Composer Jozef van Wissem’s Bloody Good Score for Only Lovers Left Alive
Jozef van Wissem’s score for Jim Jarmusch’s Only Lovers Left Alive is one of the reasons you walk out of that film in a kind of satiated trance. From the very beginning of the film to the last scene, music is a huge component of the story, and Wissem’s a huge reason it all works so well. Tom Hiddleston’s character, Adam, is a musician as well as a vampire.
Soundtrack Heaven: Inside Llewyn Davis, Her & More
Part of what we try to do on this site is introduce you to all the people who make movies. By that we mean all the people, as each film you see is a final product that was assembled by dozens, sometimes hundreds, of talented people.
Looked at a certain way, there's a Russian nesting doll quality to the medium—the director and the stars are the largest doll in the set,
Breaking Down Rom-Com Master Richard Curtis’s About Time
Richard Curtis wrote three of the most beloved romantic comedies of the mid 90s and early 2000s—in a remarkable string, he penned Four Weddings and a Funeral, Notting Hill, and Bridget Jones Diary (which he co-wrote with Helen Fielding and Andrew Davies). His directorial debut in 2003, Love Actually, which he also wrote, was an international success and helped create cross-pond love for fantastic actors like Bill Nighy, Chiwetel Ejiofor (now poised for an Oscar nomination for his starring role in 12 Years a Slave),
Comic-Con 2013: A Superhero’s Secret Weapon? Music
Iron Man’s got the Mark 42 armored suit and Wolverine has the claws, but both of these bad boys have something else to help them wow fans time and time again—great music.
Comic-Con started off, if not with a bang, with something better — a grand, sweeping, orchestral superhero movie score. The men who put music behind Marvel characters like Iron Man, Kick-Ass, Wolverine, and The Avengers spoke to the fans about the challenges of finding a musical equivalent to the grand sweep of characters and stunts that are themselves bigger than life.
An Insider Discussion on Film Scoring
Remembering the director is boss is key to working in the movie industry, according to music professionals.
“You have to yield to the director. You can only have one vision,” long-time movie music editor Dan Carlin told The Credits after a panel discussion on film scoring hosted by the MPAA in Washington, D.C. “That’s what unites a crew that’s putting together a movie.”
Carlin, whose four decades of movie credits as a music editor include The Last of the Mohicans (1992) and Bruce Almighty (2003),
Chatting with Super Composer Hans Zimmer About Man of Steel
According to a 2007 British survey Hans Zimmer is considered “one of the world’s 100 living geniuses.” He shares space on the list with the likes of Stephen Hawking, Prince and Philip Glass. Zimmer’s own list of achievements includes an Academy Award, several Golden Globes, Grammys, Lifetime Achievement Awards, a star on the Hollywood Walk of Fame, and dozens of film credits that attest to his significant contribution to many of the industry’s finest films.
Breaking Open the Piano: Making Weird Music With Atli Örvarsson
Atli Örvarsson grew up in the town of Akureyri, with a population of a little less than 18,000 people. Although a small town, Akureyri boasts a vibrant musical culture. It was the perfect incubator for young talent like Örvarsson, who was exposed to classical music, jazz, and rock and roll from a young age.
Örvarsson’s credits include The Pirates of the Caribbean series, the recent Hansel & Gretel: Witch Hunters,
Scoring Giants: Mark Isham on Composing the Jackie Robinson Biopic 42
Let’s take a quick glance at some of the giants composer Mark Isham has worked with; Robert Redford, Brian De Palma, Jodi Foster, Robert Altman, and Sydney Lumet. In the music realm, his list includes; Bruce Springsteen, Willie Neslon, Joni Mitchell, The Rolling Stones, and Van Morrison. Yet there is one legend Isham has worked for (in a very different sense) that loomed even larger when he joined director Brian Helgeland’s team to take on Warner Bros.’
House of Sound: Composer Jeff Beal Talks David Fincher, Scoring Netflix’s Breakout Hit, and Jazz
When composer Jeff Beal heard that director David Fincher was involved in an intriguing television project with Netflix, he wanted in. That project was House of Cards, an original series starring Kevin Spacey as House Majority Whip Frank Underwood, a vengeful political animal with scores to settle. Fincher asked Beal to submit some musical sketches, and what Beal created ended up becoming the basis for the show’s theme,
Triple Threat: Chatting With Film/TV/Video Game Composer Christopher Lennertz of NBC’s Revolution
Christopher Lennertz’s composing career has settled nicely across three mediums, making him one of the busiest musicians in Hollywood. His most recent film successes includes scoring a string star-studded comedies like Identity Thief, Think Like a Man and Horrible Bosses. For scoring TV, his credits include NBC’s new series Revolution, about a family struggling to reunite in a totally powerless American landscape–and we mean that literally,
Composer John Debney Answers The Call, and Goes Really Dark
Incorporating ‘found sound’ into his score for director Brad Anderson’s The Call, Oscar nominated composer John Debney wasn’t afraid to get weird. From slapping the tops of pianos to creating a bizarre engine revving sound for the film’s deranged lunatic, he took risks. The result is a truly unsettling soundscape–from the same man who wrote the score for Elf, no less.
The Call,
The Polymath: Chatting With John Ottman, Composer and Editor of Jack the Giant Slayer
Perhaps one of the most famous film sequences of the past thirty years was edited together in a living room using a splicer. By somebody who is also a composer. A composer who has gone on to score a slew of films (while somewhat begrudgingly continuing to edit, too), making him one of the few people in the film industry who is a professional at both of these demanding positions. John Ottman,
Look + Listen: The 2013 Grammys’ Film-Centric Nominees
While the film world braces for the onslaught of all-Oscars ephemera, we salute The Grammys for honoring one of the best unions in cinema: great movies and excellent music.
Please stop for a moment to ponder a time when movies were exclusively silent. No dialogue. No score. No foley. Just the thought makes us wince—and not because we can’t appreciate a good silent film once in a while. Rather, the realms of audio and visual seem to have been intrinsically born as one,
Rock and ‘Rolling!’ MoMA Retrospective Gifts NYC Fifty Years of The Rolling Stones on Film
It’s been fifty years since The Rolling Stones first shook the world and acquainted us with the famously unrestrained hips of Mick Jagger and the brooding eye-lined stare of perpetually funny-faced guitarist Keith Richards—not to mention the milder stage antics (but no-less tantamount musical prodigy) of present and past band members Charlie Watts, Ronnie Wood, Brian Jones, Mick Taylor and Bill Wyman.
And while The Stones may have introduced many to the svelte silhouette of too-tight pants,
36 Chambers of Cult: RZA Nails It With Roth and Tarantino-Presents Film, The Man With The Iron Fists
There is, arguably, no other group more defining of the 1990s counter-culture hip-hop wave that took America by storm than the Wu-Tang Clan. (For admittedly paltry proof, I can personally attest to wearing at least 3 copies of 36 Chambers bare in my stickered Discman.) But unlike other hip hop groups that settled their sights on fast money, easy women, and gang lore, the Wu-Tang Clan had a much more dynamic infatuation: kung-fu.
50 Reasons to Love James Bond
Last week marked the highly anticipated arrival of BOND 50 – the complete James Bond film collection showcasing all 22 classic titles on Blu-ray together for the first time ever, in one sleek collectable box-set. This Limited Edition set marks the debut of nine James Bond films previously unavailable in high definition Blu-ray and comes with a dossier of more than 122 hours of bonus features
Bond’s impact on our culture is such that the Museum of Modern Art in New York City is saluting her majesty’s favorite spy (for the second time,
Music and Movies: An Interview with Music Supervisor Randall Poster
Randall Poster from The Credits on Vimeo.
In this exclusive interview, The Credits chats with legendary music supervisor Randall Poster about Moonrise Kingdom, working with director Wes Anderson, and the importance of protecting creativity at all costs. And for more insight into where Randall Poster draws inspiration from, check out this iTunes playlist of his favorite tracks from movie scores:
