Pretty in Pink With “Barbie” Production Designer Sarah Greenwood & Set Decorator Katie Spencer

“It was trying to find a solution to what makes a toy,” says production designer Sarah Greenwood about creating the charmed sets of Barbie alongside set decorator Katie Spencer. The two have been near inseparable, having worked on over thirty projects together. Darkest Hour, Beauty and the Beast, and Anna Karenina are among their six Academy Award nominations. “It became this huge journey of discovery,

“Mission: Impossible – Dead Reckoning Part One” Production Designer Gary Freeman Creates an Artificially Intelligent Palace

The bespoke work of production designer Gary Freeman on Mission Impossible: Dead Reckoning Part One might be overlooked by most moviegoers. A few of the reasons might be because of a then 60-year-old Tom Cruise out stunting himself yet again or the scene-stealing performances by Hayley Atwell as a wily thief and Pom Klementieff as a deliciously evil mercenary. Yet Freeman’s work insinuates itself in the action, his designs are intrinsic to the chaos as well as to the lusciousness of the foreign locations.

“Godfather of Harlem” Production Designer Patrick Howe on Handling History in Season 3

The story of gangster Bumpy Johnson (Forest Whitaker) continues to unfold with the third season of Godfather of Harlem, from creators Chris Brancato and Paul Eckstein. This prequel series to Ridley Scott‘s 2007 feature American Gangster, starring Denzel Washington and Russell Crowe, cleverly intertwines a kinetic group of characters in a period crime drama well worth watching.

This season, Bumpy faces no shortage of challenges—the CIA,

“Fatal Attraction” Production Designer Nina Ruscio on Creating Design With an Edge

The famed 1987 film Fatal Attraction, starring Michael Douglas and Glenn Close, made its way to the small screen with Joshua Jackson and Lizzy Caplan as the unfaithful couple tearing each other’s lives apart. Reinvigorated by Alexandra Cunningham (Physical), the psychological thriller unravels over eight gripping episodes, taking place 15 years after Dan (Jackson) is paroled from prison for the murder of Alex (Caplan). The story dips between the past and present as Dan tries to prove his innocence and reconnect with his family and wife,

“Beef” Production Designer Grace Yun on Mixing Real & Surreal Into a Simmering Style

Beef creator Lee Sung Jin (Dave, Undone), who goes by Sonny Lee, reached out to production designer Grace Yun (Past Lives, Ramy, Hereditary) to share his vision of the series that pins Danny Cho (Steven Yeun), a failing contractor, and Amy Lau (Ali Wong), a self-made entrepreneur, against one other following a heated parking lot altercation. “I was impressed from the start,

“Indiana Jones and the Dial of Destiny” Production Designer Adam Stockhausen on That Thrilling Opening Sequence

“There is a lot to draw from, but there’s also a very high bar in terms of how visually exciting these films have been,” says production designer Adam Stockhausen (The Grand Budapest Hotel) of the Indiana Jones franchise.

The four previous films – Raider of the Lost Ark (1981), Temple of Doom (1984), Last Crusade (1989), and Kingdom of the Crystal Skull (2008) – were all helmed by Steven Spielberg,

“American Born Chinese” Production Design Team Cindy Chao & Michele Yu’s Dazzling Details

It’s rare enough to see a production design team and rarer still to see a team of two female Asian American designers, but Cindy Chao and Michele Yu have been collaborating together successfully on both the large and small screens for over a decade. Recently they got a Primetime Emmy nomination for their work on A Black Lady Sketch Show, and now their new project, American Born Chinese, has arrived on Disney+ boasting rave reviews. 

“Guardians of the Galaxy Vol. 3” Production Designer Beth Mickle on Building Rocket’s Epic Spaceship

Production designer Beth Mickle got on the Hollywood radar for her work on Nicolas Winding Refn’s ultra-cool indie Drive and worked her way into the blockbuster realm when her first collaboration with James Gunn, The Suicide Squad, was embraced by both critics and DC fans. Guardians of the Galaxy Vol. 3 is her third project with Gunn—who has now moved on to co-run DC Studios—and her second in the Guardians universe,

How “Poker Face” Production Designer Judy Rhee Built a Winning Hand

Already renewed for a second season, the Rian Johnson-created series Poker Face garnered universally enthusiastic reviews and built a passionate following ever since its first episode dropped in late January. Johnson has said Poker Face was built in the tradition of the great crime series of the 70s and 80s, including Columbo and Quantum Leap. As such, each episode is constructed to stand as its own “How Dunnit” (a twist on the “Whodunnit”),

“Swarm” Production Designer Sara K White on Creating Fractured Spaces for the Celebrity-Obsessed

Swarm has a way of hovering in your thoughts long after you’ve finished the latest episode. The new series from Janine Nabers and Donald Glover (available now on Prime Video) takes the conceit of toxic fandom and unleashes a psychological thriller with a nasty, lasting sting. Starring a phenomenal Dominique Fishback as Dre, a socially stunted retail worker who is deeply, even desperately committed to two and only two people in her life: Her beloved sister Marissa (Chloe Bailey),

“Evil Dead Rise” Production Designer Nick Bassett on Building the Apartment From Hell

The Evil Dead franchise is all about cabin life. The franchise’s iconic location, however, is nowhere to be seen in Evil Dead Rise. The new installment gets a fresh look in director Lee Cronin’s sequel, thanks in part to production designer and art director Nick Bassett.

Evil Dead Rise is focused on two estranged sisters and the hell that’s unleashed once they’re reunited. Tattoo artist Ellie (Alyssa Sutherland) lives in a dilapidated bank-turned-apartment complex with her three children,

“Shrinking” Production Designer Cabot McMullen on Laughing & Crying in Pasadena

Shrinking is that rare hybrid; a laugh-out-loud comedy that turns on a dime into a lump-in-your-throat drama. Created by star Jason Segel, Ted Lasso co-creator Bill Lawrence, and writer (and Ted Lasso star) Brett Goldstein, Shrinking follows Segel’s therapist Jimmy the year after his wife, Tia (Lilan Bowden), has tragically died. Because Jimmy is played by Segel, he’s naturally funny, but we also find him in a personal and professional tailspin,

“The Magician’s Elephant” Creative Team on Netflix’s Warm, Wondrous New Animated Film

If you’re looking for a wonderful, feel-good movie to cozy up to, The Magician’s Elephant on Netflix is a beautiful story whose animation springs to life an ensemble cast of characters you’d want to befriend. The film is a re-imagination of a novel by Newbery award-winning author Kate DiCamillo and follows a young boy named Peter (Noah Jupe) and his search for his long-lost sister Adele (Pixie Davies). 

As the title suggests,

“Boston Strangler” Production Designer John Goldsmith Recreates a City’s Nightmare

There’s an entire film genre known as Boston movies, many of which are lampooned for their mangled accents. Good Will Hunting and The Town are two of the best, owing in large part to homegrown talents Ben Affleck and Matt Damon.

Boston Strangler, which debuts March 17 on Hulu, can be added to the short list of movies that get many things about Boston right.

“The Fabelmans” Oscar-Nominated Production Designer Rick Carter Gets Personal With Steven Spielberg

Veteran production designer Rick Carter art-directed the first Avatar, won an Oscar for his work on Forrest Gump, designed two Star Wars films, and collaborated with Steven Spielberg on ten movies ranging from Jurassic Park to Lincoln. Last month, Carter earned his fifth Oscar nomination for designing Spielberg’s autobiographically inspired The Fabelmans.

In contrast with much of his previous work,

“The Last of Us” Production Designer John Paino on Building a World in Ruins

“I’ve noticed an uptick in mushroom articles,” production designer John Paino jokes. So have I, actually, but it might be a case of being suddenly aware of the ubiquity and centrality of fungi to the living world ever since HBO’s The Last of Us premiered. The series, based on the critically acclaimed video game by Naughty Dog, asks us to look afresh at the fungus and fear. It presents a world in which fungi,

“Sick” Production Designer Jenny Möller Builds the Lake House From Hell in Peacock’s Peak Pandemic Slasher

Slashers don’t take sick days, even during a lockdown. Leave it to Scream writer Kevin Williamson to give us more to fear than the virus in Peacock’s Sick, which takes us back to the peak of the COVID pandemic. Best friends Parker (Gideon Adlon) and Miri (Bethlehem Million) quarantine together at a luxury lake house, but their isolation is interrupted by a masked killer.

Production Designer Jenny Möller rolled back the clock to an eerie experience we all shared –

“Babylon” Production Designer Florencia Martin Conjures Hollywood’s Decadent Early Days

She designed Paul Thomas Anderson’s flashback to 1970s-era L.A. in Licorice Pizza and shaped the fifties look inhabited by Marilyn Monroe in Blonde. Now, production designer Florencia Martin takes viewers back to 1920s Hollywood in Oscar-winning writer/director Damien Chazelle’s Babylon, which immerses Margot Robbie’s Nellie LaRoy and Brad Pitt’s Jack Conrad in the gloriously decadent early days of silent film. Chazelle, a stickler for authenticity, shot at Old Hollywood locations,

Best of 2022: “Black Panther: Wakanda Forever” Production Designer Hannah Beachler Reveals Her Guide to Talokan

It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list.

When Chadwick Boseman died unexpectedly after leading the cast as the title character in 2018’s Black Panther, it shocked and saddened the world. There was, understandably, some doubt as to whether a sequel could succeed without him. What director and co-screenwriter Ryan Coogler did with Wakanda Forever,

Best of 2022: Getting Sea Sick With “Triangle of Sadness” Production Designer Josefin Åsberg

It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list.

Satirical black comedy Triangle of Sadness, writer/director Ruben Östlund’s first English-language feature, debuted at the 2022 Cannes Film Festival, where it won the Palme d’Or. The Swedish auteur is known for 2014’s Force Majeure and The Square, which in 2017 also won the Palme d’Or and was nominated for a Best Foreign Language Film Oscar.