CinemaCon Day Four: The Rise of Women, Catching Fire & More
On the final day of CinemaCon, conference goers reveled in wonderful studio presentations from Fox and Lionsgate, in addition to soaking up one of the most thought-provoking panels of the week – the Geena Davis-helmed presentation on the pressing need for studios and distributors to heighten the profile of women at the movies. From sizzling studio showcases to an impassioned call for more diversity at the box office, today was the perfect bookend to a film-fueled week.
CinemaCon Showcase: Twentieth Century Fox’s Upcoming Film Releases
So we’ve gotten a peek at Paramount, Warner Bros., Universal Pictures, Walt Disney Studios, and Sony Pictures upcoming slate of films during our time at CinemaCon.
Here’s a trailer roundup for you from Twentieth Century Fox, which includes a good cross section of animation, comedies, and big-time action blockbusters.
Epic (May 24)
This 3D animated adventure directed by Chris Wedge and based on William Joyce’s children’s book “The Leaf Men and the Brave Good Bugs”
A Look at Four CinemaCon Award Winners & Their Epic Films
This week at CinemaCon at Caesar’s Palace it’s all about the film business—more specifically though, it’s all about the theater going experience, which is why a closer look at some of this year’s 15 honorees reveals a lineup of heavyweights whose movie careers aren’t simply noteworthy, they’re cinematic. (For the entire list of award winners, click here.)
While no one can dispute the value of the quiet comfort of watching a movie in your own home,
Scoring Giants: Mark Isham on Composing the Jackie Robinson Biopic 42
Let’s take a quick glance at some of the giants composer Mark Isham has worked with; Robert Redford, Brian De Palma, Jodi Foster, Robert Altman, and Sydney Lumet. In the music realm, his list includes; Bruce Springsteen, Willie Neslon, Joni Mitchell, The Rolling Stones, and Van Morrison. Yet there is one legend Isham has worked for (in a very different sense) that loomed even larger when he joined director Brian Helgeland’s team to take on Warner Bros.’
Veep‘s new VIP: Veteran Actress Mimi Kennedy Takes us Behind-the-Scenes of HBO’s Comedy
Mimi Kennedy pops up on the screen in the most unexpected places, but as an actor, writer and political activist that should be no surprise. She recently played the formidable madam in a house of ill repute in ABC's Scandal, Jason Segel’s tough talking mother on the big screen in The Five-Year Engagement and the soigneé mother-in-law-to-be in Woody Allen’s all-star cast of
Company Man: A Conversation with The Company You Keep Author Neil Gordon
“During the war in Vietnam, you were either for Jane Fonda or you were for John Wayne,” says Neil Gordon. The author and professor doesn’t remember where he first heard this maxim, but it perfectly sums up his feelings about one of the most tumultuous eras in our country’s history. Though he’s firmly on Team Fonda, Gordon’s 2003 novel The Company You Keep — and the big-screen political thriller it inspired —
The Midas Touch: From Mad Men and Breaking Bad to Copper, Christina Wayne’s on a Roll
You will not meet a lot of TV executives who were once writers and directors themselves. This might go some way in explaining how Christina Wayne, now the president of Cineflix Studios, has had such a keen eye when it comes to selecting incredible (and oft-overlooked) scripts and getting them made. Wayne’s credits include not one but two game-changing shows, Mad Men and Breaking Bad,
Cinematographer Anthony Dod Mantle Puts us in a Trance
Chances are you’ve seen the trailer to this weekend’s Trance, and while it may be an incredibly intense three minutes, you’re likely left with several questions. Fear not, many of them might never get answered. But that’s okay, according to the film’s director of photography, Anthony Dod Mantle. Trance tracks what is a largely internalized journey taken on by an art auctioneer-turned art thief (James McAvoy) forced to see a hypnotherapist (Rosario Dawson) to help him recall where he’s stashed his latest haul.
House of Sound: Composer Jeff Beal Talks David Fincher, Scoring Netflix’s Breakout Hit, and Jazz
When composer Jeff Beal heard that director David Fincher was involved in an intriguing television project with Netflix, he wanted in. That project was House of Cards, an original series starring Kevin Spacey as House Majority Whip Frank Underwood, a vengeful political animal with scores to settle. Fincher asked Beal to submit some musical sketches, and what Beal created ended up becoming the basis for the show’s theme,
The Sky’s the Limit: Cinematography’s Technological Revolution
Just as smart phones and tablets are changing the way we experience daily life, other technologies are dramatically shifting the cinematic landscape. Directors today can harness these tools in order to express their artistic vision on the screen as never before. We spoke with two of the most significant players in this field in order to find out what’s possible now, and what we can expect to see in the future.
3D moves beyond ‘next big thing’
By The Book: Literary Icons Flock to Hollywood
Los Angeles, arguably best known for its flagship status as a gateway to Hollywood and the film industry at large, has developed uncountable stereotypes for the culture that populates its traffic-clogged arteries. And while there might be too many LAisms to count (for starters: epic taco trucks, grass-scented juice bars, fuzzed-up band members sauntering down Sunset Boulevard, etc. etc.) those reserved for the film industry are particularly iconic misnomers. Among them, my favorite: the questioningly ambitious,
Writer-Director Derek Cianfrance on The Place Beyond the Pines
Ryan Gosling may have recently suggested that he is taking a break from acting, but fans can still find solace in this weekend’s release of The Place Beyond the Pines, a triptych that reunites him with Blue Valentine writer-director Derek Cianfrance.
The cops and robbers caper—costarring Bradley Cooper, Eva Mendes, and Ray Liotta—traces the ramifications caused when Gosling’s character, a drifter-cum-motorcycle stunt driver,
The Art of Armory: Chatting With Game of Thrones Costume Designer Michele Clapton
Emmy and BAFTA award winning costume designer Michele Clapton has perhaps one of the most demanding, and most fun, jobs in TV—she clothes the wild, epic world of HBO’s Game of Thrones. Clapton, who works in Belfast, Ireland, heads up a team of weavers, embroiderers and armorers as she creates the costumes, most of them from scratch (they have their own loom in which they weave the fabric) for a show unrivaled in its scope,
Triple Threat: Chatting With Film/TV/Video Game Composer Christopher Lennertz of NBC’s Revolution
Christopher Lennertz’s composing career has settled nicely across three mediums, making him one of the busiest musicians in Hollywood. His most recent film successes includes scoring a string star-studded comedies like Identity Thief, Think Like a Man and Horrible Bosses. For scoring TV, his credits include NBC’s new series Revolution, about a family struggling to reunite in a totally powerless American landscape–and we mean that literally,
The Art of Adaptation: Talking With Karen Croner, Admission Screenwriter
Best known for her adaptations of Olive Ann Burns’ Cold Sassy Tree and Pulitzer Prize winner Anna Quindlen’s One True Thing, screenwriter Karen Croner is, above all things, a writer’s screenwriter if there is such a thing. Croner’s first stab at comedy hits the screen this weekend in the ever-capable hands of Tina Fey and Paul Rudd in Admission. Focused largely on the nervous breakdown suffered by a Princeton University admissions officer played by Fey,
From Making Hats to 3D Cats: Self-Taught Animator TJ Nabors Helps Create The Croods
TJ Nabors has taken your typical road to becoming a top animator in Hollywood—she started out designing hats. She was in theater at the University of Texas, and was focusing on textiles and costume, when she took a particular shine to the creation of hats. "There was a distilled and theatrical power to transform the wearer," she says. The power to transform one thing into another would become a theme in Nabors professional life, as she transformed herself into a self-taught animator,
511 Days of Total Darkness: The Incredible True Story Behind the Documentary No Place on Earth
In 1993, shortly after the collapse of the Soviet Union, NYPD officer and caving enthusiast Chris Nicola set out to Western Ukraine to explore Verteba and the Priest’s Grotto Cave, one of the longest cave systems in the world. Inside the caves—dark, damp, and stifling, wholly inhospitable to human life—he found the unthinkable: buttons, shoes, a house key, artifacts of human habitation decidedly recent. Upon returning from the caves, his attempts at discovering the origins of these items led him to only the offhand comment from a local villager that,
Composer John Debney Answers The Call, and Goes Really Dark
Incorporating ‘found sound’ into his score for director Brad Anderson’s The Call, Oscar nominated composer John Debney wasn’t afraid to get weird. From slapping the tops of pianos to creating a bizarre engine revving sound for the film’s deranged lunatic, he took risks. The result is a truly unsettling soundscape–from the same man who wrote the score for Elf, no less.
The Call,
Meet William Corso, Oscar Winning Makeup Artist Behind The Incredible Burt Wonderstone
With a formidable resume that includes five Steven Spielberg movies (from Amistad to Munich), eight Jim Carrey movies (from The Majestic to this Friday’s The Incredible Burt Wonderstone), and dozens of film and television projects in between (from Jackass: The Movie to Grey Gardens), makeup artist William Corso has become one of the most esteemed—and in-demand—behind-the-scenes guys in Hollywood.
Eleven Very Short Answers From James Franco About his Upcoming Film, Bukowski
James Franco’s appearance at Sundance this year was a stunner. But then again the risk-taking renaissance man is accustomed to surprising his critics. At Sundance’s New Frontiers the actor/director/producer/visiting professor/writer presented his collaborative effort with gay filmmaker Travis Mathews. The graphic sixty-minute documentary Interior. Leather Bar, a hard core riff on the gay leather bar scene, and two other films, Kink and Lovelace,
