Costumers Organize to Make 16,000 Protective Masks
Seven weeks ago, costumer Nickolaus Brown expected he’d be spending this spring in Atlanta outfitting Dwayne Johnson and Ryan Reynolds for their Netflix action flick Red Notice. Instead, he’s now hunched over a sewing machine in his Los Angeles home, making masks for hospital workers. On a recent afternoon, Brown explained, “I’ve done eight so far and I’ve got twelve more to go, so it’s going to be twenty by the end of the day.”
Film Location Scouts Help New York City Find Hospital Space
The film community has been pitching in to help the healthcare industry deal with the spread of COVID-19, and now the New York Times reports a new way in which filmmakers have stepped up; helping New York City find hospital space.
There are few folks who know a given city or area better than location scouts, who have a granular understanding of everything from storefronts to parks,
VFX Producer Andrea Knoll on Creating the Futuristic Yet Natural World in Tales from the Loop
Tales from the Loop, Amazon’s latest sci-fi offering which stars Rebecca Hall and Jonathan Pryce, resists easy definition. Set in Ohio but based on paintings of Sweden, the residents of the small town at the center of the series are all loosely bound by a machine known as the Loop, a technology intended to unlock the universe’s mysteries and the town’s main employer. Thanks to decades in business and the abandonment of various detritus—robots and body-switching contraptions left in the woods,
Under Lockdown, Tech & Film Meet in New Ways to Un-Stall an Industry on Hold
The first feature film made entirely over Zoom may still be a blessed long way off, but in accordance with COVID-19 social distancing procedures, formerly eschewed technologies are finding a current warm welcome among the film and television industry. Whether it’s a newfound acceptance of older, familiar names like Skype, or industry-specific digital tools being put to creative off-label uses, it’s thanks to technology that film crews can,
Oscar-Nominated Visual Effects Supervisor Pablo Helman on De-Aging the Iconic Actors of The Irishman
We’re looking back at some of our interviews with this year’s Oscar nominees in the lead-up to this Sunday’s telecast. This story was originally published on December 6.
In 2015, visual effects supervisor Pablo Helman was working with Martin Scorsese on Silence, a stirring film about the Christian faith during 17th century Japan. The two ended up having a conversation that ignited a technological advancement within the visual effects industry—one that will likely become a new standard in how images can be captured and processed during filmmaking.
