Lighting Love & Tragedy: How “Love Story” DP Pepe Avila del Pino Crafted a Luminous ’90s Romance
As Emmy voting begins, “Love Story” is back in focus. Cinematographer Pepe Avila del Pino reveals how candlelight, vintage lenses, and a dreamy ’90s palette brought JFK Jr. and Carolyn Bessette’s romance— and its haunting end— vividly to life.
Building a Better Beast: Prosthetics & Special Effects Guru Barrie Gower on Evolving Vecna for “Stranger Things” Season 5
To bring Vecna back for “Stranger Things” Season 5, prosthetics designer Barrie Gower pushed practical effects to new extremes—blending silicone, 3D printing, and VFX to create a bigger, more terrifying monster while preserving Jamie Campbell Bower’s performance.
From “Star Wars” Superfan to Villain: Jonny Coyne on Playing Lord Janu Coin in “The Mandalorian and Grogu”
Jonny Coyne went from standing in line to see “Star Wars” to becoming part of its mythology. In “The Mandalorian and Grogu,” the veteran character actor embraces villainy as Lord Janu Coin—and reflects on acting, imagination, and working with Pedro Pascal.
Christopher Nolan’s “The Odyssey” Creating Mythic Demand for Tickets
Christopher Nolan’s “The Odyssey,” starring Matt Damon, Zendaya, and Anne Hathaway, is already driving unprecedented ticket demand. IMAX 70mm screenings sold out a year early, signaling another era-defining cinematic event.
From Bogart to Bold Color: How DPs Darran Tiernan and Peter Deming Captured Nic Cage’s “Spider-Noir”
Cinematographers Darran Tiernan and Peter Deming reveal how “Spider-Noir” blends classic black-and-white noir with bold color, crafting two distinct visual worlds for Nicolas Cage’s detective antihero.
“Spider-Noir” Colorist Pankaj Bajpai on Crafting Two Worlds—From Lush Color to Gritty 1930s Monochrome
For “Spider-Noir,” senior colorist Pankaj Bajpai set out to do something rare—build two complete visual worlds for one story. Inspired by classic noir films and modern comic-book vibrancy, Bajpai crafted both a richly textured black-and-white experience and a bold, “True-Hue” color version, ensuring Nicolas Cage’s 1930s-era vigilante resonates across eras, formats, and audiences.
How Kendrick Sampson Brought Quincy Jones to Life in “Michael” With Just Two Days Prep
“You have to leave enough space to let God walk through the room.” For Kendrick Sampson, that philosophy—shared by Quincy Jones himself—became the key to unlocking one of the most influential musical minds of all time in “Michael,” Antoine Fuqua’s sweeping portrait of the King of Pop’s rise.
“The Boroughs” Creators Jeffrey Addiss & Will Matthews on Creating an “Evil Cocoon” For Modern Audiences
Jeffrey Addiss and Will Matthews set out to make “The Boroughs” a love letter—to Amblin-era storytelling, practical creature craft, and the singular beauty of New Mexico. Anchored by Alfred Molina and an all-star cast, their eerie new Netflix series transforms a quiet retirement community into the site of a deeply human mystery, where grief, aging, and hidden monsters collide beneath a carefully constructed suburban façade.
“The End of Oak Street”: Anne Hathaway & Ewan McGregor Face Dinosaurs in Wild Thriller For David Robert Mitchell’s New Film
Imagine waking up in your quiet suburban home—only to discover your street now ends at a cliff and dinosaurs roam freely. In “The End of Oak Street,” Anne Hathaway and Ewan McGregor star in David Robert Mitchell’s high-concept thriller about a family forced to survive when their world slips into prehistory.
Inside “Widow’s Bay” Episode 6: DP Christian Sprenger on Building Tension With Light, Shadow & Silence
Christian Sprenger, the Emmy-winning DP behind “Atlanta,” brings his signature precision to “Widow’s Bay,” crafting a haunting standalone episode lit almost entirely by candlelight, where shadow and perspective pull viewers into Betty Gilpin’s unraveling world.
Paramount Lands “The Midnight Library” With Florence Pugh Set to Star
Florence Pugh is set to star as Nora Seed in “The Midnight Library,” Paramount’s adaptation of Matt Haig’s bestselling novel about a woman who discovers a mysterious space between life and death, where every book reveals a different path her life might have taken.
“The Mandalorian and Grogu” Animation Supervisor Hal Hickel on Reinventing Hutts and Building a Galactic Bestiary
Alien creatures have always been central to Star Wars, but “The Mandalorian and Grogu” pushes them to startling new extremes. ILM animation supervisor Hal Hickel reveals how his team transformed familiar species into tactile, breathing beings—reimagining Hutts as warriors, drawing from nature and mythology, and crafting creatures that audiences can practically feel.
Steven Spielberg’s “Disclosure Day” First Reactions: A Thrilling Sci-Fi Mind-Bender Supercharged by a Phenomenal Emily Blunt
We’ve made contact—first reactions to Steven Spielberg’s “Disclosure Day” have landed, and critics say the legendary director’s return to sci-fi is as thrilling, emotional, and awe-inspiring as anything in his storied career, with Emily Blunt delivering what many are calling her finest performance yet.
“The Testaments” Costume Designer Leslie Kavanagh on Building Gilead’s Chilling New Generation
In “The Testaments,” costume designer Leslie Kavanagh crafts a striking visual language for Gilead’s next generation, where color-coded uniforms, custom fabrics, and meticulous tailoring chart power, privilege, and control. Following Agnes (Chase Infiniti) and guided by Aunt Lydia (Ann Dowd), this new chapter reveals how beauty and brutality coexist—stitched together in every hem, hue, and silhouette.
“Lord of the Flies” Creator Jack Thorne on Reimagining a Timeless Classic in His Four-Part Heartbreaker
Jack Thorne first read “Lord of the Flies” at age 11—and it left him shaken. Decades later, he returns to William Golding’s classic with a haunting new adaptation that explores childhood psychology, inherited behavior, and the enduring dangers of power unchecked.
How Shirley Kurata Built a Surreal Fashion Playground for Keke Palmer in “I Love Boosters”
For costume designer Shirley Kurata, stepping into Boots Riley’s world of "I Love Boosters" meant embracing the unexpected. Blending thrift-store treasures, high fashion, and custom builds, she created a vibrant, maximalist wardrobe that mirrors the film’s surreal energy. From Keke Palmer’s bold designs to Demi Moore’s striking monochrome looks, every piece helps shape a world where style and storytelling collide.
“Passenger” Director André Øvredal on Designing a Demon You Can’t Outrun
For director André Øvredal, the terror at the heart of "Passenger" begins with something deeply familiar: the open road. But what starts as a universal experience quickly spirals into something far more sinister—a relentless, supernatural force that cannot be outrun. Øvredal explains how he grounded the film’s horror in physical reality, crafting a tangible villain, embracing practical effects, and transforming Washington’s diverse landscapes into a nightmarish American journey.
“The Late Show” Ends: Stephen Colbert Caps an Era With Paul McCartney and a Legendary Sign-Off
Stephen Colbert closed “The Late Show” with laughter, music, and a touch of the surreal, as Paul McCartney and a stage full of stars helped mark the end of a late-night institution.
“Is God Is” Writer/Director Aleshea Harris on Faith, Fury, and Igniting a Scorching Revenge Odyssey
Writer/director Aleshea Harris brings a blazing, genre-bending vision to “Is God Is,” a revenge road movie steeped in biblical myth and emotional fire. In adapting her own play, Harris crafts a singular cinematic experience—one where questions of fate, faith, and family burn just as fiercely as the story’s quest for vengeance.
“Lord of the Flies” Stars Winston Sawyers, David McKenna & Ike Talbut on Brotherhood, Brutality & Real Chemistry
The young stars of “Lord of the Flies” didn’t just act—they lived it. From sweltering heat and rugged terrain to a raw, improvisational approach encouraged by director Marc Munden, Winston Sawyers, David McKenna, and Ike Talbut reveal how they brought emotional truth to Netflix’s haunting adaptation of William Golding’s classic.
From “Star Wars” Superfan to Villain: Jonny Coyne on Playing Lord Janu Coin in “The Mandalorian and Grogu”
Jonny Coyne went from standing in line to see “Star Wars” to becoming part of its mythology. In “The Mandalorian and Grogu,” the veteran character actor embraces villainy as Lord Janu Coin—and reflects on acting, imagination, and working with Pedro Pascal.
Christopher Nolan’s “The Odyssey” Creating Mythic Demand for Tickets
Christopher Nolan’s “The Odyssey,” starring Matt Damon, Zendaya, and Anne Hathaway, is already driving unprecedented ticket demand. IMAX 70mm screenings sold out a year early, signaling another era-defining cinematic event.
How Kendrick Sampson Brought Quincy Jones to Life in “Michael” With Just Two Days Prep
“You have to leave enough space to let God walk through the room.” For Kendrick Sampson, that philosophy—shared by Quincy Jones himself—became the key to unlocking one of the most influential musical minds of all time in “Michael,” Antoine Fuqua’s sweeping portrait of the King of Pop’s rise.
“The End of Oak Street”: Anne Hathaway & Ewan McGregor Face Dinosaurs in Wild Thriller For David Robert Mitchell’s New Film
Imagine waking up in your quiet suburban home—only to discover your street now ends at a cliff and dinosaurs roam freely. In “The End of Oak Street,” Anne Hathaway and Ewan McGregor star in David Robert Mitchell’s high-concept thriller about a family forced to survive when their world slips into prehistory.
Paramount Lands “The Midnight Library” With Florence Pugh Set to Star
Florence Pugh is set to star as Nora Seed in “The Midnight Library,” Paramount’s adaptation of Matt Haig’s bestselling novel about a woman who discovers a mysterious space between life and death, where every book reveals a different path her life might have taken.
“The Mandalorian and Grogu” Animation Supervisor Hal Hickel on Reinventing Hutts and Building a Galactic Bestiary
Alien creatures have always been central to Star Wars, but “The Mandalorian and Grogu” pushes them to startling new extremes. ILM animation supervisor Hal Hickel reveals how his team transformed familiar species into tactile, breathing beings—reimagining Hutts as warriors, drawing from nature and mythology, and crafting creatures that audiences can practically feel.
Steven Spielberg’s “Disclosure Day” First Reactions: A Thrilling Sci-Fi Mind-Bender Supercharged by a Phenomenal Emily Blunt
We’ve made contact—first reactions to Steven Spielberg’s “Disclosure Day” have landed, and critics say the legendary director’s return to sci-fi is as thrilling, emotional, and awe-inspiring as anything in his storied career, with Emily Blunt delivering what many are calling her finest performance yet.
How Shirley Kurata Built a Surreal Fashion Playground for Keke Palmer in “I Love Boosters”
For costume designer Shirley Kurata, stepping into Boots Riley’s world of "I Love Boosters" meant embracing the unexpected. Blending thrift-store treasures, high fashion, and custom builds, she created a vibrant, maximalist wardrobe that mirrors the film’s surreal energy. From Keke Palmer’s bold designs to Demi Moore’s striking monochrome looks, every piece helps shape a world where style and storytelling collide.
“Passenger” Director André Øvredal on Designing a Demon You Can’t Outrun
For director André Øvredal, the terror at the heart of "Passenger" begins with something deeply familiar: the open road. But what starts as a universal experience quickly spirals into something far more sinister—a relentless, supernatural force that cannot be outrun. Øvredal explains how he grounded the film’s horror in physical reality, crafting a tangible villain, embracing practical effects, and transforming Washington’s diverse landscapes into a nightmarish American journey.
“Is God Is” Writer/Director Aleshea Harris on Faith, Fury, and Igniting a Scorching Revenge Odyssey
Writer/director Aleshea Harris brings a blazing, genre-bending vision to “Is God Is,” a revenge road movie steeped in biblical myth and emotional fire. In adapting her own play, Harris crafts a singular cinematic experience—one where questions of fate, faith, and family burn just as fiercely as the story’s quest for vengeance.
“Mortal Kombat II” Screenwriter Jeremy Slater on Johnny Cage, Kitana & the Perfect Finishing Move
Jeremy Slater approached “Mortal Kombat II” with a simple mandate: deliver the moments fans came to see. From brutal, inventive fight scenes to the emotional core of Johnny Cage and Kitana, Slater crafted a lean, relentless sequel designed to keep audiences locked in from the first blow to the final fatality.
From an Octopus’s Perspective to Paranoia: DP Ashley Connor on “Remarkably Bright Creatures” & “The Chair Company”
Ashley Connor doesn’t start with the camera—she starts with emotion. In “Remarkably Bright Creatures” and “The Chair Company,” the cinematographer crafts two radically different visual worlds, each grounded in character, psychology, and a shared search for human connection.
From Gaga & Madonna to Breakout Stars: Music Supervisor Julia Michels on Crafting “The Devil Wears Prada 2” Sound
Even veteran music supervisors can be stumped. When asked to distill her year-long sprint building the soundtrack for “The Devil Wears Prada 2,” Julia Michels needed time. Her answer—Michael Jackson’s “Working Day and Night”—captures the relentless pace behind a project that demanded she honor a beloved original while redefining what “Prada” sounds like two decades later.
Curry Barker’s “Obsession”: The Indie Horror That Turned L.A. Into a Nightmare Playground
Shot in just 20 days for under $1 million, “Obsession” turned writer-director Curry Barker into one of TIFF’s breakout filmmakers—transforming a simple premise into a dark, feverish crowd-pleaser that caught the eye of Focus Features and proved that scrappy indie horror can still erupt into something big.
“The Mandalorian and Grogu” Early Buzz: A Charming, Action-Packed Return to Theaters
First reactions to “The Mandalorian and Grogu” are in, with critics praising Jon Favreau’s charming, action-packed return to the big screen for Pedro Pascal’s Din Djarin and his Force-sensitive companion.
The Hunt for 007 Is On: Casting Director Nina Gold Leads High-Stakes Search for Denis Villeneuve’s James Bond
“The search for the next James Bond is underway,” Amazon MGM Studios said as Oscar-nominated casting director Nina Gold begins auditions for Denis Villeneuve’s upcoming film, setting the stage for one of the most high-stakes casting decisions in Hollywood.
Christopher Nolan Reveals Lupita Nyong’o’s Powerful Dual Role in “The Odyssey”
Lupita Nyong’o will play both Helen of Troy and Clytemnestra in Christopher Nolan’s IMAX‑shot epic “The Odyssey.”
James Gunn Adds Sinqua Walls to the Cast of “Superman: Man of Tomorrow”
Sinqua Walls has officially joined James Gunn’s “Superman: Man of Tomorrow,” now filming in Atlanta, as the DC Universe continues to take shape.
John Krasinski’s “A Quiet Place Part III” Has Begun Filming in New York City
John Krasinski confirms that filming has begun on “A Quiet Place: Part III,” bringing the Abbott family back into the silence.
Fashion, Power, and Print Under Pressure: How Screenwriter Aline Brosh McKenna Cracked “The Devil Wears Prada 2”
The Devil Wears Prada 2 begins with Anne Hathaway’s reporter character, Andy Sachs, getting fired by text just before taking the stage to accept a prestigious journalism award. A few days after the movie opened, a Washington Post editor watched her colleagues win a Pulitzer Prize for a story she’d worked on before being laid off via email. In this David Frankel-directed sequel, which opened to a whopping $77 million, the realities of a shrinking print media industry co-exist vividly alongside the still-glamorous New York City fashion world.
Lighting Love & Tragedy: How “Love Story” DP Pepe Avila del Pino Crafted a Luminous ’90s Romance
As Emmy voting begins, “Love Story” is back in focus. Cinematographer Pepe Avila del Pino reveals how candlelight, vintage lenses, and a dreamy ’90s palette brought JFK Jr. and Carolyn Bessette’s romance— and its haunting end— vividly to life.
Building a Better Beast: Prosthetics & Special Effects Guru Barrie Gower on Evolving Vecna for “Stranger Things” Season 5
To bring Vecna back for “Stranger Things” Season 5, prosthetics designer Barrie Gower pushed practical effects to new extremes—blending silicone, 3D printing, and VFX to create a bigger, more terrifying monster while preserving Jamie Campbell Bower’s performance.
From Bogart to Bold Color: How DPs Darran Tiernan and Peter Deming Captured Nic Cage’s “Spider-Noir”
Cinematographers Darran Tiernan and Peter Deming reveal how “Spider-Noir” blends classic black-and-white noir with bold color, crafting two distinct visual worlds for Nicolas Cage’s detective antihero.
“Spider-Noir” Colorist Pankaj Bajpai on Crafting Two Worlds—From Lush Color to Gritty 1930s Monochrome
For “Spider-Noir,” senior colorist Pankaj Bajpai set out to do something rare—build two complete visual worlds for one story. Inspired by classic noir films and modern comic-book vibrancy, Bajpai crafted both a richly textured black-and-white experience and a bold, “True-Hue” color version, ensuring Nicolas Cage’s 1930s-era vigilante resonates across eras, formats, and audiences.
“The Boroughs” Creators Jeffrey Addiss & Will Matthews on Creating an “Evil Cocoon” For Modern Audiences
Jeffrey Addiss and Will Matthews set out to make “The Boroughs” a love letter—to Amblin-era storytelling, practical creature craft, and the singular beauty of New Mexico. Anchored by Alfred Molina and an all-star cast, their eerie new Netflix series transforms a quiet retirement community into the site of a deeply human mystery, where grief, aging, and hidden monsters collide beneath a carefully constructed suburban façade.
Inside “Widow’s Bay” Episode 6: DP Christian Sprenger on Building Tension With Light, Shadow & Silence
Christian Sprenger, the Emmy-winning DP behind “Atlanta,” brings his signature precision to “Widow’s Bay,” crafting a haunting standalone episode lit almost entirely by candlelight, where shadow and perspective pull viewers into Betty Gilpin’s unraveling world.
“The Testaments” Costume Designer Leslie Kavanagh on Building Gilead’s Chilling New Generation
In “The Testaments,” costume designer Leslie Kavanagh crafts a striking visual language for Gilead’s next generation, where color-coded uniforms, custom fabrics, and meticulous tailoring chart power, privilege, and control. Following Agnes (Chase Infiniti) and guided by Aunt Lydia (Ann Dowd), this new chapter reveals how beauty and brutality coexist—stitched together in every hem, hue, and silhouette.
“Lord of the Flies” Creator Jack Thorne on Reimagining a Timeless Classic in His Four-Part Heartbreaker
Jack Thorne first read “Lord of the Flies” at age 11—and it left him shaken. Decades later, he returns to William Golding’s classic with a haunting new adaptation that explores childhood psychology, inherited behavior, and the enduring dangers of power unchecked.
“The Late Show” Ends: Stephen Colbert Caps an Era With Paul McCartney and a Legendary Sign-Off
Stephen Colbert closed “The Late Show” with laughter, music, and a touch of the surreal, as Paul McCartney and a stage full of stars helped mark the end of a late-night institution.
“Lord of the Flies” Stars Winston Sawyers, David McKenna & Ike Talbut on Brotherhood, Brutality & Real Chemistry
The young stars of “Lord of the Flies” didn’t just act—they lived it. From sweltering heat and rugged terrain to a raw, improvisational approach encouraged by director Marc Munden, Winston Sawyers, David McKenna, and Ike Talbut reveal how they brought emotional truth to Netflix’s haunting adaptation of William Golding’s classic.
From an Octopus’s Perspective to Paranoia: DP Ashley Connor on “Remarkably Bright Creatures” & “The Chair Company”
Ashley Connor doesn’t start with the camera—she starts with emotion. In “Remarkably Bright Creatures” and “The Chair Company,” the cinematographer crafts two radically different visual worlds, each grounded in character, psychology, and a shared search for human connection.
How Costume Designer Daniel Lawson Gave Carrie Preston’s “Elsbeth” a New York Glow-Up
“She uses her dress to disarm people… It’s her Trojan horse,” says costume designer Daniel Lawson. On “Elsbeth,” Carrie Preston’s brilliantly offbeat sleuth isn’t just solving murders—she’s doing it in bold colors, daring patterns, and a wardrobe designed to distract, delight, and ultimately deceive.
DP Charlie Gruet on Turning Tracy Morgan’s Comedic Genius Into Docu-Style Gold in “The Fall and Rise of Reggie Dinkins”
Cinematographer Charlie Gruet brings a documentary filmmaker’s eye to Tracy Morgan's “The Fall and Rise of Reggie Dinkins,” blending vérité camerawork, era-specific formats, and cinematic storytelling to create a world that feels as authentic as it is hilarious.
How DP Tari Segal Found Joy, Whimsy, and Intimacy in “Margo’s Got Money Troubles”
Cinematographer Tari Segal breaks down how intimacy, color, and intention shaped the buoyant visual language of “Margo’s Got Money Troubles.”
Designing Agnes’s Gilead: Martha Sparrow on Crafting Chase Infiniti’s World in “The Testaments”
Production designer Martha Sparrow reveals how symmetry, craft, and beauty shape the dangerous calm of “The Testaments.”
Marc Munden on Directing Kids in the Brutally Artful “Lord of the Flies”
More than seven decades after its publication, “Lord of the Flies” still speaks to the anxieties of the present day. Director Marc Munden explains how he reimagined William Golding’s novel as a four-part Netflix series—using first-time child actors, monsoon-drenched locations, and unsettling visual language to explore power, fear, and the fragility of democracy.
Production Designer Grace Yun on Power, Class, and Conflict in “Beef” Season 2
In Netflix’s “Beef,” production designer Grace Yun turns spaces into emotional fault lines—from a pastel‑drenched country club built on denial to minimalist interiors that radiate control, power, and quiet menace.
“Paradise” Season 2 Cinematographer Yasu Tanida on Reunions, Ruin, and Radiant California Light
For “‘Paradise’ Season 2,” cinematographer Yasu Tanida evolves the show’s visual language—moving from the controlled cold light of an underground bunker to the unruly beauty of the real world. Drawing on California’s unmatched sunlight and classic Hollywood technique, Tanida crafts moments of chaos, intimacy, and long-awaited reunion with striking emotional power.
War Takes Wing: “House of the Dragon” Season 3 Teaser Unleashes Fire, Blood, and Allegiance
The long-simmering Dance of the Dragons has finally caught fire. The Season 3 teaser for “House of the Dragon” barrels headlong into war, with Rhaenyra Targaryen’s claim strengthened by dragons, armies, and Daemon’s long-delayed loyalty, even as the Greens regroup under a wounded but vengeful Aegon II.
Black, White, and Brutal: Prime Video’s One‑of‑a‑Kind “Spider‑Noir” Unveils Official Trailer
Prime Video’s “Spider‑Noir” plunges Nicolas Cage into a shadow‑drenched 1930s New York, where a weary private eye hides a secret identity—and the city’s only superhero.
Lighting Love & Tragedy: How “Love Story” DP Pepe Avila del Pino Crafted a Luminous ’90s Romance
As Emmy voting begins, “Love Story” is back in focus. Cinematographer Pepe Avila del Pino reveals how candlelight, vintage lenses, and a dreamy ’90s palette brought JFK Jr. and Carolyn Bessette’s romance— and its haunting end— vividly to life.
Building a Better Beast: Prosthetics & Special Effects Guru Barrie Gower on Evolving Vecna for “Stranger Things” Season 5
To bring Vecna back for “Stranger Things” Season 5, prosthetics designer Barrie Gower pushed practical effects to new extremes—blending silicone, 3D printing, and VFX to create a bigger, more terrifying monster while preserving Jamie Campbell Bower’s performance.
From “Star Wars” Superfan to Villain: Jonny Coyne on Playing Lord Janu Coin in “The Mandalorian and Grogu”
Jonny Coyne went from standing in line to see “Star Wars” to becoming part of its mythology. In “The Mandalorian and Grogu,” the veteran character actor embraces villainy as Lord Janu Coin—and reflects on acting, imagination, and working with Pedro Pascal.
From Bogart to Bold Color: How DPs Darran Tiernan and Peter Deming Captured Nic Cage’s “Spider-Noir”
Cinematographers Darran Tiernan and Peter Deming reveal how “Spider-Noir” blends classic black-and-white noir with bold color, crafting two distinct visual worlds for Nicolas Cage’s detective antihero.
“Spider-Noir” Colorist Pankaj Bajpai on Crafting Two Worlds—From Lush Color to Gritty 1930s Monochrome
For “Spider-Noir,” senior colorist Pankaj Bajpai set out to do something rare—build two complete visual worlds for one story. Inspired by classic noir films and modern comic-book vibrancy, Bajpai crafted both a richly textured black-and-white experience and a bold, “True-Hue” color version, ensuring Nicolas Cage’s 1930s-era vigilante resonates across eras, formats, and audiences.
How Kendrick Sampson Brought Quincy Jones to Life in “Michael” With Just Two Days Prep
“You have to leave enough space to let God walk through the room.” For Kendrick Sampson, that philosophy—shared by Quincy Jones himself—became the key to unlocking one of the most influential musical minds of all time in “Michael,” Antoine Fuqua’s sweeping portrait of the King of Pop’s rise.
“The Boroughs” Creators Jeffrey Addiss & Will Matthews on Creating an “Evil Cocoon” For Modern Audiences
Jeffrey Addiss and Will Matthews set out to make “The Boroughs” a love letter—to Amblin-era storytelling, practical creature craft, and the singular beauty of New Mexico. Anchored by Alfred Molina and an all-star cast, their eerie new Netflix series transforms a quiet retirement community into the site of a deeply human mystery, where grief, aging, and hidden monsters collide beneath a carefully constructed suburban façade.
Inside “Widow’s Bay” Episode 6: DP Christian Sprenger on Building Tension With Light, Shadow & Silence
Christian Sprenger, the Emmy-winning DP behind “Atlanta,” brings his signature precision to “Widow’s Bay,” crafting a haunting standalone episode lit almost entirely by candlelight, where shadow and perspective pull viewers into Betty Gilpin’s unraveling world.
“The Mandalorian and Grogu” Animation Supervisor Hal Hickel on Reinventing Hutts and Building a Galactic Bestiary
Alien creatures have always been central to Star Wars, but “The Mandalorian and Grogu” pushes them to startling new extremes. ILM animation supervisor Hal Hickel reveals how his team transformed familiar species into tactile, breathing beings—reimagining Hutts as warriors, drawing from nature and mythology, and crafting creatures that audiences can practically feel.
“The Testaments” Costume Designer Leslie Kavanagh on Building Gilead’s Chilling New Generation
In “The Testaments,” costume designer Leslie Kavanagh crafts a striking visual language for Gilead’s next generation, where color-coded uniforms, custom fabrics, and meticulous tailoring chart power, privilege, and control. Following Agnes (Chase Infiniti) and guided by Aunt Lydia (Ann Dowd), this new chapter reveals how beauty and brutality coexist—stitched together in every hem, hue, and silhouette.
“Lord of the Flies” Creator Jack Thorne on Reimagining a Timeless Classic in His Four-Part Heartbreaker
Jack Thorne first read “Lord of the Flies” at age 11—and it left him shaken. Decades later, he returns to William Golding’s classic with a haunting new adaptation that explores childhood psychology, inherited behavior, and the enduring dangers of power unchecked.
How Shirley Kurata Built a Surreal Fashion Playground for Keke Palmer in “I Love Boosters”
For costume designer Shirley Kurata, stepping into Boots Riley’s world of "I Love Boosters" meant embracing the unexpected. Blending thrift-store treasures, high fashion, and custom builds, she created a vibrant, maximalist wardrobe that mirrors the film’s surreal energy. From Keke Palmer’s bold designs to Demi Moore’s striking monochrome looks, every piece helps shape a world where style and storytelling collide.
“Passenger” Director André Øvredal on Designing a Demon You Can’t Outrun
For director André Øvredal, the terror at the heart of "Passenger" begins with something deeply familiar: the open road. But what starts as a universal experience quickly spirals into something far more sinister—a relentless, supernatural force that cannot be outrun. Øvredal explains how he grounded the film’s horror in physical reality, crafting a tangible villain, embracing practical effects, and transforming Washington’s diverse landscapes into a nightmarish American journey.
“Is God Is” Writer/Director Aleshea Harris on Faith, Fury, and Igniting a Scorching Revenge Odyssey
Writer/director Aleshea Harris brings a blazing, genre-bending vision to “Is God Is,” a revenge road movie steeped in biblical myth and emotional fire. In adapting her own play, Harris crafts a singular cinematic experience—one where questions of fate, faith, and family burn just as fiercely as the story’s quest for vengeance.
“Lord of the Flies” Stars Winston Sawyers, David McKenna & Ike Talbut on Brotherhood, Brutality & Real Chemistry
The young stars of “Lord of the Flies” didn’t just act—they lived it. From sweltering heat and rugged terrain to a raw, improvisational approach encouraged by director Marc Munden, Winston Sawyers, David McKenna, and Ike Talbut reveal how they brought emotional truth to Netflix’s haunting adaptation of William Golding’s classic.
“Mortal Kombat II” Screenwriter Jeremy Slater on Johnny Cage, Kitana & the Perfect Finishing Move
Jeremy Slater approached “Mortal Kombat II” with a simple mandate: deliver the moments fans came to see. From brutal, inventive fight scenes to the emotional core of Johnny Cage and Kitana, Slater crafted a lean, relentless sequel designed to keep audiences locked in from the first blow to the final fatality.
From an Octopus’s Perspective to Paranoia: DP Ashley Connor on “Remarkably Bright Creatures” & “The Chair Company”
Ashley Connor doesn’t start with the camera—she starts with emotion. In “Remarkably Bright Creatures” and “The Chair Company,” the cinematographer crafts two radically different visual worlds, each grounded in character, psychology, and a shared search for human connection.
From Gaga & Madonna to Breakout Stars: Music Supervisor Julia Michels on Crafting “The Devil Wears Prada 2” Sound
Even veteran music supervisors can be stumped. When asked to distill her year-long sprint building the soundtrack for “The Devil Wears Prada 2,” Julia Michels needed time. Her answer—Michael Jackson’s “Working Day and Night”—captures the relentless pace behind a project that demanded she honor a beloved original while redefining what “Prada” sounds like two decades later.
Curry Barker’s “Obsession”: The Indie Horror That Turned L.A. Into a Nightmare Playground
Shot in just 20 days for under $1 million, “Obsession” turned writer-director Curry Barker into one of TIFF’s breakout filmmakers—transforming a simple premise into a dark, feverish crowd-pleaser that caught the eye of Focus Features and proved that scrappy indie horror can still erupt into something big.
How Costume Designer Daniel Lawson Gave Carrie Preston’s “Elsbeth” a New York Glow-Up
“She uses her dress to disarm people… It’s her Trojan horse,” says costume designer Daniel Lawson. On “Elsbeth,” Carrie Preston’s brilliantly offbeat sleuth isn’t just solving murders—she’s doing it in bold colors, daring patterns, and a wardrobe designed to distract, delight, and ultimately deceive.
How Gregory Hernandez Is Bringing Independent Cinema Back to the Bronx
As CinemaCon celebrates theatrical storytelling, Gregory Hernandez is working to bring that same magic home—rebuilding cinema culture in the Bronx with a permanent space for independent film, careers, and community.
The Man Who Redefined the Theater Experience: MPA America250 Award Winner Steven Spielberg
At CinemaCon, the Motion Picture Association honored Steven Spielberg for a career that reshaped modern cinema, from “Jaws” to his upcoming return to sci-fi with “Disclosure Day.”
CinemaCon 2026: An Unrecognizable Tom Cruise is a Deranged Billionaire in Alejandro González Iñárritu’s “Digger”
Tom Cruise stunned the CinemaCon crowd with a radical transformation in “Digger,” Alejandro G. Iñárritu’s darkly comic tale of power, ego, and catastrophe.
CinemaCon 2026: “Dune: Part Three” Roars Onto the CinemaCon Stage in What Denis Villeneuve Calls a Thriller
At CinemaCon, Denis Villeneuve and the cast of “Dune: Part Three” previewed the trilogy’s final chapter, unveiling explosive footage and teasing a darker, more emotional reckoning for Paul Atreides.
Why Movie Theaters Matter: ReelOutreach and the Power of the Big Screen
Growing up, Jordan Maison rarely went to the movies—but those trips meant everything. Today, through ReelOutreach, he’s giving thousands of kids their first chance to experience the magic of the big screen, whether it’s cheering through “Avengers: Infinity War” or sitting in awe inside a movie theater for the very first time.
CinemaCon 2026: New Footage Reveals an Isolated Peter Parker & MJ’s New Guy in “Spider‑Man: Brand New Day”
Four years after the events of “Spider‑Man: No Way Home,” Peter Parker is living in a world where no one remembers him—not MJ, not Ned, not the people he sacrificed everything to protect. New footage from Sony’s CinemaCon presentation reveals how “Spider‑Man: Brand New Day” begins with loss, isolation, and the painful consequences of doing the right thing.
