Married Directors Robert Pulcini & Shari Springer Berman Talk Girl Most Likely
A background in documentary filmmaking came in handy for long-time co-directors Shari Springer Berman and Robert Pulcini when they needed to film a man in a mollusk-inspired exoskeleton on the busy streets of New York City.
“People are really scared off of [filming on a city street] without a lot of crew,” Berman told The Credits. For example, when 2007’s I Am Legend filmed a major sequence on the normally swarming streets of New York,
An Evening With Fruitvale Station Writer/Director Ryan Coogler
Few directors fresh out of film school can boast their first feature-length movie is a likely Oscar contender, but Ryan Coogler could be one of the few with Fruitvale Station. The movie, which Coogler wrote and directed, won the Grand Jury Prize for Dramatic Feature and Audience Award for U.S. Dramatic Film at the 2013 Sundance Film Festival, and also won the Avenir Prize – Un Certain Regard at the 2013 Cannes Film Festival.
Eastern Influence: Pacific Rim Latest Film to Draw Inspiration From Japan
The early reviews suggest that Guillermo del Toro’s Pacific Rim (which opens this Friday) is nice blend of what you want out of your summer blockbuster—spectacle, suspense and solid storytelling.
Pacific Rim is also a nice blend of the Japanese tradition of Kaiju films (the most famous example being Godzilla) and mecha stories (about robots or machines), popularized in Japanese manga and anime.
Walt Disney Studios Reimagines The Lone Ranger & Breathes Life Into Westerns
“So who was that masked man, anyway?” A question invariably asked at the end of every episode of The Lone Ranger television series. Armie Hammer, Johnny Depp, producer Jerry Bruckheimer and director Gore Verbinski hope to provide a definitive answer to that question with the brand-new film The Lone Ranger, their reinvention of both the Western genre and the titular hero, in theaters today.
John Reid,
Director Douglas Tirola Serves up the Doc Hey Bartender
In the rollicking documentary Hey Bartender — which opened in select theaters and on iTunes and On Demand on June 7 — director-producer Douglas Tirola chronicles the resurgence of the craft cocktail — and the eclectic, opinionated characters who drink and pour them.
We chatted with Tirola, who has made docs about everything from poker (All In: The Poker Movie) to prison (An Omar Broadway Film) about getting lucky,
How’d They Do That? Building 1920s New York in The Great Gatsby
Digital FX firm Animal Logic helped craft the extravagant, hyper-vibrant world of New York in the roaring 20's for Baz Luhrmann's The Great Gatsby. But how?
They lovingly refer to themselves as “animals,” but the staffers at Animal Logic, based at Fox Studios in Sydney, Australia, are really masters in special effects and animation. The company, which derives its name from the two sides of the business (the physical/creative and cerebral/technical),
Rounding up the Cast and Director of Eco-Thriller The East
In The East, Zal Batmanglij and his filmmaking partner, Brit Marling, deliver an edge-of-your-seat eco-terrorism thriller in which an undercover overachiever (Marling) infiltrates a militant anarchist eco-vigilante group (including Alexander Skarsgard and Ellen Page) that arranges “jams” against corporate evildoers. Without giving too much away, you may find yourself asking, "What's really in this prescription drug I'm about to take?"
This is the second big screen collaboration for Marling and Batmanglij (pronounced “Baht-mahn-glitch”),
Poetry From Conflict: Writer-Director Musa Syeed on his Valley of Saints
Conflict zones have a long history of providing an amply angst-ridden backdrop for cinematic romance, but in his narrative feature debut, Valley of Saints, Musa Syeed takes a surprisingly lyrical look a largely untold conflict in India’s Kashmir region, an area that Indians and Pakistanis have fought three wars over during the past century. And the one-time documentary writer-director does it by exploring the idea of protecting Kashmir’s ecological beauty as a way of restoring stability to the region.
Looking Back at Iconic Tentpole Movies and Imagining Their 2013 Versions
As summer movie season officially kicked off this past Memorial Day weekend, the slate of “tentpole” movies — the ones that are expected to hold up (like a tentpole, get it?) and turn a profit, bringing in big bucks both domestically and overseas — is bigger than ever: There’s Hangover 3, After Earth, Man of Steel, Monsters University,
500 Strong: The Joint Effort in Making 20th Century Fox’s Epic
How do you oversee the work of more than 500 people over the course of several years on a giant 3D animated film without losing your mind? Producer Jerry Davis of Blue Sky Studios, who helped shepherd the production of Twentieth Century Fox's Epic along with his producing partner Lori Forte, gives us the scoop.
Epic, which features characters inspired by William Joyce’s children’s book
Steven Soderbergh Through the Looking Glass: Behind the Candelabra
One of most fascinating developments out of this year’s Cannes Film Festival has been the inclusion of Steven Soderbergh’s cinematic swan song, the Liberace biopic Behind the Candelabra, in this year’s main competition as per the insistence of festival director Thierry Fremaux. Candelabra, starring Michael Douglas as Liberace and Matt Damon as his live-in lover Scott Thorson, and based on the Thoson-penned tell-all of the same name,
Homegrown: How Star Trek Left the Galaxy Without Ever Leaving California
As Star Trek: Into Darkness basks in the space-age glory of an $84.1 million opening week, the blockbuster can take pride in an even more impressive accomplishment: from ever-growing Paramount Studios in Hollywood to Lawrence Livermore National Laboratory east of Oakland, every frame of the J.J. Abrams blockbuster was shot in the state of California.
In an era when billionaire bachelor Tony Stark’s fall and rise was filmed primarily in North Carolina and James Franco’s awe-inspiring Oz was actually located in Pontiac,
In Honor of Star Trek: Into Darkness—Our 7 Favorite Invented Languages
Admittedly, writing about Klingon on the Internet is akin to shaving one’s entire body and jumping into a salt bath—we're opening ourselves up to an onslaught of criticism and fastidious fact-checking, so we’ll tread lightly here. But when Bing introduced Klingon to its web-based translation service on Tuesday in anticipation of this weekend’s release of Star Trek: Into Darkness, it couldn’t go without mention.
Though many movies have “invented”
Where to Watch: New Site Offers Films & Shows, Legally & Seamlessly
Since our launch last September, The Credits has interviewed a diverse group of filmmakers, working our way through all the different jobs one could have in pre-production, on a film set, and in post. Directors, actors, cinematographers, screenwriters, art directors, costume designers, composers, editors, visual effects supervisors, casting directors, music supervisors, stunt performers and more have told us what it’s like to make a living making movies.
Sarah Polley on her Astonishing new Documentary Stories We Tell
Once known primarily for her work as a child actress, as of late, Sarah Polley has distinguished herself as a writer and director, first, on 2006’s Away From Her, and then again with 2011’s Take This Waltz. This month marks Polley’s debut as a documentarian. In Stories We Tell, the Oscar nominee uses recollections of her late mother,
Jane Campion, Cannes, & the Power of the Short Film
Short films have figured prominently in the Cannes official selection from the Festival’s earliest days, with a jury awarding a Palme d’Or (and occasionally, Jury and Grand Prix prizes) to that year’s most successful short. Famous past winners include Jim Jarmusch’s 1993 Palme d’Or for Coffee and Cigarettes (Somewhere in California), which was later expanded into a feature-length portmanteau comprising 11 interlinked stories, and British director Lynne Ramsay’s 1996 and 1998 Jury Prize wins for her shorts Small Deaths and Gasman (Ramsay sits on the jury of the main competition this year).
Heavyweight American Films Populate the 66th Annual Cannes Film Festival
The 66th Annual Cannes Film Festival is nearly upon us. Running from May 15th to the 26th, the Festival has already been praised for a well-curated lot of films drawn from an eclectic mix of established and rising international filmmakers. This year’s competition films seem a placid bunch, likely to garner more reflection and praise than controversy, but with one of the most Hollywood- and American- leaning competition slates and jury committees in recent years,
Trailer Talk: Evaluating What’s Coming out in Three Minutes or Less
The end of this week saw the release of trailers for several of next fall’s most hotly anticipated film releases. Here’s our take on what to expect based on our extensive deep dives into their sub-three minute trailers…
The World’s End
Is it lazy to just write about films in terms of those that have come before them? What about writing about two movies that haven’t come out yet?
Eli Roth on Aftershock, Learning to Love Horror, and Woody Allen
Brilliant, demented horror master Eli Roth — the Frank Sinatra of The Splat Pack — is ready to make the next round of moviegoers barf, thanks to Aftershock, a shock fest that chronicles the hell-on-earth circumstances that befall coastal Valparaiso, Chile, after an earthquake levels the town. While the film is helmed by Chilean director Nicolás López, Roth produces and stars, playing a hapless American who goes from partying and chasing girls to worrying about collapsing nightclubs and escaped prisoners.
The Greatest Gatsby: Before Leo,There was Redford
When Paramount purchased the film rights to F. Scott Fitzgerald’s novel for $350,000 (more than fifty times what the author earned for the book in his lifetime), studio head Robert Evans had no way of knowing just how different the 1974 film would look from his original vision. For a story that’s all about dwelling on the past, on the eve of Baz Luhrmann’s latest 'Great Gatsby' interpretation, it seems fitting to look back on the making of the Robert Redford-Mia Farrow film,
