Composer Paul Englishby on What Luther and Queen Elizabeth Have in Common

If you haven't watched BBC America series Luther, we recommend you put that on your watch list. The show stars a sensational Idris Elba as the titular detective, a near-genuis whose skill at solving crimes is almost undone by his violent passion. The show's a potent mixture of brains and brawn, which Elba carries with ease. We recently had the chance to chat with the artist responsible for the cult series’ hauntingly edgy score, Paul Englishby.

Composer Keegan DeWitt on Blythe Danner’s Magic in I’ll See You in My Dreams

We spoke with composer Keegan DeWitt, whose work has influenced a slew of very well respected films in recent years, including two very fine features by writer/director Alex Ross Perry; Listen Up, Phillip (one of 2014's surprise comedies) and Queen of Earth. DeWitt's latest work was on Brett Haley's I'll See You In My Dreams, a critically acclaimed film centered on a widow and former songstress (a great Blythe Danner) who re-embraces the world,

Your Full List of Golden Globe Winners

That's a wrap for the Golden Globes. We'll be taking a look at the highlights from the show, but for now, here's a list of every winner in every category. 

Best Motion Picture, Drama

Winner: The Revenant

Carol

Mad Max: Fury Road

Room

Spotlight

Best Motion Picture, Musical or Comedy

Winner: The Martian

The Big Short

Joy

Spy

Trainwreck

Best Director,

Your Golden Globes Nominees Announcements LIVE

You can still catch the live broadcast of the Golden Globe nominations here. Below's the list thus far. 

Best Performance by an Actor in a Leading Role in a Series, Limited Series, or Motion Picture Made for Television

Idris Elba, Luther
Oscar Isaac, Show Me a Hero
David Oyelowo, Nightingale
Mark Rylance, Wolf Hall
Patrick Wilson, 

Composing Christmas: Talking the Score of Christmas Eve With Christian Davis

With Thanksgiving neatly in the rearview mirror, the holiday season is officially upon us as it becomes time for holiday cheer and the year’s newest crop of Christmas films. Among them is Mitch Davis’ Christmas Eve, a witty dramedy following the stories of six different groups of strangers trapped inside elevators during a power outage on Christmas Eve. Starring Patrick Stewart, Jon Heder, James Roday and Julianna Guill, Christmas Eve looks to be a funny and cathartic look at life through the lens of the cheery but often stressful holiday season.

Creed Composer Ludwig Göransson Finds the Beat in Boxing

Ludwig Göransson is a Swedish composer who has scored television series, including New Girl and Community.  We spoke with Göransson about using real-life boxing sounds in his score for the new Rocky movie, Creed, co-written and directed by Ryan Coogler, and a whole lot more.

The movie is about an ambitious young boxer who is the son of Rocky’s opponent-turned friend,

The Art of More Composer Talks Scoring Sony Crackle’s First Hour-Long Drama

Sony Crackle’s first hour-long original drama The Art of More, set in the high stakes world of a fine art auction house, stars Dennis Quaid, Christian Cooke and Kate Bosworth. We talk to Canadian composer Mario Sevigny about the advantages of being a self-taught musician and the joys of scoring a character’s double life.  

https://www.youtube.com/watch?v=MunDKTnEoH0

You're a self-taught musician. How does that affect the way you approach scoring work?

Composer Kerry Muzzey on Scoring Intimate Doc The Seer

The upcoming documentary The Seer: A Conversation With Wendell Berry– directed by Laura Dunn with executive producers Terrence Malick and Robert Redford- tells the story of small generational farmers in Kentucky through the eyes of the poet, writer, activist and farmer Wendell Berry. We talk to the composer Kerry Muzzey about scoring the film and how he got over his initial fears.

You’ve said that you felt like the score for this documentary needed to be Americana,

The Sound of Fear: Composer Jóhann Jóhannsson on Scoring Sicario

Scoring Denis Villeneuve’s latest film Sicario, about the brutal battle against Mexico’s drug cartels, required quite a tonal shift for composer Jóhann Jóhannsson from his work on last year’s The Theory of Everything. He talks to The Credits about how he gravitates towards darker worlds and the challenge of scoring action sequences.

https://www.youtube.com/watch?v=7XLQ1bkSLDo

Sicario is a very tense film. Creating that mood is obviously a big part of your job when you’re scoring.

Around the Web: Ash vs. Evil Dead, The Force Awakens Chronology & More

The gang at iO9 is very bullish on Starz’s Ash vs. The Evil Dead, and we can see why. The official synopsis for the show is as follows: "Ash (Bruce Campbell), the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead. When a Deadite plague threatens to destroy all of mankind,

How Composer Daniel Pemberton Created 3 Scores for Steve Jobs

We spoke to Steve Jobs composer Daniel Pemberton, whose previous work includes Guy Ritchie’s The Man From U.N.C.L.E, about the joys of working with a director, Danny Boyle, who’s prepared to take risks, and the challenge of complementing screenwriter Aaron Sorkin’s fast-paced dialogue.

What were your original impressions of the script when you were approached about the scoring?

The first thing that happened was I had a meeting with Danny- which got moved around a lot because of the hoo-ha that was going on behind the scenes.

Third Annual Middleburg Film Festival Draws Deep Roster of Talent

In it's third year, the Middleburg Film Festival is becoming a vibrant late festival season stop for filmmakers and film enthusiasts alike. Middleburg is in Virginia's horse country, and its beauty can hardly be improved upon in late October, but as much as a draw as the setting is, the festival itself, created by BET co-founder and Sundance Institute member Sheila Johnson and ably directed by Emmy and Peabody award-winning filmmaker Susan Koch, is drawing people for it's discerning slate and roster of talent.

Composer Tom Holkenborg (Junkie XL) on Black Mass

Dutch composer Tom Holkenborg, also known as Junkie XL, is one of the most prolific film composers working today, and one of the most impressively wide-ranging. He recently scored George Miller's wildly imaginative Mad Max: Fury Road, and will be the man behind the mixer on the highly anticipated films Deadpool and Batman v Superman: Dawn of Justice. His most recent effort was Scott Cooper's gritty,

Andy Milburn on Scoring Screams in Sinister 2

Bughuul (aka The Bogeyman) is back to his terrifying ways in Sinister 2. The Credits talks to composer Andy Milburn, one half of prolific composing duo tomandandy, on working on the score and why horror requires a more delicate touch than you would think.

So, I just saw Sinister 2, and I’m terrified of horror movies, but I got through it.

Listen to Abel Korzeniowski’s Music for Penny Dreadful & More

The first time I became aware of Abel Korzeniowski's work was by accident. It was one of those serendipitous Spotify moments; listening to a one of their radio stations, a song from the soundtrack of Tom Ford's A Single Man came on. It was called "Daydreams."

That was all it took. I listened to every song on the Golden Globe nominated score of A Single Man 

Emmy-Nominated Composer Sean Callery on 24: Live Another Day & More

Composer Sean Callery is one the most prolific people working in TV today. Callery recently received his 14th Emmy nomination for his work on Fox's 24: Live Another Day. Callery's work can be heard on Showtime's Homeland, CBS's Elementary (both of which he was nominated for Outstanding Original Main Title Theme Music in 2013), and two more Fox shows—their longest running procedural drama, Bones, and their upcoming,

Composer Daniel Pemberton on The Man From U.N.C.L.E. & More

For you Peep Show fans out there (and we know you're out there), composer Daniel Pemberton is the man who created the British comedy's incredibly catchy theme song, "Pip Pop Plop." If you've never seen the show, you start watching it—it's consistently hilarious. If you have seen the show, then this little diddy will make you smile:

Pemberton has done a lot of great work for British TV,

Henry Jackman on Scoring Kingsman: The Secret Service, Pixels, Captain America & More

Killer pre-teens (Kick-Ass), killer mutants (X-Men: First Class), killer Samuel L. Jackson’s (Kingsman: The Secret Service) and now killer classic arcade game characters (Pixels), composer Henry Jackman has scored his fair share of intense action and mayhem. He's been the composer of the apocalypse (This is the End), high seas drama (Captain Phillips),

Feeling the Music of Fargo With Composer Jeff Russo

You would have been excused for wondering how in the world the folks behind FX's Fargo were going to take a classic Coen Brothers film and turn it into a viable television series. The challenge of adapting something beloved is hard enough when what you're adapting is a book, but to take an award winning and critically acclaimed film and turn it into a television series? That takes guts.

One of the ways in which 

A Look at the Career of Brian Eno, Me and Earl and The Dying Girl‘s Composer

Tell me about a new Brian Eno record – one he recorded, wrote and/or produced – and yeah, I’ll hear it. What, he made a mobile app? Hold the phone. He has a new art installation? Take me. A deck of cards? A published diary?

You get it: I’m pro-Eno, 24/7.

This week another Eno project arrives in the form of an indie film score.