Hidden Life’s Production Designer on Working in Terrence Malick’s World
Production designer Sebastian T. Krawinkel recalls his first meeting about potentially working on Terrence Malick’s A Hidden Life, which he describes as “almost a conspiracy meeting.” He art directed both V for Vendetta and Speed Racer some years back, and two of Hidden Life’s producers, Henning Molfenter and Charlie Woebcken, had co-produced those.
Krawinkel was handed “a rough outline,
Freya Allan & Anya Chalotra on Playing The Witcher’s Powerful Women
For millions of excited fans around the world, the first season of Netflix’s long-anticipated fantasy series The Witcher has not disappointed. The show is based on the best-selling novels and short stories by Polish author Andrzej Sapkowski, and the subsequent video games based on the stories, which have sold over 40 million copies worldwide. The Witcher follows three powerful individuals with colliding destinies living on a continent full of magic and monsters,
1917′s Production Designer on Building a World at War
How good is director Sam Mendes’ World War I epic 1917? Let’s begin with a brief anecdote about one of his collaborators—the legendary cinematographer Roger Deakins, who originally wasn’t sure it was even possible to pull off what Mendes was after. That was to film 1917 as if it was all a single, continuous shot. But once Deakins read Mendes and screenwriter Krsty Wilson-Cairns script,
How Color and Cut Transformed the Characters of Little Women
In the opening scene of writer-director Greta Gerwig’s adaption of Little Women, Jo March (Saoirse Ronan) walks into the New York offices of the Weekly Volcano and offers a novella to its publisher Mr. Dashwood (Tracy Letts), who chuckles at its jokes, editing as he reads. Jo sits across, hiding her ink covered hands and wearing a Marengo-colored jacket that drapes a comfy, black sweater. A white collar peeks out from her neck.
Oscar Watch: How Parasite’s Editor Helped Shape Thrilling Shifts in Tone
Palme d’Or winner and Best Picture Oscar contender Parasite shocked audiences this autumn on the strength of writer-director editor of Bong Joon-ho‘s meticulously constructed blend of comedy, melodrama and thriller elements. The story follows the poor but well-educated grifters in the Park family, who insinuate themselves into the lives of the wealthy Kim household by posing as an earnest tutor, housekeeper, and chauffeur. When the Park teenagers and their parents conspire to wrest domestic control from the Kims’
Sam Mendes & Screenwriter Krysty Wilson-Cairns on Their Epic WWI Drama 1917
1917 is the story of an urgent message and the two WWI soldiers who have to deliver it to prevent hundreds of their fellow British troops from walking into a trap. We accompany them on an arduous, dangerous journey in what appears to be one long, breathtaking shot. In an interview with The Credits, director Sam Mendes and his co-screenwriter Krysty Wilson-Cairns talked about the research they did for the film and how they crafted this meticulously constructed,
Best of 2019: Deconstructing Tarantino’s Once Upon a Time in Hollywood’s With his Cinematographer Robert Richardson
*We’re reposting some of our favorite interviews of 2019. Happy Holidays!
When you dig past the humorous and unnerving storylines of Quentin Tarantino’s ninth film Once Upon a Time in Hollywood, you’ll find a serious tale about friendship.
Set in 1969, Rick Dalton (Leonardo DiCaprio), a fading Western star trying to stay relevant in Tinseltown has one sure thing—his stunt double Cliff Booth (Brad Pitt).
Best of 2019: Writer/Director Noah Baumbach on his Devastating Marriage Story
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Writer/director Noah Baumbach’s substantial body of work has often explored families in all their painful, darkly funny dysfunction, evolving from the perspective of an adolescent witness to the break-up of his parents in his 2005 second feature, the Oscar-nominated The Squid and the Whale, to the poignant, middle-aged observations of a son coming to terms with his estranged family and self-absorbed father in 2017’s The Meyerowitz Stories (New and Selected).
Best of 2019: Watchmen’s Costume Designer Meghan Kasperlik on This Extraordinary Series
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Now that Watchmen has made its glorious debut on HBO and confounded just about every expectation, we can say with confidence that Damon Lindelof’s adaptation of Alan Moore and Dave Gibbons iconic graphic novel is a remarkable testament to the original and a bold, powerful piece of original storytelling itself. The reason is Lindelof and his incredible team of writers,
Best of 2019: How Ford v Ferrari’s Production Designer Rebuilt the World’s Greatest Race Track Piece-by-Piece
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James Mangold‘s Ford v Ferrari revisits one of the greatest car races in history. It began back in 1959 when Carroll Shelby (Matt Damon) wins the most difficult race in the world, the 24 Hours of Le Mans, in France. The problem for Shelby is his crowning achievement is also his last race—doctors tell him a heart condition makes it impossible for him to race again.
Best of 2019: Joker’s Makeup Designer on Creating the Clown Prince of Chaos
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It’s hard to think of a more iconic look from the world of comic books than the Joker — Batman’s most nefarious adversary. Nicki Ledermann was all too aware of this when she was approached to design the makeup for Joker, director Todd Phillips’ new feature that offers up the origin as to how Arthur Fleck,
Best of 2019: Breaking Down Three Key Scenes With Ad Astra’s Editors
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On Tuesday we published the first part of our conversation with Ad Astra editors John Axelrad and Lee Haugen. Director James Gray’s film (which he co-wrote with Ethan Gross) is the rare intimate epic. It involves some of the most breathtaking sequences in any film this year, as well as a very personal father/son story in which our hero,
Best of 2019: Carmen Ejogo on her Pivotal Role in True Detective’s Season Three
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In season three of True Detective, creator and writer Nic Pizzolatto returns to the series’ Southern Gothic roots, with two detectives, Vietnam vet Wayne “Purple” Hays (Mahershala Ali) and Roland West (Stephen Dorff) trying to solve the murder of one child and the disappearance of another in Fayetteville, Arkansas. Hays takes the lead on the case in 1980 and is doing desk work and starting to lose his memory by the time we reach 1990 (West,
Best of 2019: Makeup Designer Burton LeBlanc on Creating Misery in the Colonies in The Handmaid’s Tale
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In Margaret Atwood’s novel “The Handmaid’s Tale,” the radioactive Colonies are more felt than described. We’re told it’s where all Gilead’s undesirables, the childless handmaids, the criminals, the sick and insane, are sent to die. In Hulu’s adaptation of Atwood’s novel, however, the Colonies became one of the show’s most fecund sources of misery in season two. As Maria Elena Fernandez described in a piece for Vulture,
Best of 2019: Avengers: Endgame Visual Effects Supervisor on Happy Hulk, Lebowski Thor & More
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The Marvel universe’s supersized super-villain Thanos (Josh Brolin, plus CG) last year dealt a heavy hand to overpopulation in Avengers: Infinity War, wiping out half of humanity with a snap of his fingers warmed by his Infinity Stone encrusted gauntlet. Five years onward the Avengers are looking stuck, with those remaining still in mourning and low on solutions.
Best of 2019: Craig Mazin on Getting the Details Right for the Shocking Chernobyl
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In April 1986, the Chernobyl nuclear power plant in Soviet Ukraine exploded, sending radiation into the atmosphere and ultimately causing many radiation-related deaths. While the disastrous accident, attributed to faulty reactor design and insufficiently trained operators, is widely known, the details of its aftermath are less so. Screenwriter Craig Mazin looks to change this and up the knowledge base with Chernobyl,
Best of 2019: Fleabag‘s Emmy-Nominated Cinematographer on Crafting a Nearly Flawless Second Season
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There’s no such thing as flawless art. Flaws are baked right into anything a human being creates, and often they are hard to disassociate from the strengths that make any art worthwhile. Yet I’ve heard several people call Fleabag‘s second season flawless, and I’ve been hard-pressed to argue the point. Few shows on television are as personal,
Best of 2019: How Us Cinematographer Michael Gioulakis Captured Doppelgangers in the Dark
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“I have an aversion to moonlight, at least in movies.” So says cinematographer Michael Gioulakis, who had ample opportunity to capture dark spaces in Jordan Peele‘s critically acclaimed horror film Us. Peele’s follow-up to Oscar-nominated thriller Get Out casts Lupita Nyog’o as a high-strung mother who’s being stalked, along with her husband (Winston Duke) and kids (Shahadi Wright Joseph and Evan Alex),
Best of 2019: Spencer Averick on Finding Truth & Humanity in the Edit of When They See Us
*We’re reposting some of our favorite interviews of 2019 from some of our favorite films and shows of the year.
Netflix rarely releases viewer numbers, but on June 12th, the streaming service tweeted that Ava DuVernay’s miniseries When They See Us has been its most-watched content in the US since the show’s premiere on May 31st. In the UK, When They See Us has been running second only to Black Mirror.
Best of 2019: The Irishman Cinematographer Rodrigo Prieto on Crafting Scorsese’s Masterpiece
*We’re reposting some of our favorite interviews of 2019 from some of our favorite films and shows of the year.
Beloved auteur Martin Scorsese’s new film The Irishman has brought Robert De Niro and Joe Pesci together onscreen for the first time in 24 years and added Al Pacino, whom he’d never worked with before, building a cast that sounds truly compelling to lovers of great acting and great film.
