“Army of the Dead” and “The Forever Purge” Star Ana de la Reguera’s Big Summer

Actress, writer, and producer Ana de la Reguera is having quite the start to her summer. She has a meaty role in Zack Snyder’s Army of the Dead, which bowed on Netflix on May 21, and in which she plays Maria Cruz, a ferociously competent mercenary and the right-hand woman to Dave Bautista‘s Scott Ward. The role finds De La Reguera, a warm and funny presence in comedies like HBO’s Eastbound &

How the Creative Team Behind “Army of the Dead” Built An Apocalyptic World

In Zack Snyder’s Army of the Dead, a ragtag group of mercenaries embarks on a life-changing $200 million dollar heist. The problem isn’t that the money is hidden in a vault underneath the Las Vegas strip—although that’s not an insignificant detail—but rather the tens of thousands of zombies lurking in their path as an outbreak has turned the vibrant lights of Sin City into a desolate wasteland overtaken by the undead.

“WandaVision” Production Designer Mark Worthington on Creating Wanda’s Ever-Changing Worlds

Unlike WandaVision director Matt Shakman or series creator Jac Schaeffer, production designer Mark Worthington does not consider himself a Marvel expert. “I’m not really a big Marvel person,” he says, “but I was curious when Matt first called me about the show. He described the basic story as it being about Wanda’s grief and how the whole series is motivated by that.”

At first blush, WandaVision would seem like an almost straightforward challenge for someone with Worthington’s skillset.

“WandaVision” Director Matt Shakman on Landing His Dream Job

So many of director Matt Shakman‘s worlds collided when he took on Marvel Studios WandaVision. “I come at it from this bizarre perspective, as I’ve been a lifelong Marvel fan, a comic book fan, I’ve been in the audience for all of Marvel’s movies, but I’m also a sitcom kid, I grew up in Hollywood as an actor on sitcom sets,” Shakman says of his fortuitous role as the series director.

Justine Seymour on Outfitting the Fleeing Foxes of “The Mosquito Coast”

Clothing isn’t a primary concern for The Mosquito Coast’s misfit Fox family. Broke patriarch Allie (Justin Theroux) invents unsuccessful machines to save the world while scraping by as a handyman/asparagus farmer. His suffering, formerly wealthy wife, Margot (Melissa George), is his primary enabler. Their teenage kids, Dina (Logan Polish) and Charlie (Gabriel Bateman) tolerate their unorthodox home life to varying degrees. In Stockton, where the Foxes live mostly off the grid, the household seems about 15 years behind the times,

Taking Flight with “The Falcon and the Winter Soldier” Creator Malcolm Spellman

The success or failure of The Falcon and the Winter Soldier laid heavily upon many folks, but perhaps none as specifically as creator and showrunner Malcolm Spellman. Spellman succeeded in delivering not only a thrilling, six-episode season with cinematic-level action but also a character study of one would-be Captain America in Anthony Mackie’s Sam Wilson. The Falcon and the Winter Soldier absorbed the narrative traumas Sam had already endured as well as the real-world traumas that Black Americans have been dealing with forever.

Cinematographer Alicia Robbins on Filming the “Grey’s Anatomy” Covid Season—During Covid

While there’s little in the way of “good luck” that can be attributed to an ongoing pandemic, there is perhaps a little good timing, in the speedy arrival of a vaccination. For cinematographer Alicia Robbins, she chalks up her arrival as one of the two people chronicling the struggles in Seattle’s fictive-yet-storied Grey Sloan Memorial Hospital, from behind a pretty active lens, to both “a stroke of good luck, and good timing.”

“I was working on For The People,

Costume Designer Laura Montgomery Gets Noir on “Spiral: From the Book of Saw”

The ninth installment of the Saw film franchise, Spiral: From the Book of Saw, directed by Darren Lynn Bousman and in theaters now, takes the series in unexpected new directions. Chris Rock shelves his comedic side for the brash but grim role of Ezekiel “Zeke” Banks, a divorced detective who winds up leading an investigation into a grisly series of murders, wherein the dead are all Zeke’s fellow cops.

Future Critics: Abby Alben on Working at Mother & Daughter Entertainment

Abby Alben graduated from UCLA and, like so many people, was eager to find a job in the entertainment industry in Los Angeles. What she ended up finding was a career. Alben, our latest Future Critic (although really, she’s more of a Future Producer) began working at the independent production company Mother & Daughter Entertainment. Right before we were set to publish our video interview with her, she was promoted to Head of Digital Media.

Director Barry Jenkins Mixes Beauty and Brutality in “The Underground Railroad”

The Underground Railroad has been a long time coming in Barry Jenkins‘ imagination. As a kid growing up in Miami’s rough Liberty City neighborhood, the writer-director pictured literal railroad tracks running beneath the earth. Fast forward to 2014, when Jenkins thrilled to Colson Whitehead’s Pulitzer Prize-winning novel and secured adaptation rights even before he’d finished promoting his Oscar-winning Moonlight movie.

After completing If Beale Street Could Talk,

“The Falcon and The Winter Soldier” Director Kari Skogland on the Evolution of the Hero

The Falcon and the Winter Soldier director Kari Skogland had her work cut out for her. Direct roughly six hours worth of action (practically two Avengers films’ worth), introduce a brand new location to the Marvel Cinematic Universe (Madripool), brand new villains (the Flag Smashers), a brand new Captain America (Wyatt Russell’s John Walker), and continue the long-established character arcs of Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan).

Costume Designer Lizz Wolf on Outfitting The Motley Crew of Superheroes in “Jupiter’s Legacy”

Based on the graphic novels by Mark Millar and Frank Quitely, Netflix’s new superhero epic Jupiter’s Legacy is a century-spanning origin story and contemporary action tale in one. When we meet Sheldon, the Utopian (Josh Duhamel), and Grace, aka Lady Liberty (Leslie Bibb), they seem like any ordinary if well-off older rural couple, drinking wine, clad in plaid and fretting over disagreements with their grown kids.

Shel and Grace,

Cinematographer Stephen McNutt on Lighting the Moon in “For All Mankind”

For All Mankind, the Apple TV prestige drama that presents an alternate history of NASA and mid-century American space exploration takes a darker turn in its second season. Previously, having been beaten by the Soviets to the moon, the Americans handily caught up, establishing a tiny lunar base called Jamestown and even achieving gender parity in the astronaut ranks. At the start of Season 2, a decade has passed and both nations’ space programs have grown by leaps and bounds,

“The Nevers” Production Designer Gemma Jackson on HBO’s Sci-Fi Victorian-Era Series

Bringing unique worlds to life is production designer Gemma Jackson’s stock-in-trade. So, she didn’t hesitate when offered the opportunity to create the look for The Nevers, the Victorian-era sci-fi series that debuted on HBO in April.

“I think what drew me was a remarkably interesting script and an extraordinary storyline that I’d never read the likes of before,” says Jackson from her home in England during a Zoom interview. “It was predominantly women—women-led—which was a bit of a turn-on.

Eddie Murphy’s Barber Stacey Morris Takes Her Talents to Zamunda in “Coming 2 America”

Prince Akeem is one of Eddie Murphy’s most famous roles, but the opinionated barber Clarence is one of the funniest jokes in Coming to America. Stars Murphy and Arsenio Hall arguing with themselves in transformative prosthetics at a New York City barbershop was a surprise to theater audiences. The cameos were crowd-pleasers and captured the culture of men socializing endlessly at their local haircutter, but the scenes emphasized the “boys club” nature of barbershops.

“Jupiter’s Legacy” Composer Stephanie Economou on Scoring Netflix’s Epic New Superhero Series

Based on the 2013 graphic novel created by writer Mark Millar and artist Frank Quitely, the new Netflix original series Jupiter’s Legacy tells the story of both the first generation of superheroes, that have worked to keep the world safe for nearly a century, and their children, who are expected to pick up the torch. Some may not quite ready to handle the burden, and some actively reject their legacies. Josh Duhamel stars as Sheldon Sampson,

David Oyelowo on His Stirring Directorial Debut “The Water Man”

David Oyelowo was looking for a very particular kind of project when he read Emma Needell’s script for The Water Man back in 2015. The veteran actor is a passionate fan of a specific kind of nuanced, expansive child-led films that one could argue had their heyday back in the 1980s. “The films I had loved growing up were E.T., The Goonies, Stand By Me,” Oyelowo says, “I wore the VHS down watching them.”

Rod Roddenberry Reflects on His Father’s “Star Trek” Legacy for Centennial Year

Star Trek has beamed audiences to strange and mysterious worlds for more than half a century. The franchise is adventurous, exciting, and explores the promise of an unlimited future. The idea, however, was born in the heart of a man who looked to outer space for truths about the depths of the human soul. Through the eyes of aliens, Star Trek creator Gene Roddenberry hoped to gain greater insight into the potential of humankind.

Director Simon McQuoid on the Elemental and Supernatural of “Mortal Kombat”

The latest iteration of Mortal Kombat, director Simon McQuoid’s debut feature, follows the development of Cole Young (Lewis Tan), a young dad and failed MMA fighter unaware of his inheritance: as a direct descendent of 17th-century Japanese fighter Hanzo Hasashi (Hiroyuki Sanada), he’s one of Earthrealm’s pre-destined champions in a violent tournament regularly held between different universes known as Mortal Kombat.

Cole is new to this world,

“Dickinson” Visual Effects Supervisor Lotta Forssman on a Sumptuous Season Two

Dickinson wrapped up its critically acclaimed second season this past February. The show’s premise, you might conclude from its title, is that we’re getting an up-close look at one of the most notoriously private American geniuses this country has ever produced. Only Dickinson, created by Alena Smith, takes the legendary poet Emily (Hailee Steinfeld) and dismantles the legacy of her reclusiveness in favor of a look at her expansiveness as a writer,