Interview

Producer

Making The Amazing Spider-Man 2, the Largest Production in New York History

Spider-Man’s home has always been New York City, but The Amazing Spider-Man 2 is the first of the comic book adaptations to be filmed exclusively in New York State. It’s also the largest, with locations that included not only Manhattan, Brooklyn, and Queens, but Long Island and upstate New York.

Shepherding the production were producers Avi Arad and Matt Tolmach. The industry veterans work together so closely, they finish each other’s’

By  |  April 29, 2014

Interview

Art Director

A Living, Dangerous Dorian Gray: For No Good Reason Celebrates England’s Wildest Cartoonist

Avey Tare gets Ralph Steadman.

The Animal Collective frontman has made no official statements regarding Steadman’s art, but regarding psychedelia he says, “it's always been about the combination of moods and how fast a mood can change. I think combining humor alongside something extremely dark is always appealing in the world of psychedelia.” He could just as easily be describing the gonzo cartoonist’s style, where exuberant satire blends with slapstick nightmare,

By  |  April 28, 2014

Interview

Producer, Screenwriter

Tribeca 2014: David Simon, Beau Willimon, Nate Silver & Anne Thompson Talk Stories

We all know that our shopping habits are fodder for various entities looking to target their advertising and increase their profits, but the same kind of Big Data is being used by media and entertainment entities, from HBO and Netflix to the New York Times and Fox News, to figure out who we are, what we read and watch, and what, perhaps, we want next. "Does betting on the ‘wisdom of crowds’ bode well or ill for future innovation in film,

By  |  April 25, 2014

Interview

Director

Tribeca 2014: Kelly Reichardt’s Tense, Thrilling Night Moves

A group of environmental activists watch a somber film about the slaughter of the planet. A woman’s voice narrates the horrors of mankind's insatiable greed—eroding beaches, melting ice caps, deforestation, and carbon emissions to name a few of our sins, with a call to action as well. "Let the revolution begin…for the future, for the people, and for the planet."

This film-within-the-film ends to a smattering of clapping. The filmmaker is present, and she's asked to answer questions from the group.

By  |  April 24, 2014

Interview

Director, Screenwriter

Tribeca 2014: Writer/Director Angus MacLachlan’s Goodbye to All That

Writer-director Angus MacLachlan’s Goodbye to All That includes one of the more frank and pathos-free sex scenes in recent memory. Otto Wall (Paul Schneider) and Mildred (Ashley Hinshaw), who recently met on the online dating service OkCupid, sit opposite one another on chairs, naked. They are describing, with exacting detail, what they’d like to do to each other. Otto’s wife has recently left him, and he’s experimenting for the first time in his life with online dating.

By  |  April 23, 2014

Interview

Actor, Director, Producer

One Mama Bear, Two Cubs, and Three Filmmakers: Disneynature’s Bears

The world of wildlife filmmaking has changed dramatically in recent years. BBC’s Planet Earth set a new standard. High-definition cameras, stunning aerial shots, and time-lapse photography gave viewers incredible access to animal behavior never before caught on film. Disneynature’s Bears, which includes veterans of those productions, takes a different tack. Yes, it’s filmed in HD, and the gyro-stabilized shots from helicopters are spectacular, but the family-geared film has a different goal.

By  |  April 21, 2014

Interview

Screenwriter

A Silicon God: Transcendence Screenwriter Jack Paglen’s Machine Dream

What is every budding screenwriter’s dream? How about having your screenplay land on the coveted Black List in 2012 (a selection of the best un-produced scripts in Hollywood) and, a scant two years later, premiere on the big screen with Johnny Depp, Morgan Freeman, Rebecca Hall and Paul Bettany as your stars, and serve as the directorial debut for one of the most gifted cinematographer’s of his generation, Wally Pfister. This is the reality for Jack Paglen,

By  |  April 18, 2014

Interview

Cinematographer, Director

Award Winning Documentarian Rachel Beth Anderson on Filming in Conflict Zones

Rachel Beth Anderson is a cinematographer-turned-director who has spent her career working almost exclusively in conflict zones. She was recently awarded the cinematography award for a U.S. documentary at Sundance, along with Ross Kaufman, for her work on E-Team, which followed a group of four Human Rights Watch workers documenting war crimes around the world.

Along with filming in SyriaAnderson has worked in Libya,

By  |  April 15, 2014

Interview

Composer

From The Dark Knight Rises to Divergent: Composer Junkie XL

Composer Tom Holkenborg goes by the name Junkie XL.  He is a musician, producer, engineer and composer with a tinkerer's compulsion to experiment. His collaboration with the legendary Hans Zimmer on The Dark Knight Rises led Zimmer to recommend him for the recently released blockbuster Divergent. Holkenborg began his music career at the ripe old age of four, when he started playing piano at the behest of his mother,

By  |  April 14, 2014

Interview

Director

Cleveland’s Flexibility Gives Captain America its Punch

In Captain America: The Winter Soldier, Steve Rogers (Chris Evans), the Black Widow (Scarlett Johansson), and Nick Fury (Samuel L. Jackson) spend some time at S.H.I.E.L.D. headquarters, the massive flying aircraft carrier where this crucial agency at the heart of the Marvel Comics Universe deals with the paranormal and superhuman threats to America. This time they're dealing with a foe potentially more powerful than the Captain—the eponymous Winter Soldier.

When directors Anthony and Joe Russo were scouting for a location that could serve as the grand lobby of this flying strategic command center,

By Bryan Abrams  |  April 11, 2014

Interview

Composer

Missing 87-Year old John Ford Film Upstream Found, Screened With Live Score

This past Monday, composer Michael Mortilla and Nicole Garcia brought a slew of instruments (a piano, violin, kazoo, handbell, even a bag filled with aluminum cans) and performed a live score accompanying a screening of the 1927 John Ford film Upstream. “My basic role is to provide a soundtrack for a film that never had a soundtrack,” Mortilla says. He and Garcia performed their Upstream score in front of a live audience in the screening room at the Motion Picture of Association’s headquarters on Eye Street in Washington D.C.

By  |  April 10, 2014

Interview

Actor

The Future of Mad Men‘s Secondary Characters

On April 13th, the seventh and final season of Mad Men premiers on AMC. It's been a long, wild ride. Just think, a mere six seasons ago Don Draper was happily married to Betty, Peter Cambell was a brash and ambitious young buck, Peggy was a secretary, and Sterling Cooper was still a thing. The world around them had barely heard of the Beatles. Who could have guessed then where they would be now?

By  |  April 9, 2014

Interview

Stunt Coordinator/Stunt Person

The Sports Coordinators on Upcoming Draft Day & Million Dollar Arm

Spittin’ and cussin’ and scratchin’ like a Major Leaguer doesn’t take a whole lot of skill for an actor. But hitting a home run when the director calls “action!” and making it look easy? That’s a whole other story. Enter the sports coordinator. These former top jocks train onscreen talent how to swing for the fences, catch a touchdown pass, or sink a game-winning jumper at the buzzer and convince audiences it’s athletically legit.

“I”m like a stunt coordinator but with sports,”

By  |  April 8, 2014

Interview

Composer

Captain America: The Winter Soldier’s Composer Henry Jackman on Scoring a Superhero

The versatile Henry Jackman follows his scores for Seth Rogan's apocalyptic comedy End of the World and the animated NASCAR-racing snail film Turbo with a full-on superhero, Marvel's Captain America: The Winter Soldier.  He took time for an interview to talk about the superhero who finds himself something of a Rip Van Winkle, dealing with a world more than 60 years after he was frozen in WWII.

How do you approach a score for a superhero? 

By  |  April 4, 2014

Interview

Art Director

Painting a Renaissance Masterpiece From Scratch for The Grand Budapest Hotel

Renaissance painter Johannes van Hoytl the Younger (1613-1669) worked in solitude. Known for his use of light and shade, as well as his attraction to the lustrous and velvety, the painter was particularly un-prolific and a financial failure. Yet, van Hoytl nevertheless produced up to a dozen of the finest portraits the world has ever seen.

He also never existed.

In 2012, director Wes Anderson approached 62-year-old British portrait artist Michael Taylor with a unique challenge: create a fictional Renaissance painting—not too Italian and with a bit of a northern spin—for his upcoming film,

By  |  April 2, 2014

Interview

Director, Producer

Elaine Stritch: Shoot Me Director Chiemi Karasawa’s Rising Star

Although she’s being heralded as a breakout director for the acclaimed documentary Elaine Stritch: Shoot Me, Chiemi Karasawa is no overnight sensation. The California native moved to New York the day after she graduated from Boston University’s film program and began working for a film producer. She apprenticed as a script supervisor, then worked for many years in that position on numerous films including High Fidelity, The Taking of Pelham 1 2 3,

By  |  April 1, 2014

Interview

Director

Talking With Diego Luna About Directing Cesar Chavez

Directing his second feature, and his first in English, Mexican actor Diego Luna turned to one of the most admired figures in recent history: Mexican-American labor leader Cesar Chavez. In the 1960s Chavez co-founded the United Farm Workers, organized an historic grape boycott, and led a 300-mile march from Delano to Sacramento, California that drew global attention to the plight of migrant farm workers.

Michael Pena stars in the biopic that focusses on Chavez’s early years,

By  |  March 31, 2014

Interview

Actor, Director, Screenwriter

Noah: Artistically Ambitious, Economically Advantageous

At first blush, it appeared that Noah represented writer/director Darren Aronofsky’s first real foray into pure big budget spectacle. The indie auteur that burst onto the scene with his twitchy, unsettling debut Pi, only to follow that up with one of the most breathtakingly devastating cinematic depictions of addiction in many years with Requiem for a Dream, was now going big budget CGI in the retelling of the Biblical story of Noah's ark on a grand scale.

By  |  March 28, 2014

Interview

Actor

CinemaCon 2014: 20th Century Fox & Warner Bros. Tout Strong Women, Big Monsters

Funny, smart and tough women abound in 20th Century Fox’s upcoming slate of films. Three of them will be making appearances today in CinemaCon to tout their films—Cameron Diaz and Leslie Mann for their revenge comedy The Other Woman and current Divergent star Shailene Woodley for the adaptation of the beloved YA book The Fault in Our Stars.

Cameron Diaz and Leslia Mann have proven their comedic acting chops time and time again,

By  |  March 28, 2014

Interview

Stunt Coordinator/Stunt Person

How to Shoot Stunts & Action on a Budget

The stunts in the recent Liam Neeson action flick Non-Stop were breathtaking, thanks to the work of stunt coordinator (and Neeson body double) Mark Vanselow. In the upcoming Divergent, fight coordinator J.J. Perry helped turned Shailene Woodley into a credible action heroine. There will be more wild sequences on display in Noah, Darren Aronofsky's very singular take on the Biblical story in which he had his stars,

By  |  March 20, 2014