“Ted Lasso” Casting Director Theo Park on Filling Out AFC Richmond’s Roster
Who would have expected an earnest tale of an American football coach brought on to mind an English soccer team to be the pandemic’s breakout hit? Created by Jason Sudeikis, the titular star of Ted Lasso, the show’s joyful brand of storytelling is up for Emmy awards across the board.
Relentlessly upbeat, armed with a bottomless well of musical and literary trivia and a penchant for encouraging heart-to-hearts,
Tracey Scott Wilson on Penning the Queen of Soul’s Meteoric Rise in “Respect”
Writing a biopic is no easy task, particularly when the subject is an international icon who was a very private person. Indeed, crafting the screenplay for Respect, the highly anticipated drama chronicling Aretha Franklin’s rise from the church choir to the global stage, proved challenging, as well as rewarding, for Tracey Scott Wilson. But the fledgling feature film screenwriter, with an award-winning background in both theater and television (she co-executive produced Fosse/Verdon,
“The Suicide Squad” Production Designer Beth Mickle on Creating Gonzo Sets
James Gunn’s The Suicide Squad is a film filled with highly ambitious, no-holds-barred set pieces, nearly all of which are done with practical effects. It’s a story that takes the characters into all kinds of physical environments as they work together to achieve their objective without dying in the process. Collaborating with Gunn to help make his vision a reality onscreen is production designer Beth Mickle. The Credits spoke with Mickle about how she got this high-profile gig,
Marlee Matlin on Her New Film “CODA” & Its Refreshing Focus on a Deaf Family
Marlee Matlin is unquestionably the best-known and most successful deaf actor working in American film and television. She exploded on the scene with her Oscar-winning performance as Sarah in the 1986 movie Children of a Lesser God and has worked steadily ever since. From her Emmy-nominated performances in Law and Order, The Practice, Seinfield, and Picket Fences to the memorable characters she created for The L Word,
Emmy-Nominee Hannah Waddingham on the Joy of Making “Ted Lasso”
Before Ted Lasso became a phenomenon, setting a record for most Emmy nominations by a freshman comedy (20 total, including seven for its actors), its virtues were spread, among my friends, more like a whisper campaign. One buddy in particular kept needling me via text. What finally broke me was the realization that here was my most sports-agnostic pal pressuring me to watch a show about an American football coach being hired to lead an English Premier League soccer team.
Sound Editor Trevor Gates on Keeping “Fear Street” Real, Upbeat, & Horrifying
Based on master of teen horror genre fiction R.L. Stine’s novels, Netflix released writer-director Leigh Janiak’s Fear Street trilogy over the past three successive Fridays. Opening with a neon-lit shopping mall murder spree, Part One – 1994 introduces the seemingly cursed teenaged residents of Shadyside and their luckier next-door neighbors in Sunnyvale. In Part Two – 1978, intrepid Deena (Kiana Madeira) and her nerdy younger brother,
Emmy-Nominated Composer Virginia Kilbertus on “Endings,” “The Lighthouse” & More
Composer Virginia Kilbertus was not entirely prepared for her Emmy nomination for outstanding music direction and composition for a daytime program. Although she’d submitted her work on Hulu’s Endings, a sci-fi adventure set in a near-future where four foster kids discover they’re not alone after the disappearance of the last elephant on Earth, she hadn’t been tracking the nominations since. “I hadn’t been anticipating when they were announcing it,” Kilbertus said by way of phone from Toronto.
“Loki” Makeup Department Head Douglas Noe on Designing Misfits & Minutemen
In ancient Norse mythology, Loki was a shape-shifting trickster inviting difficulty upon his companions as well as himself. In director Kate Herron’s new Disney+ series, Loki (Tom Hiddleston) is true to his Norse roots. His journey begins with an arrest, having crossed a power-sapping organization called the Time Variance Authority. Loki is accused of being a variant, an offense that causes time-branching events that, to put it briefly, messes up the general order of things.
Documentarian Morgan Neville on “Roadrunner: A Film About Anthony Bourdain”
Charismatic author, chef, and world traveler Anthony Bourdain went from relative obscurity working in a New York restaurant to international success at the age of 43 when his memoir Kitchen Confidential was released. It started a meteoric rise to fame and led to Anthony Bourdain becoming a household name. When he killed himself at 61, his suicide shocked fans all over the world. Now Oscar-winning documentarian Morgan Neville has created a fascinating, poignant portrait of the complicated man in Roadrunner: A Film About Anthony Bourdain.
Veteran Voice Actor Jeff Bergman on Voicing the Looney Tunes Gang in “Space Jam: A New Legacy”
In Space Jam’s contemporary follow-up, Space Jam: A New Legacy, from director Malcolm D. Lee, the movie’s apex basketball game comes about thanks to star LeBron James’s youngest son, Dom (Cedric Joe), who doesn’t want to play the sport at all. Dom would rather design and program his own video games, an interest which inadvertently leads him and his father into the bowels of the Warner 3000 ServerVerse,
“Black Widow” Stunt Coordinator Rob Inch on the Art of Adrenaline
In her swan song as Russian assassin-turned-Avenger Natasha Romanoff, Scarlett Johansson fights her way through Black Widow (opening Friday) on a mission to destroy evil mastermind Dreykov (Ray Winstone) and his network of brainwashed female killers. But first, Natasha has to confront her equally ferocious kid sister Yelena, portrayed by Florence Pugh. (Some light spoilers ahead). Abandoned as children by their spy parents (David Harbour and Rachel Weisz),
“Summer of Soul” Editor on Piecing Together the Nearly Forgotten Black Woodstock
For nearly half a century, videotapes documenting the 1969 Harlem Cultural Festival gathered dust in the basement of a Bronxville home. Filmed by Hal Tuchin and his four-person camera crew, the trove included goosebump-inducing performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Mahalia Jackson, Mavis Staples, B.B. King, the 5th Dimension, jazz drummer Max Roach and other masters of American music. Tuchin tried to package his work as “The Black Woodstock”
“Werewolves Within” Director Josh Ruben on His Hilarious Creature Feature
Werewolves Within invites you to the cozy town of Beverfield, Vermont, where things that go bump in the night are manifold. They might be a creature out to get you, or, they might be your neighbor, out to bother the crap out of you. Director Josh Ruben has crafted a deliciously nimble murder mystery/monster story/comedy in the comfy (if cold and often creepy) confines of this wooded would-be paradise. Based on Mishna Wolff’s script,
Creating the Wonderful World of Disney+’s “The Mysterious Benedict Society”
They met in an improv group while students at Brown University, and joined forces as screenwriters after graduating. Some three decades later, Phil Hay and Matt Manfredi have racked up a noteworthy roster of film credits that include Destroyer, The Invitation, Ride Along and Ride Along 2, and Clash of the Titans. Their finely-tuned creative process moves from talking deeply through plot points to outlining extensively to splitting up scenes to write individually before reconvening to edit and polish — almost always while sitting in the same room,
How the “Mare of Easttown” Editor Carefully Constructed HBO’s Brilliant Murder Mystery
Easttown is filled with secrets and lies as thick as the townsfolk’s accents. These deceptions cloud the journey to uncover the truth about a tragic and twisted mystery. It soon becomes clear that only detective Mare Sheehan (Kate Winslet) has the connections and clever intuition to catch a killer. Thankfully we didn’t need our own detective notebook to track down the suspect. Mare of Easttown editor Amy Duddleston worked diligently to be sure viewers didn’t lose track of a single clue while layering the suspense.
Dressing Icons and Con Men With “Genius: Aretha” and “Better Call Saul” Costume Designer Jennifer Bryan
Costume designer Jennifer Bryan can pivot from glamour to gaudy, from an icon to a con artist, without missing a beat—or a thread. Bryan’s work can currently be seen on National Geographic’s third season of Genius, which focused on the monumental career and legacy of Aretha Franklin (Cynthia Erivo).
Bryan’s now hard at work on a very different kind of show, trading in Aretha Franklin’s shimmering dresses (and profound decency) for the gaudy,
“Doc McStuffins” Creator Chris Nee on The Future of Children’s Programming
There are few people on the planet who are in a better position to talk about what’s working, and what still needs work, in children’s programming than Doc McStuffins creator Chris Nee. Like so many great ideas, Nee came up with Doc McStuffins, a series about a six-year-old girl who is a doctor to her stuffed animals and toys, while in the shower. Yet the impetus for the beloved series was her own life and her son’s struggles with asthma.
“Lovecraft Country” Costume Designer Dayna Pink’s Many Worlds of Fashion
Creator Misha Green‘s Lovecraft Country was one of the most startling, sumptuous series of 2020, and one of the big reasons why it looked so good was the work of costume designer Dayna Pink. Designing looks for everything from shoppers on Greenwood Avenue in 1921 Tulsa to soldiers during the Korean War to the Afrofutrisim of a multidimensional world set in space, Pink’s designs were integral to the success of Lovecraft Country.
Going Pedal To The Metal With “F9” Stunt Coordinator Andy Gill
Any mention of the words “fast” and “furious” immediately brings to mind one of film’s most successful franchises. But for stunt coordinator Andy Gill, it’s another word beginning with “f” that makes these movies so special.
“Truthfully, it’s the family feeling,” says Gill during a recent Zoom interview. “Fast has become like a big family. I’ve been working with Spiro (Razatos), the second unit director, for 36 years. The people around us… probably 15 years.
Oscar-Nominated Producer Rachel Winter on Her Directorial Debut “The Space Between”
Oscar-nominated producer Rachel Winter worked for years to help get Dallas Buyers Club made, deploying a cheerful tenacity that she’s again and again in her career. The tireless Winter has made a career of finding and shepherding projects, sometimes for years, that she believes in. Or, it might be more accurate to say that Winter has gotten projects made that she herself can’t shake, that she thinks about over and over again.