“She-Hulk” Composer Amie Doherty on Blending Megan Thee Stallion With Marvel’s Orchestral Bombast
With 2021’s Spirit Untamed, composer Amie Doherty became the first woman to score a DreamWorks animated feature film. Known for her work on The High Note and Happiest Season, she has also made a name for herself as an orchestrator. Her most recent project is as the composer for the Marvel series She-Hulk, where she has combined the bombastic, orchestral Marvel style with a very modern and beat-driven aesthetic that gives the show its unique sound.
“Blonde” Director Andrew Dominik on Painting a Different Kind of Portrait of Marilyn Monroe
Visually, writer-director Andrew Dominik wanted to surface the iconic imagery of Marilyn Monroe for his fictional adaptation of Joyce Carol Oates’s Blonde (now streaming on Netflix.) What found its way to the screen is a nearly three-hour collection of novellas that poetically paint Norma Jean’s life from childhood to stardom.
“The big visual idea of the movie was to have it almost look like a Google search of Marilyn Monroe,” Dominik shares with The Credits.
“Super/Natural” Producer Tom Hugh-Jones on How His New Nature Doc Will Blow Your Mind
They call him Sarcastic Fringehead, and the gargoyle-like fish with its glow-in-the-dark inflatable mouth must be seen to be believed. A resident of the Pacific Ocean, Sarcastic Fringehead is just one of 40 or so naturally gifted characters filmed in their native habitats for National Geographic’s Super/Natural show. Executive produced by James Cameron with voice-over narration from Benedict Cumberbatch, the eight-episode series (which debuted on Wednesday, Sept. 21) features creatures great (elephants) and small (Mexican fireflies) as they engage in stranger-than-fiction survival skills.
“Don’t Worry Darling” Cinematographer Matthew Libatique on Creating a Sinister World Beneath the Surface
There’s a menacing unreality looming beneath the surface in Olivia Wilde’s Don’t Worry Darling that cinematographer Matthew Libatique (The Whale, A Star is Born) stitched together through a tapestry of largely subliminal clues, subconsciously pinning you to the story’s shocking twist.
Midsommar scene-stealer Florence Pugh steps into the role of Alice Chambers, a young housewife living her best life circa the 1950s.
“Moonage Daydream” Director Brett Morgen on Following David Bowie Down the Rabbit Hole
It’s a bit of a miracle that director Brett Morgen survived creating Moonage Daydream, his kaleidoscopic deep dive into David Bowie’s unique sound and vision.
Morgen was six months into editing the film, the first project that had the full cooperation of Bowie’s estate. But assembling the massive volume of footage, some of it never before seen, was taking its toll on the filmmaker.
“It was traumatic because we’d run out of funding,
“The Woman King” Fight Choreographer Jénel Stevens on Raising a Warrior Army
There’s a reason that the battle sequences in The Woman King look so authentic. The actors, from star Viola Davis on down, worked for months to get into physical shape to play an army of women warriors. They learned all the right moves from a team of expert trainers that included fight choreographer Jénel Stevens.
A New York-based personal trainer with an extensive martial arts background, Stevens made the transition to movie stunt performer in 2015.
“Confess, Fletch” Cinematographer Sam Levy Modernizes the Crime Caper
Being pegged as the main suspect in a murder may sound worrisome, but some cinematic shooting, scenic locales, and Jon Hamm’s charm can make such a predicament seem seductive, and Confess, Fletch both resurrects and modernizes the classic crime caper. Pulled from the pages of Gregory Mcdonald’s 1970s novels, Fletch now carries a smartphone, but still inhabits an atmospheric world of suspense and adventure.
Cinematographer Sam Levy strikes a noir tone with contemporary clarity.
Trainer Gabriela Mclain on Getting “The Woman King” Cast into Fighting Shape
Talk about reading the room: actress-producer Maria Bello pitched The Woman King directly to Viola Davis in 2015 while standing at the podium to present her with a Women Making History Award. Davis immediately embraced the fact-based story about General Nanisca, who, in the 1820s, led an army of fierce 19th-century women warriors from the West African kingdom of Dahomey (now Benin). On September 16, The Woman King opened with Davis in the title role alongside co-stars Thuso Mbedu,
“The Woman King” Costume Designer Gersha Phillips on Outfitting History’s Fiercest Female Army
Intensity and discipline were trademarks of the Agojie warriors who defended the African Kingdom of Dahomey in the 19th century. Their caliber of combat was so unmatched that one of their most unexpected traits often went undetected by their enemies.
“They fought with male warriors, so they would disguise themselves and look like men,” costume designer Gersha Phillips shared from her research. “There are several accounts of people who said when they came through their camp,
“The Woman King” Director Gina Prince-Bythewood on Her Singular, Sweeping Historical Epic
When director Gina Prince-Bythewood’s most recent film, The Old Guard, premiered on Netflix in July of 2020, the critically acclaimed action drama became one of the top 10 original launches in the platform’s history. Prince-Bythewood is following that with one of the most anticipated films of 2022, the historical epic The Woman King, the story of the Agojie, an elite all-female warrior unit charged with protecting the African Kingdom of Dahomey in the 1800s.
“The Woman King” DP Polly Morgan on Lensing Viola Davis in Gina Prince-Bythewood’s Thrilling Epic
A sweeping historical epic that blends intimacy and adventure is the kind of movie that The Woman King cinematographer Polly Morgan dreamed about making while growing up in West Sussex, England.
“My earliest memories were Close Encounters and Empire of the Sun. Spielberg captured my imagination like many of my generation,” said Morgan over the phone from the Toronto International Film Festival, where The Woman King had its world premiere.
Eric K. Thomas of “The Quintessential Gentleman” on Creating a New Kind of Space for Black Men
Eric K. Thomas was about to go to law school when an internship at a radio station gave him his first taste of the entertainment industry.
“I was like, before I cut this check [for law school] in terms of student loans, let me see if this is something that I actually wanted to do.”
What Thomas actually wanted to do, he found out, was create a space for Black men he didn’t see anywhere else online or on the magazine racks.
Going For Broke in HBO’s “Industry” With Cinematographer Federico Cesca
For fans of HBO’s Industry who relished its hyper-intensive peek into the world of international finance, the series’ return this August after an 18-month hiatus was like welcome news on the financial markets.
The ambitious hirers who survived the cutthroat trading floor in season one are upping their game as they fight to make their mark at Pierpoint & Co, the prestigious London-based investment bank. Harper Stern (Myha’la Herrold) is scoring points by currying the favor and business of Jesse Bloom (Jay Duplass),
How the Ebo Sisters Find Comedy in Megachurch Scandal Feature “Honk For Jesus. Save Your Soul.”
Honk For Jesus. Save Your Soul. came seemingly out of nowhere in January to become a breakout hit at the 2022 Sundance Film Festival, where Jordan Peele‘s Monkeypaw production company, Focus Features, and Peacock picked up the dark comedy. But in fact, the movie was a long time coming. Writer/director Adamma Ebo and her twin sister, producer Adanne, spent six years developing their 2015 short film of the same name.
Best of Summer: “Elvis” Composer Elliott Wheeler on The King’s Music & That Doja Cat Collab
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
The dazzling visuals of director Baz Luhrmann’s spine-tingling biopic of Elvis, which were beautifully shot by cinematographer Mandy Walker,
Best of Summer: How The “Westworld” Makeup Effects Team Built Body Doubles & More in Season 4
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
Every season of Westworld is an ambitious undertaking, requiring hundreds of talented artists to create HBO’s gorgeously wrought sci-fi puzzle box.
Best of Summer: “Ozark” Director Amanda Marsalis on Ruth, Wendy, and Bittersweet Goodbyes
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
When Ozark came to its bloody, sin-soaked end this year, you might have found yourself, Marty Byrd (Jason Bateman) style,
Best of Summer: “Stranger Things 4” Music Editor Lena Glikson on Cutting Kate Bush’s “Running Up That Hill”
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
From the get-go, Netflix hit Stranger Things has excelled in the art and craft of needle drops.
Marvel Studios Casting Director Sarah Finn on Finding the Heroes & Villains of the MCU
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
She’s arguably the most powerful casting director in Hollywood, working alongside Marvel Studios President Kevin Feige and his team along with numerous directors to populate 28 superhero movies that have so far earned more than $25 billion at the box office.
Best of Summer: Juliette Binoche on Driving a Tough Road in “Paradise Highway”
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season.
For writer/director Anna Gutto’s feature debut Paradise Highway, a trucker named Sally will do whatever it takes to keep her brother Dennis (played by Frank Grillo) alive long enough so that he can get out of prison and restart his life.
