All Hail Mary: Three Minutes With Writer/Director Extraordinaire Mary Harron (VIDEO)

Mary Harron is probably most well know for taking Bret Easton Ellis’s notoriously gruesome novel, American Psycho, and adapting it for the big screen in 2000 as both writer and director. It has become a cult classic, cementing Harron’s status as a daring filmmaker with a penchant for taking difficult protagonists (some might argue despicable) and crafting compelling, often very funny, and ultimately challenging films around them. American Psycho was engulfed in controversy before the film even began principal photography—but Harron’s handling of Ellis’s graphic,

The Perfect Note: Oscar Isaac’s Inside Llewyn Davis Performance

Oscar Isaac has a long-overdue star-making role as the title character in the Coen brothers' new film, Inside Llewyn Davis, the story of one week in the life of a folk singer living in 1961 New York. T. Bone Burnett, who also worked with the Coen brothers on Oh Brother Where Art Thou? produced the soundtrack, which includes folk standards like "Fare Thee Well," "500 Miles" and Tom Paxton's "The Last Thing on My Mind." Isaac came to Washington D.C.

Harvard Professor Anita Elberse on Hollywood’s Smart Bet on Blockbusters

If you loved Gravity, All Is Lost, and 12 Years a Slave, Anita Elberse, author of "Blockbusters: Hit-making, Risk-taking, and the Big Business of Entertainment" has news for you—big budget spectacles like The Dark Knight, The Avengers, and the Harry Potter, Iron Man and The Hunger Games franchisees help create an environment at the studios in which those "smaller"

Thor’s Adewale Akinnuoye-Agbaje on Playing the Villain

Adewale Akinnuoye-Agbaje was born in London, the son of Nigerian immigrants.  He has a law degree and speaks four languages, but his intensity, deep voice and powerful 6'2" physique have him cast most often as a bad guy, from a fierce prisoner in HBO’s Oz to Heavy Duty in G.I. Joe: Rise of the Cobra. On ABC’s megahit Lost, Akinnuoye-Agbaje played the conflicted, beguiling Mr. Eko, who quickly became a fan favorite.

Brothers in Arms: Chris Hemsworth & Tom Hiddleston Talk Thor: The Dark World

For the last time, do not—repeat—do not leave the theater before the end credits are done scrolling in Marvel’s newest epic Thor: The Dark World. As any fan knows, Marvel has nearly created its own cottage industry of mid- and post-credit scenes that reward the patient moviegoer (shawarma ring a bell?) That being said, stay put till the lights come on, because this film is filled with enough action to have you white-knuckling the back of the seat in front of you—especially because of Thor and Loki’s shared plight—for most of its two hours.

Warner Bros. Recruits World’s Greatest Pickpocket, Apollo Robbins, for Will Smith Film

In 2001, the Gentlemen Thief, Apollo Robbins, was performing at a show at Caesar’s Palace, in Las Vegas. He was told former President Jimmy Carter was coming to the show, but, owing to Robbins profession, he wasn’t allowed to shake Carter’s hand. Instead, Robbins chatted up his Secret Service men. A few minutes later, he held up a copy of Carter’s itinerary, which an agent snatched from him and said, “You don’t have the authorization to see that!”

USC’s Paul Debevec‘s Role in The Matrix, Avatar, Gravity & More

Paul Debevec can rightfully claim that he has helped, in small ways and large, create some of the most technologically groundbreaking films of the last two decades. Debevec leads the graphics laboratory at the University of Southern California's Institute for Creative Technologies, and is a research professor in their computer science department. He is one of the most influential academics in the film world today.

Debevec’s research and technology have been used in The Matrix 

Directing Diana: Oliver Hirschbigel On His Princess Di Film

German director Oliver Hirschbiegel is no stranger to controversy. His 2004 Oscar-nominated film Downfall triggered rancor in the German press for its complex, humanistic depiction of Adolph Hitler, played by Bruno Ganz. Now Hirschbiegel faces another firestorm in Great Britain for Diana, a portrait of another larger- than-life figure: Diana, Princess of Wales, played by Naomi Watts. The British press has been vitriolic towards the film, which is based on the book “Diana: Her Last Love”

Janty Yates on Dressing Brad Pitt, Michael Fassbender & the Cast of The Counselor

Academy Award winning costume designer Janty Yates is a fashion time traveler. In her last 12 films (eight of which were with director Ridley Scott), Yates has designed clothes (and armor, and flight suits, and period piece suits, and…) for characters in ancient Rome (Gladiator, which earned her an Oscar), World War II era Europe (Charlotte Gray), 12th century Jerusalem (Kingdom of Heaven), 1970s New York (American Gangster),

A Bloody Good Job: Carrie’s Makeup Maestro Jordan Samuel

Makeup department head Jordan Samuel had quite a task in front of him when he joined director Kimberly Peirce and the filmmaking team behind Carrie. "Truthfully, blood itself is one of the most difficult things for a makeup artist," Samuel says, "and the more there is the more difficult it is."

Now, add to the amount of blood Samuel would be working with in Carrie to the fact that he was a major part of making sure they could pull of recreating one of the most iconic scenes in horror film history,

Diablo Cody Discusses Paradise, her Directorial Debut

Diablo Cody is still probably best known for her freshman outing as a screenwriter with Juno, back in 2007. After all, the smart, offbeat comedy-drama about a pregnant teenager earned the Illinois-born-and-bred scribe a flurry of ovations for her original screenplay, including an Oscar, a BAFTA and honors from the Writers Guild of America. But come October 18, Cody, who has since penned and produced Jennifer’s Body, Young Adult and Showtime’s United States of Tara,

Chatting with Jerry Ferrara About Last Vegas, Being Punched by De Niro, & More

In Last Vegas, which boasts the tagline, “It’s going to be legendary,” legendary actors Michael Douglas, Robert De Niro, Morgan Freeman and Kevin Kline play four old friends (literally) who throw a Las Vegas bachelor party for the only one of them who has remained single all these years. Call them The Wolf pack, 40 years later.

The movie, which hits theaters November 1, was directed by Jon Turteltaub (National Treasure,

Fighting Cancer With Music & Film: The Incredible Documentary No Evidence of Disease

How do you spread awareness about a disease killing 30,000 women a year that barely anybody talks about? Naturally, you start a band.

That’s what six gynecologic oncology surgeons from all over the country did when they created N.E.D., an acronym for ‘No Evidence of Disease.’ Initially created as a cover band to entertain their fellow doctors at a medical conference, the members of N.E.D. saw the potential to reach women using a medium that had been transmitting stories for centuries.

One of the Greatest Cinematographers Ever: Gravity‘s Emmanuel Lubezki

He is one of the greatest cinematographers alive, the man directors call when what they want has never been attempted. He has shot films for a slew of legends (Mike Nichols, Tim Burton, Michael Mann, Terrence Malick, Martin Scorsese, the Coen Brothers), but it’s Emmanuel Lubezki's relationship with his childhood friend from Mexico, director Alfonso Cuarón, that’s truly one of the great partnerships in the history of the medium. If this sounds overblown,

Paul Giamatti & Director Phil Morrison Talk All Is Bright, Paul Rudd & More

In All is Bright, Paul Giamatti and Paul Rudd play two Canadian former partners in crime who travel to New York to try and sell Christmas trees (“try” being the operative word). Giamatti is Dennis, who, out on parole after four years in the clink, finds out that his daughter think he’s dead and his wife is romantically involved with Rene, played by Rudd. Directed by Phil Morrison (Junebug,) the comedy also features the inimitable Sally Hawkins as a Russian immigrant who befriends Dennis.

Transformations: Matthew McConaughey & Jared Leto on Dallas Buyers Club

If the adage that dramatic weight loss or gain is the key to Oscar glory, then Matthew McConaughey and Jared Leto are shoo-ins this year. Both transformed their bodies to play characters battling AIDS at the height of the epidemic in Dallas Buyers Club. But there’s a whole lot more to their performances than just the physical changes they submitted their bodies to—the transformations helped each actor achieve a near spiritual connection to characters rarely seen in mainstream films.

Chatting With Director Jim Mickle of We Are What We Are

For a key scene in the new drama We Are What We Are (opened Sept. 27), director/co-writer/editor Jim Mickle found himself up a creek holding a pile of bones.

“At some point, I think it was myself, it was a bunch of PAs, it was the prop gang, it was the art department, everyone had a stack of bones and they were just upcreek, just throwing it into the water,”

Director Steve McQueen & his Actors Open up About 12 Years a Slave

There’s a reason they call it buzz. The electricity was visceral in the theaters as the lights came up. The after-shocks spread into the rooms where interviews took place. The reaction 12 Years a Slave elicited at the Toronto International Film Festival (TIFF)—stunned silence, shock, applause, was monumental. And just like that, British director Steve McQueen’s harrowing drama established itself as the Oscar front-runner, even before it won the fest’s top prize.

The film is based on the 1853 autobiography by Solomon Northup (played by Chiwetel Ejiofor),

Jake Gyllenhaal & Director Denis Villeneuve on Prisoners & Enemy

Scorsese has De Niro and DiCaprio. Steve McQueen has Michael Fassbender. Nicole Holofcener has Catherine Keener. Now Denis Villeneuve, whose 2010 Incendies earned a Best Foreign Language Film Oscar nomination, also has a muse: Jake Gyllenhaal. The actor teamed with the French Canadian director in two films that sparked plenty of buzz earlier this month when they screened at the Toronto International Film Festival.

The higher profile of their one-two punch is the thriller Prisoners,

Bras in Space: The Incredible True Story Behind Upcoming Film Spacesuit

"We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others,