Around the Web: Ash vs. Evil Dead, The Force Awakens Chronology & More
The gang at iO9 is very bullish on Starz’s Ash vs. The Evil Dead, and we can see why. The official synopsis for the show is as follows: "Ash (Bruce Campbell), the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead. When a Deadite plague threatens to destroy all of mankind,
How Composer Daniel Pemberton Created 3 Scores for Steve Jobs
We spoke to Steve Jobs composer Daniel Pemberton, whose previous work includes Guy Ritchie’s The Man From U.N.C.L.E, about the joys of working with a director, Danny Boyle, who’s prepared to take risks, and the challenge of complementing screenwriter Aaron Sorkin’s fast-paced dialogue.
What were your original impressions of the script when you were approached about the scoring?
The first thing that happened was I had a meeting with Danny- which got moved around a lot because of the hoo-ha that was going on behind the scenes.
Third Annual Middleburg Film Festival Draws Deep Roster of Talent
In it's third year, the Middleburg Film Festival is becoming a vibrant late festival season stop for filmmakers and film enthusiasts alike. Middleburg is in Virginia's horse country, and its beauty can hardly be improved upon in late October, but as much as a draw as the setting is, the festival itself, created by BET co-founder and Sundance Institute member Sheila Johnson and ably directed by Emmy and Peabody award-winning filmmaker Susan Koch, is drawing people for it's discerning slate and roster of talent.
Composer Tom Holkenborg (Junkie XL) on Black Mass
Dutch composer Tom Holkenborg, also known as Junkie XL, is one of the most prolific film composers working today, and one of the most impressively wide-ranging. He recently scored George Miller's wildly imaginative Mad Max: Fury Road, and will be the man behind the mixer on the highly anticipated films Deadpool and Batman v Superman: Dawn of Justice. His most recent effort was Scott Cooper's gritty,
Andy Milburn on Scoring Screams in Sinister 2
Bughuul (aka The Bogeyman) is back to his terrifying ways in Sinister 2. The Credits talks to composer Andy Milburn, one half of prolific composing duo tomandandy, on working on the score and why horror requires a more delicate touch than you would think.
So, I just saw Sinister 2, and I’m terrified of horror movies, but I got through it.
Listen to Abel Korzeniowski’s Music for Penny Dreadful & More
The first time I became aware of Abel Korzeniowski's work was by accident. It was one of those serendipitous Spotify moments; listening to a one of their radio stations, a song from the soundtrack of Tom Ford's A Single Man came on. It was called "Daydreams."
That was all it took. I listened to every song on the Golden Globe nominated score of A Single Man
Emmy-Nominated Composer Sean Callery on 24: Live Another Day & More
Composer Sean Callery is one the most prolific people working in TV today. Callery recently received his 14th Emmy nomination for his work on Fox's 24: Live Another Day. Callery's work can be heard on Showtime's Homeland, CBS's Elementary (both of which he was nominated for Outstanding Original Main Title Theme Music in 2013), and two more Fox shows—their longest running procedural drama, Bones, and their upcoming,
Composer Daniel Pemberton on The Man From U.N.C.L.E. & More
For you Peep Show fans out there (and we know you're out there), composer Daniel Pemberton is the man who created the British comedy's incredibly catchy theme song, "Pip Pop Plop." If you've never seen the show, you start watching it—it's consistently hilarious. If you have seen the show, then this little diddy will make you smile:
Pemberton has done a lot of great work for British TV,
Henry Jackman on Scoring Kingsman: The Secret Service, Pixels, Captain America & More
Killer pre-teens (Kick-Ass), killer mutants (X-Men: First Class), killer Samuel L. Jackson’s (Kingsman: The Secret Service) and now killer classic arcade game characters (Pixels), composer Henry Jackman has scored his fair share of intense action and mayhem. He's been the composer of the apocalypse (This is the End), high seas drama (Captain Phillips),
Feeling the Music of Fargo With Composer Jeff Russo
You would have been excused for wondering how in the world the folks behind FX's Fargo were going to take a classic Coen Brothers film and turn it into a viable television series. The challenge of adapting something beloved is hard enough when what you're adapting is a book, but to take an award winning and critically acclaimed film and turn it into a television series? That takes guts.
One of the ways in which
A Look at the Career of Brian Eno, Me and Earl and The Dying Girl‘s Composer
Tell me about a new Brian Eno record – one he recorded, wrote and/or produced – and yeah, I’ll hear it. What, he made a mobile app? Hold the phone. He has a new art installation? Take me. A deck of cards? A published diary?
You get it: I’m pro-Eno, 24/7.
This week another Eno project arrives in the form of an indie film score.
Listen to the Work of American Horror Story: Freak Show‘s Composer
It’s not like composer Mac Quayle got into this line of work exclusively to score seriously demented moments, but the Grammy® nominated musician has done just that for one of TV’s most wild shows. Quayle has written music for more than 30 films and television shows, and has made a name for himself as a dance re-mixer and multi-instrumentalist, but you might have encountered his work most recently on FX’s hit series American Horror Story: Freak Show.
Watch & Listen to Empire Composer Fil Eisler’s Favorite Scenes
Yesterday we published our interview with Empire composer Fil Eisler, and today we're going to take a look at two scenes Eisler chose as his favorite illustrations of what he brings to the show. Thanks to 20th Century Fox, who were kind enough to send us these clips.
Let's go through a few of your favorite scenes that you scored last season.
There’s a couple of scenes that I could use to illustrate the extremes of what the music can do.
Empire‘s Composer Fil Eisler on Scoring TV’s Best Show About Music
Empire was a big part of Fox's recent upfront presentation for reasons that are easy to parse. It was the number one series on TV, a smashing success for the network and invigorated the entire TV landscape. The upcoming season has been expanded to 18 episodes, and Fox announced that Alicia Keys, Lenny Kravitz and Chris Rock will be among the guest stars.
The appeal of Empire is obvious; the King Lear-like premise,
Composer Atticus Ross on Brian Wilson Biopic Love & Mercy & More
Atticus Ross is one of the most well respected composers working in film today. He is probably best known for the work he has done with two of his longtime collaborators; fellow musician and composer Trent Reznor and director David Fincher. Ross and Reznor's work on The Social Network earned them an Academy Award for Best Original Score and they grabbed a Grammy for Best Score Soundtrack for The Girl with the Dragon Tattoo won them a Grammy for Best Score Soundtrack.
Learn About Modern Film Composing With the Blair Brothers
On May 20, from 8:00am to 3:00pm, the film channel CreativeLive will unveil it's newest course in its' ongoing online global classroom for creatives; "Modern Film Composing," hosted by Will and Brooke Blair. The Blair Brothers will be coming off their latest premiere, Green Room, their second collaboration with writer/director Jeremy Saulnier after the outstanding Blue Ruin, which premiered at Sundance in 2014.
The Blair Brothers have worked in a variety of mediums.
Music Supervisors Sync Up For Pitch Perfect 2
Turns out, even music supervisors work better in harmony. Though most movies hire just one music supervisor, for the vocals-heavy Pitch Perfect Julia Michels and Julianne Jordan offered themselves up as a team to pick the songs and mash-ups for the a capella musical.
Since then, they’ve worked on four projects together, including DreamWorks Animation’s Trolls. Naturally, the duo reunited for Universal’s Pitch Perfect 2.
Starring the same a capella group three years later –with Anna Kendrick,
Lies, Illusions & Murder: A Look at True Story
Journalist Michael Finkel had a promising career ahead of him when he started at the New York Times Magazine, although his future was soon shattered by his own mistakes. Finkel was caught fabricating elements of his feature story “Is Youssouf Malé a Slave?” which looked at the life of the young, titular laborer on a cocoa plantation on the Ivory Coast. Although Malé was a real boy, it was revealed that Finkel had create the version you meet in the article from a composite of several boys he met,
Oscar-Nominated Composer Jóhann Jóhannsson on The Theory of Everything
When we spoke with composer Jóhann Jóhannson, he had just returned from performing a few pieces from his Oscar-nominated score for The Theory of Everything in a video interview published by USA Today. He was famished (he hadn’t eaten all day) and he was no doubt tired (he’d flown from Los Angeles to New York the day before, and was off to London the following day for the BAFTA awards,
Oscar Nominees Discuss Their Preparation – Part III
We’ve heard from nominees like directors Alejandro G. Iñárritu and Bennett Miller and actors Felicity Jones and J.K. Simmons, all discussing their preparation for tackling their subjects. Movies OnDemand put together these fantastic (and very brief) video interviews not just with the nominees, but with many of the serious contenders this year, including director Jon Stewart (Rosewater), composer Atticus Ross (Gone Girl) and actress Katherine Waterson (Inherent Vice).
