Christopher Nolan and the Increasing Utilization of IMAX Cameras in Film
Camera nerds, film lovers, Nolan-heads and even some regular film enthusiasts were abuzz earlier this week when word spread that Christopher Nolan was up to some wild business (once again) with an IMAX camera. Nolan is probably the format’s most prodigious advocate (he’s part of a tribe of filmmakers who utilize the bulky-but-beautiful technology), and he always seem to be pushing the boundaries of what can (and should?) be done with these cameras. This past Monday,
Lions & Tigers & Bears, Oh My! Sled Reynolds on Filming Ferocious Animals
Credited with more than 70 movies, according to IMDB—including six Best Picture winners—Sled Reynolds has much to “crow” about. The veteran animal wrangler/trainer/coordinator has worked around the globe on such esteemed films as Dances with Wolves, Gladiator, Water for Elephants and Life of Pi, and owns and operates Gentle Jungle, a highly successful California-based animal training establishment serving movies, television and advertising.
All Hail Mary: Three Minutes With Writer/Director Extraordinaire Mary Harron (VIDEO)
Mary Harron is probably most well know for taking Bret Easton Ellis’s notoriously gruesome novel, American Psycho, and adapting it for the big screen in 2000 as both writer and director. It has become a cult classic, cementing Harron’s status as a daring filmmaker with a penchant for taking difficult protagonists (some might argue despicable) and crafting compelling, often very funny, and ultimately challenging films around them. American Psycho was engulfed in controversy before the film even began principal photography—but Harron’s handling of Ellis’s graphic,
The Perfect Note: Oscar Isaac’s Inside Llewyn Davis Performance
Oscar Isaac has a long-overdue star-making role as the title character in the Coen brothers' new film, Inside Llewyn Davis, the story of one week in the life of a folk singer living in 1961 New York. T. Bone Burnett, who also worked with the Coen brothers on Oh Brother Where Art Thou? produced the soundtrack, which includes folk standards like "Fare Thee Well," "500 Miles" and Tom Paxton's "The Last Thing on My Mind." Isaac came to Washington D.C.
Kind of a Big Deal: Anchorman Gets Newseum Exhibit
When Anchorman 2: The Legend Continues opens Dec. 20, Ron Burgundy’s news prowess won’t be the only thing on display. So too will a whole new batch of period attire, newsroom props, and—if we’re lucky—maybe another pair of burgundy briefs.
Some of those props will simultaneously be on display at the Newseum in Washington, D.C., where an Anchorman exhibit opens today with a prominent, mysterious feature: A black false wall that reads,
Documentarian Robert Kline Talks Oliver Stone, JFK, & Release of JFK DVD Box-Set
Veteran filmmaker Robert Kline served as Oliver Stone’s producer on Stone’s 1993 film Heaven and Earth. But that didn’t stop the two from arguing about who killed President John F. Kennedy.
“Oliver and I have been on location in Vietnam, and in various areas of the world, and I’ve said to him, ‘You still haven’t given me compelling proof [of a conspiracy]. You optioned two books, one by Jim Garrison and the other by Mark Lane and you made a movie.
Thor’s Adewale Akinnuoye-Agbaje on Playing the Villain
Adewale Akinnuoye-Agbaje was born in London, the son of Nigerian immigrants. He has a law degree and speaks four languages, but his intensity, deep voice and powerful 6'2" physique have him cast most often as a bad guy, from a fierce prisoner in HBO’s Oz to Heavy Duty in G.I. Joe: Rise of the Cobra. On ABC’s megahit Lost, Akinnuoye-Agbaje played the conflicted, beguiling Mr. Eko, who quickly became a fan favorite.
Brothers in Arms: Chris Hemsworth & Tom Hiddleston Talk Thor: The Dark World
For the last time, do not—repeat—do not leave the theater before the end credits are done scrolling in Marvel’s newest epic Thor: The Dark World. As any fan knows, Marvel has nearly created its own cottage industry of mid- and post-credit scenes that reward the patient moviegoer (shawarma ring a bell?) That being said, stay put till the lights come on, because this film is filled with enough action to have you white-knuckling the back of the seat in front of you—especially because of Thor and Loki’s shared plight—for most of its two hours.
The Many Moving Parts to The LEGO Movie
The toys and games of our youth have long been fodder for filmmakers. There have been six films (all direct-to-video, it should be noted) made from Mattel’s ‘American Girls’ line. Dungeons & Dragons was made into a feature film in 2000 and starred Oscar winning actor Jeremy Irons. G.I. Joe has been called into duty twice, in 2009 and just this year, in monster big budget spectacles. Transformers have been clanging their multi-purpose parts together since 2007 in three films,
Soundtrack Heaven: Inside Llewyn Davis, Her & More
Part of what we try to do on this site is introduce you to all the people who make movies. By that we mean all the people, as each film you see is a final product that was assembled by dozens, sometimes hundreds, of talented people.
Looked at a certain way, there's a Russian nesting doll quality to the medium—the director and the stars are the largest doll in the set,
Warner Bros. Recruits World’s Greatest Pickpocket, Apollo Robbins, for Will Smith Film
In 2001, the Gentlemen Thief, Apollo Robbins, was performing at a show at Caesar’s Palace, in Las Vegas. He was told former President Jimmy Carter was coming to the show, but, owing to Robbins profession, he wasn’t allowed to shake Carter’s hand. Instead, Robbins chatted up his Secret Service men. A few minutes later, he held up a copy of Carter’s itinerary, which an agent snatched from him and said, “You don’t have the authorization to see that!”
Star Wars: Episode VII’s Galaxy of Talent Behind J.J. Abrams
As useful as IMDBpro is, it’s recommendable to take the “projects in development” rubric with at least a grain or two of salt. Because really, how could one man have 28 projects in development, including the next Star Trek and Mission Impossible, while also working on a little film franchise called Star Wars?
If it were any one other than J.J. Abrams, you’d be right to assume that most of these would fall through,
Ender’s Game and 8 Films That Touch on Bullying
Looked at in a certain way, Ender’s Game follows The Hunger Games into theaters (even though the story itself predates it) as a film about the pernicious reality of bullying, and, the myriad ways one can stand up to it.
In each film, some form of tyranny is meted out, both from up close and personal and from afar. There are antagonists who tease, torment and threaten our protagonists,
Breaking Down Rom-Com Master Richard Curtis’s About Time
Richard Curtis wrote three of the most beloved romantic comedies of the mid 90s and early 2000s—in a remarkable string, he penned Four Weddings and a Funeral, Notting Hill, and Bridget Jones Diary (which he co-wrote with Helen Fielding and Andrew Davies). His directorial debut in 2003, Love Actually, which he also wrote, was an international success and helped create cross-pond love for fantastic actors like Bill Nighy, Chiwetel Ejiofor (now poised for an Oscar nomination for his starring role in 12 Years a Slave),
USC’s Paul Debevec‘s Role in The Matrix, Avatar, Gravity & More
Paul Debevec can rightfully claim that he has helped, in small ways and large, create some of the most technologically groundbreaking films of the last two decades. Debevec leads the graphics laboratory at the University of Southern California's Institute for Creative Technologies, and is a research professor in their computer science department. He is one of the most influential academics in the film world today.
Debevec’s research and technology have been used in The Matrix
Directing Diana: Oliver Hirschbigel On His Princess Di Film
German director Oliver Hirschbiegel is no stranger to controversy. His 2004 Oscar-nominated film Downfall triggered rancor in the German press for its complex, humanistic depiction of Adolph Hitler, played by Bruno Ganz. Now Hirschbiegel faces another firestorm in Great Britain for Diana, a portrait of another larger- than-life figure: Diana, Princess of Wales, played by Naomi Watts. The British press has been vitriolic towards the film, which is based on the book “Diana: Her Last Love”
Daredevil King Johnny Knoxville & Six Other Fearless Actors
Blunt force trauma—this is both a medical term and a description of Johnny Knoxville’s Jackass-related career. He’s been concussed multiple times (once via a bull), torn his urethra (attempting to backflip a motorcycle, the less you read about the particulars the better), had bone chips removed from his elbow (and probably needs further surgery on it), thrown out his back (he told he Dave Kitzkoff of The New York Times he’s not even sure how),
Janty Yates on Dressing Brad Pitt, Michael Fassbender & the Cast of The Counselor
Academy Award winning costume designer Janty Yates is a fashion time traveler. In her last 12 films (eight of which were with director Ridley Scott), Yates has designed clothes (and armor, and flight suits, and period piece suits, and…) for characters in ancient Rome (Gladiator, which earned her an Oscar), World War II era Europe (Charlotte Gray), 12th century Jerusalem (Kingdom of Heaven), 1970s New York (American Gangster),
A Bloody Good Job: Carrie’s Makeup Maestro Jordan Samuel
Makeup department head Jordan Samuel had quite a task in front of him when he joined director Kimberly Peirce and the filmmaking team behind Carrie. "Truthfully, blood itself is one of the most difficult things for a makeup artist," Samuel says, "and the more there is the more difficult it is."
Now, add to the amount of blood Samuel would be working with in Carrie to the fact that he was a major part of making sure they could pull of recreating one of the most iconic scenes in horror film history,
Gravity Shines Light on Future of 3D Filmmaking
How do you create a 3D film that’s truly worth the price of admission? If one lesson can be taken from James Cameron’s Avatar, Martin Scorsese’s Hugo, and Alfonso Cuarón’s Gravity, it’s that the extra dimension has to be crucial to the narrative itself. It’s not enough to wow people—you need a good story reason for the technology, which all of the above directors had in spades.
3D Serving the Story
Cuarón’s masterpiece took place in space,