Interview

Director, Special/Visual Effects

Looking Back at the Original Godzilla

In August of 1954, Toho Studios began shooting a film unlike any that ever been made in Japanese cinematic history. Three photography teams were required: a special-effects photography team to cover the film's star, a principal photography team to capture dramatic scenes between the rest of the cast, and a composite photography team who would help mesh star and cast into a cohesive whole.

That film was, of course, the original Godzilla, made by a nearly rebuilt Japan still rocked by Hiroshima and Nagasaki,...

By  |  May 13, 2014

Interview

Actor, Director, Producer

Director Gareth Edwards, Producer Thomas Tull & Star Ken Watanabe Talk Godzilla

We combed through a few Godzilla round table interviews Warner Bros. recently uploaded to their press site in anticipation of the iconic monster's May 16 landfall, and have provided some choice quotes from three major players involved in the film—director Gareth Edwards, producer and Legendary Pictures Chairman and CEO Thomas Tull, and star Ken Watanabe.

DIRECTOR GARETH EDWARDS

On creating the look of Godzilla

"We imagined that sixty years ago,...

By  |  May 12, 2014

Interview

Actor, Art Director, Screenwriter

Celebrating the Unsung Maternal Heroes of the Silver Screen for Mother’s Day

Mothers’ Day is this Sunday, and it’s come to our attention that, strange as it may seem, celebrities have mothers too. Some of them even have celebrity mothers. Though really, if you consider all the time, industry knowledge and innate talent that it takes to succeed in Hollywood, it makes sense that we see so many famous kids with famous parents (see Liza Minelli and Judy Garland) or sprawling thespian dynasties (see the Barrymores or Redgraves).

However, just because a mother didn’t walk the red carpet (that is,...

By  |  May 9, 2014

Interview

Director, Screenwriter

Mr. Sunshine: David Lynch, Auteur of the Uncanny, Talks Inspiration

One of the first words out of David Lynch’s mouth nearly brought the house down at the Brooklyn Academy of Music on a drizzly night last week. The icon behind films as disparate and evocative as Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, as well as the groundbreaking television series Twin Peaks, was patiently listening as Paul Holdengräber, the erudite director of public programs at the New York Public Library,...

By  |  May 8, 2014

Interview

Producer

The Grand Seduction: A Look at Canada Behind the Camera

During preproduction of the Canadian film The Grand Seduction, the crew realized a major set piece had yet to be built— Joe’s Place, a local bar and restaurant that was vital to the film. Joe's Place was, in short order, built from scratch in Newfoundland’s fishing community Trinity Bright, where much of the film was shot. Emblematic of the relationship between Canadian and U.S. filmmakers, once production left town, the producers left Joe’s Place standing, giving it to the public to thank them for their hospitality...

By  |  May 7, 2014

Interview

Art Director

Sky High Murals With Colossal Media

If you've been to New York City, you've experienced the odd sensation of being the recipient of an endless stream of sales pitches. Whether you're waiting for the subway, walking down Houston street or sitting in a taxi, you're surrounded by advertising. Check out this upcoming show at Mercury Lounge! Buy this brand of flavored vodka! Do whatever is being asked of you on those taxi monitors before you can get the touch screen to respond to your desperate tapping off the 'Off''...

By  |  May 6, 2014
Highlights from the 2nd Annual Creativity Conference

The second annual Creativity Conference (check out the link for photos and more here) was a celebration of the impact, and necessity, of the creative community on the economic stability and cultural legacy of America.  “Year after year, audiences go to their local cinemas or sign up for streaming services to see what our industry has to offer,” Senator Dodd, chairman and CEO of the Motion Picture Association of America said. “Our industries are far more than just creators of entertainment…the creative community contributes 3.2% to our GDP.”...

By  |  May 5, 2014
Check out the Live Stream of the 2nd Annual Creativity Conference

The second annual Creativity Conference begins today in The Newseum in Washington, DC, drawing leaders from the entertainment, media, business, technology and political communities to talk about the role creativity plays in the global economy. The Creativity Conference is presented by the Motion Picture Association of America in partnership with Microsoft and ABC News. For roughly the next four and a half hours, speakers and panelists will engage one another in discussions ranging from the shifting definitions of the creative process to innovation’s impact on the personal,...

By  |  May 2, 2014
Countdown to International Star Wars Day

May the Force be with you all, especially this Sunday, May 4th, a date otherwise known as International Star Wars Day.

I know what you’re saying: isn’t every day international Star Wars day? Well, yes. And never more so than now, when after weeks of rumors, J.J. Abrams’ cast for Episode VII has just been announced.

The epic trilogy (and the prequels, and expanded universe) have left a mark on pop culture like no other,...

By  |  May 1, 2014

Interview

Director, Screenwriter

Angus MacLachlan on the Art of Writing for and Directing Actors

Paul Schneider won Best Actor at the Tribeca Film Festival last week for his role as Otto Wall in Angus MacLachlan’s Goodbye to All That. The character was a tricky one—Schneider was playing someone affable and intelligent, but also unfocused and obliviously selfish. He spends most of the film in a state of confusion about why his life seems to be falling apart. His wife has left him, his daughter doesn’t feel safe in his new house,...

By  |  April 30, 2014

Interview

Producer

Making The Amazing Spider-Man 2, the Largest Production in New York History

Spider-Man’s home has always been New York City, but The Amazing Spider-Man 2 is the first of the comic book adaptations to be filmed exclusively in New York State. It’s also the largest, with locations that included not only Manhattan, Brooklyn, and Queens, but Long Island and upstate New York.

Shepherding the production were producers Avi Arad and Matt Tolmach. The industry veterans work together so closely, they finish each other’s’ sentences, jumping in with better zingers...

By  |  April 29, 2014

Interview

Art Director

A Living, Dangerous Dorian Gray: For No Good Reason Celebrates England’s Wildest Cartoonist

Avey Tare gets Ralph Steadman.

The Animal Collective frontman has made no official statements regarding Steadman’s art, but regarding psychedelia he says, “it's always been about the combination of moods and how fast a mood can change. I think combining humor alongside something extremely dark is always appealing in the world of psychedelia.” He could just as easily be describing the gonzo cartoonist’s style, where exuberant satire blends with slapstick nightmare, and a single glance registers extreme humor and horror...

By  |  April 28, 2014
World IP Day: Taking Stock of the Archives and Archivists

World IP Day, on April 26, was a day to celebrate movies, music and other creative works as well as all those who create these works.  It is also a day to celebrate those who allow us to enjoy these works not only today, but in the future as well.  Archivists and preservationists – in public and private archives – collect, catalog, preserve, restore and make available many of these culturally and historically important creative works.

One especially difficult challenge (both financially and technologically) has been to save and make available older film and recorded sound materials. ...

By  |  April 26, 2014

Interview

Producer, Screenwriter

Tribeca 2014: David Simon, Beau Willimon, Nate Silver & Anne Thompson Talk Stories

We all know that our shopping habits are fodder for various entities looking to target their advertising and increase their profits, but the same kind of Big Data is being used by media and entertainment entities, from HBO and Netflix to the New York Times and Fox News, to figure out who we are, what we read and watch, and what, perhaps, we want next. "Does betting on the ‘wisdom of crowds’ bode well or ill for future innovation in film,...

By  |  April 25, 2014

Interview

Director

Tribeca 2014: Kelly Reichardt’s Tense, Thrilling Night Moves

A group of environmental activists watch a somber film about the slaughter of the planet. A woman’s voice narrates the horrors of mankind's insatiable greed—eroding beaches, melting ice caps, deforestation, and carbon emissions to name a few of our sins, with a call to action as well. "Let the revolution begin…for the future, for the people, and for the planet."

This film-within-the-film ends to a smattering of clapping. The filmmaker is present, and she's asked to answer questions from the group...

By  |  April 24, 2014

Interview

Director, Screenwriter

Tribeca 2014: Writer/Director Angus MacLachlan’s Goodbye to All That

Writer-director Angus MacLachlan’s Goodbye to All That includes one of the more frank and pathos-free sex scenes in recent memory. Otto Wall (Paul Schneider) and Mildred (Ashley Hinshaw), who recently met on the online dating service OkCupid, sit opposite one another on chairs, naked. They are describing, with exacting detail, what they’d like to do to each other. Otto’s wife has recently left him, and he’s experimenting for the first time in his life with online dating. The scene is remarkably compassionate—neither Otto or Mildred are mocked or shamed for their desires,...

By  |  April 23, 2014
Earth Day 2014: Hollywood Wants to Write Happy Ending for Planet With Eco Efforts

Hollywood has been celebrating Earth Day for years in order to raise awareness about environmental issues and put their considerable clout behind green initiatives. Who better than the people who make their living telling stories to strike up a memorable dialogue about sustainable practices? The big six studios’ embrace of Earth Day has only strengthened over time, and their contributions can be seen as a model of how companies in any field can get serious about protecting the planet,...

By  |  April 22, 2014

Interview

Actor, Director, Producer

One Mama Bear, Two Cubs, and Three Filmmakers: Disneynature’s Bears

The world of wildlife filmmaking has changed dramatically in recent years. BBC’s Planet Earth set a new standard. High-definition cameras, stunning aerial shots, and time-lapse photography gave viewers incredible access to animal behavior never before caught on film. Disneynature’s Bears, which includes veterans of those productions, takes a different tack. Yes, it’s filmed in HD, and the gyro-stabilized shots from helicopters are spectacular, but the family-geared film has a different goal. Bears wants to show the bonds that tie together an animal family...

By  |  April 21, 2014

Interview

Screenwriter

A Silicon God: Transcendence Screenwriter Jack Paglen’s Machine Dream

What is every budding screenwriter’s dream? How about having your screenplay land on the coveted Black List in 2012 (a selection of the best un-produced scripts in Hollywood) and, a scant two years later, premiere on the big screen with Johnny Depp, Morgan Freeman, Rebecca Hall and Paul Bettany as your stars, and serve as the directorial debut for one of the most gifted cinematographer’s of his generation, Wally Pfister. This is the reality for Jack Paglen, whose script for Transcendence found its way into the hands of the first time director and,...

By  |  April 18, 2014
2014 Tribeca Film Festival at a Glance—5 Female Directors to Watch

The 2014 Tribeca Film Festival began yesterday, and as we plotted out which films we were going to see (festivals are all about painful choices—too many good films, too few hours in the day), we were struck by how many exciting projects were helmed by female directors. From Johanna Hamilton’s riveting documentary 1971 (which we included in our list of 5 Hot Docs in yesterday’s piece) to Israeli director Talya Lavie’s narrative feature Zero Motivation, ...

By  |  April 17, 2014