“After Yang” Cinematographer Benjamin Loeb on the Spare Sci-Fi Beauty of Kogonada’s Latest

After Yang cinematographer Benjamin Loeb knew the minute he met South Korean-born director Kogonada that theirs would not be a standard show biz collaboration. When Loeb called from his native Oslo to Zoom interview for the DP job, he and Kogonada barely mentioned the project at hand. Instead, they talked about ramen. “We spent hours talking about the complexion of broth and what makes the broth look good and feel good,” Loeb recalls.

“Turning Red” Co-Writer Julia Cho on Writing Pixar’s Tender New Film

Pixar’s new movie Turning Red follows straight-A student Meilin, whose perfect 13-year-old life implodes when she starts turning into a giant panda every time her emotions get out of control. Heir to a fierce ancestral spirit that’s affected women in her family for generations, Mei (voiced by Rosalie Chiang) defies her domineering mother Ming (Sandra Oh) and joins her friends to see Four Town, a boyband that sounds very much like NSYNC thanks to the period-perfect pop songs crafted by Billie Eilish and her brother Finneas O’Connell. 

MPA Creator Award Recipient Writer/Director Nikyatu Jusu on her Stunning Debut Feature “Nanny”

Deploying West African folklore to interrogate the myth of the American dream, writer/director Nikyatu Jusu‘s debut feature Nanny is a remarkably assured genre-melding experience. Nanny also gives viewers something that’s sadly still quite rare—it evocatively places us inside the head, heart, and aching soul of Aisha (Anna Diop), an undocumented Senegalese immigrant trying to navigate the mystifying codes of the United States to create a stable place to bring her son,

“Inventing Anna” Costume Designer Lyn Paolo on Dressing a Cunning Chameleon

When Anna Sorokin, a Russian woman in her early twenties, landed in New York, she had little in the way of entry to the glitzy social world she hoped to break into — no wealth, few friends, and a single stint as an intern at Purple, a raunchy Paris fashion magazine. 

But as creator Shonda Rhimes swiftly demonstrates in Inventing Anna, Netflix’s nine-hour recounting of the fake German heiress Anna Delvey (Julia Garner) and the reporter who broke her story,

Telling Stories With Singapore-Based Producer Si En Tan

Singapore-based producer Si En Tan already has an impressive resume in a relatively short career. After working as an assistant producer on Kirsten Tan’s Thai-Singapore co-production Pop Aye (2017), she went on to produce Anthony Chen’s Wet Season (2019), which won a string of awards at film festivals and the Golden Horse Awards held annually in Taiwan. Her producing credits also include Chen’s segment of the seven-part anthology film The Year Of The Everlasting Storm,

Smiely Khurana is Leading the Sustainability Charge in Canada With Reel Green

Smiely Khurana is the face of the sustainability movement in Hollywood North. As Creative BC’s in-house Sustainability Lead with Reel Green™, she’s cutting a singular path for the industry in Canada; one that is quickly being modeled in production hubs across the country. Through Reel Green™, Khurana is accelerating knowledge sharing and working to deepen local industry expertise. She’s leading the charge on training and developing new tools to help Canada’s film community green its story and transition to a circular economy. 

“Winning Time” Writer Rodney Barnes on Scripting HBO’s Fast-Breaking Lakers Series

It’s pretty much a slam dunk that Winning Time: The Rise of the Lakers Dynasty will appeal to basketball fans. After all, it tells the story of one of the most pivotal moments in NBA history and features some of the game’s most notable figures — Magic Johnson, Kareem Abdul-Jabbar, Jerry West, and Pat Riley. 

But Rodney Barnes, who shares scripting duties with Max Borenstein and Jim Hecht, and serves as an Executive Producer on the 10-episode HBO series that debuted March 6,

Director Ben Proudfoot on his Oscar-Nominated Short “The Queen of Basketball”

Lusia “Lucy” Harris’s basketball resume includes leading Delta State University in Mississippi to three consecutive national titles and representing the US at the 1976 Summer Olympics in Montreal. She made history as the first woman to score a basket at the Olympics as she led the team to a silver medal and became one of the first two women inducted into the Naismith Memorial Basketball Hall of Fame. Her trailblazing feats in the 1970s so impressed NBA legend Shaquille O’Neal that he signed on as executive producer of The Queen of Basketball,

“Jockey” Director Clint Bentley on Finding the Right Narrative Track

Director Clint Bentley and his co-writer Greg Kwedar always wanted Jockey to sit in that sweet spot between gritty naturalism and emotional lyricism. Coming from a documentary background, the filmmakers worked hard to “get best of both worlds,” said Bentley. It began with the old-fashioned legwork of observing the rituals and characters at the track where they shot Jockey and earning the trust of the real-life trainers and riders whose stories and lives are the backbone of the film.

How “The Dress” Went from a Short College Film to an Oscar Nominee

Writer/director Tadeusz Lysiak didn’t plan on being nominated for a Best Short Film Live Action Academy Award when he started developing the script for The Dress while attending Warsaw Film School. The indie film is rife with emotion and puts an authentic lens on loneliness and sexuality through the eyes of Julka (Anna Dzieduszycka), a hotel maid short in stature with a very large desire to find love.

The story allegorically mixes isolation and intimacy through a protagonist normally not seen as a sexual object.

“Vikings: Valhalla” Creator Jeb Stuart on Bringing a Little “Die Hard” Energy to the 11th-Century

Jeb Stuart’s Vikings: Valhalla, opens on a massacre in England. The victims, this time, are Vikings — a colony of Scandinavian descendants living on English soil since their raiding forebears put down unexpectedly peaceful roots. But a couple of generations down the line, King Aethelred (Bosco Hogan) is angrily denouncing an alleged Viking problem to his complicit nobles, and in what comes to be known as the St. Brice’s Day massacre, murders them all. 

“Pam & Tommy” Makeup Effects Designer Jason Collins on Transforming Lily James & Sebastian Stan

Pam & Tommy makeup effects designer Jason Collins had his work cut out for him when he boarded creator Robert Siegel’s Hulu series. Collins was tasked with taking on two of the most iconic people of the 1990s and capturing them before, during, and after they were the most famous, and infamous, couple in the world.

“My first thought was sheer fear,” Collins says from the set of Creed III in Atlanta,

“Cyrano” Composer Aaron Dessner on Tuning Into Timeless Love

Director Joe Wright, known best for emotional period films like Atonement and Pride & Prejudice, has brought a new musical version of Cyrano to the screen, starring Peter Dinklage in the title role. Dinklage is receiving rave reviews for his part in the romantic classic, bringing a new depth to the brilliant wordsmith and swordsman who loves his best friend, the gorgeous Roxanne (Haley Bennett), from afar. The film is based on a theatrical version directed and written by Erica Schmidt,

Oscar-Nominated “Cyrano” Costume Designer Massimo Cantini on a New Vision For a Timeless Tale

Cyrano (in theaters on February 25) boasts megawatt talent – notably, Peter Dinklage in the title role – but newly minted Oscar-nominee, costume designer Massimo Cantini Parrini, may be the film’s secret weapon. Parrini has won a bundle of European awards, mostly for his work in his native Italy. He came to Hollywood’s attention in 2020 when he was nominated for an Oscar for his costumes for Pinocchio,

Writer/Director Jared Frieder’s Long Journey to Make “Three Months” Starring Troye Sivan

Imagine what you would do if, at one of the most pivotal moments in your life, you find out you’re at risk for a life-threatening disease? Jared Frieder turned the experience into a movie. That movie, Three Months, is out today on Paramount+.

Three Months, a funny and touching coming-of-age story, tells the story of Caleb (Troye Sivan), an unruly, gay high school senior who is days away from graduation and ready to pursue his dream of becoming a photographer.

Oscar-Nominated “Dune” Editor Joe Walker on Finding Intimacy in a Sci-Fi Epic

For editor Joe Walker, cutting Dune was about finding a resonating balance between the epic nature of the story and the intimacy of the characters’ journey. When we interviewed Walker on two occasions back in October of 2021, Dune had just been released and writer/director Denis Villeneuve’s vision for a second and final part had yet to be greenlit. A lot has changed since then. Dune was both a critical and commercial smash,

“Cyrano” Screenwriter Erica Schmidt on Adapting the Iconic Love Triangle for Film

It is one of the dramatic arts’ most famous and heartbreaking love triangles: Cyrano de Bergerac, in love with Roxanne, who loves Christian and he her, aided in his pursuit by Cyrano’s eloquent written and spoken words. Edmond Rostand’s 1897 play about the brilliant wordsmith and his unrequited passion has been adapted over the past century-plus for many stages and screens.

Director Joe Wright (Atonement) is the latest filmmaker to tackle the tale with MGM’s Cyrano (in theaters on February 25),

“Uncharted” Director Ruben Fleischer on His Epic Adventure With Tom Holland

The first time we see treasure hunter Nathan Drake (Tom Holland) in his element he’s knocked unconscious. When he wakes, he realizes his foot is caught in the netting of loose airplane cargo that’s whipping in the air like a tail on a kite. The timely snag has saved his life. He murmurs one of his famous Drake-isms: “Oh, crap.”

Director Ruben Fleischer (Venom, Zombieland) is at the helm of Uncharted (in theaters February 18),

Director Sacha Jenkins on Confronting Racism in “everything’s gonna be all white”

Midway through Black History Month, Sacha Jenkins‘ documentary series everything’s gonna be all white debuted on Feb. 11 on Showtime. Introducing itself as “A tale of two Americas, one white, one not,” the three-part show offers a sprawling group portrait of Black, Native American, Korean-American, Puerto Rican, Afro-Peruvian, South Asian, and other citizens of color who go before the camera to offer their unvarnished views on racism in the United States,

“Death on the Nile” Production Designer Jim Clay Delivers Deadly Decadence

For production designer Jim Clay, details matter. In director Kenneth Branagh’s Death on the Nile, a pseudo-sequel to Murder on the Orient Express which returns sharp-witted investigator Hercule Poirot in another case of whodunit, the murder mystery transports viewers to the 1930s Egypt that entangles love and death in the most devilish ways – and may we say stylish? 

“Ken is meticulous in his planning ‘cause when he gets on set he wants to give time to the actors and the performance,” Clay shares with The Credits,