“Devotion” Director J.D. Dillard on Leading Jonathan Majors in His Emotional War Epic
The new historic war epic Devotion is based on the bestselling book by Adam Makos of the same name. The true story centers on the first Black aviator in Navy history, Jesse Brown (played by Jonathan Majors), and his fellow fighter pilot Tom Hudner (Glen Powell, who also acts as producer on the film), and their heroic actions during the Korean War.
Director J.D. Dillard, who helms this exciting and emotional film,
“Glass Onion: A Knives Out Mystery” Writer/Director Rian Johnson Unpeels His Whodunit
When released in 2019, Rian Johnson’s star-studded, deliciously delightful who-done-it Knives Out was met with universal acclaim and became a smash hit. In it, star Daniel Craig shed all remnants of his Bond persona to play the quirky Southern genius detective Benoit Blanc in a performance so winning and a film so enjoyable even a character’s sweater became a sensation. (Granted, that character, the spoiled viper Ranson Drysdale,
“Raymond & Ray” Writer/Director Rodrigo Garcia Digs Deep With Ewan McGregor & Ethan Hawke
Writer/director Rodrigo Garcia‘s initial idea for Raymond & Ray was simple—a trumpet player is digging his father’s grave—but something wasn’t quite working. “I can’t even remember if the digging of the grave was his idea or the father’s requirement,” Garcia admits, reflecting on the first draft of what would become his surprisingly funny, raw look at father/son relationships in his new Apple TV film. “The reverend was there, and a woman showed up with a child,
Sinéad O’Shea on her Unflinching & Award-Winning Documentary “Pray For Our Sinners”
Dublin-based filmmaker Sinéad O’Shea wasn’t sure what she’d find when she returned to her small hometown of Navan, north of Dublin, last year to interview Mary Randles, who’d been a local doctor alongside her late husband Patrick. O’Shea did not expect to discover that, in addition to the Randles, other residents in Navan years ago stood up to injustices inflicted by the Catholic Church, which then controlled all aspects of life in their tiny town.
Filmmaker & TV Creator Mann Robinson on Getting it Done in Georgia
Mann Robinson gets it done. The former rapped-turned-filmmaker and television creator can do it all—write, direct, produce, edit—with a tirelessness that would seem inhuman if he wasn’t so even-keeled about how he approaches his work.
“What’s allowing me to have so many things coming up?” he says when we spoke toward the end of summer, as he took a rare break to chat about his career. “First thing I do in the morning is write whatever project I may be on at the time,
“She-Hulk: Attorney at Law” Director Kat Coiro on Taking on The Trolls Head-On
For fans of She-Hulk: Attorney At Law, everyone can agree the last episode was quite a wild ride and something never seen before in the extended MCU. As per the comic book series, breaking the 4th wall is part of the She-Hulk tradition, and so it makes sense the filmmakers behind the show would go all out and incorporate that into creating a satisfying ending for Jen Walters. Embraced by critics,
“Los Espookys” Co-Creator/Writer/Director/Star Ana Fabrega Does it All (Literally)
Los Espookys, the surreal HBO comedy, has returned for a second season. Unlike anything currently on television, the series, created by Julio Torres, Ana Fabrega, and Fred Armisen, follows four horror-loving friends who run Los Espookys — a business that stages supernatural scenes and tricks people into thinking they are real.
Renaldo (Bernardo Velasco), Los Espookys’ leader, is also its heart and soul. Ursula (Cassandra Ciangherotti) is its makeup master.
“Blonde” Director Andrew Dominik on Painting a Different Kind of Portrait of Marilyn Monroe
Visually, writer-director Andrew Dominik wanted to surface the iconic imagery of Marilyn Monroe for his fictional adaptation of Joyce Carol Oates’s Blonde (now streaming on Netflix.) What found its way to the screen is a nearly three-hour collection of novellas that poetically paint Norma Jean’s life from childhood to stardom.
“The big visual idea of the movie was to have it almost look like a Google search of Marilyn Monroe,” Dominik shares with The Credits.
“Moonage Daydream” Director Brett Morgen on Following David Bowie Down the Rabbit Hole
It’s a bit of a miracle that director Brett Morgen survived creating Moonage Daydream, his kaleidoscopic deep dive into David Bowie’s unique sound and vision.
Morgen was six months into editing the film, the first project that had the full cooperation of Bowie’s estate. But assembling the massive volume of footage, some of it never before seen, was taking its toll on the filmmaker.
“It was traumatic because we’d run out of funding,
“The Woman King” Director Gina Prince-Bythewood on Her Singular, Sweeping Historical Epic
When director Gina Prince-Bythewood’s most recent film, The Old Guard, premiered on Netflix in July of 2020, the critically acclaimed action drama became one of the top 10 original launches in the platform’s history. Prince-Bythewood is following that with one of the most anticipated films of 2022, the historical epic The Woman King, the story of the Agojie, an elite all-female warrior unit charged with protecting the African Kingdom of Dahomey in the 1800s.
How the Ebo Sisters Find Comedy in Megachurch Scandal Feature “Honk For Jesus. Save Your Soul.”
Honk For Jesus. Save Your Soul. came seemingly out of nowhere in January to become a breakout hit at the 2022 Sundance Film Festival, where Jordan Peele‘s Monkeypaw production company, Focus Features, and Peacock picked up the dark comedy. But in fact, the movie was a long time coming. Writer/director Adamma Ebo and her twin sister, producer Adanne, spent six years developing their 2015 short film of the same name.
Best of Summer: “Ozark” Director Amanda Marsalis on Ruth, Wendy, and Bittersweet Goodbyes
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
When Ozark came to its bloody, sin-soaked end this year, you might have found yourself, Marty Byrd (Jason Bateman) style,
“Day Shift” Director J.J. Perry on His Lean, Mean Jamie Foxx-led Feature Debut
Director J.J. Perry is one the most seasoned action directors in the business, despite Day Shift (streaming August 12) representing his feature debut. Perry has directed some of the most thrilling sequences over the past two decades, working as a second unit director and stunt coordinator (sometimes both in the same film) on the first two John Wick films, Skyscraper and F9. With Day Shift, Perry marshaled his talent for practical stunts and effects,
“Easter Sunday” Director Jay Chandrasekhar on Channeling the Comedy of Jo Koy
Easter Sunday marks the first starring movie role for popular stand-up comedian Jo Koy. And like his routines, the film mines laughs from his family foibles, Filipino heritage, and its unique traditions based around the title holiday. Director Jay Chandrasekhar, known for both acting in and directing the Super Trooper films, Club Dread and Beerfest, was tapped to direct. (He also appears as Koy’s agent.) In a recent conversation,
“Bullet Train” Director David Leitch on His Breathless Brad Pitt-Led Action-Comedy
When suggesting to Bullet Train director David Leitch that he should be known as one of the “Godfathers of fight-vis,” a technique where complex fight sequences are filmed to visualize the action prior to shooting the real thing, he modestly said he’d take the credit. “Chad and I were definitely on the forefront of something that now every stunt team on the planet does.” The Chad he’s referring to is Chad Stahelski, who Leitch co-directed the original John Wick with.
“The Sea Beast” Writer/Director/Producer Chris Williams on His High Seas Animated Adventure
Chris Williams began working on The Sea Beast around four years ago, but telling an action-adventure story in animation is something he has wanted to do for a very long time. “It’s almost no exaggeration to say most of my life,” says the Academy Award-winning filmmaker (Moana, Big Hero 6, Bolt) about his latest movie, now streaming on Netflix.
Directed, co-produced, and co-written by Williams — he collaborated on the screenplay with Nell Benjamin,
“Westworld” Director Paul Cameron Breaks Down “Generation Loss” Episode
Cinematographer Paul Cameron had worked on big pictures like Michael Mann-directed Collateral and Denzel Washington thriller Déjà Vu, so he could afford to be skeptical six years ago when he first heard about a new TV series loosely based on an old Michael Crichton sci-fi novel. Cameron says, “I remember when my agent called and said Jonah Nolan wants to talk to you about Westworld, my first reaction was: ‘Might not be not my cup of tea.'”
“Where the Crawdads Sing” Director Olivia Newman on Capturing the Haunting Beauty of a Beloved Novel
Based on Delia Owens’ best-selling novel of the same name, Where the Crawdads Sing (playing in theaters now) tells the stirring story of Kya, a young girl abandoned by her family and forced to raise herself in the marshes of North Carolina. Shunned by her town as the “marsh girl,” she becomes the prime suspect in the murder of an ex-boyfriend.
Daisy Edgar-Jones delivers a captivating, stand-out performance as Kya, alongside David Strathairn,
“Marcel the Shell With Shoes On” Director Dean Fleischer Camp on His Big-Hearted Feature
Director Dean Fleischer Camp has turned Marcel the Shell, the itty bitty seashell turned YouTube sensation that he created with actress/comic Jenny Slate, into a feature film. But he and Slate, who provides the distinctive voice for the philosophical, one-eyed, one-inch mollusk, knew it had to be on their terms.
“I basically make movies to try to trick my dad into crying in public,” says Fleischer Camp who developed the script with Slate and Nick Paley.
“The Black Phone” Co-Writer/Director Scott Derrickson & Co-Writer C. Robert Cargill Wring Our Nerves
The always versatile Ethan Hawke first teamed with writer-director Scott Derrickson and co-writer C. Robert Cargill on their 2012 horror film Sinister, in which he played a good guy protecting his family. In Derrickson and Cargill’s new horror movie The Black Phone (opening Friday), Hawke plays a very bad man. Wearing a mask and preying on children, Hawke portrays “The Grabber,” who’s partially based on serial killer John Wayne Gacy,
