Hollywood in Disclosure

Disclosure: Trans Lives on Screen offers an eye-opening look at the history of transgender depiction in two universal media: film and television. The story is told through the perspectives and memories of trans people in the entertainment industry — Laverne Cox (also an executive producer of Disclosure), Lilly Wachowski and Jen Richards among them — and features clips and images that shed light on how American culture has dehumanized and made assumptions about the transgender community.

Writer/Director JD Chua & Producer Juan Foo on Singapore’s First Creature Feature Circle Line

JD Chua had the distinction of being director Michael Mann’s only intern when he was in Hollywood, the man who made, in a seven-year period, three of the best films of the 1990s—The Last of the Mohicans (1992), Heat (1995), and The Insider (1999). As a child, one of Chua’s favorite films was Mann’s The Last of the Mohicans. “I remember immersing myself in the laserdisc,”

Think Like a Dog Writer/Director Gil Junger on his Family Friendly Canine Comedy

Think Like a Dog is a warm-hearted fantasy adventure about a boy who invents a contraption that enables him to read his dog’s mind. It is reminiscent of Disney live-action classics like The Absent-Minded Professor and The Shaggy Dog. In an interview, writer/director Gil Junger talked about the pleasures of ignoring the show business adage about never working with children or dogs and how the film is a love letter inspired by his own experience of re-connection to his family.

Director Daniel Karslake on the Shifting Battle for LGBTQ Equality in For They Know Not What They Do

Documenting the contemporary gay and transgender experience of young Americans and their families through the lens of religion isn’t easy. First, there’s the matter of finding interview subjects. For the follow-up to his Oscar-shortlisted documentary For the Bible Tells Me So, which focused on the homophobia of the religious right, filmmaker Daniel Karslake met with about thirty different families before matching with the four subjects and their parents at the center of For They Know Not What They Do,