Interview

Special/Visual Effects

Master of Mayhem: Prosthetic Supervisor Conor O’Sullivan

There’s not a scratch, scrape, slash or bite mark he can’t create. Broken bones and severed heads aren’t a problem. Welts, warts, rashes and burns are perfectly doable. Whether you need prosthetics for a superhero, war hero, or son or daughter of Westeros, Conor O’Sullivan is your man. O’Sullivan doesn’t only work in the realm of gore—he’s also created one of the most famous noses in film history, turning Nicole Kidman’s perfect sniffer into Virginia Woolf’s more pronounced proboscis for The Hours, ...

By  |  July 23, 2014

Interview

Hair/Makeup

Hairstylist Aldo Signoretti Wigs Out on Set of Hercules

He’s done hair and makeup for the epic battles between ancient Greeks (Troy) and warring Mayans (Apocalypto). He’s created wigs for the sordid characters scheming and seducing their way through the 15th century Vatican (Borgias), 19th century gangsters vying for supremacy in the Five Points (Gangs of New York), and 20th century bohemians reveling and raving in a Paris cabaret (Moulin Rogue!) Along the way he’s notched three Oscar nominations (Moulin Rogue!,...

By  |  July 22, 2014

Interview

Cinematographer

Garrett Brown: An Interview With a Visionary—Part I

The major breakthrough moments in motion picture technology are fairly well known to the amateur film fan. There’s the advent of sound marked by the wondrous appearance of Al Jolson crooning “Mammy” in 1927’s The Jazz Singer. Technicolor, first developed around the same time, came into full bloom in the 1940s and 50s with the grand Hollywood Westerns and musicals. The first feature-length CGI movie was 1995’s Toy Story, which changed forever our expectations of animated storytelling...

By  |  July 21, 2014

Interview

Director, Screenwriter

Richard Linklater on his Masterful, Moving Family Epic Boyhood

It's hard not to be a Richard Linklater fan. Before Boyhood came out, we got the chance to sit down with him, Ethan Hawke and Julie Delpy to discuss their incredible 18-year odyssey making the Before trilogy.  They were, unsurprisingly, passionate about what it was they'd accomplished—they captured a single relationship and covered it, in nine year increments,  over 18-years. In Before Sunset, Jesse (Hawke) and Celine (Delpy) are young, bright, voluble strangers who meet on a train and impulsively spend 24-hours together in Paris...

By  |  July 18, 2014

Interview

Stunt Coordinator/Stunt Person

Hercules Stunt Coordinator Greg Powell Talks Epic Battles

Greg Powell was born to do stunts. “I’ve been doing stunts since I was fourteen, so that’s forty-five years now,” he says. “I wake up a little bit stiff in the morning, but that’s the name of the game, and I still enjoy it." His father, Frederick “Nosher” Powell, was a stuntman, actor and boxer—he was once was a sparring partner for Joe Louis, Sugar Ray Robinson and Muhammad Ali. Greg’s uncle Dennis, Nosher’s younger brother, was also a stuntman,...

By  |  July 16, 2014

Interview

Director

Monkey See, Monkey Do: Fifty Years of Politics Surrounding the Apes Franchise

The hype for Dawn of the Planet of the Apes is unavoidable. Rave reviews are already flooding the internet and much has been made about the cutting-edge motion capture technology that renders the apes shockingly realistic, but the parallels of violence and struggles for peace have also captured viewers’ attentions. The Apes movies have always served as allegories, influenced by the political, social, economic and environmental issues of their times,...

By  |  July 11, 2014

Interview

Actor, Director

Summer’s Pleasant Surprises

For those in the film prognostication business, this summer’s been a bit baffling. Many people assumed Tom Cruise’s Edge of Tomorrow would be a bust, and, regardless of it’s box office numbers, the film has been a critical smash. And Emily Blunt, Cruise’s ass-kicking co-star, is perhaps the most unexpected action hero of the summer.

It wasn’t terribly surprising that X-Men: Days of Future Past would be so good,...

By  |  July 10, 2014

Interview

Actor, Stunt Coordinator/Stunt Person

Evolving Man into Ape: Simian Choreographer & Actor Terry Notary

This summer’s most highly anticipated sequel, Dawn of the Planet of the Apes, packs a serious blockbuster punch: it has state-of-the-art digital effects, sweeping apocalyptic scenes, and a cast and crew of thousands. But one man alone is responsible for the most crucial element of the film—teaching actors to convincingly portray apes.

Actor and movement coach Terry Notary is Hollywood’s resident go-to ape expert, as well as one of the most sought after movement specialists in the business...

By  |  July 9, 2014

Interview

Director, Special/Visual Effects

Tech Evolution: The Wild Ambition of Dawn of the Planet of the Apes

When director Matt Reeves took the helm on Dawn of the Planets of the Apeshe wanted his apes, which would far exceed their numbers in Rupert Wyatt's excellent 2011 Rise of the Planet of the Apes, to have an even greater level of emotional reality. Reeves was starting fresh with an entirely new cast of humans, but he retained some crucial actors from Wyatt's film, including performance capture extraordinaire Andy Serkis and two other notable ape performers,...

By  |  July 8, 2014

Interview

Director, Screenwriter

Writer/Director David Cronenberg on Technology, Transformation & Money

David Cronenberg has a new short film , The Nest, that was recently commissioned by the International Film Festival in Rotterdam. The film is a single shot, 9-minute take in which a woman (Evelyne Brochu) is undergoing a surgery consultation with an unseen doctor (voiced by Cronenberg). The short doesn’t have any of Cronenberg’s trademark visual potency—nothing molts, explodes, or mutates—but what it does deliver, in spades, is his fascination with technology, insects and the transformation of the body...

By  |  July 7, 2014
On Set: The Crucial Role of the Production Assistant

When I was in film school all of my classmates had dreams of graduating and going on to edit a major action movie or write and direct the next AMC series. While those are great goals to work towards, the harsh reality is that production companies don't hire novices to fill major roles. You have to work your way up, and that usually means starting as a production assistant. And what you'll learn is the PA is both an absolutely crucial player behind the scenes of a film shoot and one of the hardest working members of the crew...

By  |  July 3, 2014

Interview

Actor

Comedy Power Couple: Ben Falcone & Melissa McCarthy Make Tammy

The Groundlings, the legendary improv group based in Los Angeles, recently celebrated their fortieth anniversary. This milestone coincides nicely with today's release of Tammy, a film created by two of their alums, Melissa McCarthy and Ben Falcone. The two met in the group (subsequently married), and are now poised to become the new power couple of comedy, joining Judd Apatow and Leslie Mann in the funny and married pantheon.

McCarthy and Falcone’s history of hysterical chemistry that began in the Groundlings and has carried on through the years in smaller projects,...

By  |  July 2, 2014

Interview

Production Designer

How Transformers Construction Coordinator Jonas Kirk Managed a Crew of 200

The role of the construction coordinator is a massive one. For Transformers 4: Age of Extinction, Jonas Kirk was the man responsible for the building and manufacturing of the massive sets the film required, which meant bringing in all the equipment, building and moving massive structures, managing the production budget and keeping his 200-man crew on schedule and on budget.

This was a tall order considering the production took place in Texas, Illinois, Utah and Washington. One of the more intricate construction projects the film required of Kirk and his team was the interior of the alien ship you see at 1:05 in the below clip:

“We had to build these parts that could be moved around on dollies and reconfigured,”...

By  |  July 1, 2014

Interview

Special/Visual Effects

Super Computing: Inside Industrial Light & Magic’s Wonder Emporium

We interviewed three different Industrial Light & Magic employees last week to find out how they helped create the visual splendor that is Transformers 4: Age of Extinction. We got so much out of the interviews we couldn’t fit it all in to last week's interviews, so we've compiled a lot of the hard facts on the magnitude of their computing powers for today's story, which have grown each year to keep up with the increasingly sophisticated computer-generated demands of directors like Michael Bay...

By  |  June 30, 2014
Barney Frank on Doc Compared to What, Hollywood, Politics, & More

By the time Barney Frank retired, he was one of the most beloved figures in Congress, and also one of the most vilified from a certain segment of the population. On the local level, especially in his Fourth District in southern Massachusetts, which includes the liberal Boston suburbs of Newton and Brookline, Frank was admired for his candor and respected for his commitment to his constituents. You don't get re-elected sixteen straight times without having earned the trust and respect of your district...

By  |  June 27, 2014

Interview

Special/Visual Effects

Two Industrial Light & Magic Wizards on Creating Destruction for Transformers

When your film centers around alien robot colossi laying waste to each other and their surroundings, it's pretty crucial that the wreckage look real. Two of the job titles responsible for making Michael Bay's latest carnival of destruction, Transformers 4: Age of Extinction, look realistic (and, in its way, beautiful) are the creature supervisor and the FX technical director, so we spoke to both, Michael Balog and Sheldon Serrao.

“My group deals with anything geometry based,” Balog says, the creature supervisor...

By  |  June 26, 2014

Interview

Special/Visual Effects

How Industrial Light & Magic Makes Transformers 4: Age of Extinction Shine

Michael Bay’s Transformers 4: Age of Extinction is the most technologically ambitious film in the franchise. Working again with Industrial Light and Magic, Age of Extinction showcases astonishingly fluid, realistic robotic shape-shifting—somehow they’ve managed to make robots transforming into vehicles and back again into a kind of visual poetry. Age of Extinction, which will be released in 2D, 3D, and Imax 3D, is the work of hundreds of people, with every scene,...

By  |  June 25, 2014

Interview

Director

More Winger, Please: Talking With Icon Debra Winger at Provincetown Film Festival

Debra Winger was recently the recipient of a lifetime achievement award at the 13th annual Transylvania International Film Festival. This was a mistake on the festival’s part. Of course Winger is worthy of an award, there’s just no need to give her one with the word “lifetime” attached to it. Winger reportedly told Michael Kutza, the founder of the Chicago International Film Festival and feature film jury president in Transylvania this year, that the festival would be wise to change the award’s name to “career”...

By  |  June 24, 2014

Interview

Director

Debra Winger & David Cronenberg Delight at Provincetown Film Festival

The 16th Annual Provincetown Film Festival (PFS) brought together iconic filmmakers, a beloved champion of LGBT rights (and much more), journalists and film lovers for another stretch of perfect weather and great cinema. Award winners David Cronenberg (Filmmaker on the Edge), Patricia Clarkson (Excellence in Acting), and Debra Winger (Faith Hubley Career Achievement) joined former congressman Barney Frank as some of the marquee names at the festival, along with, of course, John Waters, the festival’s guiding spirit. PFS is a showcase of new talent as well,...

By  |  June 23, 2014

Interview

Director, Producer, Screenwriter

Filmmaking on the Edge at the 2014 Provincetown Film Festival

The Credits is back at the Provincetown Film Festival, and we'd be lying if we said we weren't just a little bit thrilled. Last year, our first in Provincetown, was the type of introduction that will marry you to a place, and a festival, for life. We had the great fortune to spend some time with legendary filmmaker, writer, visual artist, wit and unofficial (but sort of official) Provincetown mayor John Waters. Interviews don't come much more enjoyable...

By  |  June 20, 2014