Interview

Location Scout

Teenage Mutant Ninja Turtles Shelled Out Big Bucks in New York

New York City is in trouble once again (just once it would be fun if the city in peril were, say, Charleston) and it’s up to four heroes (really five, counting reporter April O’Neil) to save the city, and mankind, from a remorseless villain and his minions. We’re talking about Teenage Mutant Ninja Turtles, of course, which opens this Friday, but before the film’s villain Shredder threatened to destroy New York City,

By  |  August 4, 2014

Interview

Actor, Director, Screenwriter

Fall Films Show Family Affairs Gone Bad (and Beyond)

As we look ahead to fall, we see several intriguing films coming out that focus, in one way or another, on family. While every year brings plenty of movies that focus on family matters, this year boasts what might be the single most astonishing film about a family ever created—Richard Linklater's masterpiece Boyhood. This gorgeous, meditative dance with time exposed the beauty, love, hardship and turmoil of one single family over 12-years, a feat of filmmaking that is all the more breathtaking for being in the service of a film that actually moves you. This fall’s family-centered films are a touch darker,

By  |  August 1, 2014

Interview

Art Director

The Beautiful Art That Shapes & Sells Our Favorite Films & Shows

Sketches, illustrations, storyboards, concept art, posters, digital painting and even 'for your consideration' Emmy ads for print publications like Variety are just a few of the ways in which artists help filmmakers and television creators tell, and sell, their movies and shows. The artwork can be extremely visible to the public, as AMC's Mad Men has done so brilliantly with their poster design for each new season, or simply a tool for filmmakers to use to help them craft a specific scene or sequence.

By  |  July 31, 2014

Interview

Actor, Costume Designer, Hair/Makeup, Production Designer, Props

Space Creators: Building the Guardians of the Galaxy

James Gunn's Guardians of the Galaxy opens on Earth, where a young Peter Quill sits alone in a hospital corridor, listening to his walkman. Prop master Barry Gibbs lead the search for the perfect cassette player, which took four months of internet searching and yielded only 16 cassette players in various states of disrepair that would be suitable for the film. Every detail in the film was chosen on purpose, often at great effort. In our opening scene,

By  |  July 30, 2014

Interview

Actor

Playing With Fire: Chadwick Boseman is James Brown in Get On Up

Some lives seem almost too perfectly suited to be portrayed on the big screen. The larger-than-life figures whose existences seem endlessly dramatic, enjoying the highest highs—success, adoration, fame, fortune, romance, and the lowest lows—shame, disgrace, and the specter of death. These individuals often turn out to be nearly impossible to portray successfully on screen. For every winning portrayal of an icon (Denzel Washington as Malcolm X, for example), there’s a dozen or more than seem to suffer from the responsibility of plausibly portraying an outsized personality,

By  |  July 29, 2014

Interview

Cinematographer

Garrett Brown: An Interview With a Visionary—Part II

In part one of our two-part conversation with Steadicam inventor Garrett Brown, the Philadelphia-based cinematographer talked about holing up in a motel for a week in the early 1970s to experiment with designs for a more commercial version of his revolutionary camera stabilizer. He talked about shooting his first-ever feature film using a Steadicam on Bound for Glory. And he described his improvised solution for filming one of the most famous scenes in all of cinema history: Sylvester Stallone running up the steps of the Philadelphia Art Museum in Rocky.

By  |  July 28, 2014

Interview

Director

15 Images Celebrating Batman’s 75th: Still Swinging After All These Years

DC Comics formally recognizes March 30, 1939 as the official debut of Batman, created by comic book artist Bob Kane. Or was it his secret collaborator, Bill Finger? It's fitting that the exact origin for our most tortured superhero is still somewhat murky (and part of a panel at this year’s Comic-Con, “Who Created Batman?”). Whoever deserves the credit, the first time we got a glimpse of the caped crusader was actually in May of 1939,

By  |  July 25, 2014

Interview

Actor, Director, Producer, Production Designer, Screenwriter

Comic-Con 2014: A Snapshot of Films, Panels & Events

Comic-Con and its overflowing abundance is upon us once again. We’ll help guide you through the costumed chaos with a selection of offerings from top movie studios, the “only at Comic-Con” events, and our own wish list of events.

Major Studio Showings:

Thursday, July 24

11:15am Toy Story That Time Forgot (Disney)

If the words “you’ve got a friend in me” set your heart aflutter,

By  |  July 24, 2014

Interview

Special/Visual Effects

Master of Mayhem: Prosthetic Supervisor Conor O’Sullivan

There’s not a scratch, scrape, slash or bite mark he can’t create. Broken bones and severed heads aren’t a problem. Welts, warts, rashes and burns are perfectly doable. Whether you need prosthetics for a superhero, war hero, or son or daughter of Westeros, Conor O’Sullivan is your man. O’Sullivan doesn’t only work in the realm of gore—he’s also created one of the most famous noses in film history, turning Nicole Kidman’s perfect sniffer into Virginia Woolf’s more pronounced proboscis for The Hours, 

By  |  July 23, 2014

Interview

Hair/Makeup

Hairstylist Aldo Signoretti Wigs Out on Set of Hercules

He’s done hair and makeup for the epic battles between ancient Greeks (Troy) and warring Mayans (Apocalypto). He’s created wigs for the sordid characters scheming and seducing their way through the 15th century Vatican (Borgias), 19th century gangsters vying for supremacy in the Five Points (Gangs of New York), and 20th century bohemians reveling and raving in a Paris cabaret (Moulin Rogue!

By  |  July 22, 2014

Interview

Cinematographer

Garrett Brown: An Interview With a Visionary—Part I

The major breakthrough moments in motion picture technology are fairly well known to the amateur film fan. There’s the advent of sound marked by the wondrous appearance of Al Jolson crooning “Mammy” in 1927’s The Jazz Singer. Technicolor, first developed around the same time, came into full bloom in the 1940s and 50s with the grand Hollywood Westerns and musicals. The first feature-length CGI movie was 1995’s Toy Story,

By  |  July 21, 2014

Interview

Director, Screenwriter

Richard Linklater on his Masterful, Moving Family Epic Boyhood

It's hard not to be a Richard Linklater fan. Before Boyhood came out, we got the chance to sit down with him, Ethan Hawke and Julie Delpy to discuss their incredible 18-year odyssey making the Before trilogy.  They were, unsurprisingly, passionate about what it was they'd accomplished—they captured a single relationship and covered it, in nine year increments,  over 18-years. In Before Sunset, Jesse (Hawke) and Celine (Delpy) are young,

By  |  July 18, 2014
Welcome to the new Credits

After a lot of thinking, tinkering and testing, we’re very excited to unveil our new website. Like an improved Iron Man suit, The Credits has upgraded its software, streamlined its design and increased its adaptability. We’ve now got a fully responsive design and layout. This means that whether you're loading up the site on your smartphone, tablet or desktop, you'll get the full expression of The Credits at your fingertips.

By  |  July 17, 2014

Interview

Stunt Coordinator/Stunt Person

Hercules Stunt Coordinator Greg Powell Talks Epic Battles

Greg Powell was born to do stunts. “I’ve been doing stunts since I was fourteen, so that’s forty-five years now,” he says. “I wake up a little bit stiff in the morning, but that’s the name of the game, and I still enjoy it." His father, Frederick “Nosher” Powell, was a stuntman, actor and boxer—he was once was a sparring partner for Joe Louis, Sugar Ray Robinson and Muhammad Ali. Greg’s uncle Dennis, Nosher’s younger brother,

By  |  July 16, 2014

Interview

Producer, Screenwriter

Exec Producer & Writer on FX’s Tyrant Talks About Groundbreaking Show

FX's new show Tyrant is unlike anything currently on television. Showcasing Arab characters and cultures, set in the Middle East, the 10-episode first season is a bold step towards showing American audiences people and situations rarely depicted. While Netflix's Orange is the New Black is deservedly lauded for filling the frame with three dimensional female characters who are black, brown, gay and transgendered, Tyrant will put faces on our screen who have too often been portrayed as villains or marginal characters at best.

By  |  July 15, 2014

Interview

Director, Screenwriter

Taiwan, Paris & the Presidio: A Global Village Creates Lucy

Filmmaker Luc Besson has a thing for dangerous women. In 1990 Besson gave us Nikita, a felon-turned-assassin in La Feme Nikita. Four years later he came back with The Professional, in which a young girl named Mathilda (Natalie Portman) is trained by professional assassin Léon (Jean Reno) after her family is killed in a police raid. And three short years after that, Besson created his most powerful woman to date, Leeloo (Milla Jovovich),

By  |  July 14, 2014

Interview

Director

Monkey See, Monkey Do: Fifty Years of Politics Surrounding the Apes Franchise

The hype for Dawn of the Planet of the Apes is unavoidable. Rave reviews are already flooding the internet and much has been made about the cutting-edge motion capture technology that renders the apes shockingly realistic, but the parallels of violence and struggles for peace have also captured viewers’ attentions. The Apes movies have always served as allegories, influenced by the political, social, economic and environmental issues of their times,

By  |  July 11, 2014

Interview

Actor, Director

Summer’s Pleasant Surprises

For those in the film prognostication business, this summer’s been a bit baffling. Many people assumed Tom Cruise’s Edge of Tomorrow would be a bust, and, regardless of it’s box office numbers, the film has been a critical smash. And Emily Blunt, Cruise’s ass-kicking co-star, is perhaps the most unexpected action hero of the summer.

It wasn’t terribly surprising that X-Men: Days of Future Past would be so good,

By  |  July 10, 2014

Interview

Actor, Stunt Coordinator/Stunt Person

Evolving Man into Ape: Simian Choreographer & Actor Terry Notary

This summer’s most highly anticipated sequel, Dawn of the Planet of the Apes, packs a serious blockbuster punch: it has state-of-the-art digital effects, sweeping apocalyptic scenes, and a cast and crew of thousands. But one man alone is responsible for the most crucial element of the film—teaching actors to convincingly portray apes.

Actor and movement coach Terry Notary is Hollywood’s resident go-to ape expert,

By  |  July 9, 2014

Interview

Director, Special/Visual Effects

Tech Evolution: The Wild Ambition of Dawn of the Planet of the Apes

When director Matt Reeves took the helm on Dawn of the Planets of the Apeshe wanted his apes, which would far exceed their numbers in Rupert Wyatt's excellent 2011 Rise of the Planet of the Apes, to have an even greater level of emotional reality. Reeves was starting fresh with an entirely new cast of humans, but he retained some crucial actors from Wyatt's film, including performance capture extraordinaire Andy Serkis and two other notable ape performers,

By  |  July 8, 2014