After Earth Screenwriter Gary Whitta on the Script’s Evolution
Sometimes the process of making a movie is as much of a surprising journey as any adventure tale that is being told.
After Earth, for example, started as a story of a man and his son trying to survive a crash in the wilderness.
The movie's original outline called for the pair in contemporary Alaska. Will Smith, star of the movie and credited with writing the story,
Rounding up the Cast and Director of Eco-Thriller The East
In The East, Zal Batmanglij and his filmmaking partner, Brit Marling, deliver an edge-of-your-seat eco-terrorism thriller in which an undercover overachiever (Marling) infiltrates a militant anarchist eco-vigilante group (including Alexander Skarsgard and Ellen Page) that arranges “jams” against corporate evildoers. Without giving too much away, you may find yourself asking, "What's really in this prescription drug I'm about to take?"
This is the second big screen collaboration for Marling and Batmanglij (pronounced “Baht-mahn-glitch”),
From Minority Report to Iron Man, the Genesis of Gesture Technology
Good sci-fi movies have a way of influencing, if not actually predicting, the future when it comes to technological innovation. Take, for example, gestural interactions with computers — they are the next step after today's virtual keyboards.
One of the most popular movie approximations of this tech is used by Precrime Police Chief John Anderton in the 2002 movie Minority Report. Anderton solves a future murder by shuffling through holographic data with special gloves and a burning intensity.
Poetry From Conflict: Writer-Director Musa Syeed on his Valley of Saints
Conflict zones have a long history of providing an amply angst-ridden backdrop for cinematic romance, but in his narrative feature debut, Valley of Saints, Musa Syeed takes a surprisingly lyrical look a largely untold conflict in India’s Kashmir region, an area that Indians and Pakistanis have fought three wars over during the past century. And the one-time documentary writer-director does it by exploring the idea of protecting Kashmir’s ecological beauty as a way of restoring stability to the region.
Recreating the Past on Film, Historical Advisors Are a Director’s Lifelines
The year is 1805. Captain “Lucky Jack” Aubrey is surveying the foggy Atlantic horizon for the renegade Acheron, a Napoleonic privateer warship out to sink Aubrey and his fellow Brits into watery oblivion. As he peers through his telescope, Aubrey suddenly recoils in disbelief—the Acheron is headed straight for his ship!
But wait—what does that enemy ship look like? What color is the telescope Aubrey—or Russell Crowe in period attire—is holding?
Looking Back at Iconic Tentpole Movies and Imagining Their 2013 Versions
As summer movie season officially kicked off this past Memorial Day weekend, the slate of “tentpole” movies — the ones that are expected to hold up (like a tentpole, get it?) and turn a profit, bringing in big bucks both domestically and overseas — is bigger than ever: There’s Hangover 3, After Earth, Man of Steel, Monsters University,
500 Strong: The Joint Effort in Making 20th Century Fox’s Epic
How do you oversee the work of more than 500 people over the course of several years on a giant 3D animated film without losing your mind? Producer Jerry Davis of Blue Sky Studios, who helped shepherd the production of Twentieth Century Fox's Epic along with his producing partner Lori Forte, gives us the scoop.
Epic, which features characters inspired by William Joyce’s children’s book
Steven Soderbergh Through the Looking Glass: Behind the Candelabra
One of most fascinating developments out of this year’s Cannes Film Festival has been the inclusion of Steven Soderbergh’s cinematic swan song, the Liberace biopic Behind the Candelabra, in this year’s main competition as per the insistence of festival director Thierry Fremaux. Candelabra, starring Michael Douglas as Liberace and Matt Damon as his live-in lover Scott Thorson, and based on the Thoson-penned tell-all of the same name,
Homegrown: How Star Trek Left the Galaxy Without Ever Leaving California
As Star Trek: Into Darkness basks in the space-age glory of an $84.1 million opening week, the blockbuster can take pride in an even more impressive accomplishment: from ever-growing Paramount Studios in Hollywood to Lawrence Livermore National Laboratory east of Oakland, every frame of the J.J. Abrams blockbuster was shot in the state of California.
In an era when billionaire bachelor Tony Stark’s fall and rise was filmed primarily in North Carolina and James Franco’s awe-inspiring Oz was actually located in Pontiac,
In Honor of Star Trek: Into Darkness—Our 7 Favorite Invented Languages
Admittedly, writing about Klingon on the Internet is akin to shaving one’s entire body and jumping into a salt bath—we're opening ourselves up to an onslaught of criticism and fastidious fact-checking, so we’ll tread lightly here. But when Bing introduced Klingon to its web-based translation service on Tuesday in anticipation of this weekend’s release of Star Trek: Into Darkness, it couldn’t go without mention.
Though many movies have “invented”
Where to Watch: New Site Offers Films & Shows, Legally & Seamlessly
Since our launch last September, The Credits has interviewed a diverse group of filmmakers, working our way through all the different jobs one could have in pre-production, on a film set, and in post. Directors, actors, cinematographers, screenwriters, art directors, costume designers, composers, editors, visual effects supervisors, casting directors, music supervisors, stunt performers and more have told us what it’s like to make a living making movies.
Sarah Polley on her Astonishing new Documentary Stories We Tell
Once known primarily for her work as a child actress, as of late, Sarah Polley has distinguished herself as a writer and director, first, on 2006’s Away From Her, and then again with 2011’s Take This Waltz. This month marks Polley’s debut as a documentarian. In Stories We Tell, the Oscar nominee uses recollections of her late mother,
Jane Campion, Cannes, & the Power of the Short Film
Short films have figured prominently in the Cannes official selection from the Festival’s earliest days, with a jury awarding a Palme d’Or (and occasionally, Jury and Grand Prix prizes) to that year’s most successful short. Famous past winners include Jim Jarmusch’s 1993 Palme d’Or for Coffee and Cigarettes (Somewhere in California), which was later expanded into a feature-length portmanteau comprising 11 interlinked stories, and British director Lynne Ramsay’s 1996 and 1998 Jury Prize wins for her shorts Small Deaths and Gasman (Ramsay sits on the jury of the main competition this year).
Heavyweight American Films Populate the 66th Annual Cannes Film Festival
The 66th Annual Cannes Film Festival is nearly upon us. Running from May 15th to the 26th, the Festival has already been praised for a well-curated lot of films drawn from an eclectic mix of established and rising international filmmakers. This year’s competition films seem a placid bunch, likely to garner more reflection and praise than controversy, but with one of the most Hollywood- and American- leaning competition slates and jury committees in recent years,
Trailer Talk: Evaluating What’s Coming out in Three Minutes or Less
The end of this week saw the release of trailers for several of next fall’s most hotly anticipated film releases. Here’s our take on what to expect based on our extensive deep dives into their sub-three minute trailers…
The World’s End
Is it lazy to just write about films in terms of those that have come before them? What about writing about two movies that haven’t come out yet?
Eli Roth on Aftershock, Learning to Love Horror, and Woody Allen
Brilliant, demented horror master Eli Roth — the Frank Sinatra of The Splat Pack — is ready to make the next round of moviegoers barf, thanks to Aftershock, a shock fest that chronicles the hell-on-earth circumstances that befall coastal Valparaiso, Chile, after an earthquake levels the town. While the film is helmed by Chilean director Nicolás López, Roth produces and stars, playing a hapless American who goes from partying and chasing girls to worrying about collapsing nightclubs and escaped prisoners.
The Greatest Gatsby: Before Leo,There was Redford
When Paramount purchased the film rights to F. Scott Fitzgerald’s novel for $350,000 (more than fifty times what the author earned for the book in his lifetime), studio head Robert Evans had no way of knowing just how different the 1974 film would look from his original vision. For a story that’s all about dwelling on the past, on the eve of Baz Luhrmann’s latest 'Great Gatsby' interpretation, it seems fitting to look back on the making of the Robert Redford-Mia Farrow film,
Golden Age of Documentaries: A Q&A With Filmmaker Jamie Meltzer
Documentarian Jamie Meltzer knows how to pick his subject matter. Take his award-winning film Informant, which took home the Grand Jury Award at the DocNYC Festival as well as Best Documentary at the Austin Film Festival. Informant examines the life of Brandon Darby, a radical leftist activist turned FBI informant. Darby became a hero when he traveled to a Hurricane Katrina-ravaged New Orleans and braved toxic floodwaters to rescue a friend of his stranded in the Ninth Ward.
The Wild, Expensive (and not Always Improbable) Technology of Iron Man
You’d have to be a billionaire to equip yourself like Tony Stark, but it’s not entirely impossible.
Tony Stark is back. After helping his fellow Avengers save the world against a Norse god and vicious aliens, he spent years working on his technology, because at heart, Stark is an engineer. Marvel president Kevin Feige told GeekyTyrant.com that Stark has a whopping 42 new suits of armor in Iron Man 3,
Iron Man Unmasked: Robert Downey Jr., Don Cheadle & More Talk Character
There’s more to Robert Downey Jr. and Don Cheadle’s characters than hardware as they ramp up the buddy action in Marvel’s Iron Man 3, in theaters today.
For all those high-flying, save-the-world acrobatics, sometimes it’s easy to lose sight of the fact that there’s a man behind the suit—Tony Stark is Iron Man. And just as Iron Man is nothing without Tony, it’s nearly impossible to imagine Marvel’s Iron Man films without actor Robert Downey Jr.,
