Building the Perfect Engine: The Filmmakers Behind Universal’s Rush
Ron Howard’s Rush hits theaters September 20, and early reviews are hailing it as one of the greatest racing movies of all time. Centered on the intense, often brutal rivalry between Niki Lauda (Daniel Brühl) and James Hunt (Chris Hemsworth) during the 1976 Formula 1 season, Rush itself was built with the scrutiny and care of a great race car team. Once Peter Morgan's script made the rounds, an incredible team of filmmakers was assembled to create one of the year's most exciting films,
From Return of the Jedi to Jack the Giant Slayer, the Worlds of Production Designer Gavin Bocquet
Starting out as a draftsman on Return of the Jedi (1983), Gavin Bocquet’s career as a production designer coincided with the development and implementation of CGI technology into all spheres of the movie business. Bocquet was at the forefront of that revolution, working regularly for George Lucas, honing his craft on the TV show The Young Indiana Jones Adventures and the trilogy of Star Wars prequels. His career reflects the developing integration between practical production design and ever evolving CGI technology.
He Builds It, Audiences Come: A Q&A With A Good Day to Die Hard Production Designer Daniel Dorrance
Production designer Daniel Dorrance’s career has been something of a monster movie carnival. That’s not to say he’s worked exclusively on movies about monsters, but rather almost exclusively on giant, sprawling epics. He’s been responsible for the creation of massive sets and managing huge departments while answering to some of the heaviest of heavy weight directors. Those directors include Steven Spielberg (Hook, Saving Private Ryan), Francis Ford Coppola (Dracula),
A Conversation With Broken City Director Allen Hughes
Allen Hughes has been making films with his twin brother, Albert, since they were 12-year- olds running around their house in Pomona, east of Los Angeles, with a video camera their mom had given them. The Hughes Brothers (as they are often credited) co-wrote and co-directed their first major feature, Menace II Society, when they were 20 years old.
Since then, the twins have made a number of gritty,
Building Beauty: A Conversation With Sarah Greenwood, Production Designer on Anna Karenina.
When thrice Oscar-nominated production designer Sarah Greenwood signed on to Joe Wright’s adaptation of Anna Karenina, she had complete trust in her longtime collaborator—but both had a nagging yet unspoken concern about how they would turn Karenina into something more than a straightforward period adaptation like the two had done on Pride & Prejudice and Atonement. Coming fresh off of 2011’s Hanna,
