Close

Early Reactions to “Ghostbusters: Afterlife” Call Jason Reitman’s Film Nostalgia Done Right

Sony Pictures screened Ghostbusters: Afterlife for critics as part of their CinemaCon event, giving us a very early taste of what to expect for a film that doesn’t premiere until November 11 (after repeated delays due to the pandemic). Obviously, full reviews will be embargoed for quite some time, but these early reactions are an indication of how writer/director Jason Reitman approached this sequel to his dad’s two iconic 1980s films.

As a brief refresher, let’s go back to Ivan Reitman’s Ghostbusters in 1984, which for a generation of kids was one of the major movie events of our childhoods. We waited a full five years for the sequel, Ghostbusters II, in 1989, and then that was it. It wasn’t until Paul Feig rebooted the franchise in 2016 did we get to inhabit a world of the Ecto-1, ectoplasm, and ghouls, but that film, while a hoot, wasn’t directly connected to Reitman’s original two films (it included some of the film’s stars, but as themselves).

This brings us to Jason Reitman‘s film, which is directly connected to the events in his dad’s movies, and will include some of the original cast—Bill Murray, Dan Ackroyd, Ernie Hudson, Sigourney Weaver, and Annie Potts. They join the film’s main stars, Carrie Coon as mom Callie, Finn Wolfhard as her son Trevor, and McKenna Grace as her nerdy, slightly distant daughter Phoebe. When the family moves to a farm in Nebraska once owned by none other than Egon Spengler (the late Harold Ramis from the original films), their lives are about to be changed forever. They find a lab in the basement, as well as the iconic Ecto-1, the 1959 Cadillac Miller-Meteor Futura Duplex, and thus the events of Ghostbusters: Afterlife begin. A local teacher played by Paul Rudd gets involved in the action, which includes two of the original film’s most famous creations, Slimer the goblin, and multiple miniature versions of the Stay Puft Marshmallow Man.

So, let’s see how Reitman managed fan expectations, his father’s legacy, and creating a new entrant to the franchise that can stand on its own. Not an easy task, but these early reactions indicate he pulled it off.

For more upcoming films from Sony Pictures, check out these stories:

First “Spider-Man: No Way Home” Images Reveal Peter Parker’s Multiverse Adventure

“Spider-Man: No Way Home” Trailer Reveals Peter Parker’s Strange Trip

Hold Your Breath During This “Don’t Breathe 2” Trailer

A New “Venom: Let There Be Carnage” Featurette Reveals Fresh Footage

“Venom: Let There Be Carnage” Unleashes Official Trailer

Featured image: The theatrical poster for Ghostbusters: Afterlife. Courtesy Sony Pictures

ABOUT THE AUTHOR

The Credits

The Credits is an online magazine that tells the story behind the story to celebrate our large and diverse creative community. Focusing on profiles of below-the-line filmmakers, The Credits celebrates the often uncelebrated individuals who are indispensable to the films and TV shows we love.

The Credits

Keep up with The Credits for the latest in film, television, and streaming.

If you are a California resident, California law may consider certain disclosures of data a “sale” of your personal information (such as cookies that help Motion Picture Association later serve you ads, like we discuss in our Privacy Policy here), and may give you the right to opt out. If you wish to opt out, please click here: