“Fatal Attraction” Production Designer Nina Ruscio on Creating Design With an Edge

The famed 1987 film Fatal Attraction, starring Michael Douglas and Glenn Close, made its way to the small screen with Joshua Jackson and Lizzy Caplan as the unfaithful couple tearing each other’s lives apart. Reinvigorated by Alexandra Cunningham (Physical), the psychological thriller unravels over eight gripping episodes, taking place 15 years after Dan (Jackson) is paroled from prison for the murder of Alex (Caplan). The story dips between the past and present as Dan tries to prove his innocence and reconnect with his family and wife,

“Beef” Production Designer Grace Yun on Mixing Real & Surreal Into a Simmering Style

Beef creator Lee Sung Jin (Dave, Undone), who goes by Sonny Lee, reached out to production designer Grace Yun (Past Lives, Ramy, Hereditary) to share his vision of the series that pins Danny Cho (Steven Yeun), a failing contractor, and Amy Lau (Ali Wong), a self-made entrepreneur, against one other following a heated parking lot altercation. “I was impressed from the start,

How “Stranger Things” Editor Dean Zimmerman Cut Eddie’s Epic Guitar Solo & That Wild Season 4 Finale

“Divide and conquer while keeping our heads above water was how we approached episode nine,” says editor Dean Zimmerman, who has been on the juggernaut Netflix series Stranger Things since the beginning. Season four sees its beloved characters continue their fight against Vecna, a mind-controlling arch-villain wreaking havoc on the town of Hawkins.

It was the biggest, boldest season of the series yet, and Zimmerman was a key component in keeping the epic finale as tight as a snare drum. 

“Indiana Jones and the Dial of Destiny” DP Phedon Papamichael on Capturing That Iconic Indy Look

Days before the theatrical release of Indiana Jones and the Dial of Destiny, its director James Mangold and cinematographer Phedon Papamichael watched the final version of the film with original franchise helmer Steven Spielberg and his long-time cinematographer Janusz Kaminski, who lensed Kingdom of the Crystal Skull (2008). Afterward, there was nothing but praise. “Hearing how great it was from them and them being generous about it was a really good feeling,” says Papamichael during a phone call with The Credits.  

“Indiana Jones and the Dial of Destiny” Production Designer Adam Stockhausen on That Thrilling Opening Sequence

“There is a lot to draw from, but there’s also a very high bar in terms of how visually exciting these films have been,” says production designer Adam Stockhausen (The Grand Budapest Hotel) of the Indiana Jones franchise.

The four previous films – Raider of the Lost Ark (1981), Temple of Doom (1984), Last Crusade (1989), and Kingdom of the Crystal Skull (2008) – were all helmed by Steven Spielberg,

“Extraction 2” Director Sam Hargrave on Lighting Chris Hemsworth on Fire, That Helicopter Scene & More

Extraction 2 is one of the most relentlessly action-packed movies of the summer, with the excitement of an 80s action epic paired with explosive, cutting-edge stunts that rival the thrills of Mission: Impossible and John Wick. In the second installment of the smash hit Netflix franchise, Tyler Rake (Chris Hemsworth) is back from the brink of death and lets his emotions lead him into another dangerous covert operation.

“Swagger” Creator Reggie Rock Bythewood on Soaring to New Narrative Heights in Season 2

When looking for their next favorite series, fans of engaging drama—bonus points if you’re a lover of basketball—should look no further than creator and director Reggie Rock Bythewood’s series Swagger, which just premiered its second season on Apple TV+.

Based on the youth basketball experience of NBA superstar Kevin Durant, the story is centered around the Maryland-based team “Swagger DMV,” coached by Ike Edwards (O’Shea Jackson Jr.), a man committed to making both great ballers and world citizens of his team,

How “Kandahar” Location Manager Félix Rosell Mapped Out Gerard Butler’s Afghan Escape

The road to filming Kandahar had to be built, literally. Directed by Ric Roman Waugh (Angel Has Fallen, Greenland), the espionage thriller stars Gerard Butler as CIA operative Tom Harris turned Afghanistan’s Most Wanted after his operation is exposed by a whistleblower. Though the movie title references the Afghan city, it was Saudi Arabia that stood in for the picturesque landscapes seen in the film.

How the “Wednesday” VFX Supervisor Created Thing, Nevermore, and More

The “mysterious and spooky” Addams Family gets revitalized in Tim Burton’s hit series Wednesday, which stars Jenna Ortega as the emotionally reserved child, complete with pigtails, black attire, and a deadpan affect that suggests this youngster is the oldest of souls.

The story, from creators Alfred Gough and Miles Millar, is directed by Tim Burton and charters Wednesday to Nevermore Academy – a school her parents Morticia (Catherine Zeta-Jones) and (Gomez (Luis Guzmán) attended 25 years before.

“The Perfect Find” Director Numa Perrier on Creating Space For Romance With Gabrielle Union

The Perfect Find (now streaming on Netflix) begins with Gabrielle Union’s New York City fashionista Jenna recovering from a bad breakup at her mother’s house. What makes matter most is this is happening in the wake of the humiliating collapse of her high-profile career. But Jenna’s not the type to pout, so she stages a comeback and, along the way, falls for a much younger man, Eric (Keith Powers). As rom-com fate would have it,

“The Blackening” Cinematographer Todd A. Dos Reis on Lensing a Horror-Comedy Romp

It’s almost hard to believe The Blackening is cinematographer Todd A. Dos Reis’ first feature film. He’s been in the business for decades, having shot a variety of television shows, including Crazy Ex-Girlfriend, Bosch: Legacy, and Entourage. Before becoming a cinematographer for a long list of hit shows and music videos, he even worked on two Jean-Claude Van Damme classics, Hard Target and Double Impact,

“What We Do in the Shadows” Costume Designer Laura Montgomery on Dressing Vampires in Flux

The undead roommates of What We Do in the Shadows embarked on journeys of rebirth in season 4 – some more literally than others – that included remodeling, reincarnating, and remarrying.  All these new endeavors gave Emmy-winning costume designer Laura Montgomery an opportunity to redefine the rules of vampire fashion.

For hundreds of years, Nadja (Natasia Demetriou), Laszlo (Matt Berry), and Nandor (Kayvan Novak) have been sporting outfits from the eras they’ve loved experiencing the most.

“Atlanta” and “P-Valley” Costume Designer Tiffany Hasbourne’s Singular Style

Costume designer Tiffany Hasbourne began her journey as a stylist to some of the biggest names in music, including Missy Elliott, 50 Cent, French Montana, and Busta Rhymes. She got the attention of gatekeepers in Hollywood by styling the cast of High School Musical, and then rose to prominence by designing costumes for shows like Shooter, Raising Dion, and Ballers. It was her work on Ballers that got her the gig on Atlanta,

“Transformers: Rise of the Beasts” Composer Jongnic Bontemps Lets the Emotion Ride

Paramount’s Transformers franchise was conceived by Michael Bay as a maximalist epic of crunching, crashing, morphing metal beasts and the humans caught in the metallic whirlwind of their drama. With director Steven Caple Jr. in the director’s chair for Transformers: Rise of the Beasts, the series now strives to balance the character and the spectacle in a fashion similar to director Travis Knight’s spinoff film Bumblebee,

“Transformers: Rise of the Beasts” Director Steven Caple Jr. on Getting Gritty With It

Director Steven Caple Jr. steps into a large, alien robot-strewn sandbox with Transformers: Rise of the Beasts for his biggest feature yet. For decades, the Autobots and Decepticons have captured fans’ imaginations in Michael Bay’s franchise. To keep the series alive and well, Caple Jr. wanted to ground the famous robot characters, including Optimus Prime and Bumblebee, in the particulars of a specific, still quite human world in the 1990s. Rise of the Beasts is one of the earliest-set films in the franchise,

“Flamin’ Hot” Screenwriter Linda Yvette Chávez Serves Up a Story Straight From the Heart

Linda Yvette Chávez tells the story of Flamin’ Hot with faith, passion, and romance. The co-creator of the Netflix series Gentefied saw herself in the true story of Richard Montañez (Jesse Garcia), the Frito Lay janitor who dreamed of a snack that connected with his Mexican American community. With his great coach and partner in life, his wife Judy (Annie Gonzalez), Richard fulfilled his dream with Flamin’ Hot Cheetos.

Chávez doesn’t focus on a single person with a singular vision.

“Spider-Man: Across the Spider-Verse” Look of Picture Supervisor Bret St. Clair on Spider-Punk, Mumbattan & More

Not bad for a sequel. Following on its 2018 Oscar-winning predecessor, Spider-Man: Across the Spider-Verse ranks as the best-reviewed wide-release movie of the year, boasting a 96 percent approved rating on Rotten Tomatoes while grossing $390 million worldwide since its release earlier this month (at the time of publication). Critics have hailed the film’s ability to stitch together a dizzying array of looks informed by comic books, action painting, Brutalist architecture, and more.

Gina Prince-Bythewood, MPA Creator Award Recipient, Tells Her Story

An elite force of female soldiers, the Agojie, is all that stands between the African Kingdom of Dahomey and the combined forces of the Oyo Empire and Mahi people. The Oyo and Mahi plan to raid Dahomey villages and sell their captives to European slavers. We open on a Mahi village where raiders heat their machetes over a fire at night. Their leader hears something in the tall grass surrounding them and quiets his men,

“Transformers: Rise of the Beasts” Ciara Whaley on Recreating That Strong 90s Style

With the latest installment of the Transformers franchise, director Steven Caple Jr. wanted to evoke the experience of growing up a kid in the 90s. Transformers: Rise of the Beasts begins in Brooklyn in 1994, and from the settings to the costumes and the era-defining hip-hop, everything evokes the style and sensibilities of the period. 

The story takes place after the happenings of 2018’s Bumblebee, which is set in 1987.

How the “Spider-Man: Across the Spider-Verse” Visual Team Created a Mesmerizing Multiverse

When Spider-Man: Into the Spider-Verse was released five years ago, its web of 2D and 3D animation became a box office hit and went on to win the Oscar for best animated feature. Incredibly, the return of Miles Morales (voiced by Shameik Moore) in Across the Spider-Verse has lived up to the hype, earning over $270 million worldwide in ticket sales (at the time of publication).