“Uncharted” Director Ruben Fleischer on His Epic Adventure With Tom Holland
The first time we see treasure hunter Nathan Drake (Tom Holland) in his element he’s knocked unconscious. When he wakes, he realizes his foot is caught in the netting of loose airplane cargo that’s whipping in the air like a tail on a kite. The timely snag has saved his life. He murmurs one of his famous Drake-isms: “Oh, crap.”
Director Ruben Fleischer (Venom, Zombieland) is at the helm of Uncharted (in theaters February 18),
Director Sacha Jenkins on Confronting Racism in “everything’s gonna be all white”
Midway through Black History Month, Sacha Jenkins‘ documentary series everything’s gonna be all white debuted on Feb. 11 on Showtime. Introducing itself as “A tale of two Americas, one white, one not,” the three-part show offers a sprawling group portrait of Black, Native American, Korean-American, Puerto Rican, Afro-Peruvian, South Asian, and other citizens of color who go before the camera to offer their unvarnished views on racism in the United States,
“Marry Me” Director Kat Coiro on Refueling the Rom-Com With J. Lo
February is the month of Galantine’s and Valentine’s Day, and both are the perfect time for the new musical rom-com Marry Me, which stars Jennifer Lopez, Owen Wilson, and Maluma and hits theaters and Peacock on February 11. The story begins as pop superstar Kat Valdez (Lopez) and fiancé, Latin singing sensation Bastian (Maluma), are preparing to marry onstage. The fans and everybody else on the globe are invited, as it will be live-streamed during a concert.
“Who We Are: A Chronicle of Racism in America” Directors & Writer/Producer on Relearning American History
The documentary Who We Are: A Chronicle of Racism in America has won numerous awards at fests across the country, including the Audience Award at the 2021 SXSW Film Festival, and boasts a 98% score on Rotten Tomatoes. The film is based on criminal defense and civil rights lawyer Jeffery Robinson’s work relearning American history and sharing knowledge that includes events and episodes either erased from in history books or never included in the first place.
“Drive My Car” Director Ryûsuke Hamaguchi on His Moving Portrait of Life’s Twists & Turns
One of the most intriguing cinematic journeys of 2021 emanates from Japan and is aptly named Drive My Car.
A mesmerizing sojourn that exactingly unfolds over a three-hour running time, the film follows acclaimed actor and theatre director Yûsuke Kafuku (Hidetoshi Nishijima), beginning with his unorthodox marriage to Oto (Reika Kirishima), before segueing to a stage production he is directing of Anton Chekhov’s Uncle Vanya. The latter brings him together with Misaki Watari (Tôko Miura),
How the “Scream” Team Created The Best Film in the Franchise Since The Original
How do you create the fifth film in a beloved slasher franchise that’s both a nod to everything that’s come before, a clever meta-commentary on horror films and toxic fandom, and something that’s entirely your own? This was one of the questions we put to Scream directors Tyler Gillett and Matt Bettinelli-Olpin and their producing partner and the third member of their Radio Silence triumvirate, Chad Villella. The trio has once again brought the same passion that imbued their last outing,
“Ray Donovan: The Movie” Writer/Director David Hollander Gets Inside the Anti-Hero’s Head One Last Time
When Ray Donovan debuted on Showtime in 2013, Liev Schreiber introduced the character as a brooding fixer who uses a baseball bat to make problems go away for shallow celebrities and sleazy Hollywood moguls. But over the course of seven seasons, the one thing Donovan could never fix was his own broken family, headed by the charming but awful con artist father Mickey (Jon Voight).
In February 2020, Showtime dumped the series without warning.
Best of 2021: Director Barry Jenkins Mixes Beauty and Brutality in “The Underground Railroad”
This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on May 12.
The Underground Railroad has been a long time coming in Barry Jenkins‘ imagination. As a kid growing up in Miami’s rough Liberty City neighborhood, the writer-director pictured literal railroad tracks running beneath the earth. Fast forward to 2014, when Jenkins thrilled to Colson Whitehead’s Pulitzer Prize-winning novel and secured adaptation rights even before he’d finished promoting his Oscar-winning Moonlight movie.
Best of 2021: “Passing” Writer/Director Rebecca Hall On Navigating the Complicated History of Racial Identity
This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on November 30.
The complexity of bringing a thematically laced film like Passing to the screen isn’t a simple one. For Rebecca Hall, who makes her directorial debut, it was also a personal journey, “an extended catharsis” that allowed her “to get to the bottom of a lot of mysteries” in her family.
Best of 2021: Aaron Sorkin on Having a Ball Making “Being the Ricardos”
This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on December 10.
You might think the opportunity to write a film about the legendary Lucille Ball would have been irresistible for Aaron Sorkin, but he wasn’t immediately convinced. “It took me about 18 months to say yes, to commit to it,” Sorkin says of the project that would eventually become Being the Ricardos,
“Red Rocket” Writer/Director Sean Baker & His Cast On Their Charmingly Offbeat Comedy
Sean Baker, indie writer/director of award winners Tangerine and The Florida Project, has been very successful in creating narratives that feel authentic. Determined to always film on location, never on a soundstage, and a champion of hiring locals and newcomers in featured roles, he has employed guerrilla filmmaking and made more than one career for his performers. You can never see a Sean Baker movie coming,
Aaron Sorkin on Having a Ball Making “Being the Ricardos”
You might think the opportunity to write a film about the legendary Lucille Ball would have been irresistible for Aaron Sorkin, but he wasn’t immediately convinced. “It took me about 18 months to say yes, to commit to it,” Sorkin says of the project that would eventually become Being the Ricardos, his propulsive new film that takes us through a week of production on the set of I Love Lucy,
“C’mon C’mon” Writer/Director Mike Mills on Creating a Space For Intimacy
When it comes to family, we all have our own story. In C’mon C’mon, from writer/director Mike Mills, we connect with a tale not often told, one that drops us in the living room of a sister and brother who have been living their own adult lives on separate coasts and slowly drifting apart from each other. When her husband has an abrupt mental health issue, she asks her brother to step in to watch their child while she attempts to piece back their marriage.
“Passing” Writer/Director Rebecca Hall On Navigating the Complicated History of Racial Identity
The complexity of bringing a thematically laced film like Passing to the screen isn’t a simple one. For Rebecca Hall, who makes her directorial debut, it was also a personal journey, “an extended catharsis” that allowed her “to get to the bottom of a lot of mysteries” in her family.
The story, which is adapted by Hall from the 1929 novel by Nella Larsen, follows two Black women, Irene (Tessa Thompson) and Clare (Ruth Negga),
How Vietnamese Filmmaker Bui Kim Quy Faced Death, Real & Imagined, in Her Film “Memoryland”
When her second film Memoryland held its world premiere at the Busan International Film Festival’s New Currents competition last month, Vietnamese director Bui Kim Quy had to give it a miss due to her health conditions.
“I was diagnosed with lung cancer after the shoot wrapped in late 2018. Since then I have been undergoing treatment (which also explains why we had a drawn-out post-production). This pre-existing medical condition prevented me from getting the vaccines.
“Encanto” Writer/Director Charise Castro Smith On Breaking Boundaries
With the release of Disney’s Encanto, Charise Castro Smith (The Haunting of Hill House, Devious Maids) has broken through not one but two ceilings: as the first Latina to receive a directing credit on a Disney animated feature, and only the second woman ever to do so.
“I am glad this milestone has been reached. I wish it had been reached earlier and I wish this weren’t such a small club,” said Castro Smith,
“Hawkeye” Director & Executive Producer Rhys Thomas Hits His Mark
Let’s say you’re a director, and you’ve been called in for a “general meeting” at Marvel Studios. A general meeting is a chance for studio executives to get to know a particular filmmaker, see what they’re like and what they’re interested in, but they’re not pegged to a specific project. Not yet. Obviously, a general meeting with Marvel is a big deal, and the number of Marvel projects percolating at any given moment is massive,
“Sort Of” Co-Creator/Writer/Director Fab Filippo on This Groundbreaking New HBO Max Series
When you start watching the groundbreaking new HBO Max series Sort Of (debuting on HBO Max November 18), you might imagine that it’s yet another precocious-Millennial-auteur-driven show, starring its own creator/writer. After all, Sort Of’s real-life creator/writer/star, Bilal Baig, is a stylish, non-binary, Pakistani denizen of queer Toronto – just like Sabi Mehboob, the lead character they play in Sort Of.
As the story unfolds over eight episodes,
“Red Notice” Writer/Director Rawson Marshall Thurber on Re-Teaming With The Rock
In Red Notice, now streaming on Netflix in tandem with its theatrical run, a top FBI profiler (Dwayne Johnson) and a career criminal (Ryan Reynolds) find themselves unlikely partners to thwart a high-stakes heist and the alluring art thief (Gal Godot) at the center of it all. Rawson Marshall Thurber (Dodge Ball, The Millers) wrote and directed the action-comedy, which reunites him with Johnson after the two worked together previously on Central Intelligence and Skyscraper.
“Belfast” Writer/Director Kenneth Branagh’s Riveting Return to his Childhood
Writer/director Kenneth Branagh has mined his childhood experiences in Belfast to create a riveting, sumptuous film. Belfast (opening November 12), which is shot in black and white, captures a time in the summer of 1969 directly following the first riots in the northern part of the city often cited as the beginning of the Troubles. Branagh and his family were in the thick of it, and the film is shot from his perspective through the 9-year-old character Buddy,
