“The Man Who Fell to Earth” Creator Jenny Lumet Turns an Iconic Alien Tale Into a Modern Epic

The new Showtime limited series The Man Who Fell to Earth is inspired by the 1963 novel and subsequent 1976 cult classic of the same name. Highly anticipated, it is created by award-winners Jenny Lumet and Alex Kurtzman, of Star Trek Discovery and Strange New Worlds. In this story, Chiwetel Ejiofor stars as an alien called Faraday on an urgent mission to save his homeworld. He tracks down genius scientist Justin Falls (Naomie Harris) who somehow holds part of the secret to saving both his world and ours.

Nicole Kassell on Producing & Directing HBO’s Devilish New Comedy/Horror “The Baby”

Shooting a television series under any circumstance is arduous at best. But when your title character is too young to even walk, it certainly increases the degree of difficulty. Producer/director Nicole Kassell discovered this fact quickly on her latest project, The Baby, a sly horror/comedy created by Siân Robins-Grace and Lucy Gaymer. 

“Even with everything I’ve already done before, I think this might have been the hardest shoot I’ve ever done,” says Kassell during a recent Zoom interview.

“Everything Everywhere All At Once” Actress Stephanie Hsu on Landing the Role of a Lifetime

It’s very difficult to describe Everything Everywhere All At Once, the new genre-busting indie from writer/directors Dan Kwan and Daniel Scheinert, collectively known as Daniels. It’s a multiverse sci-fi brain twister, an action movie with Hong Kong-style fighting, and a moving family drama about a mother and daughter. It’s about existential dread, love lost and found, and, of course, the importance of paying your taxes correctly and on time. Michelle Yeoh is at her career-best as matriarch Evelyn Wang,

“Morbius” Scoring Mixer Jason LaRocca on Sinking His Teeth Into Marvel’s Vampire Antihero

After suffering throughout his childhood from a rare blood disorder, Michael Morbius (Jared Leto) heads into the Costa Rican jungle and cuts his hand open, thereby trapping a swarm of vampire bats. The bats are the final key to the brilliant doctor’s cure, which, as we can guess by the fact that these particular bats are highly attracted to blood, means that anyone who takes said cure will themselves also come to be highly attracted to blood.

“The Dropout” Composer Anne Nikitin Takes a Synthetic Approach to Elizabeth Holmes’s Treachery

Hulu’s limited biographical series The Dropout, which stars Amanda Seyfried as Theranos founder Elizabeth Holmes, has been getting rave reviews for both Seyfried’s performance and for its sharp take on the shocking real-life story of corporate and personal hubris. The show follows Holmes from her beginnings as an ambitious college student with Steve Jobs as her role model, through her attempts to develop healthcare technology, and then to her astonishingly fast rise to fame and fortune as CEO of a billion-dollar company.

“Winning Time” Co-Creator Jim Hecht on His Love Letter to the Lakers

Jim Hecht‘s road to co-creating Winning Time: The Rise of the Lakers began in 2014. Hecht was, by his own admission, at a low point, and he was looking for a project that really spoke to him. During his daily meditation, which he admitted with the qualifier “this sounds very LA,” he had a thought: “You gotta stop writing sh*t that you think other people would want to see and start writing the show that you would want to watch.”

Behind-the-Scenes With Five Female Singaporean Creators

“The last three years were an eye-opener because of the pandemic,” said Michelle Chang, managing partner at Singapore-based Mochai Chai Laboratories. “We are the post-production house at the tail end. If the producers stop producing, we are dead. The good thing was my business partner Chai Yee Wei has the foresight of not putting all our eggs in one basket. He has built a digital restoration lab. As luck would have it, a lot of distributors came to us because streaming platforms were buying catalog content and they need to up-convert into a compatible format for the streamers.

“The Last Days of Ptolemy Grey” DP Shawn Peters on Lensing Samuel L. Jackson’s Rare TV Performance

Based on Walter Mosley’s eponymous novel, The Last Days of Ptolemy Grey portrays 91-year-old Ptolemy (Samuel L. Jackson), a lonely widower suffering from Alzheimer’s, as he undergoes a transformation thanks to Robyn (Dominique Fishback), the teenage daughter of a family member’s friend, and an experimental new drug, offered at a beyond questionable clinic.

Jackson, who rarely takes on television projects, is sublime as the limited series’ Papa Grey: by turns helpless,

“The Lost City” Editor Craig Alpert on Finding Big Laughs With Sandra Bullock & Channing Tatum

The laugh-out-loud adventure comedy The Lost City, starring Sandra Bullock and Channing Tatum, found its way atop the box office. Directed by the Nee brothers Aaron and Adam, the punchy comedy delightfully entertains as Bullock plays a successful romance writer who has been kidnapped by an obsessed treasure hunter played by Daniel Radcliffe, who believes the world in her latest novel is real and wants her to help find it. It’s up to Tatum,

“NITRAM” Director/Producer Justin Kurzel Casts a Lens on a Shocking Tragedy

In 1996, Australia was rocked by a mass shooting in the small, peaceful community of Port Arthur, Tasmania. The horrific incident took the lives of 35 innocent people and injured 23, and remains among the country’s greatest national tragedies. 

Director-producer Justin Kurzel (True History of the Kelly Gang, The Snowtown Murders) reunites with screenwriter Shaun Grant to explore the events that led to the mass shooting in the IFC Films release,

“The Wheel of Time” Cinematographer David Moxness on Lensing Amazon’s Lush Fantasy Epic

Amazon Prime’s sprawling sci-fi saga The Wheel of Time was one of the streamer’s big hits in 2021, and also one of its biggest swings. Adapted from Robert Jordan’s sweeping fantasy novels (14 in all), The Wheel of Time arrived on Prime and swiftly became the most-watched series premiere of 2021 and one of the top 5 series launches for Prime Video, ever. The interest stemmed from the love for Jordan’s source material,

Getting Intentional With Jeanne Mau, SVP of TV Programming Diversity, Equity & Inclusion at NBCUniversal

Jeanne Mau joined NBCUniversal only seven months ago, in a new position that was tailor-made for her skill set and experience. The former Senior Vice President of Global Inclusion at ViacomCBS is now NBCUniversal’s Senior Vice President of TV Programming Diversity, Equity & Inclusion. Mau’s position has her overseeing diversity, equity, and inclusion initiatives across NBCU’s vast television and streaming brands. It’s a thrilling opportunity for someone who has been doing the work for 20-years. 

How “Morbius” Production Designer Stefania Cella Creates a Brooding Vibe

Stefania Cella has suddenly become one of Marvel’s favorite production designers, more than happy to sink her teeth into Jared Leto’s much anticipated rogue scientist saga Morbius (opening April 1). She also designed the studio’s Moon Knight (March 30) and, at the moment, Cella’s in Atlanta working on Marvel’s much-anticipated Blade reboot. 

Immersing herself in comic book IP has been “challenging,”

Chatting With WarnerMedia’s Senior Vice President of Equity & Inclusion Karen Horne

Karen Horne has been working to amplify the voices of underrepresented communities for more or less her entire career. WarnerMedia’s Senior Vice President of Equity and Inclusion Programs has been creating results-oriented programs across a wide swath of the entertainment, sports, and news divisions for more than two decades. “I’ve always wanted to work in this field,” Horne says of her work. “Also, I’ve never had a plan B.”

The pipeline programs Horne has implemented at WarnerMedia since 2020 alone have been crucial,

“The Eyes of Tammy Faye” Oscar-Nominated Hair & Makeup Team on Helping Chastain Channel Faye

Come this Sunday at the 94th Academy Awards ceremony, Linda Dowds, Stephanie Ingram, and Justin Raleigh may all win their first gold statuette for hair and makeup. The makeup department head, hair department head, and head special makeup effects artist, respectively, are nominated for The Eyes of Tammy Faye, the biopic starring Jessica Chastain, nominated for lead actress, and Andrew Garfield as the renowned and scandal-ridden evangelists Tammy Faye and Jim Bakker.

Oscar-Nominated “The Power of the Dog” Editor Peter Sciberras on Building Unbearable Tension

Jane Campion’s tense, character-driven Western, The Power of the Dog, is a critical favorite and Oscar frontrunner. The film’s vast landscapes (shot in New Zealand, much to the chagrin of actors not involved with the movie) are a backdrop to a slow-moving family melodrama: sweet and earnest George (Jesse Plemons) marries widowed Rose (Kirsten Dunst), bringing out the worst in Phil (Benedict Cumberbatch), George’s volatile, curiously standoffish brother. 

The brothers are also partners in a successful ranch,

Oscar-Nominated Re-Recording Sound Mixer Paul Massey on “No Time To Die”

“When I started out, I had no objective whatsoever to become a re-recording mixer,” says Paul Massey, who may well be the most accomplished accidental Oscar winner in history. Growing up in London, Massey played trumpet in wedding bands, worked at a recording studio and then, he says, “I made a slow, totally unintentional transition to film post-production.”

Like Ridley Scott, one of his most frequent collaborators, Massey, Academy Award winner for Bohemian Rhapsody,

Oscar-Nominated “Dune” Screenwriter Jon Spaihts on Decoding Frank Herbert’s Tome

For Dune‘s Oscar-nominated screenwriter Jon Spaihts, the opportunity to help Denis Villeneuve find a way to crack the elusive code to adapting Frank Herbert’s magisterial, meaty sci-fi tome came at a funny time. “I’d decided I wanted to focus on a personal project that I’d direct myself, so I told my reps, ‘No new jobs,'” Spaiths says. “Then my agent called and said Denis Villeneuve is doing Dune, and I said,

Oscar-Nominated “Dune” DP Greig Fraser on Taming an Epic Sci-Fi Beast

Denis Villeneuve is the director to finally tame a film version of Dune, Frank Herbert’s 1965 sci-fi novel that, over the decades, accidentally spawned a cottage industry of unsuccessful visual projects (see: David Lynch’s 1984 Dune, the SyFy channel’s attempt in 2000, and Alejandro Jodorowsky’s Dune, which never saw the light of day). Casting Timothée Chalamet as young prince Paul Atreides and Zendaya as Chani of the Fremen,

How the Oscar-Nominated “tick, tick…BOOM!” Editors Evoked the Excitement of Live Theatre

The magic of live theatre is a precious element that is often elusive to the lens. Countless legendary Broadway performances have sparkled and faded in a night, rarely ever recorded. Even a long run of a popular musical will never see the exact same show cross the stage twice.

Many movie adaptations of musicals are enormous affairs with extravagant sets, costumes, and visual details that fill in the gaps that exist only in the imagination of a live audience.