“Stranger Things” Cinematographer Caleb Heymann on Season 4’s Monstrous Mayhem
*Spoilers below for the first seven episodes of season 4!
The first seven episodes — the last two are expected in July — of Stranger Things Season 4 go big. Hopper (David Harbour) is alive but in a Soviet prison. The kids are split up, with Eleven (Millie Bobby Brown) and Will (Noah Schnapp) living the opposite of a teenage dream out in California. The rest of the gang are still in Hawkins,
“Stranger Things” Casting Director Carmen Cuba on Finding Season 4’s New Faces
*There are spoilers for season 4 below, so proceed with caution if you’re not caught up!
With every new season of Stranger Things comes a new crop of teens to replace those ill-fated in prior seasons to the predations of the Upside Down that lurks under Hawkins. In addition, in Season 4, the show’s beloved original members are scattered across the globe, leaving room for new cast members to take on feature roles in Hawkins’ latest rescue.
“Severance” Production Designer Jeremy Hindle’s Dystopian Office Space
“Large room, four desks.” That’s the only description production designer Jeremy Hindle had to work with when he came up with this TV season’s most spookily immaculate office, as seen in Apple TV + series Severance. The high-concept sci-fi thriller, partially directed and executive produced by Ben Stiller from a script by first-timer Dan Ericson, centers on the tyrannical Lumon Industries corporation whose employees (played by Adam Scott, John Turturro, Britt Lower,
Bill Hader on Bringing Up “Barry”
For eight seasons, Bill Hader gained a legion of fans with the hilarious characters he brought to life on Saturday Night Live. Since then, his popularity has only grown with his Emmy-winning portrayal of the manic hitman/aspiring actor in the HBO series Barry. But to hear Hader tell it, performing wasn’t his initial goal. For as long as he can remember, he wanted to direct.
“Since I was fairly young…I would say 10 or 11 was when I first started to notice the ‘directed-by’ name,” Hader says during a recent Zoom interview.
Going to Flight School With “Top Gun: Maverick” Stars Glen Powell & Greg Tarzan Davis
Based on everything from the reviews to the overwhelmingly positive chatter online to the 5-minute standing ovation at Cannes, Top Gun: Maverick seems destined to become Tom Cruise’s biggest weekend opening in his career, which is saying something. For the sequel to the beloved 1986 film, Cruise, the film’s executive producer and star, waited until he had a great story and the right people in front of and behind the camera,
Going Down the Rabbit Hole With “Russian Doll” Editor Todd Downing
One of the best descriptions we’ve heard of Russian Doll, the consistently surprising, genuinely hilarious series from co-creator and star Natasha Lyonne, Leslye Headland, and Amy Poehler comes from the show’s most tenured editor, Todd Downing. Describing a moment in season two, episode six, “Schrödinger’s Ruth,” in which nearly every character who has been in the series shows up on a Subway platform in a crucial moment, Downing said he had a realization.
From “Moana” to “Lupin”: How the Tool “VoiceQ” Does Dubbing Right
It’s all about “lip flap” when it comes to quality voice dubbing for movies and TV. Voice actors make their living by synchronizing dialogue to the micro-movements that happen when on-screen characters open and close their mouths, AKA lip flap. Imprecise voice work results in cheesy-sounding foreign language adaptations. But voice dubbing, done right, has helped propel series like the Korean language Squid Game, Spanish-language Money Heist, and French-language Lupin to hit status in the United States.
“1883” Costume Designer Janie Bryant on Elsa’s Epic Journey
The farther west her family’s pioneer caravan travels, the heavier a burden customs become, narrates Elsa (Isabel May), the heroine of 1883 on Paramount+. Observant and headstrong, she is the missing link from the series Yellowstone, a presence felt but not seen. Over the course of this ten-episode prequel, we follow her family’s journey leading to their stewardship of Montana’s biggest ranch and to Elsa’s ignominious fate.
The Dutton’s arduous move from Tennessee begins thanks to Elsa’s father,
From “Pachinko” to “Severance,” Costume Designers Discuss Their Apple TV Series
Last Year, Apple TV+ won seven Creative Arts Emmys and landed four Primetime Emmy Awards. They have kicked off this year’s Emmy FYC season with a number of events that will take place at The Grove in Los Angeles.
Last Thursday evening (5/19) a panel of costume designers took the stage to pull back the creative curtain of their series. The artisans making the journey were Jane Petrie from The Essex Serpent,
“Russian Doll” Costume Designer Jennifer Rogien Travels Through Time in Style in Season 2
During Russian Doll’s first season, hapless downtown New Yorker Nadia (Natasha Lyonne) can’t escape her own birthday party. In Season 2, she finds herself trapped by missing laws of space and time yet again, except now she’s a full-on time traveler. Stepping onto the 6 train, she gets off in her own neighborhood in 1982, where, she is understandably disconcerted to learn that she is her mother, Nora (Chloe Sevigny). Just as she gets used to firsthand insight into Nora’s crappy relationships and pregnancy with her own self,
Composer René G. Boscio on Scoring Teenage Turmoil in “Emergency”
Carey Williams’s new film Emergency (premiering in theaters on May 20 and Amazon Prime Video on May 27) is billed as a comedy-thriller. But when college students Kunle (Donald Elise Watkins) and Sean (RJ Cyler), who are Black, and their buddy Carlos (Sebastian Chacon), who is Latino, find a drunk white girl they’ve never seen before passed out on the floor of their campus housing, it feels like Emergency is about to transform into straight horror.
“Moon Knight” Composer Hesham Nazih on Capturing the Sounds of Ancient Egypt, Modern Cairo, & Marvel Magic
Marvel’s Moon Knight recently concluded its first six-episode run (a second season is possible). Marvel’s latest Disney+ series centers on a mild-mannered British gift shop employee named Steven Grant (Oscar Isaac). Steven learns in the very first episode that he shares a body with an American mercenary named Marc Spector, who works as the human avatar for the ancient Egyptian god Khonshu (voiced by F. Murray Abraham). With the help of Steven and Marc’s mutual love interest Layla El-Faouly (May Calamawy),
“Moon Knight” Costume Designer Meghan Kasperlik on Minting a New Marvel Superhero
Moon Knight was a particularly intriguing challenge for costume designer Meghan Kasperlik. Coming off an incredible piece of work with her designs for the gritty crime series Mare of Easttown on HBO, where Kasperlik was key to helping Kate Winslet fully embody a detective in Delaware County, Pennsylvania (as a DelCo native, I remain amazed by this series on every level), Kasperlik plunged into the realm of superheroes,
“Doctor Strange in the Multiverse of Madness” Costume Designer Graham Churchyard Makes Marvel Magic
Directed by Sam Raimi, Doctor Strange (Benedict Cumberbatch) is back in Doctor Strange in the Multiverse of Madness, and he and Supreme Sorcerer Wong (Benedict Wong) speedily land an unexpected assignment — protect America Chavez (Xochitl Gomez), a teenage multiverse-traveler who can’t control her world-hopping powers. To keep his charge safe, Stephen turns to Wanda Maximoff (Elizabeth Olsen), who turns out to be living not in an apple orchard, busily mothering her twin boys,
“Operation Mincemeat” Director John Madden Slices Up A Delicious Spy Thriller
Writer Ben Macintyre’s book “Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory” lives up to its subtitle. The bizarre plan in question would barely be credible as the plot of a movie, let alone an actual piece of espionage history that really and truly did fool the Nazis and make an Allied victory possible. A sketch of that plan—doctor up a corpse to make it look like a high ranking British officer,
“Ozark” Editor Cindy Mollo on Cutting That Shocking Season Finale
*Spoilers for the final season of Ozark abound.
Cindy Mollo‘s big break came following a move to New York where she landed on the NBC show Homicide: Life on the Street editing a number of episodes throughout the ‘90s. “I’ve always worked with great writers,” Mollo says. “With Homicide, I learned from one of the best in the business, Tom Fontana, about how to put a story together,
“Winning Time” Showrunner Max Borenstein on Crafting an American Epic
Before Winning Time: The Rise of the Lakers Dynasty showrunner Max Borenstein sat down to write the show’s pilot episode, executive producer Adam McKay gave him one simple note: “Have fun with it.” Crammed with boisterous performances, Winning Time (its season finale aired this past Sunday, May 8, and is now renewed by HBO for a second season) does offer fun to spare but the series also brims with drama as it chronicles the betrayals,
“The Offer” Makeup Department Head Katy Fray Couldn’t Refuse
The limited series The Offer, now streaming on Paramount+, tells the deliciously dramatic story of how one of the greatest films ever made, The Godfather, almost never came to the screen. It is based on the memories of the film’s Oscar-winning producer Al Ruddy, here played by Miles Teller, and spans from the release of Mario Puzo’s bestseller in 1969, through the film’s production to its release in 1972. What makes the show so compelling is the spot-on portrayal of real-life figures important to the creation of Francis Ford Coppola’s deathless film to life.
Producer Autumn Bailey-Ford on Making Movies & Shows She Loves in Georgia
Autumn Bailey-Ford has been an independent film and TV producer working out of Georgia for the past 13 years. Originally from York, Pennsylvania, Bailey-Ford has worked her way up from production assistant—that invaluable, multifaceted job that has been the starting point to many successful film careers—to running her own studio…and co-running a second.
“I love film and TV,” Bailey-Ford says, reflecting on a career that began with her daydreaming as a little girl watching Bob Hope and Bing Cosby movies on Turner Movie Classics.
“The Survivor” Director Barry Levinson on His Astonishing Gut-Punch of a Film
Barry Levinson’s The Survivor is the type of film you fear you won’t be watching as much as enduring, as it’s centered on an unflinchingly brutal true story of a Holocaust survivor. A riveting Ben Foster plays Harry Haft, a Polish Jew who gets sent to Auschwitz in 1943. This, of course, was a death sentence, yet Harry manages to survive by inadvertently presenting himself as an intriguing source of entertainment for a pseudo-intellectual Nazi guard.
