It’s Always Sunny in Philadelphia‘s Kaitlin Olson on her new Show The Mick

The comedic chops Kaitlin Olson has been consistently displaying over 12 seasons as Dee in It’s Always Sunny in Philadelphia have earned her a well-deserved starring role in Fox’s sitcom The Mick. She plays Mickey, an irresponsible hustler who suddenly finds herself guardian to her obscenely wealthy, estranged sister’s children. We chat to Olson about getting out of her comfort zone, working with kids and her newfound lust for power.

See How They Created the U-Wing in Rogue One

One of the coolest new additions to the rebel air fleet in Rogue One: A Star Wars Story was the U-Wing. The U-Wing is described as a sturdy transport and gunship that “must penetrate heavy fire zones to deposit soldiers onto battlefields and then fly air support during dangerous missions against the Empire.” The U-Wing factors heavily into Rogue One—it’s the ship that Jyn and her crew take to Scarif in the final phase of their mission to steal the Death Star plans.

The Dazzling Design of Ghost in the Shell

Freakish cyborgs look right at home in Scarlett Johansson's Ghost in the Shell sci-fi epic thanks in part to three years of ingenious design work from New Zealand-based Weta Workshop. Inspired by Masamune Shirow's visionary Manga series and 1995 anime film, co-art director Ben Hawker, who previously channeled Middle Earth critters for the Lord of the Rings trilogy, worked with director Rupert Sanders (Snow White and the Huntsman) to fashion a wild array of futuristic semi-android city dwellers.

Fran Drescher on Creating The Nanny and her Mission to Eliminate Cancer

This month, we have been celebrating "reel women" whose drive, talent, and creative vision have shaped the landscape of film and television and inspired generations of artists who follow. We had a chance to sit down with one of the women who paved her own way in Hollywood, created a sitcom classic, and brought to life one of the most iconic television roles of all time. In the tradition of Lucille Ball and Mary Tyler Moore,

13 Reasons Why‘s Production Designer on Netflix’s Daring new Teen Drama

Television transports us to distant places and gives us a glimpse into lives we could never imagine, but there’s one experience that everyone can relate to: high school. A torturous rite of passage, the familiar setting has spawned classics from The Breakfast Club to Clueless. Netflix just added a new chapter to the hallowed genre about how confusing, humiliating, and tragically destructive teenage years can be.

Hot off Get Out, Warner Bros. Looking at Jordan Peele to Helm Akira

Jordan Peele is on fire. The co-creator of Key & Peele, one of the most influential sketch comedy shows of all time, is coming off his blockbuster smash Get Out, his directorial debut, no less, which is a commercial and critical hit. Get Out has already grossed over $150 million and has generated extraordinary amounts of buzz, as well as serious think pieces on Peele’s ability to dissect racism in ways no other filmmaker has done.

Director Oz Perkins Takes It Slow in The Blackcoat’s Daughter Shocker

Oz Perkins wrote and directed The Blackcoat's Daughter (opening in theaters and On Demand March 31) determined to create a  slow-burn horror film in the classic mold. The story: two teenagers (Kiernan Shipka of Mad Men and British actress Lucy Boynton) go mad when they're abandoned at their devil-infested prep school over winter break. Separately, a depressed young woman (Emma Roberts) treks through the night on a mysterious mission her own.

Joe Swanberg Gambles on Jake Johnson’s Poker Hand in Win It All

Director Joe Swanberg never played a game of cards in his life, but he totally relates to the poker player at the heart of his new movie Win It All (opening April 7 on Netflix). "As an independent filmmaker I feel like a gambler all the time," he says. "Especially as someone who puts my own money into my own movies, I really know that feeling of taking a big risk and not knowing what's going to happen."

Get Out‘s Cinematographer Reveals the Methods Behind Jordan Peele’s Brilliant Madness

From the moment the first trailer for Get Out dropped, we knew this was going to be something special. We were beyond excited to see comedy genius Jordan Peele (Key & Peele) take on a horror movie and the final product exceeded all our hopes. Get Out travels from poking fun at the insecurities of race relations in America to dramatizing the terror of racism in a way that has critics becoming philosophers as they try to unpack Peele's genius for tackling sensitive subjects with humor,

Rainn Wilson on Gargamel’s Evil Laugh & More in Smurfs: The Lost Village

The new all-animated Smurfs: The Lost Village is a colorful, imaginative, funny, and sweet story that answers a question Smurfs fans have asked for a long time: where are the female Smurfs? 

Rainn Wilson (The Office, Juno) provides the voice for the Smurf’s enemy, the evil wizard Gargamel. In an interview, he talked about the special skill that made him right for the part, the voice actor he admires the most,

The Boss Baby‘s Director & Producer Talk Baldwin, Childhood, Dr. Seuss

Director Tom McGrath (the Madagascar movies) admits that his very funny and heartwarming new animated film, The Boss Baby is both a tribute and apology to his older brother. It is the story of a seven-year-old named Tim whose blissful life is turned upside down by the arrival of a baby brother. As Tim’s parents dote on the new arrival, they somehow never notice that the baby has a suit and tie,

How Star Wars: The Last Jedi is Approaching Carrie Fisher’s Death

It was a devastating blow when Carrie Fisher passed away last December. Fisher meant so much to so many people, from Star Wars fans to the millions of people she touched with her books, screenplays, and her many, many great roles throughout the years. Her last role was, of course, a return to the very character that had made her an international superstar—Princess Leia. Fisher had already returned (now as General Organa) in J.J.

Celebrating Reel Women: Women in Focus

Meet the women who are calling the shots behind the scenes. We’re talking about the influential women who have produced some of the most entertaining movies and television shows to have ever hit the big and small screens. Sure, you may know about famous actresses who have made the leap to producers such as Reese Witherspoon and Drew Barrymore, but what about all the movers and shakers who are responsible for some of your favorite titles that you haven't heard of?

Own Spidey’s Mask From Captain America: Civil War & Spider-Man: Homecoming With Shutter Eyes

If your spider-sense is tingling right now, it’s just because this new fan-made mask is dangerously cool.

For years, Spider-Man’s mask with ever-moving eyes was a staple of the comic books and animated productions, but it wasn’t until Captain America: Civil War in 2016 that viewers got a glimpse at a live-action mechanical mask. It looks like Spider-Man: Homecoming is following suit.

Now, fans can own a similar mask themselves—one that could even give Tony Stark a run for his money.

Tom Cruise has Done a Year of Prep for Mission: Impossible 6 Stunt

Fearless, ageless and relentless, Tom Cruise is at it again. 

Yesterday we shared this video of Cruise and co-star Annabell Wallis doing a stunt in zero gravity for their upcoming film The Mummy. Little did we know we'd find out only a day later that he's cooking up an even more impressive stunt for Mission: Impossible 6. 

Never one to shy away from a difficult stunt that most other actors would opt to delegate to a stunt double,

See how they Built a Cyborg Skeleton for Scarlett Johansson in Ghost in the Shell

With Ghost in the Shell set to premiere on March 31, Paramount is sharing a lot of great stuff from Rupert Sanders adaptation of this iconic, and very surreal, sci-fi film. We’ve already shared with you the incredible work that Peter Jackson’s effects shop Weta did to create the robotic geisha masks that have been one of the most talked about images from the trailers. In fact, every new spot boasts images that show how hard Sanders and his team worked to honor the Mamoru Oshii’s beloved 1996 animated feature.

Music Supervisor Frankie Pine on Nashville‘s Original Sound

Award-winning Music Supervisor Frankie Pine knows how to orchestrate powerful sounds to accompany action and drama — her extensive credits for film and television include Steven Soderbergh’s Ocean’s Eleven, Twelve and Thirteen, Aaron Sorkin’s series Newsroom, and the Academy Award-winning movie, Traffic, for which she nabbed a Grammy nomination. Pine oversaw music for Dead Man Walking,

See how They Filmed in Zero Gravity for The Mummy

We’ve long admired Tom Cruise’s insane commitment to performing his own stunts. When we interviewed stunt coordinator Wade Eastwood about Cruise's work on Mission: Impossible—Rogue Nation, he talked about all the ways in which Cruise is the most prepared actor he’s ever worked with. This is a necessary attribute when the stunts you’re performing are as extreme as Cruise’s have been. Mission: Impossible: Ghost Protocol,

Celebrating Reel Women: Behind the Scenes

Women are responsible for some of the most powerful, thrilling and poignant films in the canon. From Moonlight to Mad Max: Fury Road, women are making their impact felt in all aspects of the filmmaking process, and today we look at their crucial contributions in a few specific roles, including as editors, costume designers, sound editors and production designers. 

Take Blackfish, the horrifying story of whales kept in captivity,

SXSW 2017: Bill Pullman & Director Jared Moshe on the Making of The Ballad of Lefty Brown

The Ballad of Lefty Brown was an audience favorite at SXSW for its classic western style and fresh storytelling. Bill Pullman (Independence Day) played the title role, but it was a character that diverged from the leading man parts that he is famous for. As the sidekick to Senator Johnson (Peter Fonda) in 1889 Montana, Lefty learns a difficult lesson when the brutal west doesn’t always honor honesty and loyalty as he’s come to believe it would.