Getting Schooled by Anna Deavere Smith on her HBO Documentary
Playwright, actress, and professor Anna Deavere Smith does not like to be precious about the work she has done with her students over the years. She’s bracingly honest and laid back about the time and effort she’s devoted to helping young people who dream of carving out a career like the one she has had. “It’s not so noble as sharing the craft,” she said when asked why she continues to teach well into a successful career as varied as it is impressive.
SXSW 2014: Sarah-Violet Bliss & Charles Rogers on Grand Jury Prize-Winning Fort Tilden
How do you write and shoot feature in a few months, cut it, have it accepted by a major film festival and then have it win that festival's major award? Writer/directors Sarah-Violet Bliss and Charles Rogers would be the perfect speakers on a panel here at SXSW on this very subject, considering as recently as last May, their Grand Jury Prize Winning feature Fort Tilden wasn’t even a thought in their mind.
In Their Words: Some of This Year’s Oscar Nominees on Their Craft, Part II
Yesterday we took a look at four filmmakers whose work has earned them an Oscar nomination (in Gravity cinematographer Emmanuel Lubezki's case, his sixth), sharing with you some of their thoughts on their craft. In one of the most anticipated Oscars in recent memory, it's refreshing to step back and reflect on exactly how these talented individuals created such memorable moments in such a fantastic year for film.
Georgian Filmmaker Nana Ekvtimishvili on her Powerful Debut In Bloom
The debut feature from Georgian filmmaker Nana Ekvtimishvili, In Bloom, is a powerful coming-of-age story that takes place in in 1992, just after the collapse of the Soviet Union. Shot in Tbilisi, the capital of Georgia, it’s about two 14 year-olds, Eka (Lika Babluani) and her best friend Natia (Mariam Bokeria) whose ordinary lives—school, friends, domestic strife—are set against the sudden changes to the social order of the country as well as a backdrop of war in the Abkhazia region.
Novelist Joyce Maynard on Jason Reitman’s Adaptation of her Labor Day
Joyce Maynard is a rarity in the movie world: a writer who’s thrilled with the film adaptation of her novel. Maynard’s “Labor Day” was adapted for the screen and directed by Jason Reitman. It’s about a reclusive single mother (Kate Winslet), her 13-year-old son (Gattlin Griffith) and the escaped convict (Josh Brolin) who hides out in their rundown New England house and creates, at least for a long weekend, an unorthodox family that fill a need in all three people.
Writer/Director John Slattery on Scouting, Casting & Shooting God’s Pocket
If you’re going to peel yourself out of bed at the crack of dawn to attend a screening, it might as well be of John Slattery’s feature length directorial debut, God’s Pocket. Adapted from the novel by Peter Dexter, Slattery has recruited fellow Mad Men star Christina Hendricks as Jeannie Scarpano, and a slew of heavyweight male actors to inhabit the insular, violent, and often very funny world of the titular South Philadelphia neighborhood where the film is set.
Sundance: Aubrey Plaza’s Deadly Turn in Life After Beth
Last year we interviewed Jeff Levine, the director of Warm Bodies, a zom-rom-com (excuse us) about a young woman and the zombie she falls for. The premise was fresh and the execution commendable. Julie (Teresa Palmer) finds herself falling for R (Nicholas Hoult), a zombie who still seems to retain some flicker of his sweet human soul.
In writer/director Jeff Baena’s directorial debut, Life After Beth, that premised is tweaked slightly,
Sundance: Jenny Slate Charms in Writer/Director Gillian Robespierre’s Obvious Child
Gillian Robespierre’s first crack at Obvious Child was as a short that she filmed in the winter of 2009. “We were frustrated by the limited representations of young women’s experience with pregnancy, let alone growing up,” she wrote on her Kickstarter page. “We were waiting to see a more honest film, or at least, a story that was closer to many of the stories we knew.” The short starred comedian Jenny Slate, the ex-SNL cast member (who infamously dropped the f-bomb on her very first show),
Sundance 2014: Young Hellraiser Fuels Kat Candler’s Impressive Hellion
The first night in Sundance required a deep breath. The Credits is a little more than a year old, so this was our first year here and it’s all slightly overwhelming at the beginning. Although the Festival is a well oiled machine at this point (free shuttles, a slew of press and industry screenings to choose from, and now Uber, expensive as ever), for a first timer here it’s a lot to take in.
We got our bearings and that initial touch of anxiety melted away once the lights went down at the Holiday Village Cinema and the first chords of heavy metal sounded in Kat Candler’s Hellion.
Chatting With Writer/Director Francesca Gregorini About The Truth About Emanuel
Francesca Gregorini’s film Tanner Hall marked the debut of two very talented women—Gregorini herself and her star, Rooney Mara. This coming-of-age drama focused on young women edging towards adulthood at an all-girls boarding school.
In her latest film, The Truth About Emanuel, which opens today, Gregorini gives us a portrait of two women, one just about to turn 18 (Emmanuel, played by Kaya Scoldelario), the other a young single mother (Linda,
Richard Linklater, Julie Delpy & Ethan Hawke on Their Before Trilogy
Eighteen years ago, Richard Linklater’s Before Sunrise was released in late January of 1995. Save for a few bit speaking roles sprinkled throughout the film—a pair of Austrian theater actors, a palm reader— every minute of screen time, and every word uttered, comes from a young American, Jesse (Ethan Hawke) and a young French woman, Céline (Julie Delpy), who meet on a train and impulsively decide to spend the next 24 hours together in Vienna.
Looking Back on Some of our Favorite Stories of 2013
When we launched The Credits a little more than a year ago, we aimed to shed a light on the many talented filmmakers who often don’t get much press for their work. While we’ve occasionally spoken to folks who need no introduction (John Waters, for example), most of the filmmakers we’ve focused on have a little less name recognition but a huge amount of talent. We interviewed a lot of people, so the below roundup is really just a taste—there were far too many people to mention in a single post.
Walt Disney a Movie Character for 1st Time in Delightful Saving Mr. Banks
In the tradition of the behind-the-scenes Hollywood story comes Disney’s Saving Mr. Banks. The crowd-pleaser, set for a December 20 release, employs the studio’s time-tested, multi-layered storytelling approach to the tale of how Walt Disney (Tom Hanks) managed in 1961 to convince prickly Australian author P.L. Travers (Emma Thompson) to release the rights to her successful books about a nanny named Mary Poppins.
It’s a departure for the stalwart studio,
All Hail Mary: Three Minutes With Writer/Director Extraordinaire Mary Harron (VIDEO)
Mary Harron is probably most well know for taking Bret Easton Ellis’s notoriously gruesome novel, American Psycho, and adapting it for the big screen in 2000 as both writer and director. It has become a cult classic, cementing Harron’s status as a daring filmmaker with a penchant for taking difficult protagonists (some might argue despicable) and crafting compelling, often very funny, and ultimately challenging films around them. American Psycho was engulfed in controversy before the film even began principal photography—but Harron’s handling of Ellis’s graphic,
The Many Moving Parts to The LEGO Movie
The toys and games of our youth have long been fodder for filmmakers. There have been six films (all direct-to-video, it should be noted) made from Mattel’s ‘American Girls’ line. Dungeons & Dragons was made into a feature film in 2000 and starred Oscar winning actor Jeremy Irons. G.I. Joe has been called into duty twice, in 2009 and just this year, in monster big budget spectacles. Transformers have been clanging their multi-purpose parts together since 2007 in three films,
Star Wars: Episode VII’s Galaxy of Talent Behind J.J. Abrams
As useful as IMDBpro is, it’s recommendable to take the “projects in development” rubric with at least a grain or two of salt. Because really, how could one man have 28 projects in development, including the next Star Trek and Mission Impossible, while also working on a little film franchise called Star Wars?
If it were any one other than J.J. Abrams, you’d be right to assume that most of these would fall through,
Ender’s Game and 8 Films That Touch on Bullying
Looked at in a certain way, Ender’s Game follows The Hunger Games into theaters (even though the story itself predates it) as a film about the pernicious reality of bullying, and, the myriad ways one can stand up to it.
In each film, some form of tyranny is meted out, both from up close and personal and from afar. There are antagonists who tease, torment and threaten our protagonists,
Breaking Down Rom-Com Master Richard Curtis’s About Time
Richard Curtis wrote three of the most beloved romantic comedies of the mid 90s and early 2000s—in a remarkable string, he penned Four Weddings and a Funeral, Notting Hill, and Bridget Jones Diary (which he co-wrote with Helen Fielding and Andrew Davies). His directorial debut in 2003, Love Actually, which he also wrote, was an international success and helped create cross-pond love for fantastic actors like Bill Nighy, Chiwetel Ejiofor (now poised for an Oscar nomination for his starring role in 12 Years a Slave),
Celebrating the 30th Anniversary of The Right Stuff With Writer/Director Philip Kaufman
“There’s a demon that lives in the air. They say that whoever challenged him would die.” –Levon Helm’s narration at the beginning of The Right Stuff.
Test pilots attempting to break the sound barrier at Muroc Army Air Field in California, where that demon lived, often died. It’s at Muroc where Philip Kaufman’s seminal film begins. Chuck Yeager (Sam Shepard) has been given the opportunity to try and break the sound barrier in the X-1,
Diablo Cody Discusses Paradise, her Directorial Debut
Diablo Cody is still probably best known for her freshman outing as a screenwriter with Juno, back in 2007. After all, the smart, offbeat comedy-drama about a pregnant teenager earned the Illinois-born-and-bred scribe a flurry of ovations for her original screenplay, including an Oscar, a BAFTA and honors from the Writers Guild of America. But come October 18, Cody, who has since penned and produced Jennifer’s Body, Young Adult and Showtime’s United States of Tara,
