Could This Fall be the Best Film Season in Years?
There are major themes being explored in film in the coming months, in what looks to be a diverse and deeply challenging (in a good way) season of releases. Just going by the excitement of audiences at TIFF, there is reason to hope that we’re looking at one of the most quality-packed stretches in recent cinematic memory.
The plots are diverse, the casts are a mix of globally renown stars and newcomers, but the themes are universal.
What’s it Like to be a Science Advisor for Alfonso Cuarón’s Upcoming Gravity?
In Alfonso Cuarón’s upcoming film Gravity (opening Oct. 4), George Clooney and Sandra Bullock play an astronaut and a medical engineer stranded in space.
Cuarón reportedly spent five years perfecting the look of scenes set in zero gravity, but figuring out how to film floating actors was just one of many technical details necessary for a movie set entirely in space. And one key player in the film’s accuracy never stepped foot on the set.
Singing for his Supper: 7 Questions With Icon John Waters
How many of us can say we really did it our way? Frank Sinatra sure seemed like he did. Who else? Who else seemed to not only live the life they wanted to lead, but a life that was in many ways counter to the way everybody else was doing it? Sinatra certainly did it his way, but he was hardly an outlier—he had a whole pack.
You know whom I’m driving towards,
A Q&A With Producer & Filmmaking Powerhouse Christine Vachon
Christine Vachon is one of the most important film producers in New York. She has maintained close relationships with a bevy of influential filmmakers while shepherding some of the most challenging, dark and often beautiful films into the world. She has helped provide a voice for directors who might otherwise have been marginalized—she has helped provide some of the juiciest (and most harrowing) female roles to actresses from Julianne Moore to Cate Blanchett to Hillary Swank,
Talking With Legendary Director William Friedkin
William Friedkin, legendary director of The French Connection (1971), which won him the Best Director Oscar, and The Exorcist (1973), one of the greatest horror films of all time, recently published his memoirs, The Friedkin Connection, a candid look at his early life and his long movie career.
We caught up with him as he was touring the country to promote his book,
Talking to Jane Lynch About her new Film Afternoon Delight
Since premiering at this year’s Sundance Film Festival, writer-director Jill Soloway’s provocative comedy about sex, marriage and finding oneself, Afternoon Delight, has garnered praise (Soloway won best director at this year's Sundance Film Festival) — with many singling out Jane Lynch’s performance as one of the fest’s best. Afternoon Delight follows Rachel (Kathryn Hahn), a hip, Silver Lake, California, mom with a lackluster sex life, who takes in a homeless stripper (Juno Temple) to spice things up.
Creativity in Hollywood: Film Visionaries On Creative Process And Inspiration
Unlike most films and television shows, inspiration is not available on-demand. In the highly creative realm of movie-making, a good idea can catapult careers, spark motion picture franchises, and make cinematic history.
Inventing the next film can mean laying the groundwork for brilliant movies and television, from Inception, Taxi Driver, The Master, or Edward Scissorhands.
Of course, caveats abound.
The World’s End: What’s Behind our Apocalypse Obsession?
Edgar Wright’s The World’s End (premiering August 23) is not the first, second, third or fourth film to come out this year about an apocalyptic or post-apocalyptic world. A cursory glance of 2013's film slate would suggest we are currently suffering from a collective panic attack about our prospects on the planet. This is the End, World War Z,
Your Big Break: Hollywood Studio Programs for Emerging Writers
How hard is it to make it as a screenwriter in Hollywood? Watch the Coen brothers Barton Fink or Billy Wilder’s Sunset Boulevard or last year’s Seven Psychopaths for a clue. All three films focus on a struggling screenwriter. All three, while wildly different and wonderfully perverse (in their own specific ways) get at the beating black heart of the unknown screenwriter’s soul—that your soul is for sale, so long as you can get your script made.
George Mastras on Writing & Directing One of Breaking Bad’s Best Episodes
George Mastras has been a criminal investigator for the public defender’s office in Washington D.C., a counselor at a juvenile correctional facility during the crack epidemic of the 1990s, a litigator in New York, and a defense attorney in Los Angeles. Then he quit, bought a one-way ticket to China and backpacked around the world for two years. He wrote a novel while he was in Indonesia that was published by Scribner in early 2009 to very good reviews.
Writer/Director/Producer/Star Lake Bell on In a World…
In the dramedy 'In a World…', out August 9, writer/director/producer/star Lake Bell visits the voiceover industry as a newbie competing for the same gig as her industry-veteran father. Here, Bell, who has delivered memorable acting turns in such movies as No Strings Attached and It’s Complicated, talks about writing the script for her feature-film directorial debut, why she loves trailers, and what “voice” annoys her most.
The Credits: What insight can you offer about voices and accents?
HBO’s Casting By Shines a Light on Casting Legend Marion Dougherty
The Academy of Motion Picture Arts and Sciences recently announced the creation of a new casting director’s branch, finally elevating the women and men who provide films with that somewhat vital ingredient—the cast—to full membership. This comes after years of lobbying on the part of filmmakers and actors themselves to give casting directors their due.
The Academy's decision means that casting directors will get three seats on the board of governors,
An Evening With Filmmaking Icon Norman Jewison
Lauded filmmaker Norman Jewison may be as entertaining a storyteller in person as he is through film. Rocking New Balance sneakers, sunglasses and youthful exuberance at a July 22 event at the MPAA in Washington, D.C., the 87-year-old filmmaker regaled a delighted audience with tales from his more than four decades of historic success in the industry.
Jewison boasts a repertoire of films that have amassed a remarkable total of 46 Oscar nominations and 12 Oscar Awards.
Disasters in Space: Hollywood’s History of Co-Opting NASA’s Real Fears
In a way, outer space is like a vast movie screen–we project our hopes, our dreams, and our worst fears onto it. A lesser species might stare into the glittering stars and see randomness—we have been looking up at the night sky for millennia and have seen a near endless array of characters; lions, bulls, twins, a sea monster, a chained princess, a centaur–gods.
It’s no wonder, then, that space has been the setting for some of Hollywood’s most iconic movies—Stanley Kubrick’s 2001: A Space Odyssey,
The Rise of Shailene Woodley:The Spectacular Now Star Shines Bright
There are two actresses you want in your movies right now: Jennifer Lawrence, and Shailene Woodley.
While the former heads off once again to the Hunger Games, (Catching Fire premiers November 22) and rejoins her Silver Linings Playbook co-star Bradley Cooper in Serena (premieres October 31), the latter is poised to potentially follow in her footsteps.
Woodley stars in three upcoming films—each based on a young adult (YA) novel—and each offering her a very different character to inhabit.
From Gene Kelly to The Smurfs 2: A Brief History of Live Action & Animation
The Smurfs 2 , out today, is the latest in a long (very long) line of live action/animation films.
Sony Picture’s 3D family comedy centers on the evil wizard Gargamel’s (played in live action by Hank Azaria) most grotesque transformation yet—he’s become a celebrity (we jest). The newly famous Gargamel creates a host of Smurf-like creatures called the Naughties (including Christina Ricci, below, as Vexy), in order to harness that magical Smurf essence he’s coveted forever.
Narrative Darwinsim: House of Cards Showrunner Beau Willimon Gets Creative
Since shooting on House of Cards began just one year ago this month, Netflix’s debut series has been the focus of tremendous buzz and speculation—due in large part to its innovative distribution model, stars Kevin Spacey and Robin Wright, and executive producer and sometimes director David Fincher. But from the very beginning, it’s been 35 year-old showrunner Beau Willimon who has been in charge of completely overhauling the 1990 British miniseries of the same name and turning it into one of television’s most compelling and often prescient pieces of programming.
Workaholic Woody Allen: Five Decades & Counting of Unparalleled Production
In 1966, China became the first nation to synthesize Insulin, Walt Disney died, the first Star Trek episode “The Man Trap” aired, England won the World Cup (they haven’t won one since), and a young director by the name of Woody Allen released his first feature film, What’s Up Tiger Lily?
In the 47-years that have followed, Allen has essentially made a movie a year. He came along right when a slew of young directors were on the make—Steven Spielberg,
Editor Alisa Lepselter Talks Blue Jasmine, Her 15th Woody Allen Collab
After working as an Assistant Editor on movies for the likes of Martin Scorsese, Francis Ford Coppola, and Nora Ephron, and getting her break cutting Nicole Holofcener's first feature Walking and Talking (1996), Editor Alisa Lepselter, A.C.E. got the job of a lifetime—she cut Woody Allen’s Sweet and Lowdown (1999). Fifteen years later she is on her fifteenth collaboration with Allen for his newest movie, Blue Jasmine,
Comic-Con 2013: Meet Alan Villanueva, Costume Illustrator of Ender’s Game
Alan Villanueva is a costume illustrator who appeared on the Costume Designers Guild panel to talk about the changing world of costume in an era of HD and 3D. His first feature film was Oz the Great and Powerful, where he worked on Michelle Williams’ dress for the early black-and-white scenes, knowing that what she was wearing would have to translate into the color costumes she would wear in Oz.
