Sticking the Landing: 22 Jump Street‘s a Sequel Worth Seeing
21 Jump Street, directed by Phil Lord and Christopher Miller (the duo behind this year’s The LEGO Movie), came out in 2012 and was something of an unlikely smash hit. Unlikely in its odd couple lead pairing (comedy vet Jonah Hill and action-Adonis Channing Tatum), and unlikely in that there seemed to be little reason to reprise Stephen J. Cannell’s television series from the late 80s, remembered mostly as an early vehicle for Johnny Depp.
Damon Lindelof Returns to TV to for HBO’s The Leftovers
“Two percent doesn’t sound like much, but, two percent of the entire planet, of every person on it, that’s more than the world’s ten largest cities combined. That’s more than every death from every war in the 20th century. If every one of those people joined hands, they’d wrap around the world six times. It’s one hundred and forty million people. And like that…they were gone.”
The above quote comes from one of the clever,
Comedy Central’s Growing Roster of Female Showstoppers
If you haven’t watched any of Inside Amy Schumer on Comedy Central, you should start doing so immediately. Far from coming out of nowhere (Schumer’s been on Comedy Central in several capacities over the years, and finished fourth on NBC's Last Comic Standing), there are still many people in the country who haven’t heard of her, so watching her show can feel like witnessing the sudden birth of the total comedy package—like a foul-mouthed,
It’s 2014: Do You Know Where Your Mutants Are?
Just to be clear, the new X-Men movie, Days of Futures Past, is both a sequel and a prequel. It’s a sequel to the original film trilogy, since the older set of characters (the Patrick Stewart and Ian McKellan crowd) have already lived through the events of X-Men: The Last Stand. It’s also a sequel to the prequel/reboot X-Men: First Class, with its new generation of James McAvoy,
Mutants, Maleficent & Tom Cruise: Summer Blockbuster Season is Upon us
Godzilla thrashes and trashes his way into theaters this weekend, marking the unofficial start of summer blockbuster season (you could argue The Amazing Spider-Man 2 kicked off the increasingly earlier start to tent pole season on May 2). In the coming weeks, some of the year’s biggest films are hitting theaters, including mutants, mutating robots, turtles who are also mutants, Maleficent, Tom Cruise, monkeys riding horses,
Director Gareth Edwards, Producer Thomas Tull & Star Ken Watanabe Talk Godzilla
We combed through a few Godzilla round table interviews Warner Bros. recently uploaded to their press site in anticipation of the iconic monster's May 16 landfall, and have provided some choice quotes from three major players involved in the film—director Gareth Edwards, producer and Legendary Pictures Chairman and CEO Thomas Tull, and star Ken Watanabe.
DIRECTOR GARETH EDWARDS
On creating the look of Godzilla
"We imagined that sixty years ago,
Celebrating the Unsung Maternal Heroes of the Silver Screen for Mother’s Day
Mothers’ Day is this Sunday, and it’s come to our attention that, strange as it may seem, celebrities have mothers too. Some of them even have celebrity mothers. Though really, if you consider all the time, industry knowledge and innate talent that it takes to succeed in Hollywood, it makes sense that we see so many famous kids with famous parents (see Liza Minelli and Judy Garland) or sprawling thespian dynasties (see the Barrymores or Redgraves).
One Mama Bear, Two Cubs, and Three Filmmakers: Disneynature’s Bears
The world of wildlife filmmaking has changed dramatically in recent years. BBC’s Planet Earth set a new standard. High-definition cameras, stunning aerial shots, and time-lapse photography gave viewers incredible access to animal behavior never before caught on film. Disneynature’s Bears, which includes veterans of those productions, takes a different tack. Yes, it’s filmed in HD, and the gyro-stabilized shots from helicopters are spectacular, but the family-geared film has a different goal.
The Future of Mad Men‘s Secondary Characters
On April 13th, the seventh and final season of Mad Men premiers on AMC. It's been a long, wild ride. Just think, a mere six seasons ago Don Draper was happily married to Betty, Peter Cambell was a brash and ambitious young buck, Peggy was a secretary, and Sterling Cooper was still a thing. The world around them had barely heard of the Beatles. Who could have guessed then where they would be now?
Noah: Artistically Ambitious, Economically Advantageous
At first blush, it appeared that Noah represented writer/director Darren Aronofsky’s first real foray into pure big budget spectacle. The indie auteur that burst onto the scene with his twitchy, unsettling debut Pi, only to follow that up with one of the most breathtakingly devastating cinematic depictions of addiction in many years with Requiem for a Dream, was now going big budget CGI in the retelling of the Biblical story of Noah's ark on a grand scale.
CinemaCon 2014: 20th Century Fox & Warner Bros. Tout Strong Women, Big Monsters
Funny, smart and tough women abound in 20th Century Fox’s upcoming slate of films. Three of them will be making appearances today in CinemaCon to tout their films—Cameron Diaz and Leslie Mann for their revenge comedy The Other Woman and current Divergent star Shailene Woodley for the adaptation of the beloved YA book The Fault in Our Stars.
Cameron Diaz and Leslia Mann have proven their comedic acting chops time and time again,
Getting Schooled by Anna Deavere Smith on her HBO Documentary
Playwright, actress, and professor Anna Deavere Smith does not like to be precious about the work she has done with her students over the years. She’s bracingly honest and laid back about the time and effort she’s devoted to helping young people who dream of carving out a career like the one she has had. “It’s not so noble as sharing the craft,” she said when asked why she continues to teach well into a successful career as varied as it is impressive.
Honorary Academy Award Winner D.A. Pennebaker on the Award’s Beguiling Charm
When the late, great Peter O’Toole learned he was to receive an honorary Academy Award in 2002, his initial reaction caught Hollywood by surprise. The Irish-born wag, then 70, dashed off a letter to the Academy asking them to hold off on the honor until he was 80. “I’m still in the game and might win the bugger outright,” wrote O’Toole, who was counting on a future shot at winning a competitive Oscar after being shutout seven times.
In Their Words: Some of This Year’s Oscar Nominees on Their Craft, Part II
Yesterday we took a look at four filmmakers whose work has earned them an Oscar nomination (in Gravity cinematographer Emmanuel Lubezki's case, his sixth), sharing with you some of their thoughts on their craft. In one of the most anticipated Oscars in recent memory, it's refreshing to step back and reflect on exactly how these talented individuals created such memorable moments in such a fantastic year for film.
The Movies Behind the Study That Finds Movies Might Save Your Relationship
Valentine’s Day is a marketing ploy developed by cynical advertisers whose only aim is to separate suckers from their money. Valentine’s Day is an opportunity to show the person you love how much they mean to you, regardless of its origin. Valentine’s Day is a 2010 Gary Marshall film starring two Jessica’s (Alba, Biel), Bradley Cooper, Anne Hathaway, and about four thousand other famous actors that you were either dragged to see or dragged somebody else to see.
Sundance: Getting Low Down With John Hawkes & Elle Fanning
Elle Fanning is fantastic in Low Down, a film filled with superb actors. Fanning holds the center of a film as loose and atmospheric as the music it portrays, playing Amy-Jo Albany, the daughter of the brilliant, smack addicted jazz pianist Joe Albany (one of the best character actors in the business, John Hawkes.) It’s a beautifully shot film by experimental filmmaker and cinematographer Jeff Preiss about a perfectly ugly situation.
Sundance: Aubrey Plaza’s Deadly Turn in Life After Beth
Last year we interviewed Jeff Levine, the director of Warm Bodies, a zom-rom-com (excuse us) about a young woman and the zombie she falls for. The premise was fresh and the execution commendable. Julie (Teresa Palmer) finds herself falling for R (Nicholas Hoult), a zombie who still seems to retain some flicker of his sweet human soul.
In writer/director Jeff Baena’s directorial debut, Life After Beth, that premised is tweaked slightly,
Sundance 2014: Young Hellraiser Fuels Kat Candler’s Impressive Hellion
The first night in Sundance required a deep breath. The Credits is a little more than a year old, so this was our first year here and it’s all slightly overwhelming at the beginning. Although the Festival is a well oiled machine at this point (free shuttles, a slew of press and industry screenings to choose from, and now Uber, expensive as ever), for a first timer here it’s a lot to take in.
We got our bearings and that initial touch of anxiety melted away once the lights went down at the Holiday Village Cinema and the first chords of heavy metal sounded in Kat Candler’s Hellion.
Richard Linklater, Julie Delpy & Ethan Hawke on Their Before Trilogy
Eighteen years ago, Richard Linklater’s Before Sunrise was released in late January of 1995. Save for a few bit speaking roles sprinkled throughout the film—a pair of Austrian theater actors, a palm reader— every minute of screen time, and every word uttered, comes from a young American, Jesse (Ethan Hawke) and a young French woman, Céline (Julie Delpy), who meet on a train and impulsively decide to spend the next 24 hours together in Vienna.
Looking Back on Some of our Favorite Stories of 2013
When we launched The Credits a little more than a year ago, we aimed to shed a light on the many talented filmmakers who often don’t get much press for their work. While we’ve occasionally spoken to folks who need no introduction (John Waters, for example), most of the filmmakers we’ve focused on have a little less name recognition but a huge amount of talent. We interviewed a lot of people, so the below roundup is really just a taste—there were far too many people to mention in a single post.
