Listen to the Work of American Horror Story: Freak Show‘s Composer
It’s not like composer Mac Quayle got into this line of work exclusively to score seriously demented moments, but the Grammy® nominated musician has done just that for one of TV’s most wild shows. Quayle has written music for more than 30 films and television shows, and has made a name for himself as a dance re-mixer and multi-instrumentalist, but you might have encountered his work most recently on FX’s hit series American Horror Story: Freak Show.
Watch & Listen to Empire Composer Fil Eisler’s Favorite Scenes
Yesterday we published our interview with Empire composer Fil Eisler, and today we're going to take a look at two scenes Eisler chose as his favorite illustrations of what he brings to the show. Thanks to 20th Century Fox, who were kind enough to send us these clips.
Let's go through a few of your favorite scenes that you scored last season.
There’s a couple of scenes that I could use to illustrate the extremes of what the music can do.
Empire‘s Composer Fil Eisler on Scoring TV’s Best Show About Music
Empire was a big part of Fox's recent upfront presentation for reasons that are easy to parse. It was the number one series on TV, a smashing success for the network and invigorated the entire TV landscape. The upcoming season has been expanded to 18 episodes, and Fox announced that Alicia Keys, Lenny Kravitz and Chris Rock will be among the guest stars.
The appeal of Empire is obvious; the King Lear-like premise,
Composer Atticus Ross on Brian Wilson Biopic Love & Mercy & More
Atticus Ross is one of the most well respected composers working in film today. He is probably best known for the work he has done with two of his longtime collaborators; fellow musician and composer Trent Reznor and director David Fincher. Ross and Reznor's work on The Social Network earned them an Academy Award for Best Original Score and they grabbed a Grammy for Best Score Soundtrack for The Girl with the Dragon Tattoo won them a Grammy for Best Score Soundtrack.
Learn About Modern Film Composing With the Blair Brothers
On May 20, from 8:00am to 3:00pm, the film channel CreativeLive will unveil it's newest course in its' ongoing online global classroom for creatives; "Modern Film Composing," hosted by Will and Brooke Blair. The Blair Brothers will be coming off their latest premiere, Green Room, their second collaboration with writer/director Jeremy Saulnier after the outstanding Blue Ruin, which premiered at Sundance in 2014.
The Blair Brothers have worked in a variety of mediums.
Music Supervisors Sync Up For Pitch Perfect 2
Turns out, even music supervisors work better in harmony. Though most movies hire just one music supervisor, for the vocals-heavy Pitch Perfect Julia Michels and Julianne Jordan offered themselves up as a team to pick the songs and mash-ups for the a capella musical.
Since then, they’ve worked on four projects together, including DreamWorks Animation’s Trolls. Naturally, the duo reunited for Universal’s Pitch Perfect 2.
Starring the same a capella group three years later –with Anna Kendrick,
Lies, Illusions & Murder: A Look at True Story
Journalist Michael Finkel had a promising career ahead of him when he started at the New York Times Magazine, although his future was soon shattered by his own mistakes. Finkel was caught fabricating elements of his feature story “Is Youssouf Malé a Slave?” which looked at the life of the young, titular laborer on a cocoa plantation on the Ivory Coast. Although Malé was a real boy, it was revealed that Finkel had create the version you meet in the article from a composite of several boys he met,
Oscar-Nominated Composer Jóhann Jóhannsson on The Theory of Everything
When we spoke with composer Jóhann Jóhannson, he had just returned from performing a few pieces from his Oscar-nominated score for The Theory of Everything in a video interview published by USA Today. He was famished (he hadn’t eaten all day) and he was no doubt tired (he’d flown from Los Angeles to New York the day before, and was off to London the following day for the BAFTA awards,
Oscar Nominees Discuss Their Preparation – Part III
We’ve heard from nominees like directors Alejandro G. Iñárritu and Bennett Miller and actors Felicity Jones and J.K. Simmons, all discussing their preparation for tackling their subjects. Movies OnDemand put together these fantastic (and very brief) video interviews not just with the nominees, but with many of the serious contenders this year, including director Jon Stewart (Rosewater), composer Atticus Ross (Gone Girl) and actress Katherine Waterson (Inherent Vice).
2014 in Review: Lensers, Designers, Makeup Artists & More – PART II
The end of the year brings a few reliable reactions; promises to do x, y and z more consistently in the new year, reflection on all that you accomplished (and failed at, and regretted) this past year, and 'Year in Review' lists. Yesterday we published Part I of our look back at some of the filmmakers we interviewed in 2014. On Monday, we published an interview with cinematographer Robert Yeoman, looking back on his work in Wes Anderson's
2014 in Review: Portrait Artists, Sound Designers & More – Part I
As a wild year in film draws to a close, we’re looking back at some of the talented filmmakers we’ve had a chance to speak with, and all the ways they schooled on us how films really get made. Sound designers, construction crew managers, creature supervisors, production designers, a portrait artist (for Wes Anderson, naturally) and more (our first group of filmmakers are, admittedly, a bit more well known). Although these folks don’t really care how much attention they get,
A Most Violent Year Composer Alex Ebert
Singer-songwriter and composer Alex Ebert might still be best known as the front man for the band Edward Sharpe and the Magnetic Zeros, but his skill as a film composer is becoming more evident with each new J.C. Chandor movie. The director and the composer recently worked on their second film together, A Most Violent Year, which has already earned rave reviews and looks poised to cement Chandor’s status as one of the most ambitious young directors of his generation.
Music for the Mind: Composer Alexandre Desplat on The Imitation Game
Composer Alexandre Desplat has been nominated for six Academy Awards, starting with his work on The Queen in 2006. He bookended his take on the music beneath royal narratives with his nomination for The King’s Speech in 2010. He’s also the man behind the score for franchise blockbusters (Harry Potter and the Deathly Hollows, The Twilight Saga: New Moon), international sagas (Zero Dark Thirty,
From Scream to Snowpiercer: Composer Marco Beltrami
At the age of 30, composer Marco Beltrami was the composer on a little film by horror master Wes Craven called Scream. It was 1996, and it was the first horror film he had ever worked on. It was also the first horror film he had ever seen.
This might explain why his approach to the score didn't follow the typical conventions of horror, and might go some way to explaining how he's built his impressive career on his thoughtful, searching approach to a film without worrying about its'
The Middleburg Film Festival to Honor Two Below-the-Line Giants
The Middleburg Film Festival, at just two years old, offers a strong program of films and an appreciation for the many talented craftsmen and women who make them. This year, the festival is honoring two below-the-line filmmakers, our raison d'être, who are both giants in their field. The Credits is heading down to Virginia today to get in on the action.
The honorees are costume designer Colleen Atwood and composer Marco Beltrami. The Distinguished Costume Designer Award will be presented to Atwood on Friday night with a retrospective of her most memorable costumes, followed by a masquerade ball in her honor.
Interstellar’s Out of This World Crew
In a little over two weeks, on November 7, Christopher Nolan’s long awaited Interstellar will finally hit screens across the country. Jeff Jensen’s cover story for Entertainment Weekly uncovered a lot of juicy details which add up to what sounds like the director's most personal, and possibly ambitious, film yet. When Jensen was on set in October of 2013, the film's code name was Flora's Letter. As Jessica Chastain told Jensen at the time,
Composer Steven Price on Scoring Sacrifice in Fury
It’s a rare thing for a composer to begin work on a film before the film has wrapped. Rarer still for that composer to find himself on set, watching the action he will underlay with music unfold before his eyes. Yet very little about the making of David Ayer’s World War II film Fury was typical, and for Oscar-winning composer Steven Price (Gravity), this meant getting a chance to be a part of the filmmaking process as it was happening.
Drummer Antonio Sanchez Gives Birdman it’s Essential Beat
Comedy relies on timing, as everyone knows. For a comedy film (especially one as soulful as Birdman), the timing comes not just from the actors abilities to land a joke but from the way the film is edited. Skilled editors help create juxtapositions, perfectly timed cuts and unexpected shots that give a particular scene a lot of its comedic punch.
By now you likely know at least a bit about what
Longtime Collaborators Helped David Fincher Find Gone Girl
The New York Film Festival kicked off with the world premiere of David Fincher’s Gone Girl last Friday, and boy, did it deliver. Fincher’s directing chops are never in question, and Gillian Flynn’s novel is perhaps perfectly suited for his particular skill set. Gone Girl combines his instinctual way around pitch-black thrillers (Se7en, Zodiac, The Girl With the Dragon Tattoo), and offbeat, grimy comedies (Fight Club) and delivers 148 compelling minutes without any evident lull.
Composers Stand Out in Fall’s Most Exciting Films
Whiplash composer Justin Hurwitz recently told us that one his primary influences was legendary French musician Michel Legrand. "The early work he did during the French New Wave period, and on the Jacques Demy musicals, is some of my favorite film music ever. He's one of the most creative and inventive orchestrators alive."
This is coming from a creative and inventive orchestrator himself, who is a huge part of one of the most musically inventive films in recent memory.
