Writer/Director Anna Kerrigan & Jillian Bell on Making the Modern-Day Western “Cowboys”

A stirring, “stay with you” drama about family, tolerance, and rescue, Cowboys centers on the disparate reactions from newly separated parents Sally and Troy (Jillian Bell and Steve Zahn) upon learning their child, Joe (newcomer Sasha Knight), is transgender. While Sally remains in denial, Troy is determined to allow Joe to live authentically and runs off with him into the wilderness of Montana, with authorities not far behind. Ann Dowd plays the detective assigned to the case,

Writer/Director Tiller Russell on his Real-Life Crime Drama “Silk Road”

Writer/director Tiller Russell was ideally suited to take on the crime thriller Silk Road. As the director of The Last Narc and Netflix’s Night Stalker: The Hunt for a Serial Killer, Russell is no stranger to looking squarely at the darker corners of the human soul. For Silk Road, which was inspired by David Kushner’s Rolling Stone article “Dead End on Silk Road: Internet Crime Kingpin Ross Ulbricht’s Big Fall,”

“Star Trek: Picard” Director Hanelle Culpepper Charts a Diverse Path in Hollywood

America had its eyes locked on Mars this past week as the NASA rover, Perseverance, landed on the red planet and sent color photos back to Earth. It’s an optimistic step in space exploration that may expand human understanding of the Milky Way, but things don’t rest so peacefully in the galaxy on the first season of Star Trek: Picard.

The latest critically acclaimed series in the Star Trek franchise follows a synthetic attack on Mars that set the planet ablaze and propelled former admiral Jean-Luc Picard (Sir Patrick Stewart) into retirement.

Writer/Director Jon Alston on His Impactful and Timely Short “Augustus”

Although it’s a short film, director Jon Alston’s Augustus tackles a monumental subject: human rights and the centuries-long injustice and racism faced by the Black community. Alston, a former record-setting linebacker in the NFL, served as an executive producer as well, along with the film’s writer and lead actor, Ayinde Howell.

The film plays from the point of view of Frederick Douglass, the noted abolitionist who escaped slavery. As Douglass suffers from nightmares depicting the death of his son,

Filmmaker Noah Hutton on his Slyly Scorching Feature Debut “Lapsis”

Writer/director Noah Hutton was due to make his narrative feature debut with his sci-fi film Lapsis at SXSW in March of 2020. You know how that turned out. Nearly a year later, Hutton’s slyly lacerating debut is now available on Virtual Cinema, VOD, and Digital. His low-budget feature debut is an impressive feat of world-building, cinematic wit, and a darkly funny critique of late-stage capitalism, specifically corporate greed and the exploitation of workers.

Director Fran Kranz & Editor Yang-Hua Hu on Their Heartbreaking Film “Mass”

Mass, which recently premiered to much acclaim at Sundance, is the screenwriting and directorial debut of actor Fran Kranz. It’s a tense, claustrophobic, dialogue-driven film that explores the long-term aftermath of a school shooting, and essentially takes place in one room. Its success rests heavily on the shoulders of the cast, and Jason Isaacs, Martha Plimpton, Reed Birney, and Ann Dowd, who form the quartet at the center of the story,

“The Investigation” Writer/Director Tobias Lindholm on Rethinking the Police Procedural

The police procedural has been a staple on television since its inception, and writer/director Tobias Lindholm felt it was time to shake things up. The Investigation, Lindholm’s six-episode miniseries currently playing on HBO, delves into one of the most sensational crimes in recent Danish history — the 2017 murder of journalist Kim Wall. And it turns the genre on its ear.

Wall went missing after meeting with an interview subject on his private submarine.

“Clarice” Producer/Director DeMane Davis on Seizing the Moment

DeMane Davis, co-executive producer/director of the new CBS series Clarice which premieres February 11, calls her career “incredibly fortunate.” But Davis was ready when opportunity arose in the form of Ava DuVernay. When DuVernay opened the door for women directors on her groundbreaking series Queen Sugar, Davis burst through it. On crutches.

“I had broken my ankle and I’d had surgery; the cast had just come off and I was still on crutches,” recalls Davis in a phone interview from Toronto where she is shooting Clarice.

Director Sam Pollard on the Legacy of Black Art in his New HBO Documentary

HBO viewers likely know the names Kehinde Wiley and Amy Sherald, the artists who painted Barack and Michelle Obamas’ respective official portraits. The network’s latest documentary, Black Art: In the Absence of Light, an expansive, joyous 90-minute look at art history directed by Sam Pollard (MLK/FBI, Atlanta Missing and Murdered: The Lost Children) and executive produced by Henry Louis Gates, Jr.,

“Miss Juneteenth” Writer/Director Channing Godfrey Peoples on Her Potent Feature Debut

Writer and director Channing Godfrey Peoples‘ feature debut Miss Juneteenth is a subtlety powerful lesson in compassionate observation. Born in Fort Worth, Texas, with a theater degree from Baylor University (just a 90-minute drive south from Forth Worth on the I-35), Peoples’ Miss Juneteenth is a moving portrait of her hometown, and, more to the point, the tight-knit community of mostly Black people she grew up with. After graduating from the School of Cinematic Arts at the University of Southern California (where she met her husband and creative partner,

Sundance 2021: Writer/Director Carey Williams on his Romeo & Juliet Adaptation “R#J”

In partnership with producer Timur Bekmambetov, who is known for the innovative film style Screenlife as exampled by Unfriended and Searching, co-writer and director Carey Williams offers his feature debut with a modern and of-the-moment adaptation of “Romeo and Juliet,” R#J, told entirely through social media and smartphone screens. Using an entirely Black and Brown cast, and blending text messages and Instagram posts with timeless Shakespearian language,

Documentarian Sam Pollard on his Must-See New Film “MLK/FBI”

A couple of days after Martin Luther King Jr. delivered his era-defining “I have a dream” speech at the Lincoln Memorial, J. Edgar Hoover’s second in command at the FBI penned a memo describing him as “The most dangerous Negro in America.” As documented in Sam Pollard‘s new film MLK/FBI (On Demand and in select theaters), that 1963 memo launched the Bureau’s obsession with discrediting America’s foremost civil rights leader by tapping his phones and bugging the hotel rooms he stayed in.

Best of 2020: The High Note Director Nisha Ganatra on the Importance of a Diverse Cast & Crew

We put together our annual “Best Of” list with an eye towards the conversations that weren’t just about our particular area of interest—how films and TV shows are made and the people who make them—but delved into broader discussions that were unavoidable in this historic, often heartbreaking year. These conversations include our chat with Laverne Cox about her role in Netflix’s Disclosure: Trans Lives on Screen,  Lovecraft Country cinematographer Michael Watson on filming during a pandemic,

Madison Hamburg on His One-Of-A-Kind HBO Doc “Murder on Middle Beach”

As the title suggests, Murder on Middle Beach, the four-part HBO documentary, revolves around a tragedy. On March 3, 2010, Barbara Hamburg was found stabbed to death outside her home in Madison, Connecticut, an unassuming beachfront town. An unlikely victim, police were unable to find a suspect. But what makes this unsolved murder story even more compelling is that it is being told by Madison Hamburg, Barbara’s son.

Madison was 18 years old at the time and a film student in college.

Documentarian John Dower on “The Mystery of D.B. Cooper”

In 1971, a Boeing 727 flying out of Portland, Oregon was hijacked by a single middle-aged man, operating under the name Dan Cooper. Clad in black, wearing dark sunglasses, and using a bomb in a briefcase as leverage, Cooper demanded four parachutes but only $200,000, and he let the flight’s passengers go in Seattle, where the cash and parachutes were brought aboard. After demanding the pilots fly to Mexico City, he opened the aircraft’s back door over the woods in Washington State,

Documentarian Nathan Grossman Captures a Teenage Icon in “I Am Greta”

Swedish documentarian Nathan Grossman made a leap of faith in 2018 when he decided to film an unknown 15-year-old with a sign staging a one-person strike outside the Stockholm Parliament in order to bring attention to the global climate crisis.

Over the course of 18 months of filming, Greta Thunberg became an international figure and an icon to an increasingly energized youth movement around the world demanding immediate action to address climate change.

Writer/Director Francis Lee on His Hard Scrabble Love Story “Ammonite”

Writer-director Francis Lee’s acclaimed 2017 debut feature God’s Own Country and his follow-up, Ammonite (Neon), unabashedly center on queer, working-class characters. So it may come as a bit of a surprise that Lee cites 1980s studio movies as among his all-time favorite films.

“In my head, when I’m making my films, I’m making my version of An Officer and a Gentleman or Pretty Woman or Working Girl;

“His House” Writer/Director Remi Weekes on his Gut Punch Feature Debut

Back another lifetime ago, writer/director Remi Weekes‘ His House celebrated its premiere at the Sundance Film Festival this past January. Netflix quickly acquired it, and the future was looking bright for the talented filmmaker and his debut feature. You know what happened next.

Yet here we are, months later and living in our nightmarish world, with Weekes’ stunning horror film set to debut on October 30. “I’m excited,” Weekes said from London when I asked him what it felt like to finally see his film released into the wild,

“A New York Christmas Wedding” Writer/Director Otoja Abit on His Debut Feature

When we attended the Savannah Film Festival in 2018, one of the filmmakers we covered was Otoja Abit, an actor who had roles in television series (The Defenders, The Night Of) and film (Stonewall), who was in Savannah to screen his short, Jitters. The 12-minute film centered on Abit’s central character, a man undergoing some last-second concerns in the moments before his wedding.

Co-Director Lisa Cortés on Voting Rights Past & Present in “All In: The Fight for Democracy”

Amazon’s recent documentary about voting rights and voter suppression, All In: The Fight for Democracy, opens to newscast audio from November 6, 2018, covering the Georgia governor’s race between Stacey Abrams and Brian Kemp. That election, which would have seen Abrams become the country’s first African-American woman governor had she been elected, became a flashpoint for a nationwide recognizance of contemporary issues surrounding the closure of polling stations, deliberate under-training of poll monitors,