“Halston” Costume Designer Jeriana San Juan on Channeling a Fashion Icon

Starring Ewan McGregor and produced by Ryan Murphy, the Netflix miniseries series Halston charts the rise and fall of the iconic American fashion designer, by way of the glitzy, glamorous, and cocaine-addled Studio 54-era New York. We talk to costume designer Jeriana San Juan about getting into Halston’s head to create the pivotal pieces and teaching Ewan McGregor the tricks of the trade.      

Halston’s director Daniel Minahan said recently the show “lives and dies by the clothing and the costumes.” How did you go about meeting that challenge? 

“Lovecraft Country” Production Designer Kalina Ivanov on Melding History & Fantasy

Production designer Kalina Ivanov‘s work on Misha Green‘s Lovecraft Country was one of world-building and resurrecting. The world-building—which included creating more than 162 sets, challenged Ivanov and her team to create haunted houses, a Korean hanok home to a mythical creature, and a pirate ship (to name a few). For the resurrection portion of her work, Ivanov recreated Tulsa’s Greenwood district, known as “Black Wall Street,” the site of the 1921 Tulsa race massacre,

“12 Mighty Orphans” Costume Designer Goes Deep on Football Helmets & Fedoras

As underdog sports dramas go, it’s hard to improve on the fact-based 12 Mighty Orphans, which tracks a team of scrawny teenagers living in a Fort Worth orphanage as they progress from dead-last in their league to the 1938 state finals under the leadership of Coach Rusty Russell (Luke Wilson). Football fans might marvel at the antique charm of the players’ homemade uniforms while vintage fashion buffs can savor a cavalcade of period-perfect hats worn by Wilson,

“In The Heights” Supervising Sound Editor On Capturing a Musical City’s Magic

In The Heights is, in all ways, an epic collaboration. Director Jon M. Chu‘s adaptation of Lin-Manuel Miranda’s Tony Award-winning musical, written by original playwright Quiara Alegria Hudes, summoned musicians, choreographers, and a vast team of filmmakers to pull off. It’s never easy to adapt something that was already massively successful in its original form, nor is it easy to make a compelling, modern musical. Throw a pandemic into the middle of it and you’ve cranked up your difficulty setting to eleven.

The Limitless World of Fashion Created by the “Bridgerton” Costume Designers

As we were all distancing ourselves from one another over the past year, Bridgerton burst into our homes with a voyeuristic view of steamy couples getting very, very close. The most indulgent fantasy of the series, however, was imagining the pleasure of putting on a magnificent Regency ensemble and actually having somewhere to go.

We have costume designers Ellen Mirojnick and John Glaser to thank for those scrumptious fashion treats.

“Star Trek: Discovery” Costume Designer Gersha Phillips on the Future of Fashion

Costume designer Gersha Phillips has been part of building the world of CBS Studios’ Star Trek: Discovery since the beginning, garnering acclaim for her futuristic and creative designs used on the show over its 3 seasons. The 3rd season in particular represented major costume challenges, as the Discovery crew gets propelled through time to almost a thousand years in the future. Phillips and her costume department were more than up to the task,

“Cruella” Sound Editor Mark Stoeckinger on Getting 1970s England Right

Whether it’s her bohemian attic lair, Liberty’s department store, or her job at an insufferable couture designer’s immaculate atelier, young Cruella, née Estella (Emma Stone) divides her time between very particular environments in 1970s England. She and her pals, Jasper (Joel Fry) and Horace (Paul Walter Hauser), are roommates, professional delinquents, and dog-lovers. A terrier and a chihuahua assist them in their lives of petty crime and everyone seems to get along in the free spirit of communal living funded by pickpocketing,

Cinematographer Alice Brooks on Lighting the Real Heights of “In the Heights”

In the Heights, Lin-Manuel Miranda’s pre-Hamilton musical transformed into a film by screenwriter Quiara Alegría Hudes and director Jon M. Chu (Crazy Rich Asians) is set over a handful of days at the height of summer in Washington Heights. The action is centered on two would-be couples, Usnavi (Anthony Ramos) and Vanessa (Melissa Barrera), and Benny (Corey Hawkins) and Nina (Leslie Grace). Usnavi, an orphan and bodega owner who dreams of life in the Dominican Republic,

“In The Heights” Executive Music Producer Bill Sherman on Marshaling Many Musical Styles

Zooming in from his studio in his basement, executive music producer Bill Sherman was a week away from the end of a very long—but joyous—journey. Sherman was one of the main players responsible for everything you hear in director Jon M. Chu‘s In The Heights, an adaptation of the play that Sherman himself helped create, alongside his former roommate Lin-Manuel Miranda, and playwright (and screenwriter of the movie) Quiara Alegría Hudes,

“In The Heights” Director Jon M. Chu on Capturing a Neighborhood’s Magic

Director Jon M. Chu had to become “a complete listener” to bring the story of the largely Latinx community of In the Heights to life. In an interview, Chu talked about the connections he felt between his Chinese heritage and the characters in the film. He also brought the exuberance that made his previous films, like Crazy Rich Asians and Step Up 2, so vibrant.

How did you focus on the specifics of the Latinx culture for the film?

Playwright & Screenwriter Quiara Alegria Hudes on Adapting “In The Heights” for the Big Screen

Quiara Alegria Hudes adapted her Tony Award-winning musical In the Heights for the big screen, with some streamlining and updates. As in the original, it follows the lives of a group of people in the Washington Heights section of Manhattan over a hot summer three-day period that includes a power black-out. In an interview, Hudes talked about using very specific, evocative details to tell a universal story of dreams, home, and family.

It’s often said that the more specific something is,

“In the Heights” Choreographer Christopher Scott on Dancing in The Streets

When Hamilton creator Lin-Manuel Miranda needed a director to adapt his 2008 stage musical In the Heights for the big screen, he enlisted Jon M. Chu, director of Crazy Rich Asians and mastermind behind Hollywood’s Step Up dance movie franchise. Chu, in turn, picked his go-to choreographer Christopher Scott to create the movie’s elegantly gritty dance sequences, performed to riveting effect by star Anthony Ramos and his castmates.

“Mare of Easttown” & “The Underground Railroad” Hair Department Head Lawrence Davis

It’s rare enough to get an opportunity to work on one really good show in a year, but for hair department head Lawrence Davis, his handiwork can currently be seen on two of the best shows on television. One is Barry Jenkins’ achingly cinematic The Underground Railroad, his adaptation of Colson Whitehead’s Pulitzer Prize-winning novel and currently streaming on Amazon Prime Video. Davis was tasked with helping sustain the looks of characters,

Production Designer Amy Williams on the Ample Easter Eggs in “Master of None” Season 3

Director Aziz Ansari only appears briefly in the third season of Master of None, which turns its attention to the relationship between Denise (Lena Waithe) and Alicia (Naomi Ackie). At first blush, the pair’s marriage appears to have blossomed away from Brooklyn, in their new rambling, historic upstate home. Life seems as full as their charmingly eclectic abode — Denise is working on her second book, Alicia is getting into the antiques business,

“Solos” Creator David Weil on the Power of the Monologue

“It was funny, on lunch breaks, to see Ewoks running around.” That observation, from showrunner David Weil, who created the current series Solos for Amazon, might evoke a couple of different responses: “Ewoks? Running around at lunch? There has to be a good story behind that.” And: “Lunch breaks? Were there still formal ‘lunch breaks’ during lockdown?”

Both observations speak to the genesis of the show, which Weil, who previously created Hunters for Amazon,

Giancarlo Esposito on Breaking Good in “Godfather of Harlem”

Giancarlo Esposito has gravitas to spare. On the big screen, early on in his career, he appeared in a slew of Spike Lee’s seminal films, including a commanding performance as Dean Big Brother Almighty in School Daze (1988), which led to roles in Do The Right Thing (1989), Mo’ Better Blues (1990) and Malcolm X (1992). On TV, Esposito’s charisma made him a natural fit for characters on both sides of the law,

“A Quiet Place Part II” Composer Marco Beltrami on Making a Menacing Score

The first box office hit of this summer’s return to in-person theater-going, A Quiet Place Part II picks up a few moments after its predecessor left off. Evelyn Abbott (Emily Blunt) is now on her own with her three children, her husband, Lee (John Krasinski, the film’s director and writer) having been killed by the monsters with hypersensitive hearing that now stalk the Earth. With the baby packed into a box, she and her two older kids,

How The “A Quiet Place Part II” Sound Team Turns the Viewer Into Prey

Don’t make a sound. The utterly frightening creatures of A Quiet Place are back in a terrifying sequel thirsty to tear your body apart. In this new chapter, the story picks up right where it left off with the Abbott family having destroyed their home in order to stay alive. Well, almost everyone. The tragic events force Evelyn (Emily Blunt), Regan (Millicent Simmonds), and Marcus (Noah Jupe) to leave their safety net and look for refuge in a treacherous journey that keeps them guessing what could be lurking around the corner.

Production Designer Fiona Crombie on the Luxe World of “Cruella”

Cruella de Vil is eternally wicked, but she’s also a villain who knows how to have a riotously good time—certainly more than the original heroes of Disney’s 101 Dalmatians, anodyne dog lovers Anita and Roger Darling. And that’s why it’s this id-driven, luxury-loving, would-be dalmatian coat-wearing scoundrel who gets her own live-action origin story. In director Craig Gillespie’s Cruella, she begins life as little Estella,

Behind the Costumes, Wigs, & Makeup of the Deliciously Punk “Cruella”

When it comes to devilishly wicked Disney villains, Cruella de Vil is near the top of the list. So when the studio released the first trailer for Craig Gillespie’s live-action film Cruella and ensuing soundtrack featurette that plays like a must-have compilation of popular music from the mid-1960s to early ‘80s, we laid eyes on a mischievous title character that’s wholly reimagined and “ready to make a statement.”

Cruella is an origin story that follows Estella (Emma Stone) from her tragic childhood as an orphan to an ambitious,