Interview

Special/Visual Effects

From Minority Report to Iron Man, the Genesis of Gesture Technology

Good sci-fi movies have a way of influencing, if not actually predicting, the future when it comes to technological innovation. Take, for example, gestural interactions with computers — they are the next step after today's virtual keyboards.

One of the most popular movie approximations of this tech is used by Precrime Police Chief John Anderton in the 2002 movie Minority Report. Anderton solves a future murder by shuffling through holographic data with special gloves and a burning intensity...

By Jim Nash  |  May 30, 2013

Interview

Director, Screenwriter

Poetry From Conflict: Writer-Director Musa Syeed on his Valley of Saints

Conflict zones have a long history of providing an amply angst-ridden backdrop for cinematic romance, but in his narrative feature debut, Valley of Saints, Musa Syeed takes a surprisingly lyrical look a largely untold conflict in India’s Kashmir region, an area that Indians and Pakistanis have fought three wars over during the past century. And the one-time documentary writer-director does it by exploring the idea of protecting Kashmir’s ecological beauty as a way of restoring stability to the region...

By  |  May 29, 2013

Interview

Producer

Recreating the Past on Film, Historical Advisors Are a Director’s Lifelines

The year is 1805. Captain “Lucky Jack” Aubrey is surveying the foggy Atlantic horizon for the renegade Acheron, a Napoleonic privateer warship out to sink Aubrey and his fellow Brits into watery oblivion. As he peers through his telescope, Aubrey suddenly recoils in disbelief—the Acheron is headed straight for his ship!

But wait—what does that enemy ship look like? What color is the telescope Aubrey—or Russell Crowe in period attire—is holding?...

By  |  May 28, 2013

Interview

Actor, Director

Looking Back at Iconic Tentpole Movies and Imagining Their 2013 Versions

As summer movie season officially kicked off this past Memorial Day weekend, the slate of “tentpole” movies — the ones that are expected to hold up (like a tentpole, get it?) and turn a profit, bringing in big bucks both domestically and overseas — is bigger than ever: There’s Hangover 3, After Earth, Man of Steel, Monsters University, World War Z,...

By  |  May 27, 2013

Interview

Actor, Animator, Director

500 Strong: The Joint Effort in Making 20th Century Fox’s Epic

How do you oversee the work of more than 500 people over the course of several years on a giant 3D animated film without losing your mind? Producer Jerry Davis of Blue Sky Studios, who helped shepherd the production of Twentieth Century Fox's Epic along with his producing partner Lori Forte, gives us the scoop.

Epic, which features characters inspired by William Joyce’s children’s book The Leaf Men and the Brave Good Bugs," tells the story of a teenage girl named Mary Katherine (known as M.K.,...

By  |  May 24, 2013

Interview

Director

Steven Soderbergh Through the Looking Glass: Behind the Candelabra

One of most fascinating developments out of this year’s Cannes Film Festival has been the inclusion of Steven Soderbergh’s cinematic swan song, the Liberace biopic Behind the Candelabra, in this year’s main competition as per the insistence of festival director Thierry Fremaux. Candelabra, starring Michael Douglas as Liberace and Matt Damon as his live-in lover Scott Thorson, and based on the Thoson-penned tell-all of the same name, was originally intended as a theatrically distributed feature...

By  |  May 23, 2013
A Spotlight on Korean Cinema, Presented by CJ Entertainment and the MPAA

“If 2012 was the year of K-Pop, 2013 is on track to be the year of K-Movies.”

South Korean Ambassador Young-jin Choi spoke these words before the screening of Korean blockbuster Masquerade last Tuesday evening, held at the MPAA headquarters on 16th and I St. in Washington, D.C. He declared that with the influence of Korean actors and music, we are currently “riding the Korean wave.” Choi continued: “When Masquerade was released, the world experienced an explosion of Korean culture like never before,...

By  |  May 22, 2013

Interview

Director, Location Scout

Homegrown: How Star Trek Left the Galaxy Without Ever Leaving California

As Star Trek: Into Darkness basks in the space-age glory of an $84.1 million opening week, the blockbuster can take pride in an even more impressive accomplishment: from ever-growing Paramount Studios in Hollywood to Lawrence Livermore National Laboratory east of Oakland, every frame of the J.J. Abrams blockbuster was shot in the state of California.

In an era when billionaire bachelor Tony Stark’s fall and rise was filmed primarily in North Carolina and James Franco’s awe-inspiring Oz was actually located in Pontiac,...

By  |  May 21, 2013
10 of the World’s Best Movie Theaters

The Grand Théâtre Lumière in Cannes is just about the most exciting movie theater in the world right now. As the 66th Annual Cannes Film Festival enters its second week, we got to thinking about some of the greatest theaters around the world.

America is, of course, no slouch in the great movie theater department–from the iconic Ziegfeld in New York City to the Alamo Drafthouse in Austin (which is now opening up a theater in downtown Los Angeles),...

By  |  May 20, 2013

Interview

Actor, Director, Screenwriter

In Honor of Star Trek: Into Darkness—Our 7 Favorite Invented Languages

Admittedly, writing about Klingon on the Internet is akin to shaving one’s entire body and jumping into a salt bath—we're opening ourselves up to an onslaught of criticism and fastidious fact-checking, so we’ll tread lightly here. But when Bing introduced Klingon to its web-based translation service on Tuesday in anticipation of this weekend’s release of Star Trek: Into Darkness, it couldn’t go without mention.

Though many movies have “invented” new languages,...

By  |  May 17, 2013

Interview

Actor, Casting Director, Director, Special/Visual Effects

Where to Watch: New Site Offers Films & Shows, Legally & Seamlessly

Since our launch last September, The Credits has interviewed a diverse group of filmmakers, working our way through all the different jobs one could have  in pre-production, on a film set, and in post. Directors, actors, cinematographers, screenwriters, art directors, costume designers, composers, editors, visual effects supervisors, casting directors, music supervisors, stunt performers and more have told us what it’s like to make a living making movies.

These filmmakers all share a few commonalities;...

By  |  May 17, 2013

Interview

Actor, Director, Screenwriter

Sarah Polley on her Astonishing new Documentary Stories We Tell

Once known primarily for her work as a child actress, as of late, Sarah Polley has distinguished herself as a writer and director, first, on 2006’s Away From Herand then again with 2011’s Take This Waltz. This month marks Polley’s debut as a documentarian. In Stories We Tell, the Oscar nominee uses recollections of her late mother, who passed when Polley was just 11,...

By  |  May 16, 2013

Interview

Director

Jane Campion, Cannes, & the Power of the Short Film

Short films have figured prominently in the Cannes official selection from the Festival’s earliest days, with a jury awarding a Palme d’Or (and occasionally, Jury and Grand Prix prizes) to that year’s most successful short. Famous past winners include Jim Jarmusch’s 1993 Palme d’Or for Coffee and Cigarettes (Somewhere in California), which was later expanded into a feature-length portmanteau comprising 11 interlinked stories, and British director Lynne Ramsay’s 1996 and 1998 Jury Prize wins for her shorts Small Deaths and Gasman (Ramsay sits on the jury of the main competition this year)...

By  |  May 15, 2013

Interview

Actor, Director

Heavyweight American Films Populate the 66th Annual Cannes Film Festival

The 66th Annual Cannes Film Festival is nearly upon us. Running from May 15th to the 26th, the Festival has already been praised for a well-curated lot of films drawn from an eclectic mix of established and rising international filmmakers. This year’s competition films seem a placid bunch, likely to garner more reflection and praise than controversy, but with one of the most Hollywood- and American- leaning competition slates and jury committees in recent years, there are more than a few tantalizing developments to watch as familiar faces and revered talents walk the Croisette for the next two weeks...

By  |  May 14, 2013
From Hot Topic to Hollywood: Costume Designer Trayce Field of 2 Broke Girls

Tonight is the season finale of 2 Broke Girls, so it’s a perfect time to get to know the woman who gives the show it’s indelible look. In a quick Q&A, costume designer Trayce Field reveals how her road to primetime success has a lot to do with Hot Topic, what she’s working on with Will Ferrell (she was the costume designer for his Casa de mi Padre),...

By  |  May 13, 2013

Interview

Actor, Director

Trailer Talk: Evaluating What’s Coming out in Three Minutes or Less

The end of this week saw the release of trailers for several of next fall’s most hotly anticipated film releases. Here’s our take on what to expect based on our extensive deep dives into their sub-three minute trailers…

The World’s End

Is it lazy to just write about films in terms of those that have come before them? What about writing about two movies that haven’t come out yet? Does your complete lack of familiarity with either film cancel out the laziness?...

By  |  May 11, 2013

Interview

Actor, Director, Producer

Eli Roth on Aftershock, Learning to Love Horror, and Woody Allen

Brilliant, demented horror master Eli Roth — the Frank Sinatra of The Splat Pack — is ready to make the next round of moviegoers barf, thanks to Aftershock, a shock fest that chronicles the hell-on-earth circumstances that befall coastal Valparaiso, Chile, after an earthquake levels the town. While the film is helmed by Chilean director Nicolás López, Roth produces and stars, playing a hapless American who goes from partying and chasing girls to worrying about collapsing nightclubs and escaped prisoners. ...

By  |  May 10, 2013

Interview

Actor, Casting Director, Director, Screenwriter

The Greatest Gatsby: Before Leo,There was Redford

When Paramount purchased the film rights to F. Scott Fitzgerald’s novel for $350,000 (more than fifty times what the author earned for the book in his lifetime), studio head Robert Evans had no way of knowing just how different the 1974 film would look from his original vision. For a story that’s all about dwelling on the past, on the eve of Baz Luhrmann’s latest 'Great Gatsby' interpretation, it seems fitting to look back on the making of the Robert Redford-Mia Farrow film,...

By  |  May 9, 2013

Interview

Actor, Director, Producer

Golden Age of Documentaries: A Q&A With Filmmaker Jamie Meltzer

Documentarian Jamie Meltzer knows how to pick his subject matter. Take his award-winning film Informant, which took home the Grand Jury Award at the DocNYC Festival as well as Best Documentary at the Austin Film Festival. Informant examines the life of Brandon Darby, a radical leftist activist turned FBI informant. Darby became a hero when he traveled to a Hurricane Katrina-ravaged New Orleans and braved toxic floodwaters to rescue a friend of his stranded in the Ninth Ward...

By  |  May 7, 2013

Interview

Actor, Costume Designer, Props

The Wild, Expensive (and not Always Improbable) Technology of Iron Man

You’d have to be a billionaire to equip yourself like Tony Stark, but it’s not entirely impossible. 

Tony Stark is back. After helping his fellow Avengers save the world against a Norse god and vicious aliens, he spent years working on his technology, because at heart, Stark is an engineer. Marvel president Kevin Feige told GeekyTyrant.com that Stark has a whopping 42 new suits of armor in Iron Man 3, including “a prehensile suit that allows each individual piece of the suit to fly separately and latch on to him.”...

By  |  May 4, 2013